Show us the money
We're in a dark time that is poised to have serious repercussions for many of the nonprofits that we count upon to deliver arts education programs. But the demand for vibrant, relevant art experiences at all levels far outstrips the supply. I am humbled by the fact that, in the midst of economic chaos, demand for our programs is stronger than ever. Old Town School of Folk Music will register more than 19,000 students this year, and if anything, enrollment is building as the recession deepens. In times of trouble, people value the experience of making music together. I can't help but feeling optimistic knowing that a couple of our alumni -- Malia and Sasha Obama -- will be walking in the corridors of power.
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Sam Hope, executive director, The National Office for Arts Accreditation (NOAA);
Jack Lew, Global University Relations Manager for Art Talent at EA;
Laura Zakaras, RAND;
James Cuno, Director, Art Institute of Chicago;
Richard Kessler, Executive Director, Center for Arts Education;
Eric Booth, Actor;
Midori, Violinist;
Bau Graves, Executive director, Old Town School of Folk Music;
Kiff Gallagher, Founder & CEO of the Music National Service Initiative and MusicianCorps
Bennett Reimer, Founder of the Center for the Study of Education and the Musical Experience, author of A Philosophy of Music Education;
Edward Pauly, the director of research and evaluation at The Wallace Foundation;
Moy Eng, Program Director of the Performing Arts Program at The William and Flora Hewlett Foundation;
John Rockwell, critic;
Susan Sclafani, Managing Director, Chartwell Education Group;
Jane Remer, Author, Educator, Researcher
Michael Hinojosa, General Superintendent, Dallas Independent School District
Peter Sellars, director
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