Tuesday
April 30
ANIMATED
ENTHUSIASMS: Last year's biggest-grossing movie was an animated
feature. More recent top ten movie grosses show three animated
films on the list. Animation is hot. Sydney
Morning Herald 04/30/02
TV
PROGRAMMING - JUST PICK ONE: Four out of five TV series fail.
And fail fast - sometimes in just a few episodes. Yet shows are
the result of research, focus groups, testing, formulas and lots
and lots of money. But for all the planning "TV programming
is just another lottery. Pick one, and say your prayers. The networks
call this 'churn,' probably because it describes the queasy feeling
they get when specialty cable shows draw three times their numbers."
The Globe & Mail (Canada) 04/30/02
RADIO
TO GO SILENT: Hundreds of internet radio stations intend to
shut off the music Wednesday to protest new royalty fees thbey
will soon have to pay for playing music. "The fee sounds
tiny - 14/100ths of a cent - but it's per song and per listener,
and Net radio operators, most of whom serve niche audiences, say
the fees quickly multiply." USAToday
04/29/02
Monday
April 29
REINVENTING
CBC (BUT NO ONE'S READY): Managers of Canada's CBC Radio are
attempting to reinvent the network's schedule. "Network management
figures the makeover is necessary if the CBC is to better reflect
Canada, attract younger listeners and widen its appeal among minority
groups." But sources inside the corporation say the network
is totally unprepared to make the kinds of changes that are being
proposed. "They have nobody in place to produce the entire
morning show. No execs and no production team. No one will touch
it. It's very difficult to have somebody in place for radio programs
when no one knows what they are." The
Globe & Mail (Canada) 04/29/02
CLEAN
SWEEP: A new US video store chain is proving successful by
offering "sanitized" versions of movies. "The parent
company's in-house editors remove much of the sex, violence, and
nudity from films, which is proving popular with a lot of families
disenchanted with Hollywood. Some 65 'Cleanflicks' stores have
opened across the country in just the past 18 months." Nando
Times (AP) 04/28/02
Sunday
April 28
CANAL
PLUS CHILL: France is mourning the sudden sacking of the head
of TV channel Canal Plus. The channel, "which has been broadcasting
since 1984, was a generous gift of the late President Mitterrand
to his supporters in the cultural world. While exploiting a monopoly
of the burgeoning market of pay television, the new channel was
also given the role of subsidising French cinema. By last year
it was spending $140 million, around 12 per cent of its revenues,
on French film projects, and it had become the most important
patron of the French film industry."
The Telegraph (UK) 04/27/02
WHAT'S
A DEFINITION OF CANADIAN? The Canadian government tries to
encourage Canadian TV and movie projects with tax breaks and exposure
in Canada. But trying to determine what is Canadian and why is
a much stickier process than mere labeling.
Toronto Star 04/27/02
Friday
April 26
MEMORABLE TV: Almost half of all British
television viewers cannot remember anything interesting from the
previous night's programmes, a survey suggests. "But 59%
single out TV as their best source in the media for trustworthy
information and 'curiosity satisfaction'."
BBC
04/26/02
AUSSIE
SHUTOUT: Australia has been producing well-regarded movies
in the past few years. So why do no Aussie feature films show
up on this year's Cannes lineup? "Cannes favours either big-budget
American films, 'cinematically challenging work from the Third
World' or auteur directors. That has left Australian film-makers,
who are generally making more accessible films that succeed at
home, out in the cold." Sydney
Morning Herald 04/26/02
MOVIES
GO BIG: Superscreen IMAX movies aren't just for the local
science center anymore. "Mainstream Hollywood films meant
to entertain, not educate, are being altered to fit the IMAX format.
And super-sized screens – some as much as eight stories high –
are popping up in some unlikely places. New venues such as theme
parks, malls, and even a Natick, Mass., furniture store are changing
the image of big- screen viewing." Christian
Science Monitor 04/26/02
Thursday
April 25
CANNES
LINEUP: Twenty-two movies have been chosen for this year's
Cannes Film Festival. "Organisers of 2002's event on Wednesday
revealed that they had chosen three US films, three UK movies
and one from Canada to vie for the coveted top prize of the Palme
d'Or." BBC 04/24/02
- ATOM
HAS HIS REASONS: When Atom Egoyan announced that he would
not allow his new film, Ararat, to be submitted for judging
at Cannes, it only added fuel to the controversy surrounding
the film, which concerns the slaughter of as many as 1.3 million
Armenians by the Turkish government in 1915. Says Egoyan, "Given
the fact that it is dealing with history that hasn't really
been presented on film before and there are so many judgments
that have already been imposed on it, the idea of subjecting
it to an actual jury didn't sit well." Toronto
Star 04/25/02
Wednesday
April 24
SPECIAL
TREATMENT FOR DISNEY? An ex-reporter for the New York Post
sues the Post and Disney for $10 million after the Post fired
her after stories critical of Disney. The case gives an inside
look at how big-time entertainment coverage is conducted.
Village Voice 04/23/02
EGOYAN
DOESN'T WANT A SCORE: "Toronto director Atom Egoyan has
refused to enter his contentious new film, Ararat,in competition
at the upcoming Cannes Film Festival. His highly anticipated movie
about the Armenian genocide will be screened at the celebrity-studded
fête on May 20. But people close to the 41-year-old filmmaker
said he would not allow it to be judged for one of the festival's
prestigious prizes because of the deeply personal subject matter."
The Globe & Mail (Toronto)
04/24/02
Tuesday
April 23
NPR
CHANGES EXPLAINED: National Public Radio programmer Jay Kernis
has been taking a beating in the media for his plans to restructure
cultural programming at NPR. Why is he making changes to NPR's
successful formula? "The public radio listener - yeah! -
likes foreign films, a lot. Likes independent films. But the public
radio listener goes to big blockbuster movies and rents big blockbuster
DVDs. And all I've ever said is that when we cover popular culture,
we should cover it with the same journalism filters that we use
when we cover a news event, which is to say do the reporting -
ask tough questions - tell a real story. I have never said more
popular culture, more popular culture. But I have said: Don't
be afraid to cover popular culture."
On the Media (NPR) 04/21/02
ITALIAN
RENAISSANCE: Italian film was hot in the 1950s, before going
into a long period of decline. Now "anew generation of Italian
directors is emerging that recalls the golden age of neo-realism
50 years ago, and some film makers who came to the fore then or
soon after have staged remarkable comebacks."
The Economist 04/18/02
Monday
April 22
FOOD
FIGHT: "Now get ready for a gunfight between the Blame
Canada crowd in L.A. and the producers happily taking advantage
of lower costs and friendlier working conditions on this side
of the longest undefended. It's shaping up as the most bizarre
scuffle you've ever heard of between people who make movies and
the unions representing the actors who appear in them."
Toronto Star 04/21/02
DIVERSITY
- NOT JUST ABOUT NUMBERS: "It seems like you can't pick
up a newspaper these days without reading about how TV, and Hollywood
in general, needs to become more 'diverse.' As an African American
actor, I suppose I should applaud these efforts to increase the
presence of minorities on TV. But I've been in this business long
enough to know that an issue like TV diversity is far more complex
than it is often portrayed." Los
Angeles Times 04/22/02
IS
PUBLIC BROADCASTING GOING COMMERCIAL? Why are public radio
and TV stations moving out of their traditional program areas
lately and being more numbers-driven? "The problem is that
consultants whose experience was in commercial radio pretty much
set the agenda for public radio in the mid-1990s."
OpinionJournal 04/19/02
WE
WANT CREDIT: Studies show that TV viewers switch channels
when credits roll at the end of a program. So some Disney owned
channels are dropping the credits. But the Academy of Television
Arts & Sciences objects. "People want to stand up for the
right to be credited for the work that they do. That's been a
historic right in Hollywood and the entertainment industry."
Philadelphia Inquirer (AP)
04/22/02
Friday
April 19
CANCON
TAKEN TO EXTREMES? "The most praised Canadian play in
the Stratford Festival's 50-year history has been refused a Canadian
TV production investment because its central character is Queen
Elizabeth I, a non-Canadian, and the events do not take place
in Canada. Hamstrung by a stringent rule affecting completely
Canadian-content productions, the Canadian Television Fund...
has refused an application from Toronto's Rhombus Media for a
crucial 20 per cent investment to film Elizabeth Rex for
CBC and Bravo. Toronto Star 04/19/02
Thursday
April 18
BECAUSE
PROPPING UP THEIR DOLLAR WOULD BE TOO COSTLY: The Screen Actors'
Guild (SAG) has announced a new plan to enforce union contracts
outside the boundaries of the U.S. The move is aimed squarely
at curbing the tendency of Hollywood studios to trim costs by
making movies in Canada, and SAG's Canadian counterpart is not
thrilled. Nando Times (AP) 04/18/02
RATINGS
PRESSURES KNOCKS ARTS PROGRAMMING: A study of TV programming
in Britain shows that arts, current affairs and children's programming
are falling off the program schedule because of ratings pressures.
"An analysis showed that arts and current affairs programmes
have been the main casualties of the peak time battle, falling
by 40% and 50% respectively." The
Guardian (UK) 04/17/02
CANNES
JURY ANNOUNCED: The Cannes Film Festival has announced the
jury for this year's festival - five directors and three actresses,
including American actress Sharon Stone. The
Age (Melbourne) 04/18/02
- ATOM-IC
EXPLOSION AWAITED AT CANNES: "The possible premiere
of Canadian director Atom Egoyan's new film Ararat at
Cannes next month is hotly awaited by cinephiles around the
world -- plus one very angry government. Since last December,
the Turkish government has been threatening legal action against
the film's producers if the film asserts that Turkey was guilty
of genocide against the Armenian community in 1915." The
Globe & Mail (Toronto) 04/18/02
Wednesday
April 17
WHAT,
ME WORRY? Michael Powell (yes, Colin's kid) is chairman of
America's Federal Communications Commission. He sees no problems
with the rapid consolidation of media in the hands of a few mega-corporations.
''I mean, I can watch everything from a thoughtful piece on history
on the History Channel to Fear Factor. I think we're in
a period right now where we're seeing the very best that television
has produced, and the very worst.'' Boston
Globe 04/17/02
BREAKING
DOWN THE RACE BARRIERS: "Three decades after Melvin Van
Peebles made his groundbreaking Sweet Sweetback's Baadasssss
Song and three decades after Shaft brought blaxploitation
to the American movie scene, there is no question that African-American
filmmakers have entered the Hollywood mainstream. Because of this,
some members of the African-American community argue that the
real issue facing their colleagues today is not so much one of
race as one of economics - the battle almost any filmmaker faces
in getting a quality film off the ground. 'It's less about black
and white than green'." Backstage
04/17/02
FAMILY
VALUES: G-rated family films are suddenly hot in Hollywood.
"Studios have already decided that they're going to make
more G, PG and PG-13 films, said a market researcher for the major
studios who didn't want to be named. Often criticized in conservative
political and cultural quarters for ignoring family values, studios
are now vying for hard-to-find quality material with gentle themes
and universal appeal." Toronto
Star 04/16/02
Tuesday
April 16
ALL
ABOUT OZZY: Rocker Ozzy Osbourne has found a second career
as a sitcom star. "The aging, addled satanic rocker is the
perpetually mumbling centerpiece of The Osbournes, which
has turned into the most popular series in MTV history."
Weird as it sounds, though, the show is part of a long comfortable
tradition of family sitcoms." Washington
Post 04/16/02
NPR
PROGRAM CHANGES EXPLAINED: National Public Radio's major reorganization
of its programming has many worried about how NPR will cover culture.
"People say NPR is going into pop culture. But we should
cover popular culture in the same smart way as when we cover news
events." San
Francisco Chronicle 04/16/02
POOH
RIGHT BACK AT YOU: A New York Post reporter says she was fired
by the newspaper "at the behest of Disney, after writing
stories about the Mouse House's long-running Winnie the Pooh litigation."
Now she's filed a $10 million suit against the newspaper and Disney.
Yahoo! (Variety) 04/15/02
Monday
April 15
HOGGING
CREDIT: It seems everyone in Hollywood is unhappy about the
way credits for movies are allocated. "All you have to do
is go to the movies and look at the proliferation of producer
credits, and you can recognize that there's a problem. (There
is) a trend, which I think we are in the process of reversing,
toward the devaluing or undervaluing of the producer and his role,
because if you can give that credit to anyone, the implication
is that it doesn't mean anything." Backstage
04/14/02
DIGITAL SCRAMBLE:
The demand for digital projection in movie theatres is growing.
And fast. Trouble is, the companies that make the $130,000 projectors
can keep up with the orders. And with the next installment of
the digitally produced Star Wars coming out soon, there's a scramble
to get the best equipment. Wired
04/15/02
CRAPPY BUSINESS:
The lords of TV and movies can rarely be called artists. Instead
of art, business rules decisions about what gets produced and
what doesn't. So how do the moguls do at business? Tod Gitlin's
new book concludes that "generally, they don't have very
good reasons for doing what they do. And then, of course, if something
succeeds, there's a retroactive, backpatting and genius-anointing
operation. But that's the culture of the television-entertainment
industry. Sometimes they'll get lucky and strike Survivor
for a while." Salon 04/14/02
WE'RE SHOCKED
- HOLLYWOOD EXAGERATES? The Academy of Motion Picture Arts
and Sciences has protested to a leading talent agency for exagerating
its clients' successes at the recent Academy Awards. "The Creative Artists Agency took out congratulatory
trade paper ads March 22 - two days before the Academy Awards
- saying 32 of its clients had received Oscar nominations. But
half of the listed clients weren't nominated."
Sydney Morning Herald (AP) 04/15/02
Friday
April 12
NPR
REORGANIZES ITS CULTURAL COVERAGE: National Public Radio restructures,
cuts 47 jobs and refocuses its cultural programming and arts coverage.
Officials said the new approach would "break down barriers
between arts staffers and the news division - a barrier that cultural
staffers acknowledge existed within the NPR offices on Massachusetts
Avenue. The new approach will also be more eclectic."
Washington Post 04/12/02
- UNION
MEMO ON THE CUTS: AFTRA, the broadcast union, details some
of the cuts in a memo to NPR employees: "NPR informed affected
employees of their status this morning in two separate meetings.
The Cultural Programming Division has effectively been eliminated,
and the Cultural Desk of the News Division has been drastically
altered. NPR is also severing its relationship with American
RadioWorks, resulting in the elimination of one unit position."
MediaNews@Poynter 04/11/02
DOWNLOADING
HOLLYWOOD: Movie piracy is becoming a very big deal in the
digital age. "According to the Motion Picture Association
of America (MPAA), the industry already loses more than $3 billion
annually to the sale of illegally copied videotapes. Now, with
an estimated 350,000 digital movie files being downloaded daily
for free, and with that number expected to climb to a million
by year's end, digital film piracy is Hollywood's next nightmare."
Christian Science Monitor 04/12/02
MOVIES
PREFER PRAGUE: Prague is becomming the city of choice for
shooting movies. "It is Prague's potent mix of unspoilt locations,
highly skilled (often non-union) technicians and, above all, low
prices that have lured more than 60 international productions
here since 1989, earning the Czech capital the moniker Hollywood
on the Vltava, after the river that runs through it. International
film-makers spend $200m (£143m) a year in the city, and there
are even hints that - with ever-improving facilities and the fact
that costs of production are up to 50% lower than in London -
Prague may be about to oust the UK capital from the number one
slot." The
Guardian (UK) 04/12/02
Thursday
April 11
THOSE
DAMN CRITICS... No, no no, Mike Figgis isn't bitter about
critics. So they don't give his movies the respect they deserve.
So others get lauded in print for accomplishments that were really
his. "One of the rules of film conduct is not really negotiable:
never whinge about a bad review or a particular critic."
Still... The Guardian (UK) 04/10/02
THE
MEANING OF DIGITAL: The digital movie revolution is racing
along, with some predicting film will be obsolete by 2005. "The
new technology will change the way movies are made and the way
they look. The digital revolution will also alter programming
at cinema complexes. As well as movies, complexes will be able
to screen any event taking place around the world simultaneously
- concerts in New York, the Olympic Games in Beijing or Oscar
presentations." The
Age (Melbourne) 04/11/02
BOND AND AUSTIN
MAKE UP: Earlier this year the Motion Picture Association
told producers of the new Austin Powers movie they couldn't call it Goldmember
because it infringed on James Bond's Goldfinger (so much for parody).
Now Bond and Austin have made up and Goldmember will be allowed.
In return, ads for this summer's new Bond film will run with every
showing of the latest Powers sequel. Sydney Morning Herald 04/11/02
Tuesday
April 9
MIKE
AND MEL'S EXCELLENT ADVENTURE: The premier of Ontario and
the mayor of Toronto take a field trip to Hollywood with pocketsful
of goodies to lure film productions to Canada. The pair offered
tax credits and breaks on locations. Did it work? The pair claim
that one "major feature film and six other movies discussed on
the pair's trip will now be shot in Ontario. But while Canadians
were boasting about putting down roots for a film industry that
caters to Americans in Canada, protesters were outside the consulate
vowing to rip out those roots and nullify Canadian film subsidies
with countervailing tariffs to keep film jobs in the United States."
National Post (CP) (Canada)
04/09/02
Monday
April 8
IN
GOVERNMENT WE TRUST? Judging by the TV schedule full of shows
about government, American bureaucracy is popular again. "Cynics
might note that these are basically the same dramas that used
to happen in hospitals, or law firms, simply transferred to government
settings. Throw up some columns, roll out some marble, drape a
few flags, and "The West Wing" is basically L.A. Law in
D.C. But that underestimates the power of setting. The government
is not incidental to these programs, it is essential." Washington
Post 04/07/02
ET GO HOME: The
movie ET was the biggest hit of its day, breaking all
box office records. But the rerelease of the movie, with new and
reworked scenes has been a disappointment at the gate. "One
possibility is that re-releases need to be cult films. You need
an in-built fan base. Just being a massive hit is not enough." BBC
04/05/02
HEARING
ALONG WITH THE ACTION: America's TV networks introduce new
technology that allows blind people to follow along with action
on the screen. "The technology allows the user to turn on
a secondary audio channel, on which a narrator describes the action
during pauses in the dialogue. (All televisions made in the United
States since the early 1990's have such a channel.)"
The
New York Times 04/08/02
RIO
STRIKES BACK: Tourism officials of Rio de Janeiro plan to
sue producers of The Simpsons for portraying their city in a bad
way. "In the episode the Simpson father, Homer, is kidnapped
by a taxi driver, the family is assaulted by begging Brazilian
children on a beach, and the family visits Rio slums infested
by violent monkeys." Houston
Chronicle (Knight Ridder) 04/07/02
Sunday
April 7
MYTHOLOGY
OF THE YOUTH DEMOGRAPHIC: The advertising gospel has long
held that: "people age 18-34 watch less television than older
adults but are the most desirable to reach because their brand
loyalties have yet to be established. So networks with programs
that successfully appeal to this audience will be able to charge
higher rates for advertising, and advertisers will be able to
establish brand loyalties that will continue for a lifetime."
But is this conventional wisdom true anymore? Some are beginning
to question it. Chicago Tribune 04/07/02
THE
NEW MOVIE EXPERIENCE: The success of the DVD format "has
far outstripped expectations, and as a result of the DVD's booming
popularity since its introduction in 1997, the audience's relationship
to movies has changed. The home video was merely a small-screen
version of a movie. The DVD is interactive - so much so that to
the studios' alarm, technically sophisticated film buffs with
a little determination and access to the Internet can relate to
a movie in ways that were impossible only a few years ago, including
moving and removing scenes and characters from a movie. The implications
are profound." Los Angeles Times
04/07/02
Friday
April 5
GOT
$5,000? "Thanks to inexpensive digital-video technology
and Internet access, more would-be Spike Lees are writing scripts,
then shooting and promoting their films directly to the public
online or through networking." Christian
Science Monitor 04//05/02
Thursday April 4
NO
HOFFA JOKES, PLEASE: "The powerful Teamsters Union is
attempting to take over the representation of 500 transportation
workers on film and TV sets in Toronto, setting the stage for
a potentially heated showdown and sparking industry fears of labour
unrest in the city's $1 billion, U.S. dominated movie and TV industry."
Toronto Star 04/04/02
MONEY-GRAB:
Web radio-casters say that new royalty fees they will have to
pay for music they play will put many of them out of business.
And who will get the royalty money? The artists will, say recording
industry spokespeople. But first there are all those fees and
expenses and charges to be deducted. Who will really benefit from
the new fees? Salon
04/03/02
ALL
ABOUT THE DEMOGRAPHICS: Boston public television station WGBH
produces fully 30% of the national programming aired on the PBS
network. So a report this week that PBS is planning to 'reexamine'
much of its programming with an eye towards attracting a younger
audience is making waves in Beantown. "The research is part
of a larger push by Pat Mitchell, who took over as PBS president
and chief executive in 2000 with a plan to make programming more
relevant to audiences in general and more appealing to younger
viewers. Her mandate comes at a time of intense change in the
television landscape, as more and more channels are emerging and
many of them are broadcasting work similar to that of PBS."
Boston Globe 04/04/02
Wednesday April 3
RETHINKING
CANCON: Three decades ago, Canada created a set of rules requiring
all radio and television broadcasters to air a certain amount
of Canadian content, in an effort to stem the rising tide of American
influence. The regulations, known as CanCon, have always been
controversial, but the government has stuck by them consistently,
until now. The Canadian heritage minister has announced that the
federal government will "take a look" at the restrictions,
and while such a declaration is a long way from a promise to loosen
the rules, it is the first chink in CanCon's considerable armor.
Toronto Star 04/03/02
PROGRESSIVE
FIGHTING: America's Pacifica radio network is the country's
largest alternative progressive politics network. But "since
1999 there has been a vitriolic battle over programming and personnel
between the Pacifica Board and two of the network's stations in
particular, first KPFA in Berkeley and then WBAI in New York."
Is this a battle to professionalize and become more relevant or
a sell-out to corporate interests?
The
Nation 04/15/02
Tuesday April 2
BUY AUSSIE:
Many American movies are produced in Australia. But does that
mean Australia has a film industry? "In
order to say you have a film industry you must have an infrastructure
which supports a home-grown industry, and I just don't think that's
possible with the way American films have a stranglehold on the
distribution systems," Sydney
Morning Herald 04/02/02
AFGHANISTAN
GOES BACK TO THE MOVIES: The Taliban banned movies in Afghanistan.
Now the first Afghan-made films are being shown at home again.
"The showing of these two films was quite an event. A make-shift
screen was set up in a spartan auditorium at the university. There
were cheers for the director and clapping to the music. Reactions
at the end were mixed, but what everyone enjoyed was that the
films reflected Afghan life." BBC 04/02/02
MUST-SEE
TV? With TV networks declaring a sitcom a hit and critics
writing it off, where's the truth? "The difficulty of launching
new hit comedies is an old story getting older. Still, there also
appears to be a disconnect between what audiences are actually
embracing and more daring or critically lauded programs networks
are eager to brand as hits." Los
Angeles Times 04/01/02
Monday April 1
THE
END OF WEB RADIO? "The proposed royalties, which the
copyright office has until May 21 to revise or approve, have radically
dimmed the prospects for the legions of entrepreneurs and hobbyists
whose radio stations — from MinistryofSound.com to Radio Margaritaville
— have for the last two years provided free access to a startlingly
wide range of music. Last week, lawyers for the Webcasters and
the recording industry submitted their final comments to the copyright
office, with the record labels urging the agency to increase the
rate and the Webcasters pleading for a lower alternative."
The New York Times 04/01/02
HOME
|