“The move not to produce this year is meant to allow the organization to continue to rethink its future after a period of radical change. Leadership is still deciding whether Williamstown will skip only this summer or move into producing the flagship festival on a biennial basis.” - The Washington Post (MSN)
“On TripAdvisor, one user warns: ‘Don’t waste your money!’ Another pleads: ‘Kill me now!’ And yet, since 1987, Perfect Crime has been running eight times a week. Every performance stars the same actress, Catherine Russell; in nearly four decades she has missed only four performances.” - The Times (UK)
“When an obscure play called The Kholops opened in St. Petersburg in 2024, many Russians raced to see it, fearful that the authorities would quickly shut (it) down. … Nearly two years later, the doors remain open and the seats packed for The Kholops, written in 1907 by Pyotr Gnedich.” - The New York Times
“Helping stage managers and actors just shy of eligibility qualify for coverage through the Equity-League Health Fund—one of the strongest health plans in the country—is, I hope, a small but meaningful way to care for our collaborators and the larger theatre community.” - American Theatre
The touring troupe Quarantine was to perform its midday-to-midnight piece 12 Last Songs this weekend as part of the Under the Radar festival of experimental theater. Thursday afternoon the company announced that US visas had been “paused” for 10 of its 13 members, and Citizenship and Immigration Services won’t say why. - The Stage
That’s what Punchdrunk, the éminence grise of immersive companies, is doing at its southeast London headquarters. Lander 23 is an IRL multiplayer game in which teams of four audience members/players are split into two squads: "fields" who navigate an alien landscape and "drivers" who give them instructions on where to go. - The Guardian
When the old National Theatre of Wales closed in late 2024, Sheen came up with a plan. "Ultimately, I found myself arguing for something that I realised I” — with fame, professional connections, and deep-ish pockets — “was in the best position to deliver. … It could happen, but only if I did it." - BBC (Yahoo!)
Attendance for the week ending January 11 was 272,911, down about 13% from the previous week. About 92% of all Broadway seats were filled, compared with 98% during the New Year’s week. Average ticket prices took a $40 drop from the holiday prices, to an average $126.76 last week. - Deadline
The Los Angeles theater world underwent a historic leadership shift in 2023 when two artistic directors of color were placed at the helm of the city’s most prestigious nonprofit companies. -Los Angeles Times
“You are seated, waiting for the show to begin. Through your special glasses, you can see … four actors (entering). They come close to your chair and look directly at you. ‘Don’t panic,’ Ian McKellen tells you. But Ian McKellen isn’t really there. Neither are the other three actors.” - The New York Times
“I want it to be a theatre where theatre people can come and see a show and that generates a kind of warmth,” he says. “You’ll often find actors in the bar afterwards.” - The Times (UK)
“'The shared laughter in a crowded theater, the eager debrief after a musical, the heavy silence that hangs over all of us in a drama — these are moments that every New Yorker deserves,’ Mamdani said.” - The New York Times
“There was what I would not call lying to my family but obfuscating about where I was and what I was doing, as if I were having an affair. (An affair would have been easier to explain.)” - The New York Times
In the movie Kokuho, a epic covering five decades in the life of a fictional kabuki actor, we see the traditional theater slowly fade from Japanese popular culture. In real life, interest in kabuki has fallen, especially since COVID. Now there’s hope that the film’s success could attract new fans to the genre. - CNN
Mind you, this script wasn’t just spit out by a bot after one prompt. The French AI collective Obvious spent two years developing the script with the Théâtre Molière Sorbonne: training the software on the playwright’s structure and themes, then producing new drafts after feedback from scholars and actors. - The New York Times
