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May 24, 2013
Pina Bausch's Successor Named At Tanztheater Wuppertal This summer, four years after Bausch's sudden death, dance educator and former company member Lutz Förster will take over as artistic director of the provincial German company that Bausch made world-famous. He is not a choreographer, and he says that "there will be no new productions until 2015."
Haberler (Istanbul) 04/24/13 (in English)
Was This Modern Dance Pioneer Forgotten Because She Got Too Cozy With The Nazis? "Isadora Duncan, Martha Graham and Bronislava Nijinska are regularly invoked to recall a golden age of female creativity and power. These women ... had a transforming influence on the language and practice of dance. And there is one more name that should also be added to the list: the German choreographer Mary Wigman."
The Guardian (UK) 05/22/13 (includes video)
Images From The Birth Of British Modern Dance "In the process of a move from [Rambert Dance Company's] old London base in Chiswick to their new South Bank headquarters, photographs of their history have been catalogued for the first time, providing a fascinating record of how an artform was created - and an audience for it."
The Guardian (UK) 05/23/13 (slide show)
May 23, 2013
Brazilian Dance Sweeps The Internet "The Passinho dance style adapts elements of North American breakdancing and R&B with indigenous styles like Capoeria, Samba no Pé ("Foot Samba") and Forró. The result is a sleek dance style that has quickly spread through the urban slums where it originated and, with the help of social media, is cracking into the mainstream, both in Brazil and abroad."
CBC 05/22/13
The Telegraph (UK) 05/21/13
May 21, 2013
Can A Dance Summit Help Fix LA's Dance Scene? "We're really trying to aim this not as a way to bemoan issues that the dance community might be encountering, but really to look at what opportunities there are, to haul out the good things that might be under-recognized, as well as to provide ways we can respectively climb out of our foxholes."
Los Angeles Times 05/21/13
Metropolitan Opera Folds Its Ballet Troupe "The Metropolitan Opera has decided to disband its resident ballet company, whose roots date back to the opera's founding in 1883. The 8 remaining dancers of the Metropolitan Opera Ballet, down from 16 in 2011, have accepted buyout packages and left the company."
The New York Times 05/21/13
To What Extent Can Merce Cunningham's Dances Be Preserved? John Cage once described his partner's art as "less like an object and more like the weather" - which doesn't stick around over time. Lizzie Feidelson, the granddaughter of Merce's first student, writes about the "dance capsules" assembled by the Merce Cunningham Trust to preserve and license his works - and considers what such documentation can, and cannot, record.
n + 1 05/20/13
The Dance Company Reality TV Built "Los Angeles-based contemporary dance company Shaping Sound ... [was born] from the Oxygen Network's
All the Right Moves" a docuseries that followed [the four founders] as they endeavored to form their own company."
The Salt Lake Tribune 05/18/13
May 19, 2013
The New York Times 05/18/13
Why Is Ballet Leadership Still Dominated By Men? "Of the girls who grow up to become top dancers, few have actually graduated into the upper levels of leadership. Right now, the biggest U.S. ballet companies are run by men -- with one exception."
Miami Herald 05/19/13
May 17, 2013
The Stage (UK) 05/15/13
May 16, 2013
I'm Sorry For The Dance World "So on behalf of the dance world, permit me to apologize for the mess you're entering into. It's insane. But it's *incredibly* exciting. The world you thought you were entering into is long dead, and none of the old (anti-intellectual, super-sexist, super-classist and SUPER-racist) rules of dance history need hold true for you."
DanceUSA 05/16/13
How British Does The Royal Ballet Need To Be? Judith Mackrell: "Critics argue that the cosmopolitan make-up of the company threatens a dilution of the British 'style'. But even that issue is moot. Dance in this country has always been a mongrel product."
The Guardian (UK) 05/15/13
BBC 05/15/13
Pilobolus Dances With Drones Company executive director Itamar Kubovy: "The prevalence of drones made it more important to understand what the kinds of interactions between man and machine is like. We wanted to explore having a space that is occupied by both machines and people - this idea that a machine is watching and surveilling and a human is responding to that."
U.S. News & World Report 05/15/13 (includes video)
May 15, 2013
Chicago Business Journal 05/14/13
Florence's Opera House To Shut Down Ballet Company "Addio to MaggioDanza, the ballet company formed in 1967 under the auspices of Florence's Maggio Musicale Fiorentino. A financial crisis has resulted in the decision to axe the ballet company ... [which] had already been streamlined to 16 elements over the last few years, and after Vladimir Derevianko left the direction of the company in 2010 it has been on shaky ground."
Gramilano (Milan) 05/14/13
The Telegraph (UK) 05/14/13
May 14, 2013
Ririe-Woodbury Dance Company Names New Artistic Director "Ririe-Woodbury Dance Company announced Daniel Charon as its new artistic director Thursday, May 9 -- the eve of its 50th anniversary. Charon becomes the first male and the second full-time artistic director to be hired by the company ... The company's founding directors, Shirley Ririe and Joan Woodbury, stepped down in 2008."
Deseret News (Salt Lake City) 05/10/13
Measuring Success: Data-Driven Dance "Judgment [in the dance field] is often based on aesthetic or taste, usually informed by exposure, and it tends to limit the conversation to 'like' or 'dislike'. ... Our goal, instead, should be to guide and instruct performers and audiences in how to evaluate the quality of a product beyond an actual performance - including how to lead to performance and advance beyond it. But how do we best determine what those include?"
Dance Advantage 05/09/13
May 12, 2013
Washington Post 05/09/13
NPR 05/10/13
May 10, 2013
Jonah Bokaer Dances With His Father "In February 2011 the choreographer and dancer Jonah Bokaer was to perform a duet,
Replica, in Carthage, Tunisia. The performance, significantly, would have been Mr. Bokaer's first visit to his father's native land. But things didn't go quite according to plan."
The New York Times 05/09/13
Flash Mobs Go Corporate (At Least It's More Paid Work For Dancers) "The original flash mobs often had little obvious purpose and were decidedly noncommercial gatherings by amateurs, says Bill Wasik, who is widely credited with creating the first flash mob, in 2003." No more. "Dance Mob Nation, based in Los Angeles, says it charges an average of $2,000 to $4,000 per event and as much as $10,000, depending on the presentation."
The Wall Street Journal 05/09/13 (includes video)
May 9, 2013
Berlin State Ballet Gets Kinky In Nightclub "Berlin's state ballet has teamed up with a leading techno night club to produce a dark, avant-garde show with bondage masks and a bus wreck set in a former power plant that showcases the city's vibrant alternative cultural scene."
Reuters 05/07/13
Albany Times-Union 05/09/13
May 8, 2013
Royal Ballet Runaway Sergei Polunin Complains Of 'British Mafia' "The British paid for their houses with Nureyev and made their careers out of him. But, when he was past his best, they simply threw him out. ... They get rid of everyone: It's a kind of British mafia. So I thought that, in a few years' time, someone young would come along - someone who was easier to manage and who didn't need to be paid as much."
Russia Beyond the Headlines (Izvestia) 05/03/13
May 7, 2013
Yahoo! (AP) 05/02/13
Chicago Sun-Times 05/03/13 (includes video)
May 6, 2013
Ballet Students On Two Continents Collaborate Through Technology "Dancers in Toronto will sometimes be in front of the screen, sometimes behind it for a translucent effect, with the performers in Amsterdam posing a "question" physically and the students in Toronto creating an answer. Then, the piece finishes with all the dancers on stage, moving in unison with those on screen."
CBC 05/05/13
May 5, 2013
The New York Times 05/05/13
The New York Times 05/04/13
May 3, 2013
Dance/USA 04/25/13
British Dancers Launch Campaign To Improve Working Conditions "Dancers United UK, a campaigning body that has been founded by working artists in the industry, wants to put a stop to unpaid work, which is often advertised as 'good exposure', and to establish guidelines for minimum rates of pay. The founding members also want to tackle issues such as guaranteed lunch breaks, the availability of drinking water on sets and payment for overtime."
The Stage (UK) 05/01/13
The Guardian (UK) 05/02/13 (includes video)
May 2, 2013
When Flappers Led The Way To Feminism "From the barefoot ecstasies of Isadora Duncan, whose free, expressive dancing struck a blow against the corseted rigours of classical ballet, to the collective 'jazzing' of the 1920s, dance came to play a surprisingly emblematic role in the story of women's liberation."
The Guardian (UK) 04/29/13
May 1, 2013
The Moscow Times 04/30/13
Martha Graham Dance Co. Makes Do After Loss Of Sets And Costumes The flooding of the troupe's storage space during Hurricane Sandy "gave us an opportunity actually to try a new version of one of Martha Graham's classic dances,
Errand into the Maze. And we decided to feature the choreography itself without the classic set and without the traditional costumes to give audiences a fresh look at it," says artistic director Janet Eilber.
NY1 04/29/13 (video)
April 30, 2013
Chicago's Luna Negra Dance Theater's Future In Doubt As Artistic Director Quits "Gustavo Ramirez Sansano, the audacious and imaginative artistic director who has led the Latino-rooted Luna Negra Dance Theater here since 2010 - and transformed it into a company of great sophistication and experimentation - has stepped down from his post, effective immediately. ... [The company] has been suffering from previously undisclosed financial and administrative problems for many months."
Chicago Sun-Times 04/29/13