What about the community?
"Diversity" appears in a lot of our postings here, but if we are not prepared to address the actual sources of diverse cultural activity, can this commitment be taken seriously? This is not a matter of high art vs the rest. Here in the upper Midwest polka is huge, and a lot of Mexican Chicagoans listen to banda all day (at least they manage to support multiple commercial radio stations) -- but that does nothing to diminish the relevance or importance of Mozart. We just need to expand our field of vision. There's a whole forest out there. Why are so many of our resources and this discussion limited to so few trees?
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Our Bloggers
Sam Hope, executive director, The National Office for Arts Accreditation (NOAA);
Jack Lew, Global University Relations Manager for Art Talent at EA;
Laura Zakaras, RAND;
James Cuno, Director, Art Institute of Chicago;
Richard Kessler, Executive Director, Center for Arts Education;
Eric Booth, Actor;
Midori, Violinist;
Bau Graves, Executive director, Old Town School of Folk Music;
Kiff Gallagher, Founder & CEO of the Music National Service Initiative and MusicianCorps
Bennett Reimer, Founder of the Center for the Study of Education and the Musical Experience, author of A Philosophy of Music Education;
Edward Pauly, the director of research and evaluation at the Wallace Foundation;
Moy Eng, Program Director of the Performing Arts Program at The William and Flora Hewlett Foundation;
John Rockwell, critic;
Susan Sclafani, Managing Director, Chartwell Education Group;
Jane Remer, Author, Educator, Researcher
Michael Hinojosa, General Superintendent, Dallas Independent School District
Peter Sellars, director
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