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Friday June 30
- HOLLYWOOD
BEWARE:
Indian movies are being taken more seriously internationally
than ever before, and are carving out a wider non-Indian audience.
"The fact that Hindi films are appearing more often on
the UK and US charts and the regular stage shows have made the
world sit up and take notice." Times
of India 06/30/00
- “HAVE
SUBTITLES, WILL TRAVEL”: “Every summer, the major Hollywood
studios unleash their biggest, loudest and most expensive and
star-studded films into a world of vacationing families and
entertainment-hungry teenagers. Have sequel, will travel. But
off to the side, clustered together, are a growing number of
smaller, less heralded movies - independent features, foreign
films, this year's quirky Shakespeare adaptations - that somehow
find themselves battling it out in the nation's theaters with
the big Hollywood quarterbacks. Have subtitles, will travel.”
New
York Times 06/30/00 (one-time
registration required for entry)
- MINNESOTA
TAKES ON L.A.: Minnesota Public Radio has been moving into
Southern California, taking over the public station in Pasadena,
with plans to remake it into a dynamo news operation.
"What we're interested in is content. And here you have
a city where there's no L.A.-based radio being produced for
[a nationwide] public radio [audience], and we see that as a
huge opportunity for us."
New
Times LA 06/29/00
Thursday June
29
- AND
IT STARTED SO PROMISINGLY: This summer's movie season began
so well - the "Mission Impossible" sequel raked in
the bucks, and the schedule was full of promise. Then: "the
horizon darkened. The engine began to make a funny pinging sound.
Slowly, silently, the air went out of the tires. And the summer
movie season of 2000 began to sink into the doldrums -- at least
compared with last year's."
The
New York Times 06/29/00
(one-time registration required for entry)
- WHO
WANTS TO BE A MOVIE STAR: Some movie producers in Los Angeles
had an idea - they would set up a website and auction off roles
in their next movie project. But California authorities have
ordered the site shut down because it violates state laws forbidding
job applicants to pay for positions. BBC
06/29/00
- BIDDING
FOR WORK: "The project, called 'Who Wants to Be
a Movie Star?' was designed to sell off speaking roles and
behind-the-scenes jobs for a specific, yet-unnamed film
project to the highest online bidders." Backstage
06/29/00
- ART
OF THE CON: Michael Douglas has signed on for "Art
Con of the Century," a movie based on an investigative
article written last year about John Drewe, "a charismatic
con who in 1986 found painter-songwriter John Myatt, who had
a knack for producing copies of paintings by master artists
that regularly fooled art experts. Drewe paid Myatt to crank
out purported originals that were sold all over the world for
large sums, a nine-year escapade that put 200 forgeries into
circulation." Variety
06/29/00
Wednesday June
28
- CBC
GOES INTERACTIVE: The Canadian Broadcasting Company launched
its interactive web service yesterday. "The hybrid service
is being inaugurated with the launch of 120seconds.com
a storytelling site that will feature a wide range of bite-sized
programming, submitted by young freelancers and ordinary Canadians.
Items may be presented in a variety of formats - audio, streaming
video, still photos, text or animation, or any combination of
these."
Toronto
Globe and Mail 06/28/00
Tuesday June 27
- TRUE
NORTH: A new survey shows that more than a third of the
161 films shot in North America in 1999 were filmed in Canada.
Productions in search of lower costs were "blamed"
for the exodus of work from Hollywood.
CBC
06/26/00
- THE
ROAD NOT TAKEN: Twenty-five years ago Robert Altman's "Nashville"
was going to change the world of movies. "Here was an artist
putting the machinery of popular culture to work for the sake
of art, yet entering into the spirit of popular culture and
partaking of its energy too. That was the dream: the power of
popular art combined with the complexity of fine art, high and
low not at war, and not blurred indistinguishably into each
other, but embracing." What happened? "Jaws"
captured the audiences, and the rest is history. Salon
06/27/00
Monday June 26
- THE
PICTURES DO LIE:
Can history be told objectively
on film? "My point here is that all makers of filmed
history, when they come to the point when they must decide which
image to choose, where to cut a sequence, or what to lay down
on the music track, are not so much in search of objectivity,
as they are engaged in the act of cobbling an evocatively credible
yarn. The license they take is the same as the poet’s in the
act of choosing or inventing or reworking a trope or a rhyme
scheme — that is to say, “poetic license.” Culturefront
06/00
- TOUGH
ALL OVER: "The Hindi film industry, churning out the
largest number of films in the world, has steadily been witnessing
a decrease in box-office hits as film producers grapple with
varying problems ranging from exorbitant cost factors, casting
the perfect star pair to competing with the local cable operators."
The
Times of India 06/26/00
- THE
YEAR MICHAEL JACKSON HAD SEX: And other top arts stories
- new Columbia University study reveals how television reports
the arts.
Boston Herald 06/26/00
- THE
POLITICS OF NUDITY: Women actors of Hollywood get together
to talk about the politics of taking their clothes off in front
of the camera. Who decides what.
New
York
Times Magazine 06/25/00
- AFTER
ALL THAT FUSS about rating TV shows for violence and content,
new studies show that parents aren't using the ratings. "Two
in five parents have a V-chip or other form of technology to
block out objectionable programming, one study found, and half
of those with the devices use them. But the researchers found
that awareness of the age and content ratings put on shows,
such as TV-G (suitable for all ages), to be used in conjunction
with the V-chips, has dropped from 70% in 1997 to just 50% this
year. Furthermore, nine out of 10 parents couldn't accurately
identify the age ratings for a sample of shows their children
watched." Los
Angeles Times 06/26/00
- TROUBLE
IN MIDDLE EARTH: Tolkein fans are upset about the way Hollywood
is going about making the movie version of "Lord of the
Rings." " Literary fans who follow
Tolkien's words with almost trollish devotion are angry that
minor female roles have been expanded to provide a love interest.
There are even fears that Liv Tyler, who co-starred opposite
Bruce Willis in the space action adventure Armageddon, will
turn the role of Lady Arwen into a warrior princess." Toronto
Star 06/26/00
Sunday June 25
- WEB-BASED
FRANKENSTEIN: Hollywood is courting the new internet taste-makers.
"The rules of the Hollywood marketing game are being reinvented
overnight. Box office is booming thanks in part to an explosion
of media coverage of movies, in traditional outlets like newspapers
and magazines as well as a fast-growing body of Internet fan,
news and gossip outlets. But the boom in Internet movie coverage
has been a double-edged sword for filmmakers and movie marketers,
rife with as many pitfalls as possibilities."
Los
Angeles Times 06/25/00
- BREAKING
THE WOODY ALLEN HABIT: Woody Allen still makes movies, but
why? "Most of us broke our Woody Allen habit ages ago.
We moved on while he stayed in some Upper West Side fugue state.
Over the arc of his long outpatient career, we first adored,
then admired, then tolerated, and finally ignored him. He should
take a break. Do stand-up in Vegas. Write for radio. Grow orchids."
Boston
Globe 06/25/00
Friday June 23
- FOR
EVERY DUMB RULE... Earlier this month the Academy Awards
folks decreed that any movie shown over the internet before
it hits the theaters would not be eligible for an Oscar next
year. Dumb, eh? So now, enterprising net-heads are planning
to open a small movie theater series in Los Angeles to screen
movies that will likely play on the web.
Wired
06/23/00
Thursday June
22
- PULLING
BACK FROM A RECORD YEAR: Last
year was the best ever for the Korean film industry. The country
produced its top blockbuster of all time, earned record revenues
at the box office, and this year sent five films to the Cannes
Festival, including Korea's first-ever to the main competition.
But this year the number of tickets sold to domestic films plunged
from 3.94 million last year to 2.52 million this year. Korea
Herald 06/22/00
- COMMUNIST
FILMS: Ever notice that are
virtually no American films about communism? Despite the fact
that communist dictators would make great villains for great
dramas, "the simple but startling truth is that the major
conflict of our time, democracy versus Marxist-Leninist totalitarianism--what
The New York Times recently called "the holy war
of the 20th century"--is almost entirely missing from American
cinema." Reason
06/00
Wednesday June
21
- YOU,
THE VOYEUR: Are you the type of person who watches
a show like "Survivor"? Of course not. "You are
not...the sort of person who would watch Survivor. It's not
just the larvae-eating contest (which ex-Survivor B.B. Andersen,
64, helpfully describes as "like having a booger in your
mouth"). It's the gladiatorial concept: stranding 16 people
on a tropical island to scrabble for food and shelter, all for
the delectation of sluggards licking Cheetos dust off their
fingers in their air-conditioned living rooms." Time
06/26/00
Tuesday June 20
- BETTER
TO JUST COME IN LATE? Movie trailers: They can have a kind
of rough poetry (think the blood splashing out of the elevator
for Kubrick’s “The Shining”) or can enticingly juxtapose key
visual moments from the upcoming feature. But they’ve really
gone down hill lately. “Today, they're infuriatingly generic,
manically edited, and ruined by plot spoilers.” Salon
06/20/00
- FLINGS
WITHOUT STRINGS: Virtual casting for movies is catching
on. "Dismissed in their early days, a mere three or four
years ago, as one more way of exploiting desperate movie wannabes,
Internet talent showcases are being embraced by the industry"
who find them an easy way to screen talent. San
Francisco Examiner (Reuters) 06/20/00
Monday June 19
- TALENT
CRUNCH: Public radio is facing a talent crisis, some say.
"With many stations doing well financially, some are expanding
and adding production capabilities, new shows and local news
teams, he said. But competition in the overheated job market
leaves a shrunken pool of applicants. That has many pubcasters
worried about the future."
Current
06/19/00
- BOLLYWOOD
v. HOLLYWOOD:
As exported Indian movies get increasingly sophisticated (no
longer just those epic musical romances), they are becoming
big draws in Britain and are giving Hollywood a run for its
money at the box office. Three Bollywood productions recently
entered the UK’s top-10 list, and cinema chains showing Indian
flicks are opening up all over Britain. The
Age (Melbourne) 06/19/00
- WILLIAM
S. BURROUGHS AND RICHARD WAGNER: So where did multi-media
come from? A new website charts the evolution of the discipline
through "the aspirations of artists, scientists, writers,
musicians, and cultural renegades. The website presents a historical
timeline, an overview of themes, and a comprehensive list of
multimedia pioneers." Wired
06/19/00
- WHAT'S
THE 411? Everyone talks about the overload of information,
the swamp of media overload we find ourselves in the middle
of as we enter the 21st Century. "I would like to dispute
this view, to argue that every age was an age of information,
each in its own way, and that communication systems have always
shaped events." New
York Review of Books 06/29/00
Sunday June 18
- THE
LAND OF DISBELIEF: Who can believe anything you see in movies
anymore? Special effects rendered by computer fill in any and
all things needed for a scene. But it gets increasingly difficult
to believe what you see, or - ominously - suspend belief. Hartford
Courant 06/18/00
- MOVIE
KILLER: The movie "Jaws" came out 25 years ago.
"A myth has grown up around it as disturbing and predatory
as that of the shark - the myth of Jaws's lethal effect on modern
film. Jaws is no longer just the movie that killed bathing.
It has become the movie that killed movies."
The Telegraph 06/18/00
Friday June 16
- RAISE
THE RED CURTAIN: Chinese director Zhang Yimou (“Raise the
Red Lantern,” “Ju Dou,” “To Live”) is considered one of the
world’s greatest filmmakers. At age 48, with nearly a decade
under his belt of clashing with Chinese authorities over the
politically explicit nature of his work, his renown even more
startling considering he’s been banned from all international
coproductions for the last six years. “He was cut off from the
foreign finance, technology and even film stock that enabled
him to create his indelible images. A man who may be the world's
greatest active filmmaker thus spent the second half of the
1990s cut off from world cinema, busying himself with cheap
domestic productions and directing operas.” London
Telegraph 06/16/00
- BANNED
IN ONTARIO: The Ontario Film Review Board has banned a poster
for an Israeli art film because it contains some nudity (though
not enough to prevent the poster image to be printed in the
newspaper). The film's distributor calls for the dismantling
of the review board.
''I've come to a point where I
think this is completely archaic. This kind of control does
not make any sense in this day and age.'' National
Post 06/16/00
- MOVIE
RIPOFF:
Metro Goldwyn
Mayer, Time Warner and Twentienth Century Fox, are among seven
companies taking legal action against RecordTV.com. alleging
that the internet site has been recording their films and TV
shows and illegally retransmitting them over the web. BBC
06/16/00
- NO
NO I-FILMS:
The Academy of Motion Pictures
Arts and Sciences decides that no film shown on the internet
before playing in theaters will be eligible for an Oscar next
year. CBC
06/16/00
Thursday June
15
- THE
DVD DANCE:
Are DVD's a threat
to the movie industry because of piracy? The movie industry
has certainly said so. But Jack Valenti, head of the Motion
Picture Association of America wouldn't say anything against
them during a deposition in a DVD piracy case. During his testimony,
Valenti said "I don't know" 62 times, "I don't
recall" 29 times, and "I'm not aware" 16 times,
according to a transcript of the deposition. Wired
06/14/00
Wednesday June
14
- HOPING
FOR HOMEGROWN:
Australia's public
broadcaster needs to improve its ratings, says the ABC's new
managing director. But the highest rated shows are imports.
"We're all for building audience for Australian content,
but the fact is we haven't got the money to do it," say
the critics.
The
Age (Melbourne) 06/14/00
- THE
100 FUNNIEST AMERICAN MOVIES: A list, as chosen by American
Film Institute voters.
"Annie Hall"? Really?
Dallas Morning News 06/14/00
- DECIDING
WHAT'S FUNNY: "Voters considered the '80s the funniest
decade, with a total of 22 films. The '20s, the heyday of
slapstick, were deemed the least funny, with only five films."
Philadelphia
Inquirer 06/14/00
- MOYERS
CHALLENGES PBS: Bill Moyers tells the PBS annual meeting:
"What we do is good. It's just not enough. We need to respond
more to the needs of America as a democratic society, not just
a consumer market. We need more hard-hitting public affairs
programming on controversial issues. We're good, but we're bland."
Los
Angeles Times 06/14/00
Tuesday June 13
- ANIMATION
ADVANCES: Computer-generated animation has become increasingly
central to filmmaking in recent years - and cheaper, faster
digital technology techniques are now making it easier for animation
artists to create lifelike three-dimensional worlds on film.
New
York Times 06/13/00 (one-time
registration required for entry)
- RADIO
RIGHTS:
New Zealand's Maori
tribes are trying to stop an upcoming government auction of
the radio spectrum. "The Maori argued that ownership of
the spectrum was their right as granted under the Treaty of
Waitangi, New Zealand's founding document. The Treaty, signed
in 1840 by Maori and the British government, promises to protect
taonga, the Maori term for resources considered valuable by
New Zealand's indigenous people. At the time of the Treaty signing,
such resources included land, forests and fisheries. Maori believe
the concept of taonga also extends to radio spectrum."
Wired
06/13/00
- WE'RE
IN THE MONEY:
Advertising money
is coming in so fast to the cable networks, execs can hardly
believe their eyes. Cable ad revenues will soar by 22%, from
$8.3 billion in 1999 to $10.2 billion in 2000. Will we see some
of that money in better programming?
Variety 06/13/00
Monday June 12
- RATINGS
- NOW THERE'S A CONCEPT:
For the first time in its
history, PBS is being run by a programmer. And big changes are
coming to the way the public broadcaster does business, with
an emphasis on gaining viewers. "Ultimately, more viewers
and more time spent viewing by current viewers will translate
into more viewer financial contributions, PBS hopes, and higher
ratings nationally should make it easier to find corporate underwriting
support."
Los Angeles Times 06/12/00
- LEAVING
THE WORLD'S LARGEST MOVIE FACTORY: The mob is moving in
on Bollywood, so some of India's biggest film producers are
leaving the country to shoot their projects in Britain. The
Times of India 06/12/00
Friday June 9
- INVITE
FOR PIRACY: Arguably, the motion picture industry should
never have allowed DVDs to see the light of day - they can be
too easily copied. Yet they did, and predictably, hackers are
copying away, and, just as predictably, the movie makers are
suing. A little late though, don't you think? *spark-online
06/00
- SALON
magazine lays off 13 of its staff and cuts book coverage in
half. Inside.com
06/09/00
Thursday June
8
- TAKING
IT TO THE SMALL SCREEN: While British cinema languishes
in a slump (with one after another flop released in recent months),
“it’s heartening to find a group of home-grown filmmakers trying
something that is novel, forward-looking and gripping”: the
release of the first truly interactive movie. “Running Time”
can be viewed over the Internet on a PC, with a new five-minute
segment released every four months. The ending will be decided
by viewers’ votes. The
Telegraph 06/08/00
- MEMORIES
FOR SALE: “Want a Roman baton from "Ben Hur"?
A gladiator helmet from "Spartacus"? How about the
baseball bat Robert DeNiro used in "The Untouchables"
to pound a point home?” For the first time in its 100-year history,
L.A.’s Ellis Prop Shop will put it holdings on the auction block
next week - the largest auction of Hollywood memorabilia since
MGM sold its backlot in the 1970s. CNN
06/07/00
Wednesday June
7
- ITALIAN
RENAISSANCE ON HOLD:
Italian film lovers
hoped when Roberto Benigni's "Life is Beautiful won international
success last year, Italian film would experience a resurgence.
But the slump continues, perplexing many. Italian films don't
even make money at home. Why? "Because 30 percent of Italian
moviegoers go in without paying," says one producer. "I
personally verified the receipts at one of our theaters last
summer. There were 2,000 people there, and 400 didn't pay for
their tickets."
Minneapolis
Star-Tribune (New York Times) 06/07/00
Tuesday June 6
- BBC
BOUNCING BACK?: Arts programming has been getting increasingly
less airtime at the BBC over the past few years. “BBC has been
without a head of music and arts for nearly nine months. Programmes
are scattered idly around the schedules. Major series have been
arbitrarily cancelled. Television hours devoted to the arts
have almost halved since the mid-90s. There is no longer a regular
documentary arts strand, single music documentaries have virtually
disappeared, and the two literary strands have been axed.” Yet,
some new programming hires may signal the beginning of a reversal
of the trend. The
Independent 06/06/00
- MOVIE
MILESTONE: Today 20th Century Fox will premiere
the first movie to be sent from a Hollywood studio to a theater
via the Internet. The animated sci-fi epic “Titan A.E.” will
be shown to an audience in Atlanta - after a
transmission that could one day replace the traditional
movie distribution system. Yahoo
(Reuters) 06/05/00
- HOME
MOVIES IN THE PRC:
Chinese film plays
all over the world. But at home an existential crisis. "One
school wonders if it should imitate Hollywood. Another sees
Hollywood as a virus that will destroy what is left of the domestic
film industry. There's no doubt, though, who is winning. A Chinese
film is lucky to get 20 or 30 people per screening. Meanwhile,
a lackluster John Travolta vehicle now showing on the yellowing
screen, usually gets a packed house of 300 or more." Toronto
Globe and Mail 06/06/00
- VISIBLY
CANADIAN: A number of Canadian films are losing funding
from a government fund set up to support Canadian films. The
reason? They've been judged not Canadian enough. This
year the fund introduced a ranking system judging their Canadianness,
based on a system of points. One filmmaker denied funding says:
"You couldn't get more Canadian unless you dressed in Canadian
flags. I'm aghast at these new guidelines. It's a reason to
leave Canadian filmmaking altogether."
National Post 06/06/00
Monday June 5
- THE
LATEST HIT IN RUSSIA: A current affairs show where the female
reporters are topless has become such a surprise hit on Russian
television that politicians are lining up to be interviewed.
"Svetlana Pesotskaya, the blonde actress who reads the
news while playfully taking off her top or having it removed
by a pair of hairy male arms, insists that the program is a
serious news show."
The Age (The Telegraph) 06/05/00
Sunday June 4
- DIGITAL
MOVIES CHANGE THE MOVIE AESTHETIC: New digital movie technology
isn't just changing the way movies are made technically, it's
changing the aesthetic of those making the movies. The recent
releases of ''Time Code,'' ''Hamlet,'' and, in a different way,
''Dinosaur'' remind us of that. Boston
Globe 06/04/00
- MISUNDERSTANDING
IRELAND: In the past decade enough good and unusual films
have been made in Ireland that critics and scholars are studying
the "genre." But such academic study so often misses
the point, writes one critic, that it's laughable.
Sunday
Times (London) 06/04/00
Friday June 2
- MAKING
HAY ON "ARTISTIC BANKRUPTCY": Lars Von Trier isn't
a director, he's a Happening. Picking up the top prize at Cannes
only inflamed his supporters and critics. For some, "Dancer
in the Dark" confirmed the flamboyant 44-year-old Dane
as a posturing charlatan. "The director's work is undoubtedly
ambitious and original, and he has an ardent band of followers.
But for many he remains as specious as the fake aristocratic
Von he has attached to his name." The
Telegraph (London) 06/02/00
- "CLASSIC
MUMBO-JUMBO": Presidential candidate announces an investigation
into why so many Hollywood movies are fleeing Canada. "One
recent report by the Screen Actors Guild and the Directors Guild
of America said so-called runaway production has cost the Los
Angeles film community 20,000 jobs and cost the U.S. economy
$10 billion. But Canadians question the claims. B.C.'s production
industry, the biggest in Canada, is worth about $1 billion,
so where's the rest? Vancouver
Sun 06/02/00
Thursday June
1
- ROMAN
HOLIDAY:
A look at Roman Polanski’s turbulent career and the morbid fascinations
at the heart of his film work to date. “All are disturbing works
which showcase his ability to invest the everyday with psychological
terror, and the other way round.”
London
Times 06/01/00
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