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- PEACE
WALL: France celebrates the unveiling of its Peace Wall 2000
beside the Eiffel Tower, a 17-meter long, 9-meter high wall covered
in the word "peace" in 32 languages. Artist Clara Halter
says the wall was inspired by Jerusalem's Wailing Wall. It has
"holes for members of the public to place their own personal
wishes." CBC
3/30/00
- EVERYTHING
OLD AND NEW AGAIN: American architect Rick Mather has been
entrusted to redesign and redevelop London's South Bank. Mather
has been working in London for 30 years, putting his modernist
touch on a series of redevelopment projects, including the Dulwich
Picture Gallery, National Maritime Museum, and Oxford's Ashmolean
Museum. His South Bank scheme blends conservation and renewal.
The Telegraph
3/31/00
- DON'T
FENCE ME IN: A fence being built around the Pantheon in Rome
in hopes of protecting it from vandals is earning the ire of Romans.
"Should art and architectural treasures be left to be enjoyed
as they are, despite the risks of vandals, thieves and pollution?
Or should they be fenced off, sealed behind bulletproof glass
or hauled off to museums with modern-day copies as stand-ins?"
Washington
Post 03/31/00
- FOR
MATURE AUDIENCES: A collection of ancient Roman erotica, unearthed
from Pompeii and Herculaneum, will open to the public for the
first time next month after being stashed in a Naples museum for
200 years. The so-called "secret cabinet" of artifacts
ranges from "mythological scenes of love and sex between
nymphs, gods, and satyrs that decorated Roman homes to erotic
images which were hung in brothels." Times
of India (Reuters) 3/31/00
- PYRAMID
SCHEME: French archeologists have discovered another pyramid
near Cairo, built for a queen some 4000 years ago. The find boosts
the number of pyramids in Egypt to 108. Fox
News (Reuters) 03/30/00
- THE
POLITICS OF STAMPS: Commemorative stamps are big big business,
and the US Post Office has been releasing a flood of them - 5
billion to 6 billion a year: singles, sheets, rolls, blocks, booklets,
commemorating everything from... well... Washington
Post 03/31/00
- SAVED
FROM THE BLOCK: As in auction block, of course. US customs
officials in New York seized a 10th-century Chinese marble sculpture
that they said had been stolen from an ancient tomb and was set
to be sold at Christie's auction gallery. The sculpture is said
to be one of ten ripped from the Five Dynasties tomb of Wang Chuzhi
in Hebei Province, in northeastern China, in 1994. New
York Times 03/30/00 (one-time
registration required for entry)
- UNSITED?
The drawings (by Frank Gehry) have already been done for the
Guggenheim's new branch in lower Manhattan. But the city of New
York may have other plans for the site Guggenheim officials had
settled on. New
York Times 03/30/00 (one-time
registration required for entry)
- PILING
ON: As many as 200 Australian art and antique dealers may
file lawsuits against Sotheby's and Christie's, charging the auction
houses with collusion on fixing commissions during the 1990s.
Sydney Morning Herald 03/30/00
- MILLENNIAL
AMBITION: London's much-hyped Millennium Dome has unveiled
its enduring legacy - a collection of newly commissioned artworks,
all of which are to "serve as reminders of Britain's hopes,
fears, dreams and achievements as it entered the third millennium."
London
Evening Standard 03/29/00
- A
TRAIN WRECK WITH SURVIVORS: This year's Whitney Biennial was
supposed to show that there's good art outside the main art centers.
But "the show has remarkably few surprises, and most of these
aren't that good. With several notable exceptions, too many of
the under-known artists here turn out to be that way for a reason,
which is the weakness of their work. This suggests two possible
explanations. Either the centers are more permeable than we think—that
is, 'good art' finds a way to get known—or the curators were too
narrow.
Village Voice 03/29/00
- BACK
FROM THE BRINK: After drifting into obscurity, and to the
brink of closing down, due to financial woes over the last 14
years, the Detroit Institute of Arts is back in the black due
to a new management structure, an infusion of cash from private
donors, and a major exhibition of van Gogh's paintings and drawings.
"I haven't seen it this crowded, the lines were terrific,"
said one visitor. New
York Times 0 3/29/00 (one-time
registration required for entry)
- NOT
HERE, NOT NOW: In a rare
show of public protest, some of China's preeminent architects
and scholars are voicing their opposition to a government-backed
plan to build a modern 2,500-seat opera house near Mao's mausoleum
in downtown Beijing. Critics of the Grand National Theatre - or
"big duck egg," as its glass-and-titanium design is
becoming known - cite aesthetic as well as economic rationales.
"The structure...is to cover 25 acres that supported hundreds
of courtyard houses until they were bulldozed during the past
few months." Financial
Times 0 3/28/00
- BUILDING
POLITICS: When the government of Germany moved its capital
back to Berlin, it faced a building problem. No one care much
about the East German buildings thrown up in the last 55 years.
But "the unique style of the Third Reich's state architecture
- huge, bleak geometrical structures with endless corridors are
an impressive reminder of that terrible era. Both architects and
the new tenants had to modernize these relics of totalitarian
rule in a way filled their offices and halls with the spirit of
a modern liberal democracy." Die
Welt 03/29/00
- COURTING
CONTROVERSY: With the inclusion of provocative works by Chris
Ofili, Chinese artist Cai Guo-Qiang, and others, the 12th Sydney
Biennale, which opens in May, seems ready (and eager?) for some
Brooklyn Museum-style publicity. Museum of Contemporary Art Director
Elizabeth Ann Macgregor said the show will "no doubt attract
attention with Guo-Qiang's naked woman on a horse...Chris Ofili,
the artist who uses elephant dung, and Yayoi Kusama's soft phalluses...it
may well create outrage." Be careful what you wish for. Sydney
Morning Herald 3/28/00
- MARRIED
TO THE MOB: Scottish painter Peter Howson has come clean about
his dealings with Glasgow's mafia underworld for the last 15 years.
Internationally regarded for his "macho figurative paintings,"
Howson explains "how his strange relationship with the world
of crime began when he was visited in the 1980s by the kingpin
of the Glasgow crime scene, the late Arthur Thompson, Sr., who
offered cash on the spot for a canvas. Howson found himself supplying
paintings to the city's criminals for a fraction of the price
charged by his London dealer. When he tried to renegotiate, he
got death threats. Gangsters like art, it seems, but they like
it cheap." The
Guardian 3/28/00
- MONEY
TO BURN?: "The art trade, the most discontented
profession on earth apart from farmers, has been groaning for
nine years about lack of buyers. In 1999, as times turned good,
it groaned about lack of sellers. For all its moans, it has done
well in pulling pictures out for sale." The Maastricht European
Fine Art Fair showcased a stellar body of "hidden treasures"
this year. The Fair closed yesterday, but here's a top-10 list
of masterpieces still available for sale. London
Evening Standard 03/28/00
- WE
WEAR CLOTHES IN BOCA: Artist's painting is removed by city
employees in Florida because figures in the painting weren't wearing
clothes.
Fort Lauderdale Sun-Sentinel 03/27/00
- LET
THE LAWSUIT COMMENCE: After it was discovered the Seattle
Art Museum was in possession of a Matisse stolen by the Nazis
during WWII, they were ordered to return it to its original heir.
Then SAM tried to sue the New York art gallery who sold them the
piece, but the judge threw out the case. In light of new evidence,
however, the judge has decided to let the trial go ahead. Seattle
Times 03/25/00
- EIGHT
PLUS ONE: Today the Philadelphia Museum of Art will unveil
eight paintings that have been donated by two pioneer American
art collectors. The gift, which consists of eight paintings by
the artist group known as "The Eight," and one work
by an artist outside the group will substantially strengthen the
museum's 20th century collection. Five of The Eight painters
were known as Ashcan realists - artists who "took their subject
matter from street life, which more academically inclined artists
and critics found too coarse for fine art." Philadelphia
Inquirer 03/27/00
- ON
EDGE: The new Tate Britain
hasn't lost any of its edge for concentrating on the Brits.
London Times 03/27/00
- REDEFINING
BRITAIN'S ART: The new Tate Britain has opened with some new
ideas about what art means to be British. The
Observer 03/26/00
- The
Tate Modern is set to open later this spring. Here's a
preview of the doings inside.
Sunday Telegraph 03/26/00
- THE
PROBLEM LIST: After months of delay, Boston's Museum of Fine
Art has decided to share with the world information about artwork
it has that may be suspected of being stolen. The MFA will post
information about these works on the internet. Boston
Globe 03/25/00
- IT'S
RAINING BLOCKBUSTERS: Chicago's museums have been selling
tickets at a record-breaking pace. The hottest ticket currently?
The Dead Sea Scrolls at the Field Museum. "At this
rate, the Dead Sea Scrolls exhibit will be "the biggest,
certainly post-King Tut, in recent decades." Chicago
Sun-Times 03/21/00
- DELAYED
RESPONSE: Trustees of The Boston Museum of Fine Art met last
night to approve a plan to which would reveal which pieces
of artwork in its collection may have been stolen by the Nazis
during WWII. While the "plan" is still a mystery to
the public, the MFA is expected to make a statement sometime today,
and may announce some of the names of the questionable pieces
as early as next month. Boston
Herald 03/24//00
- TAKE
THAT, MILLENNIUM DOME: No, it wasn't the mega-expensive tribute
to vanity that walked off with the honors in this year's London
Civic Trust awards for excellence and innovation in urban design,
architecture, and restoration. The big prize went to architect
Roland Paoletti and a civic work infinitely more practical - his
extension of the London Underground's Jubilee Line. London
Times 03/24/00
- ART
BY COMMITTEE: So what did you expect, already? This year's
Whitney Biennial is the product of a committee of curators, and
the results are - BORING. (this isn't good). New
York Times 03/24/00
(one-time registration required for entry)
- Whitney
Biennial:
more for tourists
than art lovers.
Los Angeles Times 03/24/00
- AND
WHERE IS MR HAACKE? In a small room on the third floor,
and not making much of a fuss. Given all the controversy surrounding
Hans Haacke's piece about the New York mayor, it doesn't come
close to setting the tone for this biennial. New
York Times 03/24/00
(one-time registration required for entry)
- Non-radical
chic
Slate 03/23/00
-
SHIFTING
PERSPECTIVE: In the second part of MOMA2000, in which the
New York Museum of Modern Art has dismantled and rearranged
their permanent collection, "Making Choices" examines
the years between 1920 - 1960. "Iconic works are plucked
from their usual place in Art 101 and placed in a new context;
lesser-known works, rarely seen, emerge from museum storage;
all the different arts are mixed together." In this fashion,
"the shows together ask not only that you, the viewer,
encompass contradiction and paradox but that you acknowledge
that good and evil sometimes draw from the same fires in the
heart. Which is not a bad way to know the twentieth century."
New
York Magazine 03/27/00
-
ART
SCRUM: No, it's not a pretty sight at all. Australia's top
auction houses are elbowing one another out of the way for the
right to sell the $10 million Mertz collection of Australian
art which will return to its homeland after 35 years in the
U.S. "It's an extraordinary collection of iconic Australian
images," said Sotheby's Managing Director Paul Sumner.
The sale's expected to be the most lucrative art auction Australia
has ever seen: "Whichever firm wins will not only earn
more than $1 million in commissions but will have the chance
to sell the last big collection of Australian art still in 'private'
hands." Sydney
Morning Herald 03/24/00
-
THOU
SHALT NOT... A stone sculpture by Berlin artist Alexander
Polzin is at the center of a fiery debate in Israel. The culmination
of seven months as an artist-in-residence working on a massive
block of red Sinai granite, his sculpture "Der Steinhändler"
(the trader of stones) has been attacked repeatedly. The attacks
are presumed to be religiously motivated, by Orthodox Jews opposed
to Polzin's violation of the commandment, "Thou shalt not
make for yourself a graven image." Die
Welt 03/24/00
-
SPACE
WARS: While closed to the public for renovation, the National
Portrait Gallery and National Museum of American Art in Washington,
DC are already feuding over how to allocate space when the building
they share reopens in three years. At least there's time to
duke it out. Washington
Post 03/23/00
-
VINTAGE
MANIA: Once the sole obsession of film buffs, collecting
vintage film posters has become a big business over the last
10 years. Christie's is holding its vintage film poster auction
Monday, and fans - "who get their kicks from having a slice
of cinema history on their living room walls" - are already
speculating about record-breaking prices. "The undoubted
highlight is the chance to bid for rare original 'Casablanca'
posters, including Pierre Pigeot's steamy exotic 1942 design."
The
Guardian 03/24/00
-
COOL
AND COLLECTED: The
Whitney Biennial opens today and one can't help but be struck
by the cool detachment of much of the work. "It is not
indifference to connecting with viewers but a prevailing sense
that the artists' responsibility is more to themselves and their
work than to some theory or some agenda of activism or career
ambition." San
Francisco Chronicle 03/23/00
-
DUOPOLY
BUSTER: While Sotheby's and Christie's have been embroiled
in a complicated federal antitrust investigation, Phillips auction
house - with a solid reputation in London, but usually modest
sales in the U.S. - has reported that their New York business
has exploded. Their spring sale of Impressionist and modern
art is poised to set an all-time revenue record for the 206-year-old
firm. "Phillips sees an opportunity to crack what for decades
has been a virtual duopoly that controlled more than 90 percent
of the worldwide auction market."
New York Times 03/23/00
(one-time
registration required for entry)
-
OUT
WITH THE OLD, IN WITH THE NEW: More than 50 leading UK artists
have signed on to relaunch the new Tate Britain as a home for
exclusively British art. The renamed gallery "will hold
the major collection of British artworks ranging from Elizabethan
miniaturist Hilliard to contemporary artist David Hockney."
BBC
03/23/00
-
VISUAL
CONSUMPTION: The Whitney Biennial Exhibition, which opens
tomorrow, is reminiscent of the Paris Salons of the 19th century
- a smattering of collected art crammed under one roof.
With an added abundance of film, video, and Internet art, there's
no way any of the projects will get the attention they deserve,
but the "Salons, both old and new, are about visual consumption
-- a breezy shopping trip for mind and eye in the art world's
megamall." The
Globe and Mail (Toronto) 03/22/00
-
IN
HOT WATER, AGAIN: Back
in 1983, London's Marlborough Gallery was "at the center
of one of the art world's most spectacular scandals--the plundering
of the estate of Mark Rothko," for which the gallery's
founder was convicted of evidence tampering. Now Marlborough
has been accused of cheating the late painter Francis Bacon
of his financial due and systematically defrauding him and his
heir of tens of millions of dollars. New
York Times 3/22/00 (one-time
registration required for entry)
-
DAMAGED
GOODS: San Francisco's DeYoung Museum has put on display
the three Dutch master paintings (now in desperate need of restoration)
that were stolen from the museum in an infamous 1978 heist.
Called a "great recovery story" by the museum's director,
the stolen art works - including Rembrandt's "Portrait
of a Rabbi" - mysteriously turned up last year at a New
York gallery in an anonymous unmarked box. NPR
3/21/00
[Real audio file]
-
QUIT
STALLING! It's been two years since the Boston Museum of
Fine Art declared they would conduct an inquiry on works that
may have been stolen by the Nazis during the Holocaust...with
what appears to be strong evidence that the MFA is in fact in
possession of looted art, critics say the museum is purposely
stalling. ``'If there is a good reason for not releasing those
questionable works, the museum should present that. Disclosure
is important here, and sometimes people lose sight of the importance
of disclosure, even if they are pursuing the truth.''' Boston
Herald 0 3/21/00
-
PROTEST
ART: More than 1,500 demonstrators have shown up to protest
an exhibit of contemporary portraits of Ho Chi Minh. Surprisingly,
the colorful collages are the work of a former U.S. serviceman
who says "we need to take a closer look" at the late North Vietnamese
leader's legacy. The growing throngs outside the Oakland, CA
gallery - including many Vietnamese who fled N. Vietnam during
the war and a strong showing of U.S. vets - have "called
him a mass murderer. They've denounced him as a 'lewd monster.'
But by the hundreds, demonstrators have made it clear that there's
one thing Ho Chi Minh shouldn't be: art."
CNN 0 3/20/00
-
EIFFEL
WOULD BE PROUD: Architect Michael Hopkins, responsible for
some of London's most startling modern buildings, including
the stands at Lord's cricket ground and the new Glyndebourne
Opera House, is at work on an entirely bronze-facaded new office
building for MPs adjacent to Westminster Bridge. Despite accusations
of overspending, Portcullis House is set to be one of the best
places to work on the Thames. "Not for him the polished marble
or granite veneer used on so many prestige London buildings.
This is a design 100 percent in the tradition of the great 19th-century
engineer-architects; robust, muscular, and everywhere proclaiming
the materials of which it is built."
London Times 0 3/21/00
-
A
HALLMARK OF GIVING: Kansas City's Nelson-Atkins Museum of
Art has received a donation of 84 works of art, including a
vast collection of renowned 20th-century sculptures, from the
heirs of the founder of Hallmark Cards. Pieces by Isamu Noguchi,
Claes Oldenburg, Alberto Giacometti, and Alexander Calder, among
others, as well as 52 Henry Moores will find their new home
at the Nelson-Atkins' "17-acre sculpture park, then and now
the largest of any museum's in the country."
New York Times 0 3/21/00
(one-time registration
required for entry)
-
THE
LEFT-BEHINDS: When the cool modernist artwork leaves the
old Tate to fill the new Tate Modern and the old Tate becomes
Tate Britain, concentrating on British art, will anyone be interested?
London
Times 03/20/00
-
THE
NEW NEW THING: No, it's not Haacke and Giuliani. The Whitney
Biennial is about to open, and for the first time there will
be internet art. Just one question, though - what qualifies
as internet art (and why do you need a museum in which to see
it?)
U.S. News 03/27/00
-
MASTER
CLASS: The world's greatest art fair is underway in the
Dutch town of Maastricht. This is the place for Old Master paintings.
"About two-thirds of the world's currently available supply
of Dutch and Flemish Old Masters are for sale under a single
roof, an irresistible magnet for collectors from all over the
world." But this year the fair is trying to widen its horizons,
and a record number of dealers of 20th Century art are on hand.
London Telegraph 03/20/00
-
A
CAR-PARK FOR ICE-CREAM VANS: "Modern Trafalgar Square
is a dump: Hayling Island with statues, cut off from the rest
of London by the four-ring motorway that encircles it. The pigeons
are right to deposit their opinions of it." The now-famous
Fourth Plinth project is "the smartest example of sculptural
hype I can remember in London. I cannot imagine a more prominent
urban showcase for new public sculpture than an empty platform
in Trafalgar Square, opposite the National Gallery, and the
wheeze of rotating the solutions on a regular basis means that
nobody need ever worry unduly about the permanent impact of
the results." Sunday
Times 03/19/00
-
SOCIAL
RESPONSIBILITY: Architects have a responsibility to design
buildings that look good but last long. "Buildings ought
to last. They are not supposed to fall apart. They have to be
able to take whatever pounding their users deliver. Or they
have to be so beautiful or dignified that they all but insist
that people treat them well."
Chicago Tribune 03/19/00
-
A
TRANSFORMATIVE EXPERIENCE: The new Tate Bankside museum,
scheduled to open this week, and the first new bridge across
the Thames in a century, won't just change the experience
of looking at art in London. They'll change the city itself.
The
Observer 03/19/00
-
A
NUDE'S A NUDE'S A NUDE: Artists have been exploring images
of the unclothed human body for centuries. But a new exploration
of muscular women wanders outside the traditions.
New York Times 03/19/00
(one-time registration required for entry)
-
GARBAGE
OUT: A mountainous landfill, "25 million tons of trash
piled as high as a 20-story building and stretching nearly a
mile alongside the main Jerusalem-Tel Aviv highway - a dump
so huge, so rank, so grotesque and so in your face that it is
now something more than a garbage heap - is the subject of a
new museum show. Washington
Post 03/18/00
-
CLIENT
FIXING: Investigators have discovered that auction houses
Sotheby's and Christie's swapped confidential lists of super-rich
clients. "The shared and overlapping lists of about 50
names which include some of the world's wealthiest families
were described as a crucial tool for auction houses to use in
enforcing a form of price control in which certain customers
were charged lower commissions, down to zero, that both houses
honored." New
York Times 03/17/00
(one-time
registration required for entry)
-
PLAYING
FOR ALL THE MARBLES: One by one, Britain's excuses for keeping
the Elgin Marbles are melting away. Now a poll shows that a
majority of members of the British Parliament would vote to
return the marbles to Greece. The
Economist 03/17/00
-
FAMILY
FEUD: The Whitney Museum row over
a controversial piece of art in the upcoming Whitney Biennial
has split the founding family between those who are offended
and want to withdraw their support and those who want to see
the museum be adventurous. Any idea who'll prevail? Salon
03/16/00
-
REINTERPRETING
THE 20TH CENTURY (PART II): The Museum
of Modern Art continues with its look back at the history of
20th Century art. "There has been a concerted effort to
level the playing field, to take modernism out of the hands
of the anointed few and show it to be an effort of hundreds
of people working alone or together in a range of styles and
mediums." New
York Times 03/17/00
(one-time registration required for entry)
-
CHAGALL
PAINTING FOUND: a
1910 Marc Chagall painting was discovered in Tel Aviv when a
woman went to sell what she thought were her father's worthless
art pieces. The painting, which has been valued at $50,000,
will be auctioned over the internet. The
Jerusalem Report 03/16/00
-
CHARGES
OF MISMANAGEMENT of the Hermitage Museum come into
play in Russian election. The
Art Newspaper 03/17/00
-
DIGITAL
DIMENSION: Creating a digital museum doesn't just mean throwing
up a bunch of images on the web - every museum does that these
days. A Japanese museum has undertaken a much more ambitious
sort of digital initiative - one in which its objects are digitized
so visitors can "handle" them in all their dimensions.
Daily
Yomiuri 03/16/00
-
PROPAGANDA
IN THE NAME OF ART: "There has long been a brisk trade
in the kitsch symbols of communism - the hammers and sickles,
portraits of Marx and Engels, red stars and Warhol's Mao. The
sales of this imagery, mostly among young people for whom it
has little or no real historical meaning, soared after the Berlin
wall crumbled more than 10 years ago, according to collectors.
These days, however, there is also a burgeoning interest in
the Socialist Realist art created under communism by good and
occasionally great painters who were reduced to simplistic compositions-glorified
workers with chiseled faces and bulging arms, happy comrades
astride tractors, bricklayers building the concrete Stalinist
fortresses that now mar the cityscapes of Central Europe."
Chicago
Tribune 03/16/00
-
ART
STASH: The Rubell
Family Collection of contemporary art, with more than 1,000
works by Jeff Koons, Chris Ofili (of "Sensation" fame),
Cindy Sherman, Jean-Michel Basquiat, and others, is housed in
one of the art world's unlikeliest of galleries: Miami's former
Drug Enforcement Agency contraband warehouse. The Rubells' masterpieces
hang in "a big yellowish cinderblock fortress with a security
cage for an entryway." An ironic sign of the times?
NPR
03/15/00
[Real audio clip]
-
GENERAL
STINGINESS AND A FAILURE OF IMAGINATION: "There
is pitifully little well placed modern sculpture in London,
or in most British cities. There are pieces hidden away in parks
and buildings, but nobody is commissioning the really big public
pieces by the most important contemporary sculptors - and if
they did they'd be stuck in a quagmire of planning problems."
So the best artists have been seeking commissions outside the
country. The
Guardian 03/15/00
-
CONSPIRACY
THEORY: Hans Haacke's record proves he's not anti-Semitic,
no matter what the charges whirling 'round his controversial
Whitney work. How did the press get such a definitive sense
of what Sanitation will look like, when it's not even
finished yet? One theory is that the Whitney is responsible.
The museum's director, Maxwell Anderson, has acknowledged that
he informed City Hall about the Haacke installation 'as a courtesy.'
The Whitney is battling a conservative image, and its director
is widely dismissed as a newcomer to the New York scene. 'Now
he's demonstrating that he's young enough, strong enough, and
activist enough.' The Haacke affair is 'the first counteroffensive
by the New York museum world, telling Giuliani to keep his hands
off.' How does this theory account for the outburst from the
Whitney heirs? "They've been out of running the museum
for some time, so they may be feeling aggrieved, and this may
be the way to show their anger." Village
Voice 03/15/00
-
GERMAN
MUSEUM returns Nazi-looted painting to heirs. Chicago
Tribune (AP) 03/14/00
-
FIRST
RETURNS: A painting has been returned by a British museum
after a list published by the government last week. "The
Three Stages of Life" (1898) a triptych by Count Leopold
von Kalckreuth, part of a traveling show at the Royal Academy
of Arts called "1900: Art at the Crossroads," is the
first restitution of a painting on view in a British institution.
New
York Times 03/14/00
(one-time
registration required for entry)
-
PRESERVATIVE
ENCROACHMENT: When Korea abandoned
centuries of isolationism and opened its doors to the West in
the 1880s, a floodgate of Western culture arrived. Westerners
built towering buildings that dwarfed traditional wooden structures
and thatched huts in Seoul, major port cities and other major
evangelistic posts. The buildings are now a symbol of the beginning
of Western encroachment, and the government has decided to protect
them as part of the country's heritage.
Korea
Herald 03/14/00
-
PASSION
FOR ART: In the past few months, at least nine galleries
in Montreal have been looted in a rash of smash-and-grab incidents.
CBC 03/14/00
-
AT
THE RISK OF BEING CYNICAL: Artist defends his controversial
work for Whitney Biennial. "What I'm very upset about is
the attempt to dictate to museums what they show, and the statements
made by politicians in Washington that have curtailed the freedom
of the National Endowment for the Arts. The attention to those
issues is deflected by the spin of my supposedly having trivialized
the Holocaust." New
York Times 03/13/00
(one-time
registration required for entry)
-
GROSS?
YES GROSS: San Francisco art student's sex-act performance
deserved a F for unoriginality. But "what is going on here
is part of a long and rich tradition, here recapitulated more
as a whimper than as a bang. Shocking the bourgeoisie has been
a goal of Western artists for the past 150 years. When Edouard
Manet painted a cheeky prostitute who boldly looked back at
the presumed male viewer as a decidedly non-classical nude,
he helped set off an artistic challenge to shock the viewer
that has escalated with every subsequent generation. But after
more than a century and a half, virtually everything has been
done before." San
Francisco Examiner 03/13/00
-
THE
NEW PUBLIC ARTISTS: "Unlike earlier artists - Dadists
in the 1910s and twenties, feminists in the seventies - who
have thrown grenades at the establishment from the hypothetical
outside, these artists are relatively calm about their complicity
with the 'system': museums, galleries, funding institutions,
advertising. Call it 'new genre public art' as one 1995 book
does; call it a return to the streets." Feed
03/09/00
-
SPERM
SENSE: Do your sperm spend more time in museums than you
do? DNA maps unlock the self and become fodder for art. Seattle
Post-Intelligencer 03/13/00
-
ANOTHER
NAZI CLAIM: The heir of a German industrialist
is seeking a 19th-century landscape by Courbet from the Art
Institute of Chicago, that she says was stolen from her father
by Nazis in WWII. Her successful bid last summer for a van Gogh
drawing, L'Olivette, from a Berlin museum has been widely credited
with accelerating Germany's program to return looted art.
Jerusalem
Post 03/12/00
-
HEIR
OF WHITNEY MUSEUM FOUNDER says she'll
cut off her support to the museum in protest. Marylou Whitney
said that a work by Hans Haacke, planned for the Whitney's 2000
Biennial, would belittle the Holocaust, politicize art and violate
the principles on which the Whitney was founded by her late
mother-in-law, Gertrude Vanderbilt Whitney. New
York Times 03/12/00 (one-time
registration required for entry)
-
OTHER
WHITNEYS DEFEND WORK: As Marylou
Whitney withdrew her support of the Whitney Museum two other
Whitney heirs lambasted her position. "It is regrettable
that so many have chosen to lash out at an artist who has
consistently been a voice of social conscience ... This
country should allow the free and unfettered expression
of ideas through art." New
York Post 03/12/00
-
GIULIANI
WON'T BE PUNITIVE he says, about
a work in the Whitney Biennial that compares the New York
mayor to the Nazis. New
York Times 03/11/00 (one-time
registration required for entry)
-
WHERE
IS DR. GACHET? Rumors that the famous
Van Gogh painting, bought by Japanese industrialist Ryoei Saito
at auction in 1990 for $82.5 million, would turn up in the new
Van Gogh show opening today in Detroit, prove false. Since Saito
died four years ago, museums and curators have been searching
for the most expensive painting ever sold. Philadelphia
Inquirer 03/12/00
-
BECKETT
WITH BLOCKS AND PAINT: Thirty years
into his revolution, conceptual artist Sol
LeWitt is still making his audience nervous. He doesn't
do his own work, doesn't make originals and doesn't follow his
own rules. Salon
03/12/00
-
THE
WAR IN PICTURES: In Hanoi an exhibition
of photographs from 135 photojournalists - from both sides -
who died in Vietnam during the war. Detroit
Free Press (AP) 03/11/00
-
AND
YOU THOUGHT IT WAS JUST BRICKS AND MORTAR:
Minneapolis' Walker Art Center is planning to expand. But
more than just a $50 million addition, museum leaders see the
the project as an opportunity to "reshape the center
as a populist gathering place where myriad art forms intersect
in new ways," have "the potential to alter the art
center's relationship to its neighborhood and downtown Minneapolis,
and to become an international model for how contemporary art
is housed and valued, integrated and presented."
Minneapolis
Star Tribune 03/12/00
-
SPLIT
DECISION: London's Tate Museum is
about to split itself up in a long-overdue expansion. The moves
bring questions about art and national identity. London
Sunday Times 03/12/00
-
CONTEMPORARY
SUCCESS: When LA's Museum of Contemporary
Art hired a new director last year, many were skeptical. High
on art-world credentials, Jeremy Strick lacked administrative
and fund-raising experience. Eight months into the job, Strick
has placated the skeptics. Los
Angeles Times 03/12/00
-
VANDALS
DAMAGE famous reproduction of Canadian Confederation painting.
CBC 03/12/00
-
INVESTIGATION
ON: A number of American museums are now checking to see
if any of the artwork they own might have been stolen by the
Nazis during the Second World War. Suspected works include a
Rembrandt and a Courbet. CNN
03/10/00
-
MADONNA
SUSPECT: The LA County Museum of Art says it is investigating
whether a Madonna and Child tempura panel painted around
1425 went through the hands of one of the most important
art dealers the Nazis used in their wholesale plundering
of Jewish assets, Hans Wendland.
Times of India (AP) 03/10/00
-
Painting
uncovered on check of the museum's collection for items
of questionable provenance.
Los Angeles Times 03/09/00
-
SOUNDS
OF SILENCE: Last summer the new $22 million Massachusetts
Museum of Contemporary Art opened with fanfare. It's not been
a hit with visitors. "How empty is it? On winter weekdays,
MOCA gets about 100 visitors, including school groups. Saturday
and Sunday daily attendance at least doubles that number. On
some days, there are more children scampering around the newly
opened (and free) Kidspace than there are black-turtlenecked
cognoscenti ogling the art." Boston
Globe 03/10/00
-
HIGH
RISE ADVISOR: New York's Museum of Modern Art makes a deal
to be "artistic advisor" to Japanese billionaire Minoru
Mori, to create an art museum atop a 54-story office tower in
Tokyo. Los
Angeles Times 03/10/00
-
GIULIANI
STRIKES BACK: NY mayor Rudy Giuliani says that he can't
touch the Whitney Museum because it's privately funded. But
"as a private citizen," he said he felt that artwork
attacking him was "exaggerated political demagoguery"
that does "a grave injustice to people who suffered in
the Holocaust."
New York Post 03/10/00
-
Will
Giuliani go to see this year's Whitney Biennial? “Gee,
I’ll put it on my schedule. Get my Palm Pilot,” he said
sarcastically.
MSNBC 03/10/00
-
Previously:
COME
AND GET US MR. MAYOR: The Whitney Biennial is about
to open. You just had to know someone was going to take
a poke at NY Mayor Rudy Giuliani after his pronouncements
on art during last fall's "Sensation" show at
the Brooklyn Museum. " 'Sanitation,' an installation
by Hans Haacke, a well-known German-born New York artist,
puts Mayor Rudolph W. Giuliani in the company of the Nazis,
with quotations by him written in the Fraktur script favored
by the Third Reich and the sound of jackboots marching in
the background."
New York Times 03/09/00 (one-time
registration required for entry)
-
FROM
PARIAH TO PIED PIPER: Frank Gehry's droopy, wonderfully-weird
Experience Music Project now nearing completion in Seattle is
an experience in unconventional building techniques. He enabled
the engineer to design 280 different, undulating steel ribs,
without anyone writing down or calculating the geometry of a
single one. And he's inspired a technophobic
building team to accomplish considerable engineering feats.
"For high-flying architects, they are great to work
with. You can't say that about all architects," says one
contractor. Engineering
News-Record 02/00
-
THE
YEAR OF THE MUSEUM: Between record numbers for the Norman
Rockwell, show, a Science and Industry Museum "Titanic"
exhibit, a "Dead Sea Scrolls" show, and a "Monet
to Moore" exhibition, this year looks to be a record year
for Chicago museums. Chicago
Tribune 03/10/00
-
A
BRACING DUNK IN THE PRESENT: Consider the things around
us - graphics, fashion, industrial products, architecture, interiors,
furniture, toys, stage and movie sets, and computer animation...
all these things are the products of someone's imagination.
New York's Cooper-Hewitt Museum pulls together a national design
triennial - projects by 83 designers and firms, all produced
in the last three years. "We expect survey shows to be
irritating, and this one does not disappoint." New
York Times 03/10/00 (one-time
registration required for entry)
-
HIGH
STAKES ART: Van Gogh show opening this weekend is expected
to attract 300,000 visitors and pump $30 million into Detroit's
economy.
Detroit News 03/09/00
-
HONG
KONG considers building a Sydney-style opera house that
would accommodate up to 60,000 spectators.
South Chine Morning Post 03/09/00
-
APPEARANCES
COUNT: Should museums benefit from financial deals made
with collectors who lend artwork for exhibitions? In reality,
say some museums, little money is involved. But the appearance
of impropriety is expensive. Boston
Globe 03/08/00
-
ODE
TO A CRITIC: Saluting a critic with an exhibition of art
is a dicey matter. But John Ruskin, England's greatest critic,
made it easy for the Tate. London
Times 03/08/00
-
CHRISTIE'S
sales up 17 percent last year to equal rival Sotheby's at $2.3
billion.
Financial Times 03/08/00
-
CALL
IN THE FBI: The discovery, eleven years ago of 28 watercolors,
supposedly by Georgia O'Keeffe, brought cheers, and a $5 million
sales price, largely on the word of O'Keeffe experts. Now the
paintings have been declared fakes, and the lawsuits are beginning
to fly. Who knew what when? New
York Times 03/07/00 (one-time
registration required for entry)
-
WHAT'S
WRONG WITH THIS PICTURE? Student at the San Francisco Art
Institute staged a sexually-explicit performance with a volunteer
that shocked this normally adventurous cutting-edge institution.
"It is considered a serious violation for you or any individual
to participate in any activity, sexual or not, which involves
exposing yourself or others to any bodily fluids or excretions
including but not limited to feces, urine, semen, saliva and
blood," reads a letter from the Institute's vice president
and dean of academic affairs. Washington
Post 03/05/00
-
THE
ROMANCE OF DISCOVERY: Is there nothing left to discover?
"Advances in technology, transport and communications
have made the world a smaller place. The opportunities for adventure
that lured great explorers to uncharted corners of the globe
are all but exhausted; travel writing and photography have made
even the remotest cultures into familiar, coffee-table images."
Britain's museums climb aboard the spirit of adventure. New
Statesman 03/06/00
-
AFTER
SHOCK AND SENSATION, THEN WHAT? Rich new prize for "unknown"
contemporary British artists takes some getting used to the
definitions of what's new and what's unknown.
London Telegraph 03/07/00
-
CURATOR
NO. 7, JUNIOR GRADE, REPORTING FOR DUTY: If you want to
be a curator in Korea, you'll soon have to pass a state-administered
test and get a license. Korea
Times 03/07/00
-
DESTRUCTION,
NEGLECT AND PILLAGE: Archeological treasures in Afghanistan
have been massively damaged and destroyed after years of civil
war, reports a historian and archeologist who has returned from
the region. The
Art Newspaper 03/04/00
-
CULTURAL
BADGE OF HONOR OR MARK OF IMPERIALIST SHAME? A century
after German archaeologists hauled back Pergamon's treasures,
"it's time for Berlin to consider returning some of the
antediluvian relics to the land from which they were lost."
Die
Welt 03/06/00
-
AN
INEVITABLE STATE OF AFFAIRS: "The crisis into which
the auction world is now plunged was bound to break out sooner
or later. The occasion was the U.S. antitrust investigation
of Sotheby’s and Christie’s for possible collusion in setting
commissions for buyers and sellers. But the
fundamental reason is the need for revenue, caused by the rising
costs of competition as art-market supplies inexorably diminish."
Artnewsroom.com
03/06/00
-
ROUNDING
THE FAR TURN... Reform of the French auction market is near,
and the auction houses are jockeying. Among them, Christie's,
opening a lavish new Paris headquarters this week. London
Telegraph 03/06/00
-
DOUBLE,
TRIPLE THE COST: Budget for the new Scottish parliament
has taken wing. Now there has to be blame. "But the problem
with the Parliament building in Edinburgh is far from being
a lack of ideas about its content. In fact, a lot of the extra
costs have arisen because absolutely everybody had an idea of
what the Parliament should be."
The Observer 03/06/00
-
BUT
IT'S BASIC DESIGN: The new wave of plans approved for Sydney
"are mediocre at best, and often simply ugly. Instead of
'living' they are creating a rather 'dead' city, endorsing undesirable
development, particularly on small blocks. Rising like smoke
stacks through the city fabric, they diminish the order and
clarity of Sydney streets as enunciated in city council urban
policy. Some show an ignorance of the most elementary textbook
design principles, such as continuation of facades, cornices,
roofscapes, consistency of fenestration, and pattern use of
compatible materials. Sydney
Morning Herald 03/06/00
-
TAIWAN'S
Guinness Museum of World Records to close in Taipei. A sensation
when it opened in 1995, the crowds have melted away since then.
China
Times 03/05/00
-
OWNERSHIP
PROBLEM: As Britain's museums and galleries try to apply
new consciousness about buying and owning art possibly stolen
by Nazis in WWII, auction houses refuse to give guarantees about
the provenance of the art they sell. The
Independent 03/05/00
-
CONTEMPORARY
IN THE HOUSE OF TRADITION: LA's Getty Museum collects the
old and established. But a new show invites in a group of contemporary
L.A. artists to create work inspired by whatever part of the
Getty holdings might interest them. The project invites artists
and audience to consider the Getty's traditional holdings in
new ways.
Los Angeles Times 03/05/00
-
LITTLE
ART ON THE PRAIRIE: Former Lenin Museum in the heart of
the Siberian gulag reinvents itself as a museum showing contemporary
art.
MSNBC 03/04/00
-
ARTIFACT
LAUNDERING: Israeli agents have recovered a plundered ancient
Roman-era bust after a four-year hunt. In the process they busted
an ancient-artifacts laundering ring, and for the first time
have traced a sophisticated scheme for moving stolen artifacts.
"The bust quietly passed through the hands of the thief
to a number of mediators and merchants, until finally appearing
this week proudly for sale in the shop window of an antiquities
store on the Via Dolorosa in Jerusalem's Old City." Jerusalem
Post 03/03/00
-
BEFORE
HE DIED, "Peanuts" creator Charles M. Schultz
told his family he didn't want anyone else drawing his strip,
and that animated shows based on the characters should end as
well. But when Schultz began the strip in the 1950s cartoonists
routinely gave up their copyrights to distributors. United
Media owns the "Peanuts" copyright and it got 61 percent
of its $84.9 million in 1998 revenues from the comics, TV shows
and licensing deals. Think they'll let the franchise go dark?
San
Francisco Examiner (AP) 03/02/00
-
VERONESE
DAMAGE: After
inspecting how the Louvre has cleaned a prominent painting by
Italian master Veronese, a French conservation expert despairs:
"Clothes that were originally red were now green. The whole
spatial and wonderful chromatic harmony is distorted. When you
look at the painting . . . black, red and blue colors seem to
be floating among other colors like pieces of a broken puzzle.
The light is now a cold, artificial, modern one."
London Times 03/02/00
-
CAN'T
TELL THE PLAYERS WITHOUT A SCORECARD:
Who's who and what's what in the auction-house scandals.
New
York Observer 03/02/00
-
THE
FUTURE OF THE PAST:
Exhibitions of ancient art are sexy - a few beautiful objects
organized around a theme and artfully displayed. "It is
one thing to make the perfectly accurate point that all we have
are a few remarkable artifacts coming out of what is largely
a historical void. It is another to begin to fill in that void
with a story which sounds so familiar, and hence so beguiling,
to modern ears. There is no challenge to the imagination here,
just a confirmation of things which we feel we must already
know." Al-Ahram
Weekly (Egypt) 03/01/00
-
JERUSALEM'S
ISRAEL MUSEUM
gets architects' approval for controversial expansion designed
by American James Freed. Ha'aretz
(Israel) 03/02/00
-
NOW
THAT BRITAIN HAS COME CLEAN...
by publishing a list of art in British museums that might have
been stolen by the Nazis, what are American museums waiting
for? "How is it possible that in Britain alone there are
350 works that may have been stolen and U.S. museums can't find
any?" asked Elan Steinberg, executive director of the World
Jewish Congress. Seattle
Post-Intelligencer (AP) 03/02/00
-
ARTLISTING:
Publication of a list of 350 artworks in Britain with questionable
provenance during Nazi years, had British museum organization
on the defensive Tuesday. "in Britain some museum directors
after the war had not been 'fastidious' about checking whether
paintings they bought or were given might have had a Nazi connection.
But the organization believes many of the gaps in history are
innocent but cannot yet be explained because papers have been
lost, owners have died or dealers and auction houses are unwilling
to release documents." London
Telegraph 03/01/00
-
ME
TOO: Three weeks after rival Christie's lowers its sales
commissions, Sotheby's follows suit. Did you talk to each other
about the new fees, guys? Nah.... "We did this in
light of the competitive environment we're in," said William
F. Ruprecht, Sotheby's new president and chief executive. New
York Times 03/01/00 (one-time
registration required for entry)
-
A
VIEW TO A SALE: Theoretically any work lent to a museum
by a gallery or individual is for sale. But what are the ethics?
The director of Australia's Museum of Contemporary Art has advocated
selling exhibitions not primarily to raise money but as a service
to artists and to encourage people to buy art. "I have
put into our [strategic] plan that we should be taking an active
role in encouraging the market," she said. Sydney
Morning Herald 03/01/00
-
BOOM
TIMES: The Australian art market has taken off, with the
take from auction sales doubling in the past three years. The
lucrative market has attracted some new players. Sydney
Morning Herald 03/01/00
-
KIDS'
STUFF: "You read them to your children at bedtime,
now you can own them - at a price. The area of the art market
that is now growing faster than any other is that of original
illustrations to children's books."
London
Times 03/01/00
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