Douglas McLennan: July 2010 Archives
And they have to work to keep making the experience better. How many perfectly functional stadiums were discarded in the 1990s/00's to be replaced by facilities with better amenities? And there's barely a moment during a game when there isn't something going on to entertain fans whether there's a play on the field or not. The game brings people in. The experience keeps them coming back.
The NFL gives away a lot of its product; almost every game is broadcast live to millions of fans for free. And there are endless bits of related free content that are produced around the games and the culture of pro football. So how do you keep improving the experience? This about the new stadium in the Meadowlands:
In recent years, television coverage of the National Football League has become so rich and detailed that teams and stadiums have no choice but to respond with their own technology plays. Last spring the league's commissioner, Roger Goodell, said the experience for fans in stadiums needed to be elevated to compete with television broadcasts, to keep fans engaged -- and to keep them buying tickets -- in a challenging economic climate.So why keep the TV broadcasts free? The broadcasts not only bring in a lot of money but they also eliminate barriers to fans encountering the NFL. Without that broad base, built on free content, you don't have fans committed enough to spend money for tickets. There is something unique about the live experience. But the NFL is also realizing that it has to enhance the live experience (if not necessarily the games themselves) to compete with the free stuff they produce to draw people in the first place.To do that, stadium officials here have taken steps few other N.F.L. stadiums have. About $100 million has been spent on the stadium's technology, and a former television production executive was hired to oversee the fan experience to offer more than fans can get sitting at home on their couches in front of their high-definition television sets...For those fans who do not have smart phones, 2,200 televisions with 48,000 square feet of screens have been installed in and around the stadium, the most of any N.F.L. stadium. The applications and stadium video screens will access video feeds that can be used only in the stadium because of the N.F.L.'s television agreements. If the fan leaves, the application will no longer work and will direct fans to the teams' Web sites, which will offer less...The introduction of the smart-phone applications comes as teams confront an increasingly difficult environment to attract fans to stadiums. The images of N.F.L. players blocking and tackling on high-definition television have become increasingly life-like at the same time that the price of attending a game in person is higher than ever.
In the arts we don't think this way. We sell the "quality" of the orchestra, the "sublimeness" of the music, while the experience itself is left to take care of itself. In some more rigorous camps it's considered almost tawdry to focus on experience over music, as if taking care to carefully create the experience cheapens or detracts from the artistry somehow. Why is that? Too many arts experiences aren't enough fun, even if they're very good.
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
State of the Art
innovations and impediments in not-for-profit arts
innovations and impediments in not-for-profit arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
The Unanswered Question
Joe Horowitz on music
Joe Horowitz on music
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
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