Seconding the motion and considering democracy
Andrew, I second your motion that we include these activities -- not entirely sure about motorcycle maintenance . . .
The various comments about framing, vernacular, and who decides what's in and what's out have made me think hard about why I believe revisiting the language around what we do in arts/culture/entertainment or what have you is so important. By focusing on individuals as creators and instigators rather than the passive recipients of culture that is "done to them" we are beginning to address what role an expressive life should have in a developing democracy. In the US we are very much a work in progress, despite what we may tell ourselves about how much we want to export this thing we have built called freedom. Democracy requires a balance between the individual and the group -- policy helps set boundaries for how that balance will be maintained.
By examining the ways in which the narrow definition of arts and culture has limited how we think about who takes part, in what way, and why, we are perhaps rehearsing better reasons for us to regain our place in the civic conversation. The disparities of wealth and opportunity in the US (and indeed globally) are not someone else's problem -- they are everyone's problem, and I was intrigued to read recently in a work by Mark Stern and Susan Seifert that our traditional delivery systems and adherence to "star" hierarchies in the arts contributes actively to social and economic inequalities, just as in the realm of sports. Now there's an economic impact that doesn't get much air time.
Whether expressive life is the right phrase or not matters much less to me than our exploration of the dramatic need to involve far greater numbers of people in arts, culture and creative endeavours for their benefit rather than ours -- because we are not just part of an arts ecology but society as a whole, and in my view it's time we started taking that a lot more seriously.
And on that rather Calvinist note, I look forward to the ongoing discussion.
The various comments about framing, vernacular, and who decides what's in and what's out have made me think hard about why I believe revisiting the language around what we do in arts/culture/entertainment or what have you is so important. By focusing on individuals as creators and instigators rather than the passive recipients of culture that is "done to them" we are beginning to address what role an expressive life should have in a developing democracy. In the US we are very much a work in progress, despite what we may tell ourselves about how much we want to export this thing we have built called freedom. Democracy requires a balance between the individual and the group -- policy helps set boundaries for how that balance will be maintained.
By examining the ways in which the narrow definition of arts and culture has limited how we think about who takes part, in what way, and why, we are perhaps rehearsing better reasons for us to regain our place in the civic conversation. The disparities of wealth and opportunity in the US (and indeed globally) are not someone else's problem -- they are everyone's problem, and I was intrigued to read recently in a work by Mark Stern and Susan Seifert that our traditional delivery systems and adherence to "star" hierarchies in the arts contributes actively to social and economic inequalities, just as in the realm of sports. Now there's an economic impact that doesn't get much air time.
Whether expressive life is the right phrase or not matters much less to me than our exploration of the dramatic need to involve far greater numbers of people in arts, culture and creative endeavours for their benefit rather than ours -- because we are not just part of an arts ecology but society as a whole, and in my view it's time we started taking that a lot more seriously.
And on that rather Calvinist note, I look forward to the ongoing discussion.
January 25, 2010 8:04 PM
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About
This Conversation Are the terms "Art" and "Culture" tough enough to frame a public policy carve-out for the 21st century? Are the old familiar words, weighted with multiple meanings and unhelpful preconceptions, simply no longer useful in analysis or advocacy? In his book, Arts, Inc., Bill Ivey advances "Expressive Life" as a new, expanded policy arena - a frame sufficiently robust to stand proudly beside "Work Life," "Family Life," "Education," and "The Environment." Is Ivey on the right track, or more
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Dalouge Smith advocates for the Arts
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Chloe Veltman on how culture will save the world
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For immediate release: the arts are marketable
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No genre is the new genre
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David Jays on theatre and dance
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Paul Levy measures the Angles
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Judith H. Dobrzynski on Culture
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Jan Herman - arts, media & culture with 'tude
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Apollinaire Scherr talks about dance
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Tobi Tobias on dance et al...
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Howard Mandel's freelance Urban Improvisation
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Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...
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Jeff Weinstein's Cultural Mixology
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Martha Bayles on Film...
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Fresh ideas on building arts communities
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Greg Sandow performs a book-in-progress
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Harvey Sachs on music, and various digressions
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Bruce Brubaker on all things Piano
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Kyle Gann on music after the fact
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Greg Sandow on the future of Classical Music
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Norman Lebrecht on Shifting Sound Worlds
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Joe Horowitz on music
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Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Wendy Rosenfield: covering drama, onstage and off
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Public Art, Public Space
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Regina Hackett takes her Art To Go
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John Perreault's art diary
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Lee Rosenbaum's Cultural Commentary