“Some Bay Area artists have found a way to ply their trades inside AI companies, to both parties' benefit. The catch: the techies have to take the artists' skills seriously, and the artists have to define their moral boundaries within a much-maligned, constantly evolving industry.” - San Francisco Chronicle (MSN)
Nataki Garrett Myers, former artistic director of Oregon Shakes: “Neutrality is an illusion. What the article actually offers is a case study in how comfort becomes policy — aesthetic, institutional, and ideological. That comfort has a look. It has a voice. And it has a conspicuous absence.” - Be A Ladder Leader
It’s called the two-block rule, as in, if you need to trash the show, wait until you’re two blocks away. “You wouldn’t go to someone’s house and trash their cooking, so why would you do that in a theatre?” - Washington Post (MSN)
The last hurrah of these bygone performers was the Broadway season of 1957–58, arguably the greatest season on Broadway of the last 75 years. It was the last time that all of the “hall of famers” of yore (save John Gielgud) appeared “on the boards” in the same New York theater season. - The American Scholar
Young’uns under 40 may not realize just how sleazy the heart of Broadway’s entertainment district had become by the 1980s. Now it has The Lion King, Harry Potter, office towers, and a former porn cinema remade into a flagship for children’s theater. We can thank an organization called New 42. - The New York Times
The 17,000 costume pieces are the least extravagant feature of The Gift of Christmas, the annual spectacular presented by Prestonwood Baptist Church near Dallas. On the 300-foot stage are LED screens, lasers, fireworks, trapezing elves, flying angels, and 21 animals. (And yes, shepherds, three kings, and the Holy Family. And Santa.) - Texas Monthly
“The Queen of Versailles, the biggest-budget production to open on Broadway this fall and the only large-scale new musical, aspired to be a cautionary tale about consumption and greed. Instead, it wound up as a cautionary tale about Broadway.” - The New York Times
This is not a “best of” list. What we asked hundreds of theatre folks to do was send us 10 titles they felt had been the most influential on the theatre in the past 25 years. - American Theatre
The theater festival involves collegiate theater students from across the United States, and includes eight regional competitions that have long culminated in a week-long national festival, including the awarding of scholarships and other honors, at the Kennedy Center. - Deadline
In the Abbey’s century-long history as a public institution lies a persuasive story about what a national theater could have done—or still might do—for the United States. Through the decades, the Abbey’s output has regularly showed how effectively theater can process national trauma at times when the public desperately needs an outlet. - The Atlantic
“A decade after Hamilton opened on Broadway and the Public Theater began reaping roughly $100 million for helping to develop the blockbuster musical, the legendary downtown nonprofit company is undergoing its third round of layoffs in four years.” - Broadway Journal
According to the lawsuit, Playwrights Horizons promoted the discount with the language ‘For this BIPOC Night performance, we welcome folks who are Black, Indigenous or People of Color to use code BIPOCNIGHT to unlock ($39) discount seats.’ The plaintiff, Kevin Lynch, who is white …, (paid) $90.” - The New York Times
“It’s just so difficult for (producers) to get their money back. These shows are now upwards of $25 million. Ten years ago, you could have a musical on Broadway that was probably in the $13 million range." - CNN
This feels very, let’s say, sixth-grade. One actor: “‘Theater kid’ being the bullied party is a tale as old as time. … We’ve always been the outsiders, the weirdos. It’s a quick cultural shorthand to treat us as the underdog.” - The New York Times
