“Putting a camera in the audience POV of a dance show is only a reminder that the real thing is probably way better. Putting a camera in the wings, on stage, up close and personal ... in a way that no one can experience in an auditorium — that’s worth watching.” - IndieWire
Or at least, that’s what creator Amy Sherman-Palladino (the force behind The Marvelous Mrs. Maisel) wants to see. “Ballet isn’t something for someone else. It’s storytelling; it’s athletic; it’s powerful, emotional, transporting. It’s a great, dynamic art form.” - The New York Times
“’English audiences, in particular, expect to come in, understand it, and have a good conversation about it afterwards.’ The Israeli-born, soon-to-be-British choreographer would prefer people to approach contemporary dance ‘more like a concert’ – something you experience ‘through your senses’.” - The Telegraph (UK) (Yahoo!)
“Officially called the West End Concourse, the corridor has a lot going for it: It’s easily accessible, the floors are spacious and smooth, and there are public restrooms, a rarity in New York City. It’s a ready-made stage for all sorts of group and partnered dance. … The biggest draw? It’s free.” - The New York Times
Each April, hundreds of hopeful leotard-clad dancers travel from all over to the Big Apple to audition for a coveted spot on the famous kickline — founded in 1925, halfway across the country in St. Louis, Missouri, by choreographer Russell Markert. - New York Post
“Capezio is changing hands after more than a century of family ownership. On Thursday, Argand Partners LP, a New York-based middle-market private equity firm, revealed its acquisition of Ballet Makers Inc., the parent company of the venerable dance brand.” - WWD
At opening night of New York City Ballet’s spring season, as the dancers performed Balanchine, a woman began yelling from a balcony, “We’re in a climate emergency. Our country has become a fascist regime, and we are enjoying this beauty.” - The New York Times
The company that former artistic director Li Cunxin turned into a powerhouse with an international reputation is now “beleaguered”, as one headline put it. - InDaily (Australia)
“Two former dancers … filed a lawsuit on Thursday accusing the group of amassing a financial fortune and worldwide renown by subjecting an ‘army of child laborers’ to brutal working conditions and psychological coercion.” Another former company member filed a similar suit last November. - The New York Times
Alexey Brodovitch’s Ballet gets an 80th anniversary reprint. He "intended to foreground shape, blur, contrast, gesture and motion — the atmosphere of dance — in the photographs. ‘The photograph is not only a pictorial report,’ Brodovitch said. ‘It is also a psychological report.’” - The New York Times
How is it that an island that has managed to produce one of the strongest theatrical traditions in the West could be without a national dance company? - Fjord Review
“Since its founding in 1978 …, Links has been a cornerstone of the city’s dance scene, often giving a home to experimental new works that pushed the envelope, both artistically and politically. Executive Director SK Kerastas said Thursday that the venue will continue with performances scheduled through June.” - WBEZ (Chicago)
“More than 100 dancers auditioned for just 21 spots on the New York Liberty’s cheerleading team, the Timeless Torches. Founded in 2005, less than a decade after the creation of the WNBA, the Timeless Torches are a co-ed dance group in which every member is at least 40 years old.” - Gothamist
“Iain Mackay, artistic director of the school, said studios were focusing on strength-based training for both sexes as ballet moved away from the ‘slim’ female fixture of the classical ballet repertoire. ‘Audiences want dancers they can relate to,’ Mackay said, when asked whether this included plus-sized ballerinas on main stages.” - The Times (UK)
