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WHAT
YOU SEE... Last week director Michael Moore attempted
to parody what some feel is a carnival atmosphere around executions.
To an execution in Texas, Moore brought along "a marching
band, cheerleaders, and a lighted “scorecard” of executions
— filming the entire episode during the execution. 'They kept
trying to pump us up by saying, isn’t this great? Aren’t you
excited? They tried to portray a party atmosphere where none
existed,' says one demonstrator in attendance." Moore’s
display was said to be so extreme that even death penalty
groups were offended. MSNBC
01/31/00
-
"GIRLFIGHT"
wins top prize at Sundance Film Festival. New
York Times 01/30/00
(one-time registration required for entry)
-
EUROGLAIS:
Amidst the talk of American cultural encroachment, Europe
is struggling with its unified identity. "There is a
struggle going on to create a cultural identity for this united
Europe, and one of its arenas is the European film. If defining
that identity now is more elusive artistically, financially
and geographically than ever before, one thing is certain:
the film will be in English." New
York Times 01/30/00
(one-time registration required for entry)
-
NEW
HOST FOR "TALK": Veteran
Washington Post journalist Juan Williams takes over as host
of NPR's "Talk of the Nation," succeeding Ray Suarez.
He begins February 24th. NPR
01/28/00
-
SO
WHAT IF THEY'RE BIG: The Time Warner/EMI merger creates
the largest record company in the world. But the business
is falling apart, and all the mega-mergers in the world don't
fix the problems confronting the commercial recording business.
It's all just circling the wagons. The
Economist 01/29/00
-
ANYTIME,
ANYWHERE: MP3 downloads that
turn your computer into a stereo with instant access.
The old ways are dead.
Boston Globe 01/28/00
-
WE
NEED YOUR HELP,
says MP3 to its users. If enough of you get free music,
maybe the courts will back off. Wired
01/28/00
-
THE
CHARACTER OF A NATION THROUGH ITS TV:
They sure love their Diana Down Under. A list of the 50 most-watched
TV programs ever in Australia. Sydney
Morning Herald 01/28/00
-
TWO
GUYS, A CONDO AND THEIR MOVIE: At
Sundance, it's all about selling your film. But if you want
to see this dynamic duo's movie, "take a ride out toward
the city limits, past the racquet club, and locate the townhouse
the duo has rented for the duration of the festivals they
are not attending. Therein, you will be treated to no end
of ice-cold Bud and, if no one else happens to show, a private
screening of their $750,000 debut feature." National
Post 01/28/00
-
THE
DAY OF THE NICE LITTLE MOVIE IS OVER: There are too
many films, too many festivals and too many screens. "The
nice little movie could flourish only in unique conditions,
and those conditions don't exist anymore. There's no more
"American Playhouse" to show them on television.
There are no more independent video companies who are
starved for product. There are no more art-house cinemas
who can't get enough smart movies to fill their screens."
The rules have changed. Salon
01/28/00
-
HOME
MOVIES: These days anyone with a computer, a new relatively
cheap digital camera and a bit of creativity can be their
own producer and broadcaster. Technically, the quality can
rival professional product. CBC
01/27/00
-
EYES
IN THE BACK OF YOUR HEAD: New TV camera shoots a 360-degree
picture and puts the viewer into the action from every angle.
Wired
01/27/00
- REINVENTING ENTERTAINMENT: The
digital age is turning TV and movies upside down. Some think
the cyber-revolution will be "as radical as the shift from
radio to TV. This five-part series explores how.
-
SHOCKPROOF: New
PBS series "Culture Shock" looks at the culture
of shock in art.
- CHECKIN'
OUT THE SHORTIES:
In years past you couldn't hardly give away short films - there
was no market. But video has discovered the internet - or is
it the other way around - and suddenly Wall Street is investing
big in film on the web. And there are all the internet entrepreneurs
checking out the shorties at Sundance. Toronto
Globe and Mail 01/26/00
- TEACHING
CARTOONS TO ACT: Behind all the whizzy computerized animation
of movies like "Toy Story," there are some solid traditional
cartooning values - like story and character portrayal. No one
knew that better than Marc Davis, who died recently at the age
of 86, and was one of Walt Disney's legendary `Nine Old Men.'
Baltimore
Sun 01/26/00
- IS
MOVIE REVIEWING going through a crisis? Christian
Science Monitor 01/21/00
- AND
THEN THERE WERE FOUR: Time Warner/EMI merger shrinks the
major record-company field to four players. Can you say "oligopoly?"
Boston
Herald 01/25/00
- DOT
COMS INVADE PARK CITY: Maybe it's the legacy of "Blair
Witch" - internet companies have commanded much of the
attention at this year's Sundance Festival. Los
Angeles Times 01/25/00
- 21ST
CENTURY GOLD RUSH: The digital age is turning TV and movies
upside down. Some think the cyber-revolution will be "as
radical as the shift from radio to TV. CBC
01/25/00
- DENUDING A PUBLIC TRUST: Canada's
CBC television network told to strip itself of what its audiences
seem to watch most - American movies and hockey. Make it less
commercial, say regulators. Suicide, reply network execs.
New York Times 01/25/00 (One-time
registration required for access)
- BIG
BROTHER IS LISTENING: Technology lets marketers know what
radio station you're listening to as you pull into their parking
lot. Privacy watchdogs cry foul. Wired
01/25/00
- EMI
AND TIME WARNER TO MERGE: Music giant and multi-media behemoth
to combine in latest media consolidation. BBC
01/23/00
- SOPRANOS,
BEAUTY big winners at Golden Globes. St.
Louis Post-Dispatch 01/24/00
- CONTENT
OF FORM: Robert Redford reflects on the dance of independents
as Sundance opens. Variety
01/24/00
- HISTORICAL
SHOCK: New PBS series looks at the culture of shock in art.
But, writes one critic, in choosing to focus on controversies
from the past rather than recent issues, the show plays it safe
- "safe in its choices of art to illustrate the never-ending
conflict between artists and society, between freedom of expression
and censorship, between what is conventional and what might
lie ahead." New
York Times 01/23/00 (One-time
registration required for access)
- DVD
HACKER SETBACK: Judge grants injunction against webhosts
who have been distributing DVD decryption program that cracks
the copy-protection code DVD makers included on their disks.
Wired 01/22/00
- FCC
APPROVES LOW POWER RADIO: Move lauded by neighborhood activists
is blasted by the radio industry. Washington
Post 01/21/00
- Previously:
LOW-POWER
REVOLUTION: This
morning the Federal Communications Commission votes on whether
to allow low-power radio stations. If yes, it will revolutionize
the FM radio landscape and thousands of low-wattage new
stations could spring up around the country. Existing FM
stations oppose the idea. Washington
Post 01/20/00
- What
low-power stations mean to you.
Salon 01/20/00
- NEW
RULES ON MINORITY HIRING: FCC issues new rules aimed at
increasing minority hiring by broadcasters.
Washington Post 01/21/00
- CYBERGRASS
VS. GENDER BIAS: The Vienna Philharmonic is one of the world's
great orchestras. Also one of the few to retain a distinctive
sound that is theirs alone. Trouble is, they don't believe in
women musicians in their midst. The international campaign taking
on the VPO's sexist discrimination has been fertilized on the
internet in a real cyber-grass roots effort that has exerted
considerable pressure on the orchestra to change its ways. (be
sure to take the musical gender test part way through the story).
MSNBC
01/20/00
- I-CRAVE-LAWSUIT
GETS ITS WISH: Canadian internet startup iCraveTV.com has
been rebroadcasting American network channels available in Toronto
over the internet. Though the picture is jerky, the site has
attracted millions of visitors in a few short months. Now an
indignant Hollywood has served up a big fat lawsuit. CBC
01/21/00
- Previously:
I-CRAVE-LAWSUIT.COM:
Toronto man rebroadcasts every TV station available in Toronto
over the internet on Icravetv.com, and networks have a fit.
"It's all perfectly legal,'' he claims. Wired
12/17/99
- DRUG
OFFICE NEWSPAPER CONNECTION: Last week Salon Magazine reported
that television networks had taken money from the White House
drug office in return for inserting anti-drug messages into
their programming. The Washington Post now reports that "the
drug office says it is spending $11.3 million in the current
12-month period to advertise in 250 newspapers, and that $893,000
of that money is being spent on the New York Times, USA Today
and The Washington Post. And White House officials say that
in three cases--two of them involving the Times and The Post--newspapers
were granted $200,000 in financial credits that reduced the
amount of public service advertising they are required to provide
under the program." Washington
Post 01/20/00
- GOLDEN
GLOBES EXPLAINED: Just who are these guys, and why do they
have power? Toronto
Globe and Mail 01/21/00
- LOCO-LOGO:
CBS used digital editing technology during
its New Year's Eve broadcast to slice out NBC's Times Square
billboard and replace it with an image of the CBS logo. Ever
since, "NBC has become increasingly shrill in its protests,
going so far last week as to say that it was "shocked and
outraged that CBS News used digital imagery to alter and block
out images in public places." Whenever a for-profit company
becomes 'shocked and outraged,' it's a sure sign that we have
crossed into the realm of propaganda."
Feed 01/20/00
- "BIZARRE
LITTLE FILMS": Mental hygiene films were a staple in
American schools over the 25 years following World War II. "Students
of all ages were forced to watch these earnest but bizarre short
films, which apprised them of such things as the folly of playing
on steep precipices overlooking the ocean, the need to minimize
one's square-dancing during the early days of the menstrual
cycle, the inadvisability of shooting heroin before an important
track meet and the necessity of placing the fork to the left
of the plate." New York's American Museum of the Moving
Image resurrects some of the classics. New
York Times 01/20/00
(one-time
registration required for access)
- SUNDANCING:
This year's Sundance Film Festival gets underway. Nearly 1,700
films were submitted for consideration this year. "Clearly
a growing number of people out there want to be filmmakers.
And many of them will be found this coming week, wearing parkas
and frazzled looks, on the icy, traffic-choked streets of Park
City." New
York Times 01/20/00
(one-time
registration required for access)
- WORLD WIDE WONDER: Madonna on
your cell phone? Shopping on your pager? "The marriage
of Time Warner's movie, music, magazine and TV dynasty with
AOL's Internet kingdom has the potential to change the way we
stop, look, listen and shop - for better or worse." Singapore
Straits Times 01/19/00
- What the deal means for
TV viewers. New
York Times 01/19/00
(one-time
registration required for access)
- THE MOVIE BUSINESS IS BOOMING:
with record revenues last year. So why are movie theater companies
leaking red ink and watching their share prices dive for the
bottom? Not just too many theaters, but too many big theaters
have been built in the past few years - and now there's a glut.
The
Economist 01/21/00
- HOLLYWOOD
RULES: Movie box office was up in Australia last year, with
the latest "Star Wars" installment leading the way.
But home-grown films captured only 3 percent of the commercial
box office. Another disappointing year for the once-promising
local movie industry. Sydney
Morning Herald 01/18/00
- WATCHING
THE PAINT DRY: It's everything that conventional wisdom
says should make for a recipe for dull TV. But C-SPAN's simple
formula of turning on the cameras and letting them run captures
the energy of democracy in action. A virtual conversation with
guiding light and "Book Notes" host Brian Lamb. The
Idler 01/18/00
- RADIO
REVO: More and more web-savvy radio fans are abandoning
their local broadcast dials in favor of broadcasting over the
web. New
York Times 01/16/00
(one-time
registration required for access)
- BETTER
OR JUST LONGER? Movies and their running times. The new
ones seem to be getting longer, but do they beat the classics?
Chicago
Tribune 01/16/00
- WHITE
HOUSE CONFIRMS DEAL: Official says
White House drug czar's office reviews television scripts "to
see if they're on strategy or not" by portraying youth
drug use in a negative light. If so, the networks are given
credits that enable them to sell more air time to commercial
advertisers rather than donating it for anti-drug and other
messages. Washington
Post 01/14/00
- SOME
SURPRISE (GIVEN THE CIRCUMSTANCES):
Study commissioned by the White House, to be released today,
says television generally does a far better job than movies
and music when it comes to responsible depictions of drug,
tobacco and alcohol use. Los
Angeles Times 01/14/00
- GOVERNMENT
PAYOLA? PART II:
Federal law requires that anyone financially influencing
or contributing to programming content be revealed at the
time of broadcast. In the arrangement uncovered by Salon,
the networks are earning millions in financial incentives
from the government in exchange for inserting anti-drug
plots in TV shows. Is the practice illegal? Perhaps.
Salon 01/14/00
- UH,UH:
"NBC has never ceded creative control of any of our
programs" to the drug policy office or any other department
of government, said Rosalyn Weinman, the executive vice
president of content policy for NBC." Similar statements
from other networks.
New
York Times 01/13/00
(one-time
registration required for access)
- Networks
deny the gave government officials creative control.
Variety 01/14/00
- AP
report Baltimore
Sun 01/14/00
- Previously:
JUST
SAY "PAY ME:" Salon Magazine investigation
says that the White House got anti-drug messages sewn into
television shows in return for more than $25 million in
the past year-and-a-half. Report says that the White House
got to sign off on scripts for network shows.
Salon 01/13/00
- JUST
SAY "NON": "Distressed
by declining box office at home, French directors are blaming
some of the country's most respected film reviewers for favoring
American movies and gratuitously attacking local pictures. In
a volcanic debate that has roiled through the country's newspapers,
magazines and television screens for several months, the directors
emerged last month with a manifesto demanding that all negative
reviews be held back until after opening weekend--at least five
days following the usual Wednesday opening." Critics, as
expected, reject the idea. Los
Angeles Times 01/14/00
- TOTAL
WORLD DOMINATION, PART II: In a deal
unrelated to the Time Warner merger, AOL announces a "strategic
alliance" with PBS in which the public television system
will become a "premiere content provider" for AOL
and the internet provider will receive an on-air "branding
presence." Cleveland
Plain Dealer 01/13/00
- "SURVIVOR":
Some 6000 people answered CBS' call for participants for the
real-life "Gilligan's Island" game show. Who would
want to be dropped on an island to survive the elements and
each other? The show is being described as MTV's "The Real
World" meets "Lord of the Flies," and this week
50 of those still in contention met to try and impress producers.
Philadelphia
Inquirer 01/12/00
- MOVIE
CREDITS EXPLAINED: Gaffers? Best Boys? Here's a road map
to who gets to have their name on a movie credit roll. Salon
10/09/98
- HOLLYWOOD
UNIONS AND THE BLACKLIST: Hollywood producers "always
maintained that the blacklist was essentially forced on them
by a powerful one-two punch of politics and public opinion.
True enough. But it's also true that the Hollywood blacklist
descended directly -- perhaps even more so than previously thought
-- from a virulent strain of anti-union sentiment. New interviews,
access to internal Hollywood memoranda and a review of the existing
but largely forgotten record all suggest that unions -- one
in particular -- threatened to cut into studio control and profits.
And the studios would do anything, even ruin lives, to keep
that from happening." Salon
01/11/00
- TIME
WARNER, AOL TO MERGE: Boards of both companies unanimously
approve deal announced today. Variety
01/10/00
- THE
GIFTING GLOBES: Voter says gifts don't do much (if anything)
to win favor from press voters for the Golden Globes. "Maybe
not, but Sharon Stone went too far this year when two couriers
arrived at Golden Globe voters' doors, one bearing a cellular
telephone with a month's free calls, along with a card signed
by Stone and her Simpatico co-stars Nick Nolte and Jeff Bridges,
and the other a watch that sells for $395." London
Telegraph 01/10/00
- JUST
WHO makes the scheduling decisions at PBS? Putting great
programs on against over-hyped network sweeps and Tesh-a-thons
opposite Christmas reruns is goofy. Isn't the idea to get more
people to watch? San
Francisco Chronicle 01/10/00
- EXTRA
PAY: A group of Toronto's movie extras vote to join media
union, spurning the actors union in dispute over their low pay.
Toronto
Globe and Mail 01/10/00
- DUMB
AND DUMBER: Hollywood's mantra for popular success has been
"dumb it down." But now a wave of smart, interesting
movies seems upon us. Are we entering a new Golden Age? Toronto
Globe and Mail 01/09/00
- THE
ART(?) OF SCREENWRITING: With the help of the internet,
there are so many ways to formularize and automate the writing
of a screenplay, the process and form has become hackneyed.
New
York Times 01/09/00
(one-time
registration required for entry)
- "ANNA"
ARREST: The Thai government has banned the film "Anna
and the King" for being disrespectful to the royal family.
Now two men are arrested for selling bootleg copies. Could face
15 years in jail. BBC
01/09/00
- FOOD
RULES: Nothing has succeeded in television's new niche universe
as cooking shows. They're everywhere. But how much cooking is
going on? Samurai chefs? Elton John clones? Iron Chef? The next
thing you know, Hulk Hogan will be... National
Post 01/09/00
- PROUST
RECONSIDERED: A new movie based on "Time Remains"
and a new volume of letters are out.
London Telegraph 01/09/00
- OUT
DAMN HOLLYWOOD: Canadian regulatory
board tells Canadian Broadcasting Corporation to cut out American
movies and reduce its sports coverage. Less hockey and curling
they say. More arts and regional programming. "Yikes,"
CBC execs say - "We could turn into PBS of the North!"
Edict spells financial ruin, broadcaster says. CBC
01/06/00
- OH
JESSICA, IT'S JANUARY: Welcome to
January, or as it's known in the film world, 'January?! You're
going to release my movie in January?! Jan-u-frickin-ary?!'
This is a month that's typically, though not exclusively, used
to debut pictures that were originally scheduled for a summer
or fall release -- until someone important actually saw the
completed films and walked from the screening room with a stride
that just screamed, 'January,' the sound of those wing-tip shoes
revealing all: Click. Click. Click. Click. Jan. U. Air. E."
National Post 01/07/00
- CHEWED
UP AND SPIT OUT: He was going to be
different. His sitcom was going to fly. His deal was going to
work. He liked the nice cars. Business class. Nice restaurants.
The studio liked him. He had a deal. And suddenly it was all
over. A cautionary tale in the land of sitcoms. National
Post 01/07/00
- FOR
THIS YOU WANT TAX BREAKS? Even as the entertainment industry
is sounding the alarm about runaway productions leaving Hollywood,
new figures show entertainment production was up a bit in '99
in Los Angeles. Declines in feature films and TV were offset
by increases in commercials and student films. Variety
01/07/00
- MULTI-CHANNEL
ATTACK: BBC ratings down in Britain as other channels pick
up viewers. Variety
01/07/00
- FRUSTRATING
FRUSTRATION: Trying
to make an original musical in Cuba, a director is redirected
when his financing falls through. Instead, he makes a movie
about putting together a project he knows will never happen.
New
York Times 01/07/00 (one-time
registration required for entry)
- NBC
MAKES DEAL WITH NAACP: Will pursue
initiatives to promote diversity in hiring at the network. ABC
expected to follow with its own deal later this week. Variety
01/06/00
- NEW
COMPRESSION SYSTEM promises to deliver
sound/images/video at much greater rate and clarity than current
technology. Solution is software-based, so no hardware upgrades
are needed. Financial
Times 01/06/00
- TUBE
STAKES: Extensive mergers and consolidation in the TV industry
last year was only a start. Get ready for some major millennial
retooling to come. Variety
01/05/00
- BLAIR
WITCH FRANCHISE: Plans for a sequel, even a prequel. Wired
01/05/00
- UNPLEASANTNESS
IN PROSPERITY: It was a record year at the box office for
the movie business. And yet an uncomfortable truth is settling
in on Hollywood - technology and a changing economy are causing
widespread layoffs throughout the California movie industry.
Variety
01/04/00
- CAN'T
GET HOLLYWOOD INTERESTED in that new film? Independent
filmmakers turn to the web where the distribution's easy
- and cheap. New websites offer an alternative distribution
outlet for indies, and the idea's taking off.
New York Times 01/04/00 (one-time
registration required for access)
- TOO
MANY BAD MOVIES: "We make too many films in Britain,"
says Alan Parker, director and chair of the British Film
Council. "It's an odd business in which people call
themselves film producers without ever having produced anything."
His solution? Don't make so many movies in the first place.
London
Telegraph 01/04/00
- OVER
(A)-TROPHIED? Never one to shy away from self congratulation,
the movie industry racked up a record number of awards shows
in 1999. The movie-meisters handed out 3,182 trophies to
themselves at 332 ceremonies. That's almost one awards show
for every day of the year.
Variety 01/04/00
- DOWNWARD
SPIRAL: TV's broadcast networks are finished if they don't
change their ways, says Tim Brooks, co-author of "The Complete
Directory of Prime Time Network and Cable TV Shows," the
premier television reference work. What's ahead for the tube...
CBSMarketwatch.com
01/03/00
- NOT
YOUR PARENTS' 3D: Is new and improved
3D technology for films the Next Big Thing? New
York Times 01/02/00
(One-time
registration required for entry)
- OUT
WITH THE OLD: Hollywood's old guard
is about to be overtaken. This year's Oscar list is likely to
be filled with a new generation of movie-makers. London
Sunday Times 01/02/00
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