Friday August 31
IRANIAN
FILMMAKER ARRESTED: "A chill wind blew through the Iranian
film world yesterday, with the news that feminist filmmaker Tahmineh
Milani has been arrested. Milani is a heroine of the New Iranian
Cinema, which, despite the restrictive politics of the fundamentalist
regime, has produced some of the best recent films on the world
scene." National Post (Canada)
08/31/01
THE
DIGITAL RADIO GAMBLE: The whole idea of digital radio is a
giant gamble. Unlike cellphones, home computers or VCRs (which
all started small and quietly snowballed across the country),
the digital radio people are starting very, very big. They launched
a multimillion-dollar satellite. They’re installing antennas (like
those you find for cellphones) across the country. They’ve hired
the likes of Wynton Marsalis and Quincy Jones. They got George
Lucas’ Industrial Light and Magic to make their commercials for
them. Then they’ll ask consumers to shell out a bunch of money
in the hopes that they really do want to hear something different."
Will it fly? New York Press 08/30/01
TRADES
ON THE LINE: "The 'trades' are two newspapers, Variety
and The Hollywood Reporter, that between them have the
circulation of a small-town daily. But the small town they cover
is Hollywood and their influence can be considerable. Now both
papers have become mired in controversy, including accusations
of conflict of interest. The turmoil shows how the trades' role
and readership are changing as the entertainment industry expands."
Backstage 08/30/01
VIOLENCE
HITS VENICE: This year's installment of the Venice Film Festival
seems to be full of films dripping with sex, violence, and brutality,
causing no small amount of concern among festivalgoers and observors.
The criticism has been so heavy that one local TV star has erected
a complaint board in the center of town. "The writer of the
best vitriol about a movie will be awarded the Golden Refund on
7 September." BBC 08/31/01
Thursday August
30
MONTREAL
ACTORS OFFER "NO STRIKE" DEAL: Film and TV actors
in Eastern Canada begin negotiating a new contract in October.
To mollify producers worried about a strike in the middle of shooting,
the actors' union "has guaranteed that any film that begins
shooting before January 16th will not face a work stoppage."
Actors in Vancouver work under a different contract, which doesn't
expire until next March. CBC
08/29/01
HIJACKING
HIS NAME: Canadian artist Freeman Patterson has had his name
hijacked for a pornographic website. When visitors click on the
artist's name as expressed as a web address, they are directed
to a porn site. The site offers to "sell" the address
to anyone willing to offer more than $550. The
Globe & Mail (Canada) 08/29/01
HARD
TO IMITATE, HARD TO REMEMBER:
Most of the movie directors who made a splash in the Seventies
are now regarded as giants. That's not true, however, of the man
who made Blume in Love, An Unmarried Woman, Moscow
on the Hudson, and Down and Out in Beverly Hills. How
come? "Maybe part of the reason [Paul] Mazursky's work has
been ignored is that he's the hardest to imitate."
The
New York Times 08/30/01 (one-time registration
required for access)
Wednesday August
29
WORLDWIDE
ROOTLESS: Globalization is seen by many as a homogenizer of
movies. But increasingly art-movie makers are enthusiastically
embracing globalization as a way to get projects done - but "the
stories themselves increasingly display symptoms of what the Soviet
authorities used to anathematize as 'rootless cosmopolitanism'."
International Herald Tribune 08/29/01
THE 58TH
VENICE FILM FESTIVAL: There are 41 films contending for two
top prizes at this year's Venice Film Festival, which begins today.
More than a hundred others - including most of the US entries
- are being shown out of competition, giving them a shot at publicity
without the risk of failure. Nando Times 08/28/01
SUMMER
MOVIES - WHY THEY WERE SO BAD: Studios get up to eighty percent
of the first week take from a movie; after that, their percentage
drops. So less effort goes into making a good movie than into
creating an atmosphere in which "people have got to see the
movie the first weekend they can. After that, the frenzy is over."
The Irish Times 08/28/01
- SUMMER
MOVIES - BETTER THINGS ARE COMING: "October is the
start of Oscar season, that all too-brief 10-week window when
the studios shed their ripped-T-shirted summer wardrobe, put
on their holiday tuxedos and opt for class over crass. From
Oct. 5 to year's end, not a weekend will go by without at least
one Oscar-friendly film hitting the theaters." Los Angeles Times 08/28/01
Tuesday August 28
LONELY
FOR SOMETHING BAD: More than half the residents of the UK
say they would be "lonely" without their televisions,
says a new poll. "In the 597 representative households questioned,
more than 40% had the TV on for at least six hours a day. But
the survey also showed how, despite this dependence, most people
- 67% - believed there is often nothing worth watching."
BBC 08/28/01
Monday August 27
THE
SOUND OF MOVIES: "In an age in which the film company
often is the record company, the soundtrack album is a model of
cross-pollination: it moves CD units, it sells movie tickets,
and it can launch an artist's career into the stratosphere. But
have audiences lost something? The fact is, even the best collection
of pop songs is no substitute for an original score - which is
now relegated to the filler material between the pop extravaganzas
in a film, its chief mandate to be unobtrusive, bland."
Saturday Night 08/25/01
Sunday August 26
ALL
ABOUT THE MONEY: Movie rental companies, particularly Blockbuster,
are feuding with major studios about profits and revenue sharing.
So movie studios are playing with the idea of quitting the rental
business and selling movies directly to consumers. Don't think
it could happen? Last year The Perfect Storm earned $182
million in direct-to-consumer sales. Boston
Herald (Variety) 08/26/01
OPEN
BIG AND DIE: "Today's movies, if this summer is an indication,
have achieved an ultimate Hollywood dream: They've been genetically
engineered to make their content irrelevant, to earn a ton of
money even if everyone who takes a bite—not just critics, but
everyone—finds them as tasteless as those bogus tomatoes."
Los Angeles Times 08/26/01
Friday August 24
MORE
MULTICULTURAL TV: Five years ago only one program appeared
on the most popular 20 TV show lists of both black and white American
viewers. Now there are nine, and some credit the change to programming
of more multi-racial casts. Philadelphia
Inquirer (AP) 08/24/01
CENSORING
MOVIES: Australia is trying out some new movie censorship
proposals. "The guidelines suggest new restrictions on nudity,
violence, drugs and 'the inappropriate use of substances that
damage health or are legally restricted to adults.' Films would
be banned if 'reasonable adults' might be offended by the sight
of an actor who 'looks like a person under 18' being nude, violent
or taking drugs. The draft guidelines spell out a concept of 'imitability'
that could provoke consumer warnings or censorship cuts: Dangerous
or illegal actions within films or computer games which are authentic
or close to real life that can be imitated by children." Sydney
Morning Herald 08/24/01
UNSEASONED:
This summer's movie season was an unqualified dud. "The immense
promise of A.I. was only partly met, the Planet of the
Apes remake was a dud, most of the others were instantly forgettable,
and altogether too many had a 2 or III after their titles, sending
a message of creative abdication." Boston
Globe 08/24/01
SHORT-TIMERS:
Why do movies stick around for such a short time at local theatres?
It's a stratgy "that floods a film onto more than 3,000 screens
the first weekend, so that a studio can make lots of money before
poor word of mouth and bad reviews scare moviegoers away. The
result is that theater marquees are changing faster than airport-departure
monitors. More important, it's set up an unusual cultural dichotomy:
More people say there's nothing they want to see, but Hollywood
is making more money than ever. In fact, this weekend it expects
to break the summer box-office record of $3 billion." Christian
Science Monitor 08/24/01
Thursday August
23
MAYBE
WE CAN HEAD THEM OFF AT THE DVD: Competing movie studios have
at least one goal in common: stave off the Web pirates. But the
way they're going about it is drawing heavy criticism, because
"the movie industry has to learn a lesson that the music
industry failed to learn, which is that you have to put a service
out there that is high in quality and beats anything else that's
out there. You can't lock it up. If you treat your customers like
criminals, it just doesn't do any good." Chicago
Tribune 08/22/01
THE
BUDGET FILM FESTIVAL: Most film festivals are trendy, glitzy,
edgy. Places for stars and wannabes to be seen. Then there's the
Quentin Tarantino Film Festival, where you can see "Spaghetti
Westerns," "Bunch of Guys on a Mission War Movies,"
and "Martial Arts Epic Adventure Night." It's B movies
at their best. The New York Times 08/23/01 (one-time
registration required for access)
Wednesday August
22
PENALTIES
FOR TRAVELING ABROAD: "The Screen Actors Guild has backed
proposed legislation under which American studios and networks
benefiting from foreign production subsidies would have to pay
a tariff of the same amount to distribute their films in the US.
This steps up the campaign by Hollywood to stop runaway production,
which has seen an estimated $10 billion lost annually from the
US." Sydney Morning Herald 08/22/01
A
RULE'S A RULE: MTV has a strict policy - it doesn't show people
doing drugs. Not even a song that chronicles the downside of drug-taking?
Nope. The song Because I Got High tells how a singer's
life was ruined by smoking marijuana and shows people smoking.
The tune has been getting heavy airplay around the US, and MTV
wanted to air it - so the network asked the video's director to
take out the smoking scenes and he complied. "They told us what
their concerns were, and, in our desire to achieve maximum exposure,
we made those accommodations." New
York Post 08/22/01
UNKNOWN
DIRECTORS' WELL-KNOWN MOVIES: Those movies that at the beginning
of summer looked like sure-fire blockbusters...well, we don't
want to embarrass anyone by naming names, but the fact is, the
big money this year goes to relatively unheralded movies made
by previously unknown directors: Shrek, The Fast and
the Furious, Cats & Dogs, and Legally Blonde.
Los Angeles Times 08/22/01
Tuesday August 21
NPR
DUMPS WILLIAMS: National Public Radio has dumped Juan Williams
as host of Talk of the Nation. He's had the job only 18
months, and the show's audience grew during that time. But it
was dropped in New York, and critics complained Williams often
sounded "distracted on the show. His last show will be August
30. Washington Post (second item)
08/21/01
PUTTING
A NEW FACE ON PACIFICA: America's Pacifica network has been
under seige in the past two years as management of the lefty network
has tried to professionalize operations. Longtime Pacifica employees
and fans charge the network has been moving away from its roots.
Now "management has hired a high-profile public relations
firm and some big-gun lawyers, and is recruiting some well-known
lefties to be on the Pacifica board - former D.C. mayor Marion
Barry among them - to replace the previous ones."
Washington Post 08/21/01
CONDEMNING
HOLLYWOOD'S IMPERIAL FANTASIES: European authors at the Edinburgh
book fair decry the "cultural imperialism" of American
films. "This domination of the popular imagination has been allowed
to go to ridiculous lengths. What worries me most is that it has
become an almost instinctive reaction now, so you have British
and European films incorporating these pointless American elements
now too. That is very worrying and quite dangerous." The
Guardian (UK) 08/20/01
Monday August 20
500
CHANNELS THAT MATTER? In one big bang, about 90 new specialty
channels are about to launch in Canada. There's a catch though
- you can only get them if you've got digital cable. And, after
a 90-day free period, each channel will be able to charge what
it wants for its service. "We're talking about an unregulated
tier of channels; in principle, the distributors can charge what
the market will bear.'' Toronto Star
08/19/01
A
FOR-PROFIT BBC? "The idea that the BBC might go commercial
alarms many people, both inside and outside the organisation.
Yet the arguments for having a huge state-financed corporation
dominate the broadcasting business were formulated in a different
broadcasting era. Few hold today." The
Economist 08/16/01
Sunday August 19
FRENCH
DUB: "Because of the overwhelming visibility and clout
of the American film industry, Quebec's Francophone government
requires that all U.S. films released here be dubbed in French.
But a loophole in an agreement between Quebec and the Motion Picture
Assn. of America means that more and more Hollywood studios are
doing their dubbing in France, depriving actors in Quebec of a
once lucrative sideline." Now Quebec is trying to get the
Quebec accent back into dubbing. Los
Angeles Times 08/19/01
Friday August 17
MOVIE
DOWNLOADS: In an effort to thwart pirates, five Hollywood
movie studios - MGM, Paramount, Sony Pictures, Vivendi Universal
and Warner Bros - are forming a company to distribute their movies
over the internet. Computer users with broadband connections will
be able to download movies directly into their computers.
BBC 08/17/01
DOROTHY
RETURNS: Warner Brothers is said to be developing a new TV
series based on The Wizard of Oz. "According to trade
reports, the series would center on a 20-something woman who lands
in Oz - to lead a revolt against Emerald City." New
York Post 08/17/01
Thursday August
16
DISPUTED
REPRESENTATION: The American NAACP is contesting a Screen
Actors Guild report that minority representation in the television
industry was up last year. "The civil rights group says there
were small gains in hiring minority actors for prime-time series.
But it says there was little progress in minority representation
at the executive and board levels." CBC
08/15/01
- Previously: MORE
MINORITIES: Minority groups have been complaining for years
about the underrepresentation of minorities in Hollywood projects.
Now a new survey says that last year a record number of minority
actors won roles. "Of the 53,134 movie or TV roles, 11,930
went to people of color White actors still dominate the industry,
however, playing 76.1 percent of all roles. About 14.8 percent
of all roles went to blacks, the highest percentage since the
guild began compiling statistics in 1992."
Dallas Morning News 08/14/01
BOOK
TALK: A Germany literary institution is coming to an end.
For 13 years, the show Literary Quartet presented a series of
discussions about books. "No other literary discussion program
on German television lasted as long or accomplished as much. Books
were made, and careers were endangered, if not ended. No other
broadcast influenced as many people with nothing but words, something
that borders on blasphemy in German television." Frankfurter
Allgemeine Zeitung 08/15/01
BESIDES, THEY'LL
ALWAYS NEED WAITERS IN HOLLYWOOD: The fully-computerized actor,
like the paper-free office, may be one of those concepts which
will never be realized. In fact, the digital graphics people themselves
sometimes say, "Use real actors." An example: For the
upcoming Harry Potter movie, "It ended up that the most natural
way to get (some scenes) was to create it on the computer and
then go back in and insert real people, rather than the other
way around." Wired 08/16/01
ADVERTAINMENT?
A series of new short films featuring BMW's and directed by A-list
directors blurs the line between art and advertising. "Each
is under ten minutes long, each stars a character known as the
Driver and a late-model BMW, and each features fancy wheelwork
that showcases the cars' many qualities. Is this as hideous as
it sounds?" The New Republic
08/15/01
IT GOES BACK AT LEAST
TO THE ILIAD: "[W]ar has been a favorite subject
of filmmakers since cinema began. But just because a genre is
old doesn't mean audiences will keep lining up for it. Westerns
have bitten the dust, and traditional musicals have danced into
near oblivion. Why do war movies keep parading across movie screens
despite shifts in social attitudes and Hollywood fashions?"
Christian Science Monitor 08/10/01
Wednesday August
15
LISTENING
TRUMPS VIEWING: In the UK more people now listen to radio
than watch TV. "Last week we learned that audience figures
for radio broadcasts had overtaken those for television. It follows
hard on the heels of the news that Radio 2, once considered a
tragically unhip station for cardigan-wearing codgers, had overtaken
'wunnerful' Radio 1 to become Britain's top station."
The Telegraph (UK) 08/15/01
WATCH
ON YOUR OWN: In New Zealand, early release of DVD's is having
an effect on movie theater ticket sales. "While there were
other factors, including the lowering of the drinking age, box
office revenue in country areas fell by an average 21 per cent
last year. In one area, it was down 33 per cent."
Sydney Morning Herald 08/15/01
NOT
THAT YOU WERE GOING TO BUY ONE, BUT....the current asking
price for a 30-second ad during next year's Super Bowl is about
two and a half million dollars. That also was the starting price
for the last game; the actual game-time price was about two million.
For Super Bowl I, in 1967, a 30-second spot cost $42 thousand.
New York Post 08/14/01
MAYBE
IT WAS THOSE TEPID REVIEWS FOR A.I.: Steven Spielberg's
Band of Brothers is a World War II drama series. With a
$115 million budget, it's the most expensive made-for-TV film
ever made. However, the BBC has decided that it is "too niche"
for most British viewers, and will show it on BBC2 instead of
the mainstream BBC1. The Guardian
(UK) 08/15/01
Tuesday August 14
MORE
MINORITIES: Minority groups have been complaining for years
about the underrepresentation of minorities in Hollywood projects.
Now a new survey says that last year a record number of minority
actors won roles. "Of the 53,134 movie or TV roles, 11,930
went to people of color White actors still dominate the industry,
however, playing 76.1 percent of all roles. About 14.8 percent
of all roles went to blacks, the highest percentage since the
guild began compiling statistics in 1992."
Dallas Morning News 08/14/01
DEAL
ON FAKES: After Sony was caught promoting movies with a fake
critic, several US states launched investigations into the practice.
Now Oregon is the first to sign a deal with Sony curbing the use
of fakes. "In the pact signed Monday, Sony said it would
either use quotes from actual reviews by professional film critics
or admit that the people touting the film were studio employees."
Ottawa Citizen (CP) 08/14/01
SAVING
AUSTRALIAN FILM: Australia's film industry is warning that
the $3.5 billion business is in trouble unless confusing tax laws
are changed. The Age (Melbourne) 08/14/01
THE
OLD NEW THING: Was Richard Wagner the father of multimedia?
"The revelation that multimedia is nothing new shouldn't
be a buzz kill—it places today's multimedia within a more profound
context than just the hot new thing." Rhizome
08/05/01
Monday August 13
BIG
BANG THEORY: "Something profound is happening at the
megaplexes, and it has little to do with what appears on the screen.
Rather, it is about how those movies are being seen. The summer
hits of 2001 are making about as much money as hits from previous
summers, but they are making it quicker, making more of it than
ever on opening weekend." The
New York Times 08/13/01 (one-time
resistration required for access)
MANDATED
INTEGRATION: As ordered by Canada's broadcast regulatory commision
(CRTC) Canadian TV networks "must submit plans within three
months on how they will increase the number of visible minorities
employed on staff and used as sources for stories. They must ensure
that coverage of minorities goes beyond crime and cultural festivals,
and that minority reporters aren't confined to doing stories about
their communities. They'll also have to report progress once a
year, and come up with ways to get feedback from the minority
communities." Toronto Star 08/12/01
SUBSIDIES
FOR HOLLYWOOD? Hollywood is concerned about the number of
productions now being filmed outside the US. So it has put its
weight behind a bill in Congress "designed to curb the flow
of film and TV production fleeing U.S. soil by providing financial
incentives to producers who shoot within U.S. borders."
Backstage 08/10/01
PRICES
DRIVE MOVIE GOERS AWAY: A movie industry consultant is predicting
that movie ticket sales will go down this year and next. "A major
factor in this slowdown is increasing admission prices, which
are turning moviegoers away." National
Post (Reuters) (Canada) 08/13/01
Friday August 10
DIGITAL
PROTECTION: Suddenly Hollywood movie studios are discovering
they're being seriously hacked, and their movies copied. So they're
trying to create protection measures. BBC
08/10/01
Thursday August
9
STEALING
MOVIES: Hackers are infiltrating the computers that are increasingly
used to edit movies, and stealing copies. And, "as digital
technology makes its mark on every aspect of the film industry,
it becomes easier for ordinary computer users to reach into cyberspace
and grab whatever goodies take their fancy." New
Zealand Herald 08/09/01
- ANYTHING
YOU WANT: Top movies are now available in pirated versions
over the internet within days of their theatre release. It's
obvious that "the Napster file-trading phenomenon that
has rocked the music industry over the past year has caught
up to Hollywood with a vengeance." Toronto
Star 08/08/01
IT'S
NOT ART IN VIDEO GAMES, IT'S VIDEO GAMES IN ART: Serious
artists get interested in video games, and not just for fun. For
many of them, the attraction is having discovered "that they
can bring their own agendas to games to subvert traditional game
rules... they like the sense of space conveyed by video games
and the way the games draw the participant into the field of action."
The New York Times 08/09/01
(one-time registration required for access)
NOW
MAY BE THE TIME FOR HEAVENLY INTERVENTION: Despite the suggestions
to the contrary posed by contemporary programming, there is a
patron saint of television. She's an Italian noblewoman from the
12th century, named St. Clare. New
York Post 09/09/01
Wednesday August
8
WHAT
HAPPENED TO GOOD MOVIES? "Today mainstream cinema looks
stupider than it has for a long time. This is real middlebrow
moronism of the kind we haven't seen since Robert De Niro and
Meryl Streep got their parcels mixed up in Falling In Love in
1984. We have become used to expecting more of cinema. We're going
to suffer now." Where to turn for good art films? The
Guardian (UK) 08/08/01
ELIZABETHAN
RAUNCH: They usually try to obscure it in high school, but
by the time you get to college, English instructors are pretty
honest about it. Yes, there is sex in Shakespeare. But what happened
onstage at the Globe was nothing like what's happening now, on
cable and in XXX videos. It's a whole new genre: Shakespearean
Porn. Lingua Franca 09/01
HUNK
FACTOR: Are movie actors better looking than TV actors? Just
compare awards - Emmys versus Oscars. Skeptical? Think Dennis
Franz. Think James Gandolfini. Los
Angeles Times 08/08/01
Tuesday August 7
THE
GENERIC SOUND OF PUBLIC RADIO: "One of the biggest listener
complaints with commercial radio is that the rock stations here
in Washington sound just like the rock stations in New York, Chicago
and Los Angeles. But the same thing is happening in public radio.
Further, public radio stations in the same city are increasingly
starting to sound alike. And, unlike in commercial radio, your
tax dollars help pay for this duplication. At least two members
of Congress aren't happy about it." Washington
Post 08/07/01
Monday August 6
THE
GOOD, THE BAD, AND THE UNDERRATED: An American publishing
house has released a new survey of the best, most overrated, and
most underrated film scripts in history, as judged by screenwriters
themselves. Citizen Kane and Casablanca made both
the best and most overrated lists, with Groundhog Day taking
the prize for most underrated. BBC
08/05/01
Sunday August 5
WAITING
FOR DIGITAL RADIO: With all the hoopla surrounding the coming
of digital television, radio's digital potential has been largely
ignored by press and public alike. But radio is mostly about music
these days, and the benefits of a full digital conversion would
likely be far greater than any television will realize. Still,
there may not be enough interest to get the change done in the
near term. Washington Post 08/05/01
Friday August 3
ACTING
UP IN CANADA: American movie producers may have settled contracts
with the actors union, but the Canadian actors union is just coming
up on negotiations. "Among other issues on the table, the
union hopes to narrow the gap between the $510 Canadian movie
and TV actors earn for a day's work in Canada, and the $950 ($636
U.S.) paid to American actors." Toronto
Star 08/02/01
VIDEO
ISN'T THE SAME AS FILM. HERE'S WHY: "Footage shot on
digital video looks noticeably less crisp than footage shot on
film. Where film can produce a remarkable sensation of deep space,
video emphasizes the plane of the screen - its images seem flatter...
video encourages lo-fi, do-it-yourself effects to achieve a completely
natural, sketchlike style... just as you get different kinds of
sound from a compact disc and vinyl, it seems clear that the new
medium of DV will continue to have qualities distinct from film."
The New Republic 07/31/01
NOT
SO SPECIAL: Movie special effects have become boring. "Over
the past decade, computing power has greatly increased while the
cost and complexity involved in using it has greatly decreased.
Computer generated images have become commonplace to the point
of banality. They now clutter everything from the biggest Hollywood
productions to the lowest-budget TV commercial, and their magic
and power - the ability to simply wow us - has vanished. If a
computer can create a screen image of anything the mind can conjure,
what is left to surprise us?" Toronto
Star 08/03/01
NOTHING
ON: What has happened to British documentaries? Once they
aspired to greatness. Now: "From the precious nonsense that
was served up as Modern Times, to the vapid, middle-class
obsessions of Cutting Edge, it would be easy to argue that
the box in the corner of your living room boasts little but a
white, English, terribly middle-class belly button." The
Times 08/03/01
"TOO
AGGRESSIVE ON A TAX BASIS"? Australia, like many countries,
gives tax breaks to American production companies who shoot in
their country. But the recent denial of tax credits to producers
of Moulin Rouge has the Aussie film industry worried. Sydney
Morning Herald 08/03/01
PASADENA
NORTH: Pasadena is what, a few miles up the road from Hollywood?
That's Hollywood as in where they make movies and TV...So how
come a new TV series called Pasadena is being shot not
in Pasadena? Or even Hollywood. But in Canada. "For Hollywood
unions, shooting a TV show about the scandals of Pasadena society
in a Canadian city 1,200 miles to the north is the perfect symbol
of how bad the problem of runaway production to cheaper locales
has gotten. Who would think of shooting a Beverly Hills, 90210
or L.A. Law in a foreign country?" Los
Angeles Times 08/03/01
Thursday August
2
WHAT
DID YOU WATCH? NEVER MIND, WE ALREADY KNOW: Arbitron is introducing
the portable people meter. "The PPM, which is carried by
participants, detects codes that broadcasters place in their programming...
and records the signals, whether at home or outside it. When the
PPM is recharged on its base every night, the base sends the collected
codes to Arbitron." Chicago
Tribune 08/01/01
WANNA
SEE A REALLY GOOD MOVIE? TOO BAD This is not a vintage summer
for movies. It's not even a good one. In fact, it's... well, "If
it weren't for Shrek, the puckish computer-animated children's
fable about an antisocial ogre who learns to love, this summer
at the multiplexes would really, really reek." Philadelphia
Inquirer 08/02/01
THE
ULTIMATE ADVERTISING MACHINE: Internet movies have mostly
been flops. One series of shorts, however, has been highly successful.
As you might guess, they're commercials, "six-minute shorts
that are so unlike regular commercials, you could watch them without
recognizing the product being sold. An easy mistake to make, since
there's no advertising slogan, no pitchman and no logos."
Toronto Star 08/01/01
PUBLIC
MERGER: America's largest public broadcasting station - New
York's WNET - is merging with the country's fourth largest station
- Long Island's WLIW. "The merger, which would leave the
management of WNET in charge of the stations, would be the first
of its kind among public television stations." The
New York Times 08/02/01 (one-time
registration required for access)
THE BEST MTV
VIDEO OF ALL TIME: Assuming that you think MTV videos are
any good in the first place, and that you think 20 years qualifies
for "all time" status, and that you agree with the British
voters, the best is neither Queen's "Bohemian Rhapsody"
nor Michael Jackson's "Thriller." Hint: it's by the
same man who made Being John Malkovich. The Independent (UK) 08/01/01
Wednesday August
1
DOWNWARD
CHASE: British television seems to be spiraling downmarket
in an attempt to capture larger audiences. "The worst part
of it is that the more trivial and mindless the television offerings
become, the more eagerly the newspapers promote them in order
to play leapfrog." Financial
Times (UK) 08/01/01
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