Monday
July 1
THE
MOVIE SUMMER: The summer movie season is beating all box office
records. So far, from May 2 to June 23 box office is up 27.5%
over last year. "A key factor this summer is that the hit
films are generally playing stronger and longer, unlike last year,
when spectacular first weekend grosses were followed by drops
of 50% or more in the second weekend." Los
Angeles Times 07/01/02
HURRAY
FOR BOLLYWOOD: "Bollywood has never been hotter. Glossy
magazines are dedicating pages to Indian-style fashion (henna
tattoo, anyone?) and Western directors are scrambling to make
movies inspired by these epic tales of love, lust and heartbreak.
The Indian film industry produces 1,000 movies a year watched
by audiences across the East from Africa to China and by expat
Indians around the world. Every day 23 million people pile into
cinemas across India (population 1 billion), to watch movies.
Even the West is finally catching on. What's the attraction? Sydney
Morning Herald 07/01/02
Friday
June 28
ALL
IS SWEETNESS AND LIGHT: Whatever happened to the grand old
tradition of dark acting? These days it seems that all Hollywood
antagonists must be so evil as to be caricatures, and the days
of quietly menacing characters, the type who don't frighten you
so much as make you wildly uneasy, have faded away into the ether
left from an era when subtlety still had a place in Tinseltown.
Toronto Star 06/28/02
BACKING
AWAY SLOWLY: National Public Radio has reconsidered its much-criticized
policy of requiring webmasters to go through a lengthy 'permission'
process before posting a link to any part of the public broadcaster's
site. In a statement, NPR acknowledged that vociferous objection
from the online world had played a role in the change, but claimed
that it had been looking at changing the policy for some time.
Wired 06/28/02
CURE
FOR THE COMMON MULTIPLEX: "Snacks and soda are banned
from the theatre. Most of the movies have subtitles; many are
in black-and-white. The actors and directors deal in highbrow
concepts like neo-realism and surrealism. More to the point, there's
nary a web-slinger nor a lightsabre in sight. Welcome to Summer
At The Cinematheque, the most popular program of Cinematheque
Ontario, the film lover's paradise far from the maddening multiplex."
Toronto Star 06/28/02
Thursday
June 27
SUPPORTING
ROLES: Why is it that every Hollywood film purporting to be
about racial minorities, civil rights, or non-white cultures always
seems to end up focusing on a white protagonist? While the film
industry revels in its liberal image and loves to pay lip service
to minority causes, the movies it churns out consistently relegate
black, Hispanic, and Native American characters to supporting
status, while the "white-man-on-a-white-horse" protagonist
rides in to embrace their cause and save them all. It couldn't
be much more insulting. Chicago Tribune
06/27/02
WHITHER
PACIFICA? After the better part of a decade spent in epic
battles between network execs and volunteer programmers, the Pacifica
network is now squarely in the hands of the dissident broadcasters
who appear on its air. The question is, can the inmates really
run the asylum, and does Pacifica's grass-roots, left-wing, and
(let's be honest) brutally unpolished style still have a place
in today's radio landscape? Salon
06/20/02
Wednesday
June 26
BBC
EXPANDS ARTS PROGRAMMING: In response to charges it has been
dumbing down its arts programming, the BBC is expanding its arts
coverage. "Perhaps stung by the criticism, BBC1 plans to
spend more than £3.3m on arts programmes in the autumn schedules,
which will be announced in the next few weeks. This is £1.5m
more than last year. The number of hours dedicated to the arts
will rise by 40 per cent." The
Independent (UK) 06/24/02
HAVE
MONEY WILL PLAY: Is Clear Channel Communications - with 1200
radio stations across America, the country's largest broadcaster
- giving airtime to record labels in return for money? Well, maybe
not directly, but some of the company's new services sure look
suspicious. Salon 06/25/02
- PAY-TO-PLAY:
Music payola is becoming a hot topic, with the US Congress threatening
to hold hearings and make new laws. Payola is the deal where
recording labels pay radio station to play their music. For
some large radio conglomerates, it's become a big income producer.
But the system essentially shuts out artists and labels that
don't have the money to get their music played. Salon
06/25/02
Tuesday
June 25
PBS
CHIEF HOPEFUL ABOUT NETWORK: With PBS ratings falling to historic
lows, PBS chief Pat Mitchell rallied the troops at the network's
annual meeting. "That one small part of my musings about
ratings has become the message: that I am measuring PBS' relevance
by ratings. Not true, of course. I was actually arguing against
ratings as the only measurement of relevance or success."
Yahoo! (Hollywood Reporter) 06/25/02
EXOTIC
MAKEOVER: Foreign directors have a long, rich history in Hollywood,
from Josef von Sternberg and Billy Wilder to Fritz Lang and Fred
Zinnemann, and more recently directors like Czech-born Milos Forman
have flourished in America. But many have suffered. Hollywood
hires foreign filmmakers for their artistic cachet, then often
wastes their gifts on hackneyed material. It's that classic combination
of the American thirst for the exotic and insistence on the familiar."
Los Angeles Times 06/25/02
MASSACHUSETTS
CLOSING FILM OFFICE: In the 1990s many US cities and states
tried to lure Hollywood movies to shoot on location, trying to
harvest some of the millions spent on location shoots. Most states
set up film offices to facilitate permits and try to convince
filmmakers to come. Now, with states like Massachusetts facing
budget deficits, legislators are considering closing their film
offices. ''We're talking conservatively of $30 to $40 million
coming into the state for late summer or fall. 'If there's no
film officer, then it's unlikely that the studios will come here
to shoot on top of the other problems we're facing.'' Boston
Globe 06/25/02
Monday
June 24
YOUR
AD HERE: Product placement is an old story in Hollywood movies.
But the new Tom Cruise/Stephen Spielberg movie Minority Report
is breaking records. "Twentieth Century Fox and DreamWorks,
which co-produced and are distributing the picture, peg its final
budget at $102 million U.S. According to product placement reps,
the brands could have contributed $25 million to the final shooting
budget, offsetting costs handsomely and guaranteeing a
healthy future for the marriage of Hollywood and Madison Avenue."
Toronto Star (Variety) 06/24/02
Sunday
June 23
THE
FOLLY OF BIG RADIO: Clear Channel Communications is, for all
intents and purposes, the face of American radio in the era that
has succeeded the notorious Telecommunications Act of 1996. The
company has a near-monopoly in many markets, and nationwide, radio
has never sounded so bland, so demographically targeted, and so
predictable. Clear Channel claims that such tactics are what the
public wants, but overall listenership is down 10% since 1996.
Furthermore, some reports have Clear Channel bleeding at the wallet
at a time when it should be raking in the dough. Is this the death
of radio as we know it? Pittsburgh
Post-Gazette (Washington Post) 06/23/02
- TAKING
ON TELECOM '96: So, most observers agree, radio has more
or less sucked ever since Congress fiddled with it back in 1996.
"Sen. Russell Feingold (D-Wis.) aims to do something about
it. Feingold plans by month's end to introduce legislation aimed
at plugging what he sees as holes in the 1996 Telecommunications
Act, which opened the floodgate of corporate consolidation."
Washington Post 06/23/02
GOLDEN
AGE OF THE DOCUMENTARY? To TV execs, they're a cheap, easy,
low-stress way to fill blocks of time on the schedule. To their
creators, however, documentaries are an art, walking a fine line
between filmmaking and journalism. And never have documentarians
had so many outlets clamoring for their work: from PBS's endlessly
provocative P.O.V. to HBO's sometimes-seedy America
Undercover, the original "reality programming" is
becoming the hottest thing in television. Boston
Globe 06/23/02
NO
BOYS ALLOWED: Quick, name a female filmmaker other than Penny
Marshall. Stopped you cold, right? The fact is that, while female
actors have made great strides in securing plum roles and top
salaries, the world of those behind the camera remains overwhelmingly
male. A new summer workshop in New Mexico aims to change that,
if only by giving young women access to the knowledge and materials
necessary to pursuing a career making films. Nando
Times (AP) 06/21/02
THE
SUM OF ALL NUCLEAR HOLOCAUSTS: Nuclear war has always been
a subject of fascination in Hollywood. From Dr. Strangelove
to On the Beach to The Day After, the spectre
of nuclear annihilation has traditionally been a surefire way
to wind up an audience while making what passes in the industry
for a political statement. But the new summer thriller The
Sum of All Fears marks a departure from the nuclear norm,
and the message is clear: post-9/11, movies like Sum play
less like futuristic fantasies than as prophetic predictions of
the horrors to come. Los Angeles Times
06/23/02
Friday
June 21
WEBCASTING
FEES SET: The US Librarian of Congress has cut royalty fees
internet webcasters will have to pay to play music. The copyright
office had proposed a fee of .14 cents per song. The new rates
"require webcasters to pay record labels .07 cents each time
a song is streamed live and .02 cents for archived or simulcasted
streams. Temporary copies, such as ripped copies of CDs that are
used to create the digital streams, will cost companies 8.8 percent
of their entire royalty fee." Webcasters say that the fees
will put them out of business. Wired
06/20/02
A
US-PROGRAM DUMPING GROUND? The UK is considering allowing
American companies to own British commercial broadcasters. But
BBC head Greg Dyke warns a parliamentary committee that if it
happens, "US media giants would simply 'dump' their own shows
on the UK rather than invest in British programming." BBC
06/21/02
NPR'S
"CLUELESS" LINK POLICY: National Public Radio has
become the object of ridicule on the web for its policy of requiring
webmasters to apply for permission to link to stories on NPR's
site. "By Wednesday afternoon, the NPR link form was the
No. 1 item on Daypop, which ranks the popularity of items in weblogs.
'If you take this to its logical end, if you did this to everyone
at every site, the Internet would break down. So the policy is
borne of either cluelessness or evil - and I'd like to think that
the Car Talk and tote bag people aren't evil." Wired
06/20/02
Thursday
June 20
RECORD
HOLLYWOOD: Major Hollywood movie studios took in a record
$31 billion last year, up by $1.3 billion from the previous year.
"Home video, spurred by the continued rise of DVD sales,
was again the biggest contributor to the overall growth, accounting
for 40% of all-media revenue, according to a summary of annual
global results. Backstage 06/19/02
SEX
WIPES AWAY MEMORY: A study reports that a little sex in a
TV show wipes away viewers' ability to remember commercials. "Researchers
found that people watching shows packed with sexual innuendo,
performers with revealing clothes or sexual scenes were much less
likely to remember the ads both immediately after the show and
a day later." Sydney Morning
Herald 06/20/02
RADIO
FOR THE WORLD: Australia's SBS Radio is the most multicultural
radio operation in the world, broadcasting in 68 languages. "SBS
Radio broadcasts 15,000 hours of programs each year to Australia's
major cities. Different languages are allocated varying amounts
of time on air depending on the percentage of speakers in Australia,
but population numbers are not the only element taken into consideration."
Sydney Morning News 06/20/02
Wednesday
June 19
WAR
GAMES: Hollywood war movies are everywhere this summer. "Not
since the flurry of Vietnam movies in the late 1980s has the combat
film been so viable or so visible. And not since the gung ho Reagan-era
warnography of Rambo and Top Gun has the brass been as pleased."
Village Voice 06/18/02
Tuesday
June 18
THE
END OF PBS? With PBS' ratings falling to historic lows, critics
are wondering whether the network will survive. PBS president
Pat Mitchell: "We are dangerously close in our overall primetime
number to falling below the relevance quotient. And if that happens,
we will surely fall below any arguable need for government support,
not to mention corporate or individual support." FoxNews
06/18/02
Monday
June 17
STREAK
OF INDEPENDENCE: While the big movies rely more and more on
boffo opening weekend at the box office, the marketing and distribution
of smaller independent films is being rethought. "The challenge
is finding the right small movie to schedule opposite a behemoth.
It's an evolutionary process. The increase in independent films
jockeying for art-house space has changed the equation, as has
alternative programming on cable that's really satisfying."
San Francisco Chronicle 06/17/02
MISSING
WOMEN: "According to an annual study that counts the
number of women working on the 250 top domestic grossing films
of the year, the number of women directors declined from 11 percent
in 2000 to 6 percent in 2001. Women accounted for 14 percent of
writers in 2000. In 2001, the percentage dropped to 10."
Wired 06/17/02
Sunday
June 16
FEST
ME: There are now 1,600 film festivals around the world and
650 in the United States. And oddly, Los Angeles, the home of
movies, doesn't have a top-tier film fest. Why? Shouldn't it?
Los Angeles Times 06/16/02
THE
NEW OLD FANTASY: "Perhaps more than ever before, Hollywood
is an empire of fantasy. But despite the popularity of these movies
and despite the unmatched power of the studios to blanket
the real world with publicity, advertising and media hype
Hollywood is not the center of this empire. It is, rather, a colonial
outpost whose conquest has been recent and remains incomplete.
Fantasy literature, which in the broadest sense includes modes
of storytelling from novels to movies to video games, depends
on patterns, motifs and archetypes." The
New York Times 06/16/02
Friday
June 14
A
CONSPIRACY AGAINST CHICK FLICKS? There seems to be some sort
of cosmic film critic law that prevents reviewers from ever reviewing
a movie which features strong female characters expressing their
emotions without the use of the words 'chick flick' or 'weepie,'
says Deborah Hornblow. But "the predominantly male critical
establishment legitimizes and sanctifies the life experiences
of men as they are represented in film, never pausing to consider
special--or marginal--classification status." Hartford
Courant 06/07/02
PUBLIC
BROADCASTER MAKES MASSIVE CUTS: "Dallas public broadcaster
KERA cut nearly a quarter of its staff Thursday, citing lower-than-expected
corporate and individual donations since the Sept. 11 terrorist
attacks... Public TV stations in Chicago, Philadelphia and Oregon
also laid off workers in the last month." Dallas
Morning News 06/14/02
Thursday
June 13
PBS'
RECORD LOW RATINGS: America's PBS racked up record low ratings
this past season. The network is trying to reinvent itself, working
to attract viewers who aren't kids and old people. But can PBS
reinvent before its audience completely goes away? "The PBS
audience has wandered off to niche cable channels that have cherry-picked
one coverage area after another that PBS once had exclusively:
The Food Network and Animal Planet in specific areas, for instance,
and even Discovery and A&E more directly competing with PBS'
broader vision." Chicago Tribune
06/13/02
BRIT
TV GOES TO THE US: Sales of British TV shows to the US increased
20 percent last year, helped by the success of a couple of hit
exports, including The Weakest Link. "Sales to the
US account for nearly a third of all exports from the UK and the
market is worth £136 million, according to the British Television
Distributors Association (BTDA)." BBC
06/13/02
- Previously: DOES
UK HAVE WORLD'S BEST TV? Britain has won the most awards
at the Banff International Television Festival, winning nine
awards. The US came second with 7 awards. "The U.K. has
traditionally dominated the awards, held for the past 23 years
in this Rocky Mountain resort town."
National Post (Canada) 06/11/02
Wednesday
June 12
BEST
ROMANTIC FILMS: The American Film Institute releases a
list of Hollywood's all-time best romantic movies. The oldest
film was Way Down East (No. 71) from 1920. The newest was
1998's Shakespeare in Love (No. 50).
The Star-Tribune (AP)(Minneapolis)
06/12/02
Tuesday
June 11
DOES
UK HAVE WORLD'S BEST TV? Britain has won the most awards at
the Banff International Television Festival, winning nine awards.
The US came second with 7 awards. "The U.K. has traditionally
dominated the awards, held for the past 23 years in this Rocky
Mountain resort town." National
Post (Canada) 06/11/02
PROTESTING
CONSOLIDATION: A TV group representing creative workers in
the industry are warning that consolidation of American media
is dangerous for the country. They're asking the FCC to investigate.
"The harm comes about as a direct result of the growing concentration
of ownership. The consequences of this new factor in our industry
are - and this is no exaggeration - potentially catastrophic."
Nando Times (AP) 06/11/02
WHAT
HAPPENED TO THE GREAT CARTOONS? "The era of the great
cartoons is dead. There's no great mystery about it. They used
to be made for adults, with children only partly in mind, and
they were destined for cinema release. They were created by people
of great wit and craft who were as comfortable composing symphonic
music as cartoon underscore. Cartoons are sold by volume nowadays
like the bookseller who sells literature by weight - $10 a kilo."
The Age (Melbourne) 06/11/02
Monday
June 10
THINK
OLDER: Australia's Victoria government is urging TV execs
to get over their preoccupation with youth and program more to
older Australians. A new government report shows that "those
older than 55 were the most avid television viewers in Australia,
watching an average of four hours and 18 minutes each day. Teenagers
watched two hours and 39 minutes, while those 40 to 54 spent three
hours and 18 minutes in front of the box."
The Age (Melbourne) 06/10/02
Sunday
June 9
TV
FOR THE VERY YOUNG - A CHANGE: For years some TV producers
of kids shows for the very young believed that attention spans
were so short that shows should be cut up into small segments.
The approach won Sesame Street 79 Emmys over 33 years. But it
turns out video viewing habits for the very young are changing
along with the rest of the population, so the show has gone to
longer stories. The change seems to be working - Sesame Street's
ratings are up 31 percent in the 2-5 age group. The
New York Times 06/09/02
Friday
June 7
MOVIES
FROM THE 'AXIS OF EVIL': An internet site based in Iran has
set up a nice little business streaming American movies over the
internet. The site has all the latest movies, and charges less
than $1.50 per view. Yes it's illegal, but "legal and technology
experts said Hollywood will be hard-pressed to reel in a Web site
based in a country that is not a party to international copyright
treaties and that has not had diplomatic ties to the United States
since 1979. In fact, tensions surged again early this year when
President Bush lumped Iran in with Iraq and North Korea as part
of an 'axis of evil'." SFGate
06/06/02
A
TOOL TO CHANGE ART: Digital filmmaking is sweeping the industry.
But it is "a cause for misgivings as well as wonderment.
It will kill art before it enhances it. It will aggrandise businessmen
before it enriches audiences. It had to happen, just as the talkies
had to, because technology dictated it, but not because any creative
artist craved it." One thing is certain - it will change
the art of making movies - in good ways and in bad.
London Evening Standard 06/07/02
WHY
AMERICAN TV BEATS BRITISH: "Although there is still an
unbudgeable assumption that British television is 'the best in
the world', and the BBC the guardian of that excellence, a mental
roll call of the most innovative and impressive shows on our screens
suggests that that confidence is quite misplaced." The best
TV in recent years have been made by the Americans. The
Times 06/07/02
HOW
LEW WASSERMAN RUINED THE MOVIES: He was mourned as a legend
this week. But "missing from all the gushy epitaphs is an
example of a single great picture that got made because of Wasserman's
vision. "If the only movies playing at your local cineplex
are Spider-Man and the new Star Wars epic, Wasserman deserves
much of the blame. Even during the drug-induced brilliance of
1970s Hollywood, Wasserman's taste at Universal was always conservative,
middle-aged, and middlebrow: no Coppolas, no Altmans, no Scorseses."
Slate 06/06/02
- OKAY,
SO THE MOVIES WEREN'T ANY GOOD: "Wasserman, who died
Monday from the effects of a stroke, was a major figure in the
history of Los Angeles, a key figure in the history of American
Jews, a critical figure in the history of American politics,
even an important transitional figure in the history of capitalism
itself. And, yeah - he changed movies too, not entirely for
the better." LAWeekly 06/06/02
Thursday
June 6
AUSSIE
E-MAIL MIGRATION: Australian actors and directors have been
working in Hollywood for years. Now so are Aussie writers. "Once
considered the weakest part of the film industry, writers are
jumping from local successes into studio films. And rather than
basing themselves in Los Angeles, they are often staying in Australia.
So it's a quiet export of screenwriting talent - an exodus by
email." Sydney Morning Herald
06/06/02
Wednesday
June 5
CANADA'S
TV ACTORS WANT BETTER DEAL: "Marginalized for decades,
largely impotent in negotiations, and too fearful of personal
backlash to fight back, some of Canada's most distinguished thespians
have recently begun to find their voice." For what? "The
Canadian film-service industry has grown into a $3.5-billion annual
business. But of every dollar spent, technical crews make between
18 and 22 cents, while actors under the jurisdiction of the Alliance
of Canadian Cinema, Television and Radio Artists (ACTRA) earn
just two cents - about $600 a month on average for each working
actor. Most of the rest goes to producers."
The Globe & Mail (Canada)
06/05/02
FRANCE'S
LATEST CULTURAL EXPORT: Many recent French films are violent.
"The proliferation of such graphic depictions of sex and
violence hints at a hidden France, one very different from the
confident, civilised face it turns to the world. It is as if the
French tradition of philosophical existentialism has curdled into
a kind of nihilism where the individual is not only adrift in
a meaningless universe but also personally reluctant to make any
moral decisions." The
Telegraph (UK) 06/05/02
TV
MAKES OVERWEIGHT KIDS: A new study says that having a television
in a pre-schooler's room increases the risk of obesity. "The
relationship between television viewing and obesity among school-aged
children, teens and adults is well-established. These new results,
published in this month's edition of Pediatrics, the journal of
the American Academic of Pediatrics, extend the association to
preschoolers." National
Post (Canada) 06/05/02
Tuesday
June 4
MOVING
TO CANADA: A new study "shows that the amount of money
spent to produce films in the United States dropped 17% from 1998
to 2001, while the amount spent on production in Canada grew by
144%." Milwaukee
Journal-Sentinel (AP) 06/04/02
CAUGHT
IN A WEB: Radio stations are evolving their websites into
listener loyalty centers. "For everything from rating snippets
of songs to answering trivia questions, from knowing secret codes
that are given over the air to viewing ads for sponsors,"
listeners can "win points from the country station that she
can use to enter in sweepstakes or to bid in auctions on such
items as DVDs, gift cards and small appliances. Add these reward
programs and e-mail blasts to dating hotlines and other gimmicks,
and it becomes clear that music stations aren't just about the
music nowadays (if they ever were) and that many stations are
becoming comfortable with the Web. "
Chicago Tribune 06/04/02
Monday
June 3
MOVIES
ARE NEXT: "Movie downloading isn't a widespread practice,
partly because only about 10 percent of Americans have high-speed
Internet access at home. But as that figure inevitably rises,
the Internet could see an influx of movie-hungry file swappers
itching to use their high-speed connections. This could ignite
a downloading frenzy, emulating the fast and furious movie swapping
already occurring in college dormitories with the fastest Internet
links on the planet." Orange
County Register (KR) 06/02/02
- COLLEGE
PIRATES: No surprise here, but college campuses, with their
super broadband connections are where most movie downloading
is taking place. "Colleges often don't catch on because
they're too busy trying to balance security and the openness
that students, faculty and staff require for their work."
Orange County Register (KR)
06/02/02
IN
PRAISE OF THE BLOCKBUSTER: There are only two seasons in Hollywood
- summer and Oscar. "A fresh batch of blockbusters now looms
before us and, as usual, it's being met with some ambivalence
by fans. On the one hand, summer is showtime for Hollywood, a
bombastic season when the runways are cleared and the year's most
anticipated event films are lined up for takeoff. On the other
hand, summer usually signals an annual vacation from intelligence,
as we're bombarded with such movies as Godzilla or Pearl
Harbor or Gone in 60 Seconds - films that spend six
months convincing us they're the thrill ride of the year, and
then two hours making us wish we had an Aspirin and our 12 bucks
back." National Post 06/01/02
THE
HOLLYWOOD FORMULA: The road to success in Hollywood goes wherever
it takes to be "successful." "The latest formula
for success - the 'brand movie' - is working. This summer, Hollywood
will release 16 big-star, big-budget films described as brands:
films that are sequels, prequels, spin-offs, franchises or based
on universally recognised characters from comic books, children's
books or video games." The
Telegraph (UK) 06/03/02
Sunday
June 2
FILM-LOVER
FEST: "At Cannes this year, the big winners - and most
of the 22 competition films - tended to deal with big issues,
significant topics. Cannes is, after all, a cinephile's festival,
a gathering for people who make movies or write about them (and,
in the market section, those who buy and sell them). But most
of all, Cannes is for people who love film -- and who still manage
to see movies the way most of us did when we were kids ourselves:
as an occasion for surprise, pleasure and magic." Chicago
Tribune 06/02/02
FROM
WILL AND GRACE TO GERMAN TV: Where do old LA sitcom
writers go when they can't get work in Hollywood anymore? To Germany.
"This is, evidently, one of the unexpected byproducts of
a global electronic village: You can be 53-year-old Lenny Ripps
or 58-year-old Ed Scharlach or 58-year-old Paula Roth, and still
matter, creatively, by entertaining German television viewers."
Los Angeles Times 06/02/02
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