Rather than construct an imagined past as a universal tradition, as with conventional monuments... contemporary artists understand ambivalence and impermanence as key conditions of resistance, whether in the form of ephemeral materials, representations that flit across binaries, or speculative propositions for the future that challenge linear readings of history. - Hyperallergic
The sheer amount of structural steel – 95,000 tonnes in total – is obscene for a building that contains just 60 storeys in its 423-metre height, half the number of floors you might expect in such a colossus. It uses 60% more steel than the Empire State Building, which is taller and has more square footage. - The Guardian
Trump and McCrery had clashed over the president’s desire to keep increasing the size of the building, but it was McCrery’s firm’s small workforce and inability to hit deadlines that became the decisive factor in him leaving, one of the people said. - Washington Post
Well, Pantone is calling it “Cloud Dancer” and describing it with a lot of verbiage that strains credibility, but yes, it is white. As reporter Vittoria Benzine observes, “Maybe this is a good moment to note that white isn’t the absence of color, but the simultaneous presence of all hues.” - Artnet
“More than a decade after his death, the Indian Modernist M.F. Husain is getting the monumental tribute he long imagined. Qatar” — where he lived in exile after repeated death threats from Hindu nationalists — “has unveiled a new museum dedicated entirely to the artist, … cementing his place in global art history.” - Artnet
An avid carver, Décure turned the Catacombs into his private workshop. Outside of working hours—during lunch breaks and before and after his shifts—he snuck off into a side-tunnel to chisel away at three small yet highly detailed sculptures. - Artnet
The Zayed National Museum, designed by Norman Foster’s architecture firm, is one of the five museums planned for Saadiyat Island, the emirate’s purpose-built cultural district. The Natural History Museum, designed by the Dutch firm Mecanoo, features everything from meteorites to dinosaur skeletons to “Lucy.” - The Art Newspaper
The Dallas city government has voted to explore relocating and selling the brutalist city hall designed by architect IM Pei, placing the building under increased threat of demolition. - Dezeen
All in all, an exhausting year. But—if you’ll permit me—a bit of hope? For every gallery that shut down or closed a location, another seemed to open. And, as art dealers reminded me all year, when the world gets dark, artists rise to the challenge, leading the way forward. - ARTnews
The Nativity scene by artist Victoria-Maria Geyer (herself a practicing Catholic) is the first new one on the Grand-Place in 25 years, and she made the human figures without faces so that people of any background could identify with them. Alas, that’s not how the assemblage was received. - Euronews
In London, until now, post-1900 Western art was Tate territory, but the National has launched “Project Domani,” a £750 million ($998 million) plan to build a new wing for the gallery and set up an endowment to acquire and care for post-1900 art. - The Times (UK)
“The Serpentine x FLAG Art Foundation Prize, as it will be called, will be awarded every other year to an international artist who will receive £200,000 ($265,000), as well as an exhibition and programming at both institutions and an accompanying catalog.” - ARTnews
Sprawl is usually cast as an L.A. negative, but it was good for art. The horizontal city is just too big to fully gentrify; there was always another neighborhood where an artist could find studio space, or a gallery could open up shop. And they did. - Los Angeles Times
