Friday March 29
TV
FEEDS VIOLENCE: A new study links teens watching TV with a
propensity for violence later in life. "The findings show
that of children who watch less an hour of television a day at
the age of 14, only 5.7% turned to violence between the ages of
16 to 22. For those who watch between one and three hours, this
number jumped to 22.8%. The rate went up again to 28.8% for those
who watched more than three hours a day."
BBC 03/29/02
ALTERED
STATES: Popular culture has always influenced the way people
perceive the world around them. "But now there is a new kind
of medium, which has begun to close the gap between culture and
life. It is an interactive medium, or, more specifically, video
games. Compare games to earlier forms of pop culture, and you'll
soon realize that they are really different. The more closely
games mimic life - with visual realism, emotional weight, an intuitive
interface, conceptual rigor - the better they get. And most games
try to do more than replicate life - they systematically probe
the fantastic, the better-than-real. One senses that the best
games aspire to supplant the living of life."
LAWeekly 03/28/02
- OUT
OF THE ARCADE AND INTO THE LAB:
Many of the ideas and tools that show up in popular culture
have their doubles in scientific laboratories. For video games,
the parallel is the study of artificial societies. A-society
researchers have found that "they can create 'societies'
of great complexity—ones that in many ways mirror what's going
on in the real world. These models imply that there are certain
patterns into which human beings unconsciously arrange themselves—and
the models help to identify what those patterns are."
The Atlantic Monthly 03/29/02
PUSHING
TO "PROTECT": The US Senate is already considering
a bill to require digital copy protection to be built into new
media playback devices. Now a similar bill has been introduced
in the House of Representatives, in an effort to speed up enactment
of such a law. Wired 03/28/02
TOWARDS
A CLEANER TV: "A study released last week showed that between
1999 and 2001 the amount of sexual material on TV entertainment
shows dropped 29 percent, and the amount of serious violence went
down 17 percent. "Popular culture is not necessarily on a
permanent and steeply downward slide, concludes the report, issued
by the Center for Media and Public Affairs.
Christian Science Monitor 03/29/02
WHEN
MERCHANT IVORY RULED THE EARTH: For a good part of their 40-year
collaboration, Ismail Merchant and James Ivory’s movie collaborations
were must-watch affairs. "Watch a Merchant-Ivory movie these
days and you feel like you’ve been languishing for 40 years in
the company of the wearisomely refined (and interchangeable) director
and producer." The Times (UK)
03/29/02
HISTORIC?
CERTAINLY. MEANINGFUL? WE'LL SEE:
The parties are over, the smiles have faded, the tears have dried.
Is there any reason to think that the Oscar wins by Halle Berry
and Denzel Washington will translate into more equable representation
of minorities in the movies? Or does it only mean, as one cynic
puts it, that "more people will want to hire Denzel and more
people will want to hire Halle Berry."
Los Angeles Times 02/29/02
Thursday March 28
THE
INCREDIBLE SHRINKING HOLLYWOOD: A new report says that "Southern
California's economy shed about 18,000 motion picture and television
industry jobs last year, or nearly 12% of Hollywood's work force,
largely when the rush to make movies before feared labor strikes
gave way to months of relative inactivity." Backstage
03/27/02
TOWERING
GIANT: Clear Channel Communications has come to dominate America's
radio and concert business. "With holdings that include approximately
1,225 radio stations and 130 concert venues, the company in recent
years has amassed unparalleled power in the music and entertainment
industries. That power - and what it means for the music business,
as well as for Clear Channel competitors - has been the topic
of heated debate within the music industry for the last year."
Now government regulators are paying attention. Salon
03/27/02
UNCLE
MILTIE PASSES ON: "Milton Berle, the brash comedian who
emerged from vaudeville, nightclubs, radio and films to become
the first star of television, igniting a national craze for the
new medium in the late 1940's, died yesterday at his home in Los
Angeles. He was 93." The New
York Times 03/28/02
Wednesday March 27
NUMBING
DOWN: If the video images of September 11 seemed unreal, perhaps
we should blame it on the numbing effect of film. "It should
have been a massive wake up call, because for too long cinema
had been playing with reality, playing with it in such a way as
to allow actions to become divorced from their consequences. For
too long sensation has come to eclipse almost everything: bigger
and better explosions that miraculously don't kill the most important
of the protagonists, simulated plane crashes which the right people
somehow survive, shootings that manage to create victims without
widows or orphans." The Guardian
(UK) 03/26/02
IF
THE FEW CONTROL THE ALL... "Media conglomerates are in
a merger frenzy. Telecommunications monopolies are creating a
cozy cartel, dividing up access to the online world. The entertainment
industry is pushing for Draconian controls on the use and dissemination
of digital information. If you're not infuriated by these related
trends, you should at least be worried." San
Jose Mercury News 03/26/02
RACIST
BRITISH FILM INDUSTRY? While critics are hailing last week's
Academy Award wins by Denzel Washington and Halle Berry, British
actors say that the UK film industry is not nearly so racially
open. "The industry's attitude is not malicious, it stems
from ignorance. I only began to get properly cast as an actor
in my own right 10 years after I left drama school. The US has
huge race problems, but at least in US culture everyone gets a
chance. Here, we are sidelined and insulted." The
Guardian (UK) 03/26/02
WHAT
ABOUT OTHERS? Representatives of American minority groups
wonder when the "breakthrough" for other minorities
will happen in the movie industry. "What's historic about
equality? Historic for me will be when all people of color are
represented and are capable of garnering these awards," said
Skyhawk, president of the advocacy group American Indians in Film.
Newsday 03/26/02
WHITHER
PBS? Last week, Maryland Public Television unceremoniously
fired Louis Rukeyeser, the popular host of PBS's "Wall $treet
Week," reigniting a familiar debate on the future of American
public broadcasting. Increasingly, it seems that PBS is programming
for high ratings, just as commercial networks do, rather than
for diversity and quality, as was its original mission. But does
PBS's attempt to 'skew younger' and homogenize its programming
reflect a move towards irrelevance, or just a desire to compete
with private networks? Baltimore Sun
03/27/02
Tuesday March 26
ANALYZING
THE REMAINS: This year's Oscar
race was "universally acknowledged to be the most petty and
mean-spirited in memory." Okay, but exactly what does that
mean for those few of us who are not Hollywood insiders? Mostly,
it was a behind the scenes, below-the-belt slugfest between Miramax
and DreamWorks, with Matt Drudge and a few free-lance publicists
as seconds. Los Angeles Times
03/26/02
Monday March 25
OSCAR
COMES TOGETHER: "After an awards campaign season universally
acknowledged to be the most petty and mean-spirited in memory,
the entire Academy Awards process also got a heartening, emotionally
stirring Hollywood ending. With Sidney Poitier's special Oscar,
Halle Berry's best actress triumph and Denzel Washington's best
actor nod, the Oscar ceremony touched chords of genuine feeling
you would have sworn were beyond the grasp of this often derided
ceremony." Los
Angeles Times 03/25/02
- BUT
IT'S SLOW: "Alas, TV's most-watched slug crawled back
into town last night, despite the exciting and unpredictable
nature of the contests and the bang-up finale. As usual, the
technical awards formed a Bermuda triangle in the middle of
the show, and the film-clip fests and production numbers numbed
our brains. Cirque du Soleil is spectacular, but could we take
a rain check?" Boston
Globe 03/25/02
GOOD
TIMES UNDER DARK SKIES: "The average cost of making and
marketing a film fell by about 4% to $79m last year, according
to the Motion Picture Association of America, which represents
the major studios. And this happened while box-office takings
in America were growing to $8.4 billion, as Americans made almost
1.5 billion trips to the movies—the highest number since 1959.
Everything seems wonderful, darling. And yet a shadow stalks Tinseltown.
Beneath the bonhomie the industry's leaders are increasingly nervous
that Hollywood is about to be 'Napsterised'."
The
Economist 03/22/02
POOH
ON YOU: The Winnie the Pooh franchise is a lucrative one,
generating "somewhere between $1 billion and $6 billion a
year for Disney." But "for the past 11 years, the Disney
Co. has been locked in a legal slugfest with the wealthy Slesinger
family, which purchased some merchandising rights to Winnie-the-Pooh
back in 1930." The case is not going well for Disney. "Last
summer, the judge slapped the company with a $90,000 fine for
destroying relevant documents and issued a harsh set of orders
that, experts say, will hamstring Disney's lawyers."
New Times LA 03/23/02
Sunday March 24
GREEN
RASPBERRIES: As Oscar hype winds up to a fever pitch, the
"Razzies" step in to provide a modicum of sanity and
humility to Hollywood's self-congratulatory smarm. The awards
honor the worst movie achievements of the year, and this year,
in unprecedented fashion, the biggest winner was at the ceremony
to accept his awards. Tom Green, the former MTV host and teen
grossout movie specialist, picked up five awards for his monumentally
disturbing flick Freddy Got Fingered, and became only the
second star ever to accept the dubious honors in person. BBC
03/23/02
Friday March 22
FORCED
TO PROTECT? US Senator Fritz Hollings has introduced his long-anticipated
(dreaded?) bill to mandate copy protection on new digital media
players. "The bill, called the Consumer Broadband and Digital
Television Promotion Act, prohibits the sale or distribution of
nearly any kind of electronic device - unless that device includes
copy-protection standards to be set by the federal government.
Translation: Future MP3 players, PCs and handheld computers will
no longer let you make all the copies you want." Wired
03/21/02
ANY
CHANCE OF MAKING JOAN RIVERS STAY HOME? Much has been made
of the new venue built for the Academy Awards in Los Angeles.
"The new 3,300-seat Kodak Theater, in Hollywood, has been
custom-built for the Oscars. But it is significantly smaller than
the show's old sites in downtown Los Angeles." How much smaller?
Well, nearly 300 members of the Academy of Motion Picture Arts
& Sciences will have to watch the show on television this
year. BBC 03/22/02
- BRINGING
OSCAR HOME: "The Academy hasn't held the Oscar ceremonies
in the real Hollywood since 1929, when it lasted all of 15 minutes,
hardly long enough for a self-respecting celebrity to exit a
limo these days. The $94 million Kodak Theatre, designed for
the Oscar ceremonies, is pure nostalgia. It resembles a 1920s
movie palace with stacked opera boxes." But the Kodak sits
in the middle of a strip mall, in a neighborhood known more
for its drug dealers than its glitz and glamour. Is the project
a laudable attempt to revitalize a landmark area, or a misguided
plunge into a history that no longer exists? The
Christian Science Monitor (Boston) 03/22/02
FILMFEST
AS URBAN RENEWAL: "With judges ranging from the fashion
designer Isaac Mizrahi to the former ambassador Richard C. Holbrooke,
the new TriBeCa Film Festival will try to rejuvenate downtown
New York, it was announced yesterday by Robert De Niro and Jane
Rosenthal, the festival's co-founders. The festival was organized
quickly, Ms. Rosenthal said, because it is intended more to save
a neighborhood than to celebrate film." The
New York Times 03/22/02
SEX
AND VIOLENCE DOWN: A new study says that sex and violence
on TV has declined between 1998 and 2000. "There is evidence
that television has started to clean up its act," says the
study. "As for movies, the study found, the amount of sex
and violence in the most popular theatrical releases during the
same time periods remained unchanged." Nando
Times (AP) 03/21/02
- THINGS
YOU CAN'T SAY ON THE RADIO (UNLESS YOU WANT TO): "Accusing
broadcasters of trolling 'the depths of decadence,' Federal
Communications Commissioner Michael Copps challenged radio and
television executives in early February to better police themselves
regarding indecency and vulgarity on the airwaves and create
a voluntary code of conduct, all by Easter Sunday. Normally,
broadcasters abhor dead air. But with a week to go before Copps'
suggested deadline, their silence has been deafening."
Los Angeles Times 03/22/02
DISSING
YOUR WRITERS: Screenwriters have a gripe about how they're
credited in the movies. Writing a movie is much more than writing
snappy dialogue. Story ideas, character development, rewrites...in
other words, years of work. And then along comes a director and
when the movie gets to the screen it carries the tag "a movie
by..." If you're the writer, you've just been insulted.
Slate 03/21/02
Thursday March 21
DIRTY
TRICKS: This has been the ugliest Oscar campaign ever. "That
new breed of film executive, the 'Oscar consultant', has introduced
the sort of dirty tricks and whispering campaigns once restricted
to the sleazy world of politics. This is nothing to do with art;
this is business. The Oscar consultant is more than a spinner,
he is a strategist who works out how to maximise the chances of
a film and direct a campaign of flattery, propaganda and vilification
to that end." The Times (UK)
03/21/02
- A
BEAUTIFUL MESS: The supposed smear campaign against the
Oscar-nominated film A Beautiful Mind is not really about
'revelations' concerning the behavior of the main character.
It's about Hollywood choosing to bend the facts of true stories
for narrative purposes. "The decision to change a true
story — to delete material that may confuse or disturb viewers,
to telescope chronology, to insert composite or entirely fictional
characters into historical events — is as much an artistic (and
therefore an ethical) choice as the casting of a certain actor
or the selection of a camera angle. And such choices are the
basis of critical judgment." The
New York Times 03/21/02
THE
BRITNEY MUSICAL? With the critical and popular success of
Moulin Rouge, many Broadway fans are predicting a renaissance
of the movie musical. But even if the supposition turns out to
be true, there may be a catch. "Moulin Rouge has nothing
to do with the Broadway genre. If it becomes a model for Hollywood
studios, as some industry insiders predict it will, the movie
musical of the future will draw more heavily from MTV than from
"My Fair Lady." The Christian Science
Monitor (Boston) 03/21/02
RATINGS
THAT DON'T MEAN ANYTHING: Australian TV networks scrutinize
every bit of minutiae of the ratings reports trying to find even
the slightest advantage over rivals. But statistically... well,
if you apply a standard statistical margin of error, the ratings
are useless. "Applying the error margin to the last
full week of ratings available for Sydney (week 10), every show
in the top 10 could be potentially moved to a different position,
although they couldn't be simply jumbled at will. Unless the two
networks are split by at least 5 per cent, which they almost never
are, the figures are statistically irrelevant. They're just shadow
boxing." Sydney Morning Herald
03/21/02
Tuesday March 19
ELDER-HOSTILE:
Older British TV viewers believe they're ignored by programmers.
"Around 70% of those questioned thought that the views of
the over-65s were ignored by programme-makers. The figure was
even higher for the over-75s, while half of those over 55s thought
their age group was not portrayed realistically in news and factual
programmes." BBC 03/18/02
MUCKING
UP VENICE: Five months before it starts, the Venice Film Festival
is in disarray. "By tradition the Venice Biennale is
an extravaganza where up-and-coming artists carve international
reputations, but the Italian prime minister hoped this one would
also give his government an opportunity to showcase administrative
skills and political savvy. Instead the government finds itself
accused of incompetence, hypocrisy and a heavy-handed attempt
to promote a rightwing agenda." The Guardian (UK) 03/18/02
Monday March 18
TRYING
TO TAKE DOWN PUBLIC BROADCASTING: Is Canada's CBC-TV "irrelevant,
unwatched and unloved? Do Canadians really not watch CBC-TV? Would
they not miss it if it were sold? Is it a bureaucratic fat cat
unanswerable to anybody?" That's what Canada's largest commercial
media conglomerate believes. And - here's a surprise - the company
believes CBC ought to be privatized and relieved of its public
funding. But their case looks to be based on a series of unsupported
myths. Toronto Star 03/17/02
ENTERTAINMENT
BOOM: "Revenues in India's entertainment industry rose
30% in 2001, seven times faster than the economy as a whole, and
are expected to double over the next five years."
BBC 03/18/02
OUTSIDE LOOKING
IN: The Academy Awards have a new home - one especially designed
for them. But
with 3,100 seats it's much smaller than Oscar's old home,
which had 5,600. That leaves a lot of Hollywood bigshots without
seats. Think they're happy about it? The
New York Times 03/18/02
SMEAR TACTICS:
A nasty campaign smearing the character of John Nash, the
subject of the Oscar-nominated film A Beautiful Mind
is meant to dim the movie's chances of winning. "The whisper
campaigns, which reach a peak during Oscar balloting, are fueled,
the film's supporters say, by the Internet, by a fascination with
tabloid-type scandals and by the rise of private Oscar strategists
hired by the studios. But even in that context, the campaign against
A Beautiful Mind has struck many in Hollywood as particularly
brutal." The
New York Times 03/16/02
GUERRILLA
CINEMA: At the appointed hour, a car pulls up, the driver
gets out, sets up his equipment, and "guerrilla drive-in"
is up and running. In Los Angeles, a filmmaker projects his movies
on the sides of buildings, broadcasting the sound on a local pirate
radio frequency. "The director began projecting a two-hour
cut of his three-hour movie onto the sides of buildings from Santa
Monica to the Valley last summer. Sometimes he gets the owner's
permission; sometimes he doesn't, a dicey prospect given tonight's
locale: behind the parking lot of the LAPD's Hollywood station."
LA Weekly 03/14/02
Sunday March 17
THE
OSCAR'S NICE, BUT... So there are three African-Americans
nominated for Oscars this year. A breakthrough, right? Not at
all. "There are a lot of people, mostly outside of Hollywood,
making a big deal out of whether this year's Oscar race is truly
a turning point for blacks or just a blip on the fluke meter.
Do nominations mean long-term gains for black artists, or come
the Monday after the Sunday of the awards show, will talented
brothers and sisters with Yale acting school degrees still be
lining up for bit parts in keepers like How High? Sure,
some actors got a nod, but where are the nominations for black
directors, sound recorders and craft servicemen?"
Los Angeles Times 03/17/02
- TOKEN
EFFORT OR A TURNING TIDE? Long criticized for its lack of
minority hiring, Hollywood is holding auditions. "While
hoping for the break all actors long for, the performers at
the minority showcases have become part of a larger game this
spring—recruits in the primary networks' first major quest for
minority talent, timed to coincide with the frenzied casting
season for series prototypes, or pilots. The showcases were
born out of a controversy, making them significant not only
to the minority actors who took the stage, but to the entire
television industry. Some industry executives maintain that
while they would like more minorities on comedies and dramas,
the talent pool is not large enough."
Los Angeles Times 03/17/02
ET
- THAT WAY SCARY ALIEN: Australia's film rating board has
upheld a decision to reclassify the rerelease of ET as
"PG". When it first played 20 years ago, ET had
a "G" rating. ''Although the resolution of the film
is positive, the children face difficult and complex situations
without support. From a child's perspective, many of these situations
are menacing." The
Age (Melbourne) 03/17/02
Friday March 15
SCREEN SMOKES: A report details tobacco companies'
attempts to promote their products in movies. "In the 1970s
and '80s - Phillip Morris alone is credited with 191 placements
in films including Grease, Die Hard, Field of Dreams
and The Muppet Movie." From a Phillip Morris marketing
plan: "It is reasonable to assume that films and personalities
have more influence on consumers than a static poster. ... If
branded cigarette advertising is to take full advantage of these
images, it has to do more than simply achieve package recognition
- it has to feed off and exploit the image source."
Hartford Courant
03/15/02
GENERALIST
IN A WORLD OF SPECIALISTS: Canada's CBC is a major cultural
force in the country. But its audiences haven't grown for years.
Why? Maybe because the broadcaster has to be a little bit of everything,
while cable has fractured audiences with numerous specialty channels.
"Our experience at the CBC has confirmed that, given the opportunity,
large numbers of Canadians will turn to high-quality, original
Canadian programming. Our experience also shows that Canadians
will not accept cheap alternatives simply because they are Canadian."
Toronto Star 03/15/02
X-RATED: In Britain, The Exorcist
has finally passed the censor for video. But Sam Peckinpah's Straw
Dogs (1971) is still banned. This is the record of the retiring
president of the censor board. "His four-and-a-half-year
stint as Britain's chief film classifier certainly saw the board
gain a more permissive reputation."
The Guardian
(UK) 03/15/02
FAILURE
TO PROTECT: Movie and music producers are trying to copy-protect
their work. But "many critics are convinced that copy-protection
technologies are doomed to failure. No system is perfectly secure,
and anything that works too well is bound to annoy consumers.
Veterans of the consumer industry recall the late 1980s, when
many software manufacturers abandoned various copy-protection
schemes as bad for business. That cycle, they argue, is set to
repeat itself." Salon
03/13/02
WHAT'S AN OSCAR WORTH? Well, it's priceless, of course,
a big boost to a career. But everyone appearing on the Oscar TV
broadcast - presenters and performers alike - will go home with
a goody bag worth £14,000 of presents and vouchers.
"The bag will contain a £1,000 watch, and a £280 handbag
from American designer CJ & Me."
BBC 03/15/02
Thursday March 14
SHARE
OF THE PROFITS: American actors have long been able to sign
deals with movie studios for a share of profits. Now British actors
can make the same deal with UK filmmakers, ending a six-month
dispute that threatened to shut down filming.
The Guardian (UK) 03/13/02
Wednesday March 13
UK
STRIKE AVERTED: "A strike by British film and TV actors
has been called off after a new deal for performers was agreed
between actors union Equity and producers' organisation Pact.
The two-year agreement means performers will for the first time
receive either a share of the profits of a film or a share of
the proceeds from sales of films to television and for video and
DVD sales and rentals." BBC 03/12/02
DIGITAL
RADIO DEBUTS: The BBC launched its new digital radio service
this week. But there were probably only a few hundred listeners
to listen in. Sales of digital radios, required to pick up the
broadcast, have been slow in the UK because of their high cost.
The Guardian (UK) 03/13/02
"TERRIFIC!"
SENSATIONAL!" "I LOVED IT!": Last year Sony
made up a critic and newspaper to blurb glowing reviews of its
movies. Now the company is paying the state of Connecticut "$326,000
for using fake reviews attributed to a local newspaper in promoting
its films. Sony also has agreed to stop fabricating movie reviews,
and to stop using ads in which Sony employees pose as moviegoers
praising films they have just seen."
Nando Times (AP) 03/12/02
RADIO
JUST ISN'T FOR MUSIC FANS: Blame it on a vast corporate conspiracy,
a bad local program director, or anything you want, but radio's
small playlists and near-total unwillingness to play anything
not backed up with reams of audience research and paid for by
the big labels is unlikely to change anytime soon. So why do stations
do it this way? Well, because most listeners seem to want nothing
more than their favorite songs repeated over and over, and have
no taste for experimentation. And the folks who run the stations
admit that, if you're a true music fan, you're pretty much out
of luck. Pittsburgh Post-Gazette 03/13/02
Tuesday March 12
PAID TO SMOKE: "Tobacco companies, hoping
that smoking scenes in Hollywood movies would increase sales,
worked diligently through the 1980's and early 90's to get as
much screen time for their brands as possible, a British medical
report says, and at least one company went so far as to provide
free cigarettes to actors and directors who might therefore be
more inclined to light up when the cameras rolled."
The New York
Times 03/12/02
- PAID NOT TO RUN ADS? Hollywood trade publications have
refused to run ads for a group mounting a campaign against the
portrayal of smoking in the movies. "At a time when smoking
is banned in most public places, tobacco use is everywhere in
movies. You can find stars smoking in three of the five films
nominated for best picture." Toronto Star
03/12/02
EMBRACE
THE MACHINE: When VCR's hit the market a few decades ago,
movie studios went into a panic, calling them the "Boston Strangler"
of the film business. Now they're making the same noises about
digital copying machines. But just as videotapes became the movie
industry's biggest profit center, might the same not also happen
with new technologies? "New technology has a funny way of
appearing scary at first glance, but it often opens the door for
unforeseen business opportunities." Los
Angeles Times 03/12/02
A
RECORD CURL: The hottest movie in Canada this week? It's Men
with Brooms, a film about curling. "Launched on 207 screens
across the country, with a promotion budget in excess of $1-million,
the Robert Lantos-produced film placed third nationally and topped
Johnny Mnemonic (1995), the previous English-language Canadian
winner for opening-weekend grosses."
The Globe & Mail (Canada)
03/12/02
Monday March 11
BOLLYWOOD
VS HOLLYWOOD: "As East and West eye continue this cultural
flirtation, there's money to be made on both sides. Bollywood's
film-makers have developed a shrewd eye for their market overseas,
shaping films to appeal to non-resident Indians in the West. Meanwhile,
Hollywood is manoeuvring its tanks on to Bollywood's front lawn,
launching films such as Jurassic Park, Titanic and The
Lord of the Rings in India. Dubbed into Hindi, they have
been big hits, and movies such as these accounted for almost five
per cent of box-office receipts last year, a small but ominous
figure." The
Telegraph (UK) 03/11/02
MORE
MOVIE AWARDS: Another set of awards said to presage sentiment
in Oscar voting. "Russell Crowe was named best actor at the
Screen Actors Guild Awards on Sunday for his portrayal of delusional
math genius John Nash in A Beautiful Mind, a win that could
boost his chances to win back-to-back Academy Awards. Halle Berry
won for best actress as the widow of an executed death row inmate
who becomes involved with one of her husband's guards in Monster's
Ball." Nando Times (AP) 03/11/02
ART
OF PROGRAMMING: How do radio programmers decide what music
gets on the air? "How the man behind the curtain arrives
at what we hear on the radio is somewhere between an art and a
science. Although some people like to blame a big corporate conspiracy
for the state of radio, much of what we hear is determined by
a jury of our peers." Pittsburgh
Post-Gazette 03/10/02
Sunday March 10
SAG
REELECTS GILBERT: The Screen Actors Guild has reelected Melissa
Gilbert president in a special election. "Gilbert captured
21,351 of the vote to Valerie Harper's 12,613 in a record turnout
for a highly publicized race. The election has been one of the
nastiest battles in the history of Hollywood unions, marked by
accusations and name calling involving some of the industry's
best-known actors." Los
Angeles Times 03/08/02
- WHAT
NEXT? "Despite an aggressive campaign, Harper, 61,
was unable to convince members that her opponent allegedly was
too cozy with agents, studios and others Hollywood unions at
the expense of SAG. Gilbert's margin of victory far exceeded
what it was in November, when she pulled in 45.3 percent of
the vote compared to Harper's 39.4 percent." Los
Angeles Times 03/10/02
TV
FOR ADULTS: The BBC's launching of a new arts channel has
been controversial - who needs an "arts ghetto?" But
"halfway through its first week, BBC4 looks like the best
thing that has happened to television for a long time. It gives
the novel impression of being a channel produced by adults for
adults. True, it sometimes resembles radio with a camera in the
room, but that is more daring than the brand of television in
which movement and noise are valued above intelligence. If you
don’t employ bells and whistles, witlessness is not an option."
The Scotsman 03/09/02
Friday March 8
LEAVING
FRANCE UNPROTECTED: Vivendi Universal chief Jean-Marie Messier
is a major media player in France (as well as the US). So when
he recently predicted the demise of "an intricate system
of state subsidies that have protected the French movie industry
for years against les grosses majors américaines"
his countrymen were outraged. "France’s cultural elite view
the subsidies program as a kind of national treasure." New
York Observer 03/06/02
SAG
SOAP DRAGS ON: The controversy over last year's Screen Actors'
Guild elections continues to rage, with stars on both sides squealing
over who actually won the election for head of SAG, and whether
a re-vote is necessary. The pointless arguing was bad enough,
but then members "began to get inundated with e-rhetoric
from those directly involved, those tangentially involved, and
those who maybe wanted to get some publicity because they're not
on television anymore." Backstage
03/07/02
A
RETURN TO MOVIE MUSICALS? The success of Moulin Rouge seems
to be leading the way to a predictable revival of the popularity
of the movie musical. Studios are looking for attractive ways
to package the new round of musicals, including using actors not
known for their singing (as in Rouge) and debating whether
revivals of classics like Chicago or development of new,
modern musicals is the best way to go. USA
Today 03/08/02
Thursday March 7
RECORD
YEAR FOR MOVIES: Hollywood had a record year at the box office
in 2001. "Films including Harry Potter, Shrek and
Lord of the Rings helped the box office hit a record high
of $8.41 billion, well above 2000's $7.7 billion. The report by
the Motion Picture Association of America (MPAA), which represents
Hollywood's major movie studios, shows that films are costing
less to produce." BBC 03/06/02
A KINDER GENTLER
RUSSIAN TV: The three national TV channels in Russia run a
lot of violent programs during the afternoon and evening hours.
In fact, they routinely ignore the children's programming quotas
required by their license. Russian President Vladimir Putin, who
has two teen-age daughters, doesn't like it. He urged the Russian
media to make better children's programs a priority. To emphasize
his concern, he ordered the Press Ministry to start monitoring
those quotas. The Moscow Times
(AP) 02/06/02
Wednesday March 6
A
MORE HARD-CORE ET? Australian film censors have given
a tougher rating for the upcoming reissue of the movie ET
than it got 20 years ago - the movie got a "G" rating
then; now it gets a "PG" tag. "In reflecting contemporary
community standards across all classifiable elements of the film,
the supernatural themes and language could not currently be accommodated
at the G level of classification. It is understandable that attitudes
shift over a 20-year period. This results in some films receiving
different classifications when classified now."
The Age (Melbourne) 03/06/02
TURKEY
BANS FILM IT FUNDED: The Turkish Culture Ministry helped fund
a movie it hoped would compete for a Best Foreign Film Oscar.
But now the government has banned the movie in Turkey "on
the grounds that it highlights Kurdish nationalism and portrays
the Turkish police in a poor light."
The Guardian (UK) 03/05/02
Tuesday March 5
A FIRST - DVDs SURPASS VHS: For the first time since the DVD
debuted nearly five years ago, DVD sales and rentals have outdone
the more traditional videocassette format. Couple that with the
fact that more than 26 million DVD players are in homes nationwide,
and it's no wonder that the figures are so staggering. In 2001,
DVDs generated more than $4.6 billion in sales compared to just
$3.8 billion for VHS." Nando Times
(Scripps Howard) 03/04/02
CONGRESS COOL TO ANTI-COPY LAW: Members of the US Congess appear
to be cool to the idea of legislating copy protection into CD
and DVD technology. Hollywood studios and recording companies
looking for help in combatting digital piracy want to mandate
the protections to prevent illegal copying. Wired 03/04/02
Monday March 4
THE
ACTORS WHO WOULD BE PRESIDENT: The biggest battle in Hollywood
this winter isn't over the Oscars. It's about who should be president
of the Screen Actors Guild. "The campaign for the two-year
term as guild president is a rerun of a race last fall in which
Melissa Gilbert was declared the winner. She has been serving
in the job since then, but the guild's election committee nullified
the results after some members complained of voting irregularities,
prompting a second election and an investigation by the Labor
Department that is continuing." Valerie Harper is the challenger,
and with ballots to be counted Friday, the race is too close to
call. The
New York Times 03/04/02
UNPREDICTABLE:
"Predicting the Oscars used to be a relatively dependable
business. The components of a potential Oscar-winner could be
tallied up with almost scientific precision. Positive themes,
worthy true-life tales of injustice and courage, 'intelligent'
spectacle, crippling conditions overcome, terminal diseases not
overcome, noble failures, heroic victories, big weepy farewells.
But ever since Titanic swept the board in 1998, the academy’s
voting patterns have become increasingly eccentric and youthful.
The recent winners are not particularly undeserving, just out
of sync with previous Oscar voting patterns."
The Times (UK) 03/04/02
IS
TRADITIONAL ANIMATION DEAD? "On the surface, traditional
animation is in trouble: witness the continuing layoffs at Disney,
cradle of this 20th century art form. Rival studios Warners and
Fox are still smarting from their humiliating attempts to emulate
Disney's 1994 triumph with The Lion King by setting up
their own animation studios." Steve Jobs says traditional
drawing is over - computers do it better. Calgary
Herald 03/03/02
THUMBS
DOWN ON CONFLICTS OF INTEREST? Film critics Roger Ebert and
Richard Roeper are on a cruise - a cruise sponsored by Disney,
which owns their show. Fans of the show can pay to go on the cruise
and meet the critics. But "the cruise raises some questions
about whether journalists and critics can navigate the tricky
waters of cross-promotion and still avoid the appearance of a
conflict of interest."
Los Angeles Times 03/03/02
MOVIE
TIME IN NEW YORK: New York is planning to build a $375 million
movie studio complex. "The 15-story Studio City will offer
more than an acre of Hollywood-style backlot on the ninth floor,
with a view of the New York skyline and the Hudson River. Planned
on a West Side block between 10th and 11th avenues and 44th and
45th streets, the tower will provide production studios, equipment
and offices to film, television and advertising companies."
Backstage (AP) 03/02/02
Sunday March 3
WHAT'S
WRONG WITH AN ALL-ARTS CHANNEL? This weekend the BBC launches
BBC4, its new arts channel. But not all arts lovers are cheering.
"BBC4, for all its cultural riches, is not a creative channel
in the way that BBC1 and BBC2 were at their best. Its philosophy
is alien to the creative risk that produces great television.
Rather, it stripmines other art forms and creates little that
is new." The Guardian (UK) 03/02/02
ABC
TO KILL NIGHTLINE? Is ABC planning to buy David Letterman
to replace the network's Nightline? "ABC News staffers,
furious that network brass were working to replace their most
prestigious program, launched an attack to try to save the show,
led by news division President David Westin."
Washington Post 03/02/02
A REAL
LOOK AT OSCAR? "Two women's groups, the Guerilla Girls
and Alice Locas, have mounted a giant billboard in the heart of
Hollywood depicting an 'anatomically correct oscar' in the ungainly
shape of a pudgy, middle-aged man. 'We decided it was time for
a little realism in Hollywood," they said in an statement
yesterday. So we redesigned the old boy so he more closely resembles
the white males who take him home each year'." Sydney
Morning Herald (AFP) 03/03/02
Friday March 1
OUR
LIVES IN MOVIES: Film biographies rule the screen these days.
But "the biopic is more than a film 'based on a true story'
or a movie about historical events. In a secular society, biopics
can be the closest we get to lives of the saints - or the sinners.
They can be cautionary tales, inspirational stories, lenses through
which we view the past - cheery hagiographies or bitter denunciations."
The Age (Melbourne) 03/01/02
ILLUSIONS
OF QUALITY: Is Miramax "the world's most annoying"
film company? "Movies are all about illusion, and the greatest
illusion of them all is the illusion of quality. This is Miramax's
stock-in-trade. It takes stories that seem a bit classy - Captain
Corelli's Mandolin, Shakespeare in Love, Chocolat -
and turns them into cultureless mush, affected little movies which
are grand in their own way, and which win Oscars, but which are
actually meritless escapades fine-tuned to dupe the public."
The Telegraph (UK) 03/01/02
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