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Tuesday October
31
- TRANSATLANTIC ENVY: British film and media types are
quick to criticize Hollywood fare as "too bland, too formulaic,
too predictable, too dumb. If only, the argument goes, we had
such resources: our films - edgy, relevant, cool and British
- would surely sweep the world. But it's inescapable that America
has the most diverse, intriguing and professional film culture
of any country in the world. Their breadth and range shames
our admittedly small film industry, which is obsessed by gangsters
and clubbing." The Telegraph (London)
10/31/00
- THE
MUSIC TO COME: In a demonstration of the new data-transmission
capabilities of Internet2, a conference in Atlanta today will
"allow musicians from across the U.S. to perform together
over the Web. At the Atlanta conference, Dr. Karl Sievers of
the University of Oklahoma will play trumpet while the rest
of his brass quintet accompanies him - via Internet2 video conferencing
- from the university." Sonicnet.com
10/31/00
- THE
NET'S KILLER-APP: Just how popular has the music-sharing
company become? "At peak times, Napster CEO Hank Barry
says, the company has 'about a million' simultaneous users -
a staggering number. America Online, by comparison, has about
1.6 million users at peak hour, according to SEC documents filed
last month. In other words, during peak hours, a startup with
a few dozen employees, beta software and no income stream accounts
for two-thirds as many Internet connections as a 15-year-old
Net behemoth with 15,000 employees and a pre-merger market capitalization
of $108.5 billion." Inside.com
10/31/00
Monday October
30
- BACK TO WORK: After the resolution last week
of Hollywood’s longest ever talent walkout, board members of
the Screen Actors Guild and American Federation of Television
and Radio Artists agreed to terms to send actors out on long-awaited
auditions starting Monday. ABC 10/29/00
- OVER
THE HILL AT 40? "In a twist of irony over youth obsession
in America's television dream factory, actors are not the only
ones fretting over on-camera looks. They are concerns of the
unseen talents who dream up the plots of TV sitcoms and dramas
- writers. And the concern about age is not cosmetic: It's job
preservation." A lawsuit filed last week alleges age discrimination
in the movie and TV business. Nando
Times (Christian Science Monitor) 10/30/00
- DOWN ON FILM DOWN UNDER: Why does the Australian film industry
seem to be perennially in a state of crisis, in fear of cutbacks
and dwindling audiences? And what exactly is the critic’s role
in helping create a thriving local film culture? According to
one critic, "they have a duty to make a positive contribution
to film culture - otherwise, they are basically just glorified
PR agents for the major movie corporations. Mainstream cinema
is blinkered and amnesiac: it pretends that what's on screen,
in the here and now, is all there is. Too many critics accept
this pathetic reduction of cinema as their sole field of operations."
The Age (Melbourne) 10/30/00
- AND LITTLE PRAISE FOR THREE DECADES
OF BRITISH FILM: As the London Film Festival opens this week, the first in a four-part
series on the state of British film over the last 30 years.
Don’t look here for aggrandizing praise. "British film
has for the most part been second-rate, the culture of film-makers
has been undernourished, the cinema-going public has been too
shy of invention, and, without the brilliant, redeeming system
of television funding and production in this country, British
film would be dead in the water." The Telegraph (London) 10/30/00
Friday October
27
- ART
OF FILM: Is art film dying? "On the surface it is as
it always has been: more art films are produced annually than
any sane person could possibly want to see. Maybe the problem
is that the kind of films that I loved are being made."
Prospect 10/00
- THE
LITTLE SCHOOL THAT COULD: Afect is something of a legend
in Britain - a film school where students can come part time,
learn on outdated equipment and understand what it really means
to make a film. But the school, which has always struggled to
keep going, fears for its existence. The
Guardian (London) 1027/00
Wednesday October
25
- THERE’S POWER IN PRECEDENT: The settlement of Hollywood’s six-month-long
commercial actors’ strike may embolden members of the Writers
Guild of America to hold out for better deals when their contracts
expire next spring and summer. "This year's success is
likely to lead to more strikes next year since the deal essentially
validates the unions' hardline stance." Variety 10/24/00
- COSTS
OF STRIKING: Hollywood's six-month actors strike against
producers of commercials cost the economy of Los Angeles more
than $275 million, and is expected to surpass $300 million when
all the figures are in. "During the six months when American
actors who did commercials were on strike, producers took their
business elsewhere and Canada is believed to have benefitted
most from the estimated $275 million US in so-called 'runaway
productions'." Ottawa Citizen (CP)
10/25/00
Tuesday October
24
- BUT
I CAN WRITE YOUNG: Television writers in Hollywood have
filed a $200 million age discrimination suit against producers.
The writers content that producers systematically discriminate
against writers over 40. "According to the suit, writers
over age 40 account for more than two-thirds of the Writers
Guild of America membership. During the 1997-98 television season,
however, writers age 40-plus made up one-third or less of the
writing staff on half of all prime-time series."
Dallas Morning News 10/24/00
- MOVIE
CHAIN MAY FILE BANKRUPTCY: Loews Cineplex, one of North
America's largest movie theatre chains, is considering filing
for bankruptcy. Loews "announced late last week that it
had lost $55.5 million US in its second quarter. The company
had a profit of almost $16 million US for the same period last
year." CBC 10/24/00
Monday October
23
- ACTORS
STRIKE OVER: The Screen Actors Guild and American Federation
of Television and Radio Artists reached a tentative agreement
with the advertising industry to end their nearly half-year-long
strike. Inside.com 10/23/00
- "Early
details appeared to give the
Screen Actors Guild and the American Federation of Television
& Radio Artists jurisdiction over the Internet and a healthy
boost in cable rates." Variety
10/23/00
- TV
TURN-OFF: A new study in Britain says that audiences may
be getting tired of violence on TV. "Sixty per cent of
people questioned for the report complained there was too much
violence on TV. The study showed that increasing numbers of
people are switching off programmes which disgust them."
BBC 10/23/00
Friday October
20
- WEB
OF ANIMATION: At this stage in its development, animation
on the web is constrained by some technical limitations. On
the other hand, a growing body of work suggests that web animation
is an artform worth paying attention to.
SFGate 10/20/00
Thursday October
19
- RECORD
CANADIAN MOVIE AUDIENCES: A record 112 million Canadians
bought movie tickets last year. It's the seventh year in a row
that overall attendance has been up. But despite the record
sales, profitability of movie houses is down.
CBC 10/18/00
Wednesday October
18
- HOW
LONG ‘TIL ALL FILMS ARE "G"?
Are movie studios going to continue making as many adult-oriented
pictures if they can no longer market them as widely, given
the restrictions imposed by the latest political controversy
over ratings? Anyone who says that it won't (affect what gets
a green light) is being disingenuous."
Inside.com 10/17/00
Tuesday October
17
- ART
AS POLITICS? Actor Gary Oldman says that the film "The
Contender" that he stars in was purposely re-edited to
make Republicans the bad guys. Oldman's manager calls
the film an "almost Goebbels-like piece of propaganda".
BBC 10/17/00
- THE
RATINGS LIMBO: So what harm is having a ratings system that
warns parents about the content of movies? None, perhaps, but
for those movies that fall in the cracks of the "R"
or "NC" ratings it can mean the difference between
being seen and sinking to obscurity. And, of course, it's about
the money. Chicago
Tribune 10/17/00
- MEGA
MEGA-LAND (OR IS IT NEVER NEVER-LAND?): Last week Toronto's
mayor announced he was negotiating to build a major movie studio
complex in the city. The movies are a $1.2 billion industry
in Toronto. But industry insiders are scratching their heads
wondering what the mayor is doing. Toronto
Star 10/17/00
Monday October
16
- STAMPING
OUT LITTLE-GUY RADIO: "To most ears, low-power radio
- 10- or 100-watt stations with a broadcast range of a few square
miles at most - sounds like a cheap, easy and democratic way
of giving communities a small but potent voice on the dial.
But now, 21 months after the Federal Communications Commission
first proposed creating a new brand of low-power FM radio stations,
the initiative is fighting for its life." Salon
10/15/00
Sunday October
15
- THE
END OF CIVILIZATION AS WE KNOW IT OR A NEW ARTFORM? Are
computer video games "a massive drain on our income, time
and energy?" Last year Americans bought 215 million of
them, making them one of the most popular forms of entertainment.
Are they a "new form of cultural pollution, as one U.S.
senator described them? No. Computer games are art—a popular
art, an emerging art, a largely unrecognized art, but art nevertheless."
Technology Review 10/00
- MCLUHAN
GETS ANOTHER 15 MINUTES: Marshall Mcluhan was seen as a
visionary in his time, but soon after he died, his pronouncements
were regarded as quaint and outdated. But now he's been adopted
as an icon of the new digital age. "Everyone thought that McLuhan
was talking about TV, but what he was really talking about was
the Internet — two decades before it appeared." The
New York Times 10/14/00 (one-time
registration required for entry)
- WHAT
MAKES A MOVIE AUDIENCE? Given the high stakes of making
movies, the movie-makers want to know what it is that makes
an audience willing to see movies. "Who is this audience,
and what kind of influence do they have on filmmaking? What
kind of influence should they have? Can the audience even be
considered 'the audience', as opposed to just lots of people
with widely diverging tastes?"
Chicago Tribune 10/15/00
Thursday October
12
- KEEPING
AWAY FROM THE CRITICS: Want to avoid bad reviews? Don't
let the critics see your movie before it opens. It's a practice
more and more studios are adopting with movies they're afraid
will not be popular with critics. The
Guardian (London) 10/11/00
- TOUGH
AUDIENCE: In Korea recently, some artists have been beaten
up by factions who thought the artists hadn't portrayed them
faithfully in their work. It has artists scared. "This is supposed
to be a democratic country, but how can we call it that when
powerful groups still use violence and pressure to get the things
they want?" Korea Herald 10/12/00
- TORONTO
= FILM CITY: The mayor of Toronto wants to build an enormous
"film city" production center. Last year the movie
business brought in $1.2 billion worth of business to the city,
and the total is expected to grow to $1.5 billion this year.
CBC 10/11/00
Wednesday October
11
- FCC
BLASTS TV NETWORKS: The chairman of the FCC slams American
TV networks for dragging their feet over getting into digital
television and "ignoring the public interest". He
regrets the $70 billion giveaway in new digital bands to networks
four years ago as an incentive for them to adopt new technology.
Variety 10/11/00
- NOTHING BUT HISTORY: Gong Li is the most recognizable
and lauded actress in Chinese film today, yet she still has
trouble finding satisfying roles, and when she does they are
nearly always historical drama, rather than films tackling contemporary
issues. "’Historical dramas are freer from government interference."
Sydney Morning Herald 10/11/00
Tuesday October
10
- WHY
BAD MOVIE GET MADE: What's wrong with Hollywood? The stars.
"What does it say of a culture that prominent among its
most rewarded are those born with high cheekbones and capable
of superficial imitation? This isn't to say, of course, that
there are not actors who work away at the dramatic art as truly
and as dedicatedly as any other artist - but one could be forgiven
for thinking they are thin on the ground in Hollywood."
Sydney
Morning Herald 10/10/00
Monday October
9
- WHY
ARE MOVIE PRODUCTIONS LEAVING HOLLYWOOD FOR OTHER COUNTRIES?
"These countries are offering an ever-growing list of financial
incentives to U.S. producers in an effort to build their own
production capacity and increase their share of the worldwide
production industry. There is no "free market"
at work here. Other countries, recognizing the value of film
and television production to their future economic health, are
virtually bribing U.S. producers to make their films and TV
series outside the United States."
Los Angeles Times 10/09/00
- PRODUCTION
DOWN: Some parts of the film production business in
Los Angeles are down as much as 30 percent this year, and
the business is in a big slump.
Inside.com 10/09/00
Friday October
6
- POWER
OF THE LITTLE GUYS: Last year the FCC approved the creation
of low-watt radio stations - micro stations broadcasting at
10 watts. Since then thousands of potential micro-broadcasters
have applied to begin broadcasting. "But the FCC's plans
have run into resistance from established broadcast interests
who say they're concerned that the low-power stations, slipped
into vacant frequencies on the FM dial, will create static and
diminish their product." Minneapolis
Star-Tribune 10/06/00
Thursday October
5
- EMPTY
THEATRES: Now the Olympics have picked up and left Sydney,
the collateral effects are being tallied. One of the victims
during the games? Movie theatres, which saw ticket sales fall
off the charts. "Business was truly appalling. It's probably
the most sustained level of terrible trade in the [past] five
years." Sydney Morning Herald 10/05/00
- WE'RE
GONNA BE STARS (OR AT LEAST "WORLD CLASS"):The
Canadian government is going to invest $50 million in the Canadian
film industry. "The fund will be targeted toward drawing
bigger audiences to Canadian films. It will also provide money
for established producers to make highly polished films that
will be sure hits at the box office. 'We want to make sure that
the Canadian public is aware that their films are world-class'."
The Globe and Mail (Toronto) 10/05/00
- HOLLYWOOD
NORTH? The betting now is that Hollywood will be paralyzed
by strikes next year as writers, actors and directors all negotiate
new contracts. Will that stop the insatiable worldwide demand
for entertainment? Not hardly. Much of the production figures
to head north. "In Toronto and Vancouver, the main English-language
production centres, directors, actors, technicians, casting
agents and craft industries are already experiencing an unprecedented
boom in demand - and reaping the dividends of Hollywood's woes."
The Globe and Mail 10/05/00
Wednesday October
4
- LOVE THY NEIGHBOR: A five-month-long British film
festival opens in Paris this week, the biggest retrospective
of British films ever held outside the UK. A surprising setting,
given that less than 5% of French filmgoers currently watch
British films. BBC 10/03/00
Tuesday October
3
- WHO
WANTS TO BE A MOVIE STAR: Director Roman Polanski ran a
classified ad to cast the lead for his next movie. Some 1,500
"sensitive, vulnerable and charismatic men who want to
star in a $35m movie about a Polish pianist who escapes the
Nazi gas chambers" showed up to audition. A "hard-nosed
blonde woman, the casting director looked as if she had seen
about 700 nobodies that day and had another 700 to see."
The Guardian (London) 10/03/00
Monday October
2
- GOING
FOR SUCCESS AT THE BOX OFFICE: Now that the British Film
Council has taken over responsibility for the public funding
of films to the tune of more than £50m of lottery money a year
there will be a greater emphasis on funding fewer, but more
commercially successful films. BBC
10/02/00
Sunday October
1
- SEA
CHANGE: "Hollywood is in a panic mode. For the first
time, unions are confronting networks and studios about how
writers and actors should be paid when films and television
shows are shown on the Internet and on the growing number of
cable outlets. And they are threatening strikes that union officials
and television and film executives all expect to define the
issues that will shape the entertainment industry's labor relations
for decades." New York Times
10/01/00 (one-time registration
required for entry)
- HOLLYWOOD'S
"SLEEP-AWAY CAMP": Movie productions are filming
everywhere in Vancouver, Canada. Tax breaks, cooperative workers,
beautiful scenery - what's not to like? It's no wonder the movie-makers
are desserting Hollywood. Los Angeles
Times 10/01/00
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