Scorekeeping, by whom?
The previous two posts, in particular, serve as a reminder that we lack broad, independent research and think-tank infrastructure to deliver the kind of informed, disinterested, inclusive measures--and the debates surrounding them--that are key to the sort of enlightened arts policy that Bill is challenging us to imagine.
We tried. The money ran out. The same funding mindset that has a hard time going beyond direct subsidies to nonprofits and attacking system-wide concerns also has a really hard time devoting money to this kind of research and thinking capacity. As a result, it is left to advocacy groups and market-research and consulting firms. Their efforts are well intentioned, but they will not provide a credible long-term basis for objectively-rooted policy to get us to the next step.
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This Conversation Are the terms "Art" and "Culture" tough enough to frame a public policy carve-out for the 21st century? Are the old familiar words, weighted with multiple meanings and unhelpful preconceptions, simply no longer useful in analysis or advocacy? In his book, Arts, Inc., Bill Ivey advances "Expressive Life" as a new, expanded policy arena - a frame sufficiently robust to stand proudly beside "Work Life," "Family Life," "Education," and "The Environment." Is Ivey on the right track, or more
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Adrian Ellis; Alan Brown; Andras Szanto; Andrew Taylor; Bau Graves; Douglas McLennan; Ellen Lovell; Bill Ivey, William James; James Early; Jim Smith; Lewis Hyde; Marian Godfrey; Martha Bayles; Nihar Patel; Russell Taylor; Sam Jones; Steven Tepper
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