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Friday April 28
- WHAT
TO DO... Hollywood heavyweights
from a variety of disciplines, from film's Steven Spielberg and
Spike Lee to television's Gary David Goldberg, are being invited
to what's being called the PBS Summit on Creativity and Community.
They'll be asked for ideas about what the noncommercial broadcaster
ought to be doing. "We're looking at a media landscape that's
going to change dramatically in the next five years, and public
television and its member stations really need to look at some
new ideas," says new PBS president Pat Mitchell. "We
need an infusion of outside thinking." Los
Angeles Times 04/28/00
- CHANGE
OF DIRECTION:
Even though the Berlin Film
Festival - the Berlinale - is second in size in Europe only to
Cannes, it's not had the luster many of its supporters think it
should have. Now Festival director Moritz de Hadeln has been fired
- after more than two decades at its helm. Die
Welt (Berlin) 04/28/00
- STILL
TOO HOT TO HANDLE:
After reducing the time some
of Robert Mapplethorpe's more explicit photographs are shown in
its documentary about the 1990 obscenity trial over the work,
Showtime's "Dirty Pictures" gets an "R" rating
from the Motion Picture Association of America. As originally
edited, the film would have been tagged with an NC-17 which would
mean the network couldn't have shown it in prime time. Newsweek
(Variety) 04/27/00
- DINING
ROOM EDIT: Costs for shooting and
editing a movie have plunged, bringing sophisticated technology
to the home user. A Pittsburgh man edits his full-length feature
on his dining room table - total budget $2000. "We
had a 3/4-inch online video editing system that was worth $250,000."
says a movie maker. "Now, it can be done on a computer for
less than $20,000." Pittsburgh
Post-Gazette 04/28/00
- RECORD
BOOTY:
China has seized 200,000
pirated DVD's and CD's in a raid in Guangzhou, its largest haul
yet of stolen music and movies.
Variety 04/28/00
Thursday April 27
- REINVENTING
THE FUTURE: The thing about technical
advances is not just that they make it easier to do what you're
already doing - improvements in your tools change the way you
think about your art, the way you conceive of it, the way it looks.
Chicago
Tribune 04/27/00
- TV
IN TEN YEARS? No question television
is changing. What'll it look like in ten years? Six Australian
experts make their predictions. The
Age (Melbourne) 04/27/00
- UNDUE
INFLUENCE:
Consumer groups are stepping
up to object to Time Warner's merger with AOL. Critics are afraid
of a "content bottleneck" if the deal goes through.
Variety 04/27/00
Wednesday April
26
- UNLIMITED
MOVIES: So the Napster
is killing sales of recorded music. Can the "Flickster"
be far behind? Who wants to buy a movie you're only going to see
once, or hassle with all those late video rental charges. As soon
as someone solves the compression problem (like maybe next month)
Hollywood's going to find itself in the same position as the music
industry. Copyright laws or no copyright laws. Toronto
Star 04/26/00
- BOX
TOP MUSIC:
A new set-top box promises
to deliver music on demand right in the home anytime you want
it. Wired
04/26/00
- ELECTRIC
RODENT: A rat knocked Sri Lanka's
state-run television network off the air Monday after causing
a short circuit. Network operations were moved to a mobile truck
to get the station back on the air. A government inquiry has been
ordered. The
Age (AP) 04/26/00
Tuesday April 25
- BOLLYWOOD
BOOST:
India's Bollywood gets a
big boost with the entry of a major new movie and production company
aimed at exporting Indian movies to a worldwide audience.
Singapore Straits-Times
04/25/00
- TRAILING
AHEAD: The movie trailer business is
booming. With so many films competing for ticket-buyers, trailers
can help launch a film just the right way. But the cost is going
up - they average about $100,000 currently.
CBC 04/25/00
Sunday April 23
- A
QUESTION OF ART: Filmmaker Wim Wenders
started out as an art film director. But a series of box office
failures took its toll. Now, with some successes behind him, he
has a new attitude: " 'I think films are not art. I think
rock'n'roll is not art. It has great songs, but it's not art.
And film and rock'n'roll are very much the same.' Those
difficult years of failure stripped him not only of faith in himself,
but in the medium that was his métier for so long." London
Telegraph 04/23/00
- IS
THERE AN E-AUDIENCE? Sure, the internet has made it easier
for writers to get published. E-books are the "Next Big Thing."
But is anyone really reading the things? A new poll says that
"while five percent of the survey respondents said they bought
Stephen King's e-book, 'Riding the Bullet,' less than one
percent claim to actually have read it. Wired
04/23/00
- BETWEEN
ME AND MY NAPSTER: Bands' lawsuits against fans downloading
their music over the internet has got fans angry. "One fan
became so agitated that he put all of his Metallica merchandise
up for sale at eBay on Friday, promising to donate all the proceeds
to the parody website paylars.com."
Wired 04/23/00
Friday April 21
- HISTORY
IN THE MAKING: Plenty of historians have taken director Oliver
Stone to task for mixing history with fiction. They scoffed at
Kevin Costner's accent in JFK and wrote off his depiction of Nixon
as "a foulmouthed, pill-popping drunk guilty of trying to have
Fidel Castro assassinated. None of these details are confirmed
by the historical record." Stone declares he is a filmmaker, not
a historian. But where do you draw the line between accuracy and
entertainment, evidence and imagination? "What do they want -
footnotes? Do they want a closed caption that says 'This is dubious'
or 'Please see endnotes for that'?" Lingua
Franca 04/00
- NOT
ONE OF OURS YOU DON'T: Filmmakers making a big new WWII movie
about Pearl Harbor needed a Japanese aircraft carrier. So they
propose pressing an old American warship as a stand-in. That's
got veterans' groups up in arms complaining.
BBC 04/21/00
Thursday April 20
- FIRST
TO THE SMALL SCREEN: Shorts, trailers, and animation features
have been available on the web for some time, yet no major studio
had yet made full-length features available for download - until
now. Miramax Films has signed an agreement with SightSound.com
to make 12 of their indie films available, on a pay-per-view basis,
over the web. “Yet they haven’t yet decided which titles will
be made available, how soon, or at what cost.” CNN
(AP) 04/19/00
- MADE
(UP) FOR TV? The turmoil behind PBS's "Antiques Roadshow"
continues. Another episode of the show has been pulled because
of questions about the authenticity of another appraisal that
might have been staged. Boston
Herald 04/20/00
- GET
READY FOR RERUNS: “If nothing else, it could be the most photogenic
picket line in the history of organized labor.” The Screen Actors
Guild and American Federation of Television and Radio Artists
have called for a strike new television and radio commercials
until advertisers agree to extend “pay-per-play” residuals (in
which actors are paid based on the number of times an ad runs)
to cable TV. E online 04/19/00
- HACKING
AWAY: Hackers allegedly supporting the Basque separatist group
ETA sabotaged the Web site of Bilbao's Guggenheim Museum. ComputeUser.com
(Newsbytes) 04/19/00
- A
WEBCASTER'S DEFINING MOMENT: What, exactly, constitutes an
interactive broadcast? If webstreamers are broadcasters and can
get blanket royalty licenses to cover playing music like broadcasters
do, then streaming takes a big jump forward. If the licenses aren't
allowed, then a webcaster would have to go to every artist it
wants to play to get permission. That would guarantee stifle the
infant industry. The Copyright Office will investigate. Wired
04/19/00
- IVY
LEAGUE & METAL BAND GET TOGETHER: Yale University bans
students from using the Napster program for downloading and sharing
music over the internet. In return, metal band Metallica, which
claims Napster costs it enormous record sales, drops its suit
against the university. Wired 04/19/00
- HOLLYWOOD
EAST? India already has the biggest film industry in the world.
Now it is "riding a growing wave of television, internet and computer
animation technologies along with an expanding international audience
to become a potential alternative to its State-side big brother,
Hollywood." New Zealand Herald (Reuters)
04/19/00
- INDEPENDENCE
DAY: Independent films are hot: "Suddenly the blockbuster
culture, the belief that only big money thrown at big screens
can work in a popcorn-eating world, feels threatened by the "indie"
insurgents, massing on the skyline as if in a John Ford Western.
Should the moguls offer battle or a peace pipe?" Financial
Times 04/17/00
- SO
MUCH FOR EDUCATION: The Australian Film Institute has been
told its funding for research and for distribution of documentaries
is to be cut. That means that crucial promotion of Australian
film is in jeopardy. "It seems almost impossible that in
the year 2000 one has to push the concept that information and
education are important to industry development. I thought we'd
got past that." The Age (Melbourne) 04/19/00
- JUST
WHEN YOU WERE WRITING THEM OFF: A number of critics are talking
about a renaissance in Hollywood movies. There are a number of
reasons, but one of them, ironically, was the success of "Titanic."
Pittsburgh Post-Gazette 04/16/00
- OH
DOC: Tel Aviv gets its own documentary film festival. Is the
step-child of moviedom getting more respect these days? Jerusalem
Post 04/16/00
- MINNESOTA
TAKES ON LA: Minnesota Public Radio has bought "Marketplace"
from KUSC. The northlanders previously assumed control of a Los
Angeles public radio station and the MPR president says "I want
the doors to be open to the creative community." The new venture
should be "a hothouse to incubate new ideas based on Los Angeles
talent, cultural resources, ideas." The production company's name
might evolve into something like Los Angeles Public Radio Productions.
Los Angeles Times 04/14/00
- ULTIMATE
RESPONSIBILITY: A German court has has ruled that America
Online must take ultimate responsibility for music piracy on its
websites. The judgment by the Bavarian state court in Munich,
published yesterday, opens the way for the music industry to sue
companies that provide a gateway to the internet. AOL was sued
after discovery that digital music files belonging to the complainant
were being swapped on some of AOL's music forums. The
Independent 04/14/00
- WHO
YA GONNA BLAME? "Blame Canada," the scurrilous little ditty
in the Oscar telecast featuring Robin Williams sashaying across
the stage sandwiched between high-kicking Mountie chorus girls,
gave Canada the highest visibility it has had in years south of
the border. New York cabbies are cursing midtown traffic and insisting
their passengers "Blame Canada." Talk-show hosts and newspaper
columnists are throwing up their hands at the various ills besetting
the world, insisting people "Blame Canada." And just in time,
a festival of Canadian cinema opens tonight in New York with the
best brand name going: Blame Canada." Toronto
Globe and Mail 04/14/00
- AD-BUSTERS:
The new generation of video recorders has advertisers worried.
The machines can automatically skip ahead of commercials or zap
them altogether. When the devices first came out, ads trumpeted
the ad-busting features, but now they're not mentioned so prominently.
Without the ads, who'd pay for the programming? Chicago
Tribune 04/14/00
- IF
IT'S TUESDAY IT MUST BE RECYCLING DAY: “Re-versioning” is
the little-known term for the process of remaking a television
series for a foreign market. Recently a slew of popular Australian
shows have been flooding foreign markets in re-versioned formats,
but the trend is nothing new: “All in the Family” was a re-versioning
of the British classic “Till Death Do Us Part”; “Sanford &
Son” was based on the UK's “Steptoe & Son”; “Man About the
House” became “Three's Company”; and “George and Mildred” was
known as “The Ropers”. The Age (Melbourne)
04/13/00
- SPEED
BUMPS: “It took more than a decade for the government and
industry to get the next generation of TV off the ground. If consumers
thought that was a bumpy ride, they'd better hold on tight: The
road to digital TV is filled with potholes and little agreement
on who is responsible for fixing them. This week's National Association
of Broadcasters meeting has focused attention on the need for
the broadcasting and TV manufacturing industries to share the
responsibility for change. San Francisco
Chronicle (AP) 04/11/00
- DIGITAL
CHANGES EVERYTHING: Matt Brutacao was
a sophomore in high school when he wrote, shot, directed and edited
his first movie - a two-hour action-adventure flick with original
score and more than 80 members of the cast. He filmed it over
nine months in about 30 locations, including his school bus and
the local jail - where his friend's father works - and premiered
it in his school's gym. His budget for the project? About
$130. He's already made more than 100 movies. Los
Angeles Times 04/12/00
- THE
NEXT BIG MOVIE: They're making a movie of Tolkein's "Lord
of the Rings" and it's being breathlessly awaited by fans of the
books. When a two-minute excerpt from the project went up on the
web last week it was downloaded an astonishing 1.7 million times
in the first 24 hours following its release.
Wired 04/12/00
- MOVIE
SQUEEZE: One of France's giant movie-theater chains - one
that has already taken over 40 percent of the market by showing
big American movies - recently came up with a deal for film-goers
- a yearly pass with unlimited admission at a low price. The move
is killing Paris's tiny boutique theaters that specialize in small
French films that get only limited distribution. The
Age (Melbourne) (Telegraph) 04/11/00
- A
THING FOR VAN DAMMY: The biggest-grossing film last year in
Namibia was "The Matrix." The only cinema in Windhoek -
Namibia's capital city with a population of 300,000 - is a Ster-Kinekor
three-screen complex consisting of a total of 400 seats. Here,
the entrance fee is N$20 during the week and N$25 on weekends,
far beyond the reach of most locals. "Two entrepreneurs are walking
around Windhoek, asking passersby what their favorite movie is:
'Bruce Lee, Jackie Chan, Wesley Snipes, Jean-Claude van Dammy
[sic].' " The entrepreneurs want to revive a beat-up old cinema
for African film. Daily Mail and Telegraph
(South Africa) 04/11/00
- THEATER
ON THE HIGHWIRE: Sunday night production was the first live
drama shown on American TV in 39 years. Filmed on two sound stages,
with 18 different cameras, the production had the boon of an all-star
cast. London Telegraph 04/11/00
- A
HOLLYWOOD HOME COMPANION: Some see Minnesota Public Radio's
foray into Los Angeles to takeover and makeover a local public
radio station as an opportunity. MPR (whose biggest programming
asset is Garrison Keillor) promises new local public affairs programming
and a significant news operation. Others decry the Minnesotans'
arrogance and lack of familiarity with LA values.
Los Angeles Times 04/10/00
- LITTLE
SURPRISE HERE: “American Beauty” repeated its Oscar sweep
by cleaning up at this weekend’s Baftas, the UK’s most prestigious
film awards ceremony. And, in case you wondered: “Bafta judges
were asked to cast their votes ahead of the Oscars so as not to
be influenced by the famous US ceremony.” BBC
04/10/00
- AND
KIWI TOO: Ever since Jane Campion filmed “The Piano” on New
Zealand’s craggy coast, more and more international film companies
have been traveling south. New Zealand is “fast becoming a desirable
location because of the accessibility and high quality of local
film crews, production units and film laboratories and the rich
variety of locations that change every 10 kilometers.” The
Age (Melbourne) 04/10/00
- DIRECTOR
TRAP: Why do so many great movie directors get involved in
forgettable second-rate projects? It goes directly to the way
movie projects are made - the money, the power, the complications.
"Imagine being, as the director is, in complete charge of hundreds
if not thousands of people, to have minions endlessly lining up
to (a) ask for your make-or-break opinion and (b) fulfill every
fancy you have for what you want to see on the set, no matter
how arcane or difficult to procure." Los
Angeles Times 04/09/00
- JOCKEYING
FOR POSITION: What does it take to be successful in Hollywood?
"The basic truth is that everyone wants to stay close to the fire.
They don't know how they got there but they know it won't last.
A great deal of the nervousness of Southern California is based
on that understanding; that it's all going to slip away from them."
Toronto Globe and Mail 04/09/00
- FROM
STAGE TO SCREEN: Actress Emma Thompson and director Mike Nichols
have signed on to make the film version of Margaret Edson’s Pulitzer
Prize-winning play “Wit” - the story of a Donne poetry professor
battling ovarian cancer. Times of India
(Reuters) 04/07/00
- MISSING
OSCARS STILL MISSING after lawyer lures reporters to office
with stunt. Variety 04/07/00
- HOME
VIEWING: "Sixth Sense" is a major hit in the home too. "Consumer
spending on the purchase of DVD versions and the rental of VHS
and DVD versions in the first five days is estimated to be as
high as $50 million. DVD sales alone were so strong that the number
of units sold in the first five days would have ranked the DVD
version ahead of all but the top 20-25 best-selling VHS titles
for all of 1999." Variety 04/06/00
- MEET
YA’ HALF WAY: Cable TV enticed new viewers with dozens of
highly specialized channels, whereas the web has recently been
drawing audiences to more generalized content on fewer high-profile
sites. “As TV becomes more of an active medium and the web becomes
more passive, they will eventually meet in the middle.” Convergence
already spells success for independent film producers and other
artists, but “make no mistake, streaming media is cool but it’s
still embryonic.” The Age (Melbourne)
04/06/00
- CAN
HYPERLINKS BE OUTLAWED? : “Only last week a California judge
ruled, in a case brought by Ticketmaster against Tickets.com,
that it's not illegal for one site to link to another.” So what
is the Motion Picture Association of America doing filing a motion
to criminalize links to DeCSS, a program that decrypts DVDs so
people can play them on Linux-based operating systems? Salon
04/06/0
- LONG
DRY SPELL: After violent clashes with Hindu nationalists last
month, Indian director Deepa Mehta has given up all hope of shooting
her new film “Water” anywhere in India this year. The new film
highlights the plight of Indian widows and was denounced by angry
protesters for “denigrating the image of India.” Times
of India 04/06/00
- HOME
SWEET HOME: New Zealand requires that 10 percent of the music
played on the country's radio stations be homegrown. Now a proposal
to increase the percentage to 20 percent. But that would be very
difficult say radio execs. "Increasing local content on classic
hits-type stations would be the hardest because of a lack of Kiwi
music from the 1960s and 70s." Maybe Australian could be considered
homegrown? New Zealand
Herald 04/05/00
- BAD
OSCAR: "The Catholic Church in Mexico has attacked last week's
Academy Award ceremony in Hollywood for promoting homosexuality,
promiscuity and abortion." BBC
04/05/00
- THINK
LOCAL: The Israeli parliament has passed new laws mandating
a minimum number of hours of Israeli-produced programming that
must be carried by the country's third channel TV network. Still,
Israeli filmmakers, who had lobbied hard for content laws, are
disappointed. Jerusalem
Post 04/04/00
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