Monday July 30
LONGEST
FILM: A Scottish artist has taken John Wayne's film The
Searchers and slowed it down so it will take five years -
the length of time the film's story covers. It has been "digitally
slowed, real-time version, which runs at one frame every 24 minutes
rather than 24 frames a second." Sunday
Times (UK) 07/29/01
Sunday July 29
WHERE'S
THE ART? Animation produced with computers is producing images
that are startlingly close to real life. But "a handful of
critics and thinkers are questioning this new hyperreal aesthetic,
suggesting that it's a limited and uninspired use of the available
technology. After all, if the end result is a photorealist version
of our world, then why use animation at all?" Boston
Globe 07/29/01
THE
NEXT THING IN RADIO: In September, satellite radio debuts
in America. Its high fidelity and constant signal strength coast-to-coast
could make it The Next Big Thing. Or will it? Listeners must pay
$9.99-12.95 a month for the service. You get 100 channels for
that, but "there's all that new equipment to buy head units,
receivers, antennas which could cost anywhere from $200 to $600."
Dallas Morning News 07/29/01
Thursday July 26
FINANCING
BOLLYWOOD: India's Bollywood is the world's biggest producer
of movies (700 a year) but until now banks have not financed movies.
That is about to change, as Bollywood seeks to increase production.
Still, "banks are likely to remain cautious in advancing
loans to what is seen as a high risk sector, as 80% of Indian
films fail at the box office."
BBC 07/26/01
Wednesday July 25
TEST-MARKETING
'THE NEW RADIO': Dallas and San Diego have been identified
as the first test markets for one of the two companies planning
to launch major satellite radio operations this fall. There is
little doubt that XM Satellite Radio and its competitors are offering
a music product superior to conventional radio, but the high cost
and inconvenience of procuring all-new equipment may put many
consumers off. Dallas Morning News
07/25/01
DO
VIRTUAL ACTORS HAVE TO PAY UNION DUES? The furor that has
erupted over the computer-generated "Final Fantasy"
film has been almost comical in its hysteria. No less venerable
a personage than Tom Hanks has voiced his concern that virtual
actors might someday replace flesh-and-bone thespians, and the
Screen Actors Guild has been shrilling its objections ever since
the mediocre film's release. But the man behind the computer magic
laughs at the notion that his creations could ever do what human
actors can. The Globe & Mail (Toronto)
07/25/01
SONGWRITERS
GETTING LEFT BEHIND: Lost in the debate over compensation
for musicians whose work is distributed online has been the plight
of the folks who create the songs to begin with. Songwriters,
who have always had a tough time getting proper compensation for
their efforts, are worried that they're being ignored by both
performers and the online music industry. Wired
07/25/01
Tuesday July 24
MORE
THAN ENTERTAINMENT? Black Entertainment Television (BET) is
20 years old. BET's founder says the network is "a powerhouse
creatively and financially." But critics lament that "the
network had failed to fulfill its potential, focusing too much
attention on music-related programming particularly hip-hop
videos with scantily clad women." Los
Angeles Times 07/24/01
COLORFUL
DREAMS: Technicolor is synonymous with color movies. Now the
company wants to be a leader in digital movie projectors, but
some in the industry are anxious. "The company's business
model called for taking a small cut from every ticket sold for
a digital presentation. Besides cutting into profits, the plan
would be difficult to administer because of the complex formula
governing the box-office haul split between studios and exhibitors."
Industry Standard 07/30/01
Monday July 23
CAN'T
TRUST THE REVIEWS: "If I were a critic today, I'd certainly
be a sucker for a film with some flesh on the bone. Today's reviewers
see so much slop that it's almost inevitable that they overpraise
the few movies that exhibit even a whiff of heft or ambition.
A movie critic today must feel like the restaurant reviewer who
has been forced to spend months munching on french fries and cheeseburgers
at McDonald's. When someone finally takes them to a decent neighborhood
cafe, they go nuts." Chicago
Tribune 07/23/01
Sunday July 22
THE
JUNKET REVIEW: Some movie fans in Los Angeles are suing movie
studios claiming that producers try to bribe critics with screenings,
junkets and gifts, and that the reviews that result are frauds.
Los Angeles Times 07/20/01
-
THOSE
HARD-WORKING JUNKETEERS: "Junkets are to journalism
as marketing is to the truth. Junket reporters are journalistically,
if not ethically, challenged. At a typical junket, dozens
of print and electronic journalists are flown to, say, New
York or L.A., often on the studio's nickel, put up in a hotel,
fed, bused to a screening and then herded to suites where
they get about 20 minutes with the stars and the director
and sometimes the producer of a movie. Nobody likes this arrangement,
not the stars, not the press, not even the publicists, but
the studios do, and it works." Los
Angeles Times 07/22/01
AN
ACTOR WHO'LL NEVER NEGOTIATE HIS CONTRACT: Will computer-generators
actors replace the human variety in movies? Maybe, but it's complicated.
An earlier casualty would seem to be old-style cartoons.
San Francisco Chronicle 07/22/01
Friday July 20
ART
OF THE GAME: Are video games art? "Gaming as an art form
has gone widely unrecognized and is often dismissed by serious
critics. But recently, a growing number of scholars and artists
have turned their attention to video games." Wired
07/20/01
Tuesday July 17
THE
MOVIE NAPSTER: The Motion Picture Association of America claims
that boot-leg prints of movies are costing Hollywood $2.5 billion
a year. A big chunk of that is accounted for by movies like Snatch
and Shrek, which can be downloaded from the Internet. "While
the means of piracy distribution has gone high-tech, the means
of gaining the material has remained the same--bootleggers take
video cameras into theaters." Chicago Tribune 07/16/01
REALITY
- WHAT A CONCEPT: When
summer ends and TV season begins, there will be 15 or 20 new reality
shows on the tube. Critics hope such shows will eventually be
killed off by "the propensity of network programmers to take
every original idea and beat it quickly and thoroughly to death."
Don't count on it, though, because "if young people are hooked
on these programs, whatever else is said about them does not matter.
More than ever, network television is steered by youth culture."
The New York Times 07/17/01 (one-time
registration required for access)
THE
ONLINE THEATRE: Want to avoid the movie ticket lines? Theatres
are increasingly beginning to sell tickets online - so far available
in Texas, Utah and New York. CNN 07/16/01
Monday July 16
CAN'T
BUY ME (VIRTUAL) LOVE: Disney came to Chicago with an ambitious
high-tech virtual reality arcade. Now it's closing. "In the
end, DisneyQuest proves that some principles of family entertainment
are impervious to technology, even patently old-fashioned - things
like variety, convenience, parking, the demands of age ranges
and tastes, even good food and comfortable surroundings."
Chicago Tribune 07/16/01
RATED
"S" FOR SMOKING? In New Zealand, anti-smoking advocates
want to ban young people from movies where characters are portrayed
smoking. Ottawa Citizen (AP) 07/16/01
Sunday July 15
BRITISH
CULTURE GOES HOLLYWOOD? Britain's new culture minister says
he prefers Hollywood movies to British films. This makes him "an
odd choice to oversee the development of British cinema, though
this may well be in keeping with the honorary knighthood conferred
on Steven Spielberg." The Observer
(UK) 07/15/01
BUT
WHAT ABOUT BUFFY? What's with those Emmy judges? Are they
all 108 years old? How else to explain the shows nominated for
awards this year? "These people are so decrepit that they
can't even change the channel to see what else is on the tube
beside The Sopranos, The West Wing, ER, Law & Order and
The Practice, the same gang of five that topped the nominations
last year." Toronto Star 07/15/01
Friday July 13
EMMY
NOMINATIONS: The Sopranos (22) and The West Wing
(18) win most Emmy nominations on American television.
The New York Times 07/13/01 (one-time
registration required for access)
NOT EXACTLY
THE WHITE KNIGHT THEY HAD IN MIND: A 24-year-old Internet
whiz-kid says he wants to buy Salon, the struggling on-line
magazine. He says he can cut costs by firing most of the staff
and replacing them "with syndicated articles from magazines
like Atlantic Monthly and The New Yorker."
As you might expect, Salon considers the offer a hostile
one. Inside.com 07/12/01
Thursday July 12
MOVIE
BOYCOTT: Movie ticket prices are up 10 percent over a year
ago in the US. Enough! cries a group of movie enthusiasts. Time
to protest with a boycott. This Friday (July 13) the group proposes
a boycott of movie houses across the country. BBC
07/12/01
MEXICO
+ HOLLYWOOD, A SLOW-BUILDING ROMANCE: It began more than 50
years ago, with The Treasure of the Sierra Madre; with
The Mexican last year and Frida this year, it's
finally taking shape. The biggest attraction of all may be down-and-dirty
practical, as the Mexican government has "streamlined permit
applications for filmmakers who want to work in Mexico and overhauled
union rules and tax laws." USAToday
07/11/01
Tuesday July 10
HARRY
GOES FOR BIG BUCKS: Producers of the Harry Potter movie are
reportedly asking American TV networks for a record $70 million
for the right to air the movie. The previous record of $30 million
was for Titanic. BBC 07/09/01
THE
SCARIEST THING IN HOLLYWOOD - AN ABSTRACT IDEA: As
a literary genre, science fiction "has transcended its pulp
origins and gained an enormous amount of credibility over the
last 25 years." Not so the movies, where space operas and
alien-invasions are the norm. Why do so few thoughtful sci-fi
novels make it to the screen? "People in Hollywood are afraid
that anything that is perceived as an abstract idea will drive
people from the theater." The New York Times 07/08/01 (one-time
registration required for access)
MUSEUM
OF THE DEAD: What happens to all those websites that have
gone bust? Some of them stay online, ghost ships without pilots.
Others disappear. Now a museum has collected screenshots of dead
sites, recording them for posterity. ABCNews.com
07/09/01
Sunday July 8
REPLACING
ACTORS WITH PIXELS: "The specter of the digital actor
a kind of cyberslave who does the producer's bidding without
a whimper or salary has been a figure of terror for the last
few years in Hollywood, as early technical experiments proved
that it was at least possible to create a computer image that
could plausibly replace a human being. But as "Final Fantasy"
makes its way into theaters the first of what promises to be
a string of movies trying to put this challenge to the test
many wonder if the threat is as real as it once seemed, or if
it simply takes computer animation down a fruitless cul-de-sac."
The New York Times 07/08/01 (one-time
registration required for access)
'SCOTTISH
SCREEN' SUPERVISOR SCOTCHED: "The chief executive of
Scotland's national film agency, Scottish Screen, has resigned.
. . Scottish Screen has been under fire recently because of the
film projects it has funded. It is been criticised for not funding
a wide enough range of films, or enough commercially successful
ones. It is also been accused of 'cronyism' favouring a small
group of filmmakers already known to the board." BBC
07/07/01
GAMBLING
ON THE SATELLITE: Satellite radio is coming, and no one seems
quite sure what effect it will have on the way the world listens
to music. It could turn AM and FM into dinosaurs in a matter of
a few years. "Or, with billions already invested in multiple
satellites as well as programmers, air talent, advertising, and
new technologies, we may be on the verge of the most expensive
technological misfire since Beta-format video." Boston
Globe 07/08/01
FALLOUT
FROM A NON-STRIKE: "Now that Hollywood's actors have
found labour peace with the movie studios and TV networks, the
entertainment business faces a major hangover after a year of
binge preparations for a lengthy labour shutdown that never materialized."
The Globe & Mail (Toronto)
07/07/01
Friday July 6
SELLING
IT DOOR TO DOOR: Movie studios have slowly been adjusting
the way they advertise their product to the younger generation
in recent years, trying to take advantage of new technologies
to hawk their old-tech movies. But one of the most successful
new marketing methods could not be more low-tech: teams of streetwise
salesman, selling a movie one-on-one in the clubs and dance halls
frequented my Hollywood's favorite demographic set. Los
Angeles Times 07/06/01
DIGITAL
DELAYS: While the U.S. government continues to threaten American
television stations with license revocation if deadlines for conversion
to digital technology are not met, the BBC is facing the opposite
problem in the U.K. Britain's dominant broadcaster is set to roll
out an array of new digital services, but the government is demanding
more information on the proposals before approving the plan. BBC
07/05/01
INTERACTIVE
CINEMA: San Francisco Cinematheque is one of America's most
venerable alternative-film organizations, and over the four decades
of its existence, it has crossed back and forth over the avant-garde
line so many times that it would seem to have nothing "new"
left to try. But it's trying anyway, with an interactive multimedia
blowout to celebrate its 40th anniversary. "The night begins
with bingo and ends with participants wandering into showings
of dozens of experimental film and video pieces by local artists."
San Francisco Chronicle 07/06/01
Thursday July 5
SORKIN
DEFENDS HIMSELF: West Wing creator and chief writer
Aaron Sorkin is defending the show against charges that it is
shorting its writers in order to cut costs. National
Post 07/05/01
Wednesday July 4
ACTORS/PRODUCERS
SETTLE: Actors and Hollywood producers reach a contract agreement,
avoiding a strike. Terms were not immediately available.
Nando Times (AP) 07/04/01
BBC
INCREASES BUDGET: Despite - or perhaps because of - a drop
in audience share, BBC has pledged an additional £67 million for
drama, entertainment, and factual programming in the coming year.
It's part of an overall 20% increase, the largest in BBC history.
BBC 07/04/01
FEWER
STARS, MORE BALANCE: "The Toronto International Film
Festival is quietly cutting back on its Hollywood glitter quotient,
in response to growing criticism that the annual September event
is becoming too star-struck for its own good. Two new programs
one a showcase for experimental works and the other a Canadian
film retrospective series will help restore 'balance' to the
festival's offerings." Toronto
Star 07/04/01
VIDEO
ON DEMAND, BUT DON'T DEMAND JUST YET: "If [video on demand]
takes off with consumers, it could well be the biggest billion-dollar
bonanza since videocassettes and VCRs in the 1980s. And yet, ironically,
the major Hollywood studios - which have much to gain from VOD's
success - are using their clout to thwart VOD's market launch."
National Post (Canada) 07/03/01
Tuesday July 3
UNDUE
INFLUENCE: Movie fans in Los Angeles are suing movie studios
for "bribing" critics. "The lawsuits allege that
the studios are engaging in fraud and unfair and deceptive business
practices by using the glowing reviews about their films in advertisements
without letting the public know that the reviewers may have received
goodies or travel and meal accommodations in connection to attending
the film screening." Inside.com
07/02/01
REINVENTING
PUBLIC TV: It's been a year-and-a-half since Pat Mitchell
became president of PBS, and her mission is to reinvent the public
broadcaster. She's juggling the prime time schedule for the first
time in twenty years, and bringing in American mysteries to replace
the standard British mysteries. And she wants to change fund-raising
by local stations. "We've got to think of a new way. We can't
just sit here and watch our viewership go down for 10 years."
Atlanta Journal-Constitution 07/01/01
FILMING
EAST AFRICA: Some 100 films and documentaries are being screened
at East Africa's largest cultural event, the Zanzibar Film Festival.
The festival, which runs through the middle of July, also includes
film, video, music, dance, and theater performances. It's called
Festival of the Dhow Countries, after "the dhow, a wooden
oceangoing sailing vessel that has brought together people and
cultures from around the rim of the Indian Ocean for centuries."
Nando Times (AP) 07/02/01
ROBOTS
- NOTHING NEW THERE: Long before Steven Spielberg's A.I.,
there were humanoid robots in the arts - Coppιlia, Petrouchka,
Pinocchio, and Capek's R.U.R., which gave us the word "robot."
In fact, long before A.I. there were many humanoid robots
in the movies. The Economist 06/28/01
Monday July 1
NATIONAL
PUBLIC WHAT? National Public Radio is 30 years old. But what
are we celebrating? "Poor NPR. Emasculated, lost its nuts,
and at such a young age. They say it happened sometime in the
'90s, when Congress insisted that NPR become self-supporting.
But that's not it." Salon 07/02/01
- AWWW
QWITCHERBEEFIN: "This is the same kind of elitist baloney
I have heard for years, and I feel sorry for the glass-half-empty
crowd that has taken on the supposed spiritual demise of public
radio." Fact is, public radio is thriving. Salon
07/02/01
JUST
SAY WHOA: The White House has stopped a program by its drug
office that paid American TV networks to insert anti-drug messages
into the plotlines of popular TV sitcoms and dramas. Salon
07/02/01
TOUGH
TIME FOR NETWORKS: American TV networks have sold $7 billion
of commercials for the upcoming season. Sounds like a lot, except
that the take is down about $1 billion from last season - a startling
decline. Inside 07/01/01
LEADERSHIP
VACANCY: Top leadership of three of Canada's cultural institutions
- the CBC, the CRTC and Telefilm - has been missing in action
for several months, and critics are accusing Prime Minister Jean
Chretien of letting them drift. Ottawa
Citizen 07/02/01
Sunday July 1
BUYING
TIME: Talks between the Screen Actors Guild and the major
Hollywood studios have been extended as all sides work to avert
an actors' strike. BBC 07/01/01
NOT
ENOUGH CAR CRASHES, APPARENTLY: "Looking at television
news, you could reasonably arrive at the ridiculous conclusion
that people almost never talk about books, movies, television
or theater. . . Television news has many habits that send occasional
viewers to newspapers or National Public Radio in exasperation,
but one of its most perplexing mistakes, on both the local and
national levels, has been its virtual failure to acknowledge this
most vital aspect of existence, the glass through which we interpret
what it means to be human." Chicago
Tribune 07/01/01
METHOD
IN THE MADNESS: "Europeans ridicule it and David Mamet
calls it 'nonsense.' Yet 50 years after it invaded America, Method
acting's dominance in Hollywood is virtually complete." The
Globe & Mail (Toronto) 07/01/01
A
DIFFERENT KIND OF RATINGS WAR: The dirtiest thing you can
say to a Hollywood producer is "NC-17." The rating,
which is assigned to American movies deemed inappropriate for
children of any age, is considered the kiss of death for a film,
and producers will jump through any number of hoops to avoid being
slapped with it. But "a new wave of explicit films featuring
full frames of hard-core action will soon invade theaters across
the country, as directors and distributors push the limits of
what's acceptable and thumb their noses at the movie rating system."
New York Post 07/01/01
- SEX
ON SCREEN: "[A]udiences have always been ambivalent
about what they do and do not want to see on the screen even
when a sex scene was but a first kiss and a racy cut to the
cigarette. We might think we like our movies hot, but in reality
a sex scene is more often something to be endured, an uncomfortable
moment before the audience breathes again. Mysterious as desire
itself, what one person finds sexy is vulgar to another."
The New York Times 07/01/01
(one-time registration required for
access)
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