To L. Hyde: When does reframing work?
To Lewis Hyde's question: When does reframing work? I think the history of social movement scholarship would suggest that reframing works if:
- the new frame is resonant with the belief, values and cognitive orientation of targeted audiences; and
- when activists find that the old frames are increasingly unhelpful in their work and are actively looking for new frames.
- You can "amplify" the frame, e.g. excavate the core values and beliefs underlying the frame and make those more salient. So amplifying the "expressive life" frame might include focusing on the idea that Americans believe in self-determination, or emphasizing that expressive life is an antidote to both big government and big corporations; or that expressive life is about freedom and/or the pursuit of happiness.
- You can "extend" the frame by connecting it to other frames or other issues where there are natural allies/constituents who might be sympathetic to your frame but currently view the world through a different lens.
January 25, 2010 2:23 PM
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About
This Conversation Are the terms "Art" and "Culture" tough enough to frame a public policy carve-out for the 21st century? Are the old familiar words, weighted with multiple meanings and unhelpful preconceptions, simply no longer useful in analysis or advocacy? In his book, Arts, Inc., Bill Ivey advances "Expressive Life" as a new, expanded policy arena - a frame sufficiently robust to stand proudly beside "Work Life," "Family Life," "Education," and "The Environment." Is Ivey on the right track, or more
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Terry Teachout on the arts in New York City
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Andrew Taylor on the business of arts & culture
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rock culture approximately
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Laura Collins-Hughes on arts, culture and coverage
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Richard Kessler on arts education
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Douglas McLennan's blog
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Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
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Art from the American Outback
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Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
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No genre is the new genre
No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
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Judith H. Dobrzynski on Culture
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John Rockwell on the arts
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innovations and impediments in not-for-profit arts
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
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Martha Bayles on Film...
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Fresh ideas on building arts communities
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Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
Overflow
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Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Joe Horowitz on music
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
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Public Art, Public Space
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Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
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John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary