— Jessica Morgan, currently director of New York’s Dia Art Foundation. “Morgan will need to guide the organisation through a difficult financial landscape, raise poor staff morale and grapple with fluctuating visitor numbers.” - The Guardian
Beginning and End, a 452-square-foot mural painted by Julio Escámez, was unveiled in 1972 by the Allende-aligned government of the city of Chillán, 250 miles south of Santiago. After Pinochet’s coup, he ordered the mural destroyed, and it was thought lost; in 2021, conservators discovered that it had been only painted over. - Artnet
Chicago, where the skyscraper was born, stood between the Western frontier of violence, timber, and gold and the banking capitals of the East Coast. It was at the center of a bridgeable world and the resources that flowed through it, requiring a degree of capital consolidation the likes of which had never been seen before. - The Nation
It monitors customers’ social media activity and internet searches, factors in Hailey Bieber’s latest outfits and spits out 300 styles a month made cheaply in China. After it reached $460 million in sales in 2025, one of its founders boasted to The Wall Street Journal, “We’re more like a data company than a fashion company.” - The New York Times
This year, the houses devoted nearly as much space to private sales, lending, financial services, luxury goods, hospitality, and advisory work as they did to paintings and sculptures. Read together, they suggest that the biggest transformation in the auction business isn’t the recovery itself. It’s the transformation of the auction houses’ businesses. - ARTnews
The PRESERVE Act (“Protecting Resources and Ensuring Stewardship of Enduring Records of Visual Expression Act”) would require the General Services Administration, which manages federal agencies, to identify any artworks contained within government buildings deemed “surplus property” and form a committee to oversee the future of said artworks. - ARTnews
“Are we witnessing the art world’s Napoleonic march to Moscow, an over-expansion propelled by hubris that is now inevitably falling to its knees?” - Artnet
“Heavy J was creating a poster ... for the animated fairytale The Little Mermaid. The man with the knife wasn’t a killer but the film’s kind-hearted prince, Eric. The skull was also unrelated to the story. ‘We add more to make people interested,’ said Heavy J.” - The Guardian (UK)
Yikes: "Video footage ... shows water pooling on the gallery floor as staff members move quickly to place buckets beneath active leaks, as well as water streaming down the didactic for ‘New Humans: Memories of the Future.’” - ARTnews
What the actual heck? "The turn-of-the-millennium digital photo is hard to mistake: a bit grainy, sometimes fuzzy, overexposed in the center with a blinding flash, often date-stamped in red or orange. A nostalgic haze gives photos the feel of an instant memory.” - NPR
“While Surrealism is figured as a style in popular imagination — trippy, dreamy, and escapist, detached from reality in every way — (the exhibition) ‘In the Very Bowels of Change: Surrealism and Antifascism’ reminds just how much the movement was formed in response to the politics of its time.” - Art in America
“The Metropolitan Museum of Art has tested positive for traces of the bacteria linked to a Legionnaires’ disease outbreak on Manhattan’s Upper East Side, health officials announced Tuesday. The bacteria were previously detected at the Solomon R. Guggenheim Museum, as authorities continue searching for the source of the outbreak.” - ARTnews
MONA, owned and run (in famously quirky style) by gambling mogul David Walsh in Australia’s island state, is slated to open its first satellite museum on the banks of the Chao Phraya River in the Thai capital in 2029. - Artnet
