The expressive agenda as part of a wide social agenda
The expressive life agenda feels as much to
me like the stuff of a broad social movement as it does a framework for policy
analysis. The head of steam required for the policy analysis, the honing of
performance indicators and the required assault on producer interests in
policy-making is likely to occur only if there is, to use Bill's comment,
'an environment that honors expressive life as a public good.'
For this to happen, the agenda needs to be
linked back to the debate about what constitutes a fulfilled life,
expressive or otherwise, and whether social institutions are generally arranged
in a way that permits that life to be led and that gives us all some gentle
nudges in that direction, particularly in our formative years.
This - the good life, what it is and how you
live it - was for centuries an overt topic of discussion and not just amongst
philosophers and framers of constitutions but then sort of went
underground a little under a century ago, resurfacing in self-help literature
and a few academic books that were generally seen as eccentric and subjective
within the value-neutral realm of social science (e.g. Tibor Skitovky's The Joyless
Economy or Robert Lane's The Loss of
Happiness in Market Democracies). The burgeoning literature of
'happiness studies' is attempting to bring this together and link issues of
self-actualization back to public policy - health, education etc.
But like the
expressive life agenda with which it overlaps, the issue of how the long term
interests of individuals are best promoted in a political economy that is
dominated by producer interests is critical. It seems a long way from
artsjournal.com territory and nearer to that of adbusters but it's where Bill is
taking us. It's what political parties used to be for ...
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
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Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
Chloe Veltman on how culture will save the world
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
innovations and impediments in not-for-profit arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Joe Horowitz on music
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Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
visual
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary