Thursday February
28
HANDS
OFF OUR BUSINESS! With the US Congress threatening to write
legislation requiring copy protection technology in new digital
devices, tech companies pledge to come up with a standard of their
own. The movie industry is worried that new devices will allow
consumers to rip off their products. Wired
02/27/02
Wednesday February
27
NPR
SCALING BACK ON CULTURE? "National Public Radio has begun
an extensive review of its musical programming, and is considering
overhauling or eliminating some of its venerable jazz and classical
offerings. A strategy paper written by NPR's top programming executive
says some of the network's live performance and recorded music
shows 'may disappear,' although officials stress that nothing
is final." Washington Post 02/27/02
PROBLEM
SOLVED? For the first time in 30 years, three African-American
actors have been nominated for top acting Oscars. "But instead
of drawing cheers from those who have been fighting for greater
black representation at all levels of the entertainment industry,
the situation is raising concerns that many people will conclude
that the problem has been solved." It hasn't been.
The New York Times 02/27/02
SYNERGY
OR MONOPOLY? When Congress changed the rules of the broadcast
industry back in the mid-90s, supporters claimed the new system
would spur greater competition and better content for consumers.
The exact opposite has been the case, as "old-fashioned,
bare-knuckled competition grudgingly gives way to attempted "synergy,"
as companies that bring us news, information and banal sitcoms
keep getting bigger and more powerful, while simultaneously trying
to use their various assets to prop up and support each other."
Los Angeles Times 02/27/02
Tuesday February
26
HOLLYWOOD
UNDER ATTACK: Motion Picture Association president Jack Valenti
has discovered who's behind all those nasty accusations about
Hollywood. It's "a small community of professors." Those
blackguards, says Jack, have charged that "producers deliberately
are holding back the exhibition of movies on the Net ... and that
copyright owners are stifling innovation in the digital world."
Nothing, he says, could be further from the truth.
Washington Post 02/25/02
SUCCESFUL
IN HOLLYWOOD, BUT BORED: Lasse Hallström is a hot director
in Hollywood right now: Chocolat, The Shipping News. But
he's ready to go home to Sweden, so he can make films that are,
well, less American. ""I think Americans are more likely
to be satisfied by experiencing the expected," he says. "They
feel safer and have a better time. Europeans are more open to
being genuinely surprised. I appreciate surprises and complexity."
The Telegraph (UK)
02/26/02
Monday February
25
RINGS
WINS BAFTAS: Lord of the Rings wins big in the British Bafta
awards. "The 4,500 members of the British Academy of Film
and Television Arts gave it four awards, for best film, best director
(Peter Jackson), best visual effects and best make-up/hair."
The Telegraph (UK) 02/25/02
AUSTRALIA LURES
FILMMAKERS: Australia is proud of its movie industry and hopes
to attract more Hollywood productions. So the government has
introduced a bill to give movie producers shooting in Australia
a 12.5 percent tax rebate, which could save producers millions
of dollars. Backers of the idea claim that "when coupled
with Australia's weak currency, state government incentives and
cheap labour costs, Australia becomes one of the most viable places
in the world to shoot a movie." The
Age (Melbourne) 02/25/02
Sunday February
24
BBC4
- ARTS HAVEN OR CLEVER DODGE? For years now, Brits have complained
that the BBC has been dumbing down the level of its arts programming,
and bemoaning the recent lack of much in the way of live concerts
or truly informative arts documentaries. The public broadcaster's
response has been to launch BBC4, a cable channel supposedly dedicated
to the arts. But critics are howling still, saying that the arts
should not be relegated to "niche" programming, but
distributed throughout the BBC schedule as they once were. Sunday
Times of London 02/24/02
CROSSING
THE COLOR LINE: "The Academy Awards have long been known
as a lily-white affair, with only six black actors ever winning
an Oscar and 36 snagging nominations. So the Feb. 12 Oscar nominations
of Will Smith, Denzel Washington and Halle Berry have drawn the
attention of many academy watchers. After all, this was the first
time in the 73-year history of the Academy Awards that two African-Americans
were nominated in the lead actor category, and the first time
since 1973 that three black lead performers received nods."
Dallas Morning News 02/23/02
GRIEF
AS A VOYEURISTIC EXPERIENCE: The trouble with portraying real
mourning in a film is that most people do not express their grief
by wailing uncontrollably for five minutes and then moving on
with the plot of their lives, as movie scripts would tend to require.
So historically, much of character grief in the movies has tended
to occur off-screen. But a new batch of critically acclaimed films
features human grief so prominently as to almost make it a character
in itself. The New York Times 02/24/02
Friday February
22
A
MATTER OF FREEDOM OF THE PRESS? It's possible that some of
the last remaining regulations on ownership of electronic broadcast
media might go away. "Regulations still standing include:
prohibiting the ownership of a TV station and a newspaper in the
same community; limiting a company to owning not more than 35
percent of all TV stations in the United States; and limiting
a single company to providing cable TV services to no more than
30 percent of the US population." The American TV world may
be about to change in a big way. For the better? The
Nation 02/21/02
TALK
OF THE NATION OR MUSIC OF THE PEOPLE? When the September 11
attacks knocked classical radio station WNYC-FM off the air, and
threw the national media into a frenzy of information gathering,
the station began simulcasting its AM sister station, which carries
a public radio news/talk format. "It's been five months now,
with no move back to music. But listeners didn't understand what
was happening until 4 February 2002, when the astute weekly New
York Observer detailed the unhappiness and off-air conflicts
within the station... exploding with the news that the station
was seriously considering dropping classical music almost completely."
Andante 02/22/02
- TAKING
THE PUBLIC OUT OF THE EQUATION? Saint Paul, Minnesota seems
like an unlikely place for the next nationally dominant, media
behemoth to emerge. But according to some critics, in its ambitions,
Minnesota Public Radio is the Microsoft of public broadcasting,
combining for-profit enterprise with a non-profit patina. Speaking
of which, those pledge drives conducted with such breathless
earnestness? Oh, MPR still has them, but does it really need
them? City Pages (Minneapolis/St.
Paul) 02/20/02
YEAH,
BUT NBC HAS KATIE COURIC! As Americans grumble about the lack
of live coverage of the Olympics on NBC's three available
networks, the boring old BBC is blowing the doors off every other
nation's television coverage of the games. "Press the red
interactive button and the BBC serves up three video feeds of
live events to choose from, all accessed via the same screen.
Scroll down to the action you want, and press the button for the
full-screen version, or scroll back up and watch all three events
at once." Wired 02/22/02
LUCILLE
LUND, 89: "Lucille Lund, an actress who appeared in dozens
of films in the 1930's with stars like the Three Stooges, Boris
Karloff and Bela Lugosi, died at her home here last Friday. She
was 89. The actress, who co-starred in more than 30 films, is
perhaps best known for playing the dual roles of Karloff's wife
and stepdaughter in The Black Cat." The
New York Times 02/22/02
Thursday February
21
A
MAJOR TV RESTRUCTURING? Their audiences may be shrinking,
but TV networks are still money machines. And it's only going
to get better if a federal appeals court decision this week is
allowed to stand. The ruling, which would remove restrictions
on networks owning local stations, could result in a buying spree
that will see big conglomerates buy up and consolidate local stations
around America. This is a good thing for whom?
The New York Times 02/21/02
I
WANT MY HDTV: "High-definition television, the long-awaited
revolution that promised to dazzle our senses and transform the
TV medium, is finally here. The fight over a uniform standard,
which kept the technology on hold for a decade, is settled. Prices
of high-def TV sets are plunging. All the commercial networks,
plus HBO, Showtime, and PBS, now broadcast at least some of their
programs in high-definition. You can even watch the Winter Olympics
in HD. So, why does everyone seem to be keeping its arrival such
a secret?" Obstacles. We got plenty of obstacles.
Slate 02/21/02
DEFINITION
PLEASE: What qualifies to be called a Hollywood movie these
days? Some of the biggest studios are owned by non-Americans,
stars are as likely to live in New Jersey or Montana or New York
as LA, and few films are shot in California anymore... The
Age (Melbourne) 02/21/02
THE
THREE-FIGURE MOVIE: How much does it cost to make a movie?
$545. That's what a Vancouver filmmaker spent on his 60-minute
film. - and the movie's becoming a cult hit; so far it has played
in 13 film festivals worldwide. Most of Bell's $545 production
budget was spent on shooting and editing equipment: $100 in Hi-8
videotapes, $80 in digital tapes, $20 in CDs, $45 on a microphone
and the rest on renting the machine that would transfer analog
video to mini-DV." The Globe
& Mail (Canada) 02/21/02
MOVIES
ON YOUR HARD DRIVE: MGM has decided to offer movies for downloading
directly to consumers' computer hard drives. "Only two films
will be available for now - the 2001 comedy What's the Worst
That Could Happen and the four-year-old swashbuckler, The
Man in the Iron Mask, starring Leonardo diCaprio. MGM's willingness
to risk software piracy is seen as an indication of its wish to
pioneer direct-to consumer systems for Hollywood films."
BBC 02/21/02
Wednesday February
20
SHADY
DEALS IN THE FILM INDUSTRY? NO!!"The Film Council, the
UK's grant-awarding body for film-makers, has been accused of
'cronyism' by the Conservative [Party]. The agency has been criticised
for handing out lottery grants worth £23m to companies in which
six of its directors have an interest." BBC
02/20/02
BEYOND
DVD: Major technology companies have unveiled what they expect
will be the successor to the DVD disc format. "The new format,
the Blu-ray Disc, will store more than 13 hours of film, compared
with the current limit of 133 minutes. It is expected to come
into its own as more viewers become able to record TV shows on
DVD machines."
BBC 02/20/02
HARRY
IS NO. 2: Harry Potter has passed Star Wars
on the list of all-time biggest-grossing movies. It has
earned more than $926 million at cinemas around the world - but
that is still a long way off the number one film, Titanic,
which took more than $1.8 billion.
BBC 02/20/02
Tuesday February
19
BANNING
ADS FOR KIDS: The European Union may consider banning commercials
from children's television. "Powerful voices, citing statistical
evidence, are building a case asserting that advertisements between
cartoons and other shows for young people are behind increasing
levels of child obesity." New
Zealand Herald 02/19/02
FAN
INVOLVEMENT: Movie publicity at Hollywood studios is a highly
developed science - the product of much market research and considerable
effort. The first rule - never give up control of any aspect of
your publicity campaign. But times are changing in movie marketing."
Studios are learning that involving fans in the creation and dissemination
of marketing can pay off big. Los
Angeles Tribune 02/19/02
MAYBE
SMART IS SEXY AFTER ALL: Advanced physics and mathematics,
which are hard enough to explain in extensive graduate seminars,
are being trotted out as the stuff of popular entertainment. There
was Good Will Hunting, and now A Beautiful Mind,
along with several other less-touted movies. On Broadway, Proof
and Copenhagen, for example. What is going on here?
Hartford
Courant 02/17/02
Monday February
18
BERLINALE
WINNERS: The Berlin Film Festival ended this weekend with
the British film Bloody Sunday, about the troubles in Northern
Ireland, sharing top honors with the Japanese film Spirited
Away.'
Nando Times
(AP) 02/17/02
THE
OSCAR EFFECT: Box office for movies nominated for Academy
Awards last week soared over the weekend - In the Bedroom doubled
its take, while most of the others were up at least 35 percent.
New York Post 02/18/02
WE'LL
HAVE TO GET BACK TO YOU ON THAT:
"It may be a dim memory to some, but a little more than three
months ago about two dozen Hollywood leaders stood shoulder to
shoulder with President Bush's senior adviser, Karl Rove, and
vowed to work together to help fight the war on terror. Cameras
whirred. Lenses clicked. Headlines were made. Whatever happened
to that effort? Not terribly much, it seems."
Washington
Post 02/18/02
Friday February
15
THE
LITERARY MOVIE: All of a sudden a wave of British books is
being made into movies. "These films may be thematically
diverse, but they occupy a similar niche and cater to a similar
demographic. They're plush adult entertainments; popular yarns
that trail literary prestige. Taken as a whole, this wave of Brit-lit
cinema spotlights a complex waltz between the author, the book
publisher and the film producer. But why is this happening now?
And who is calling the tune?" The
Guardian (UK) 02/15/02
NEXT
UP, MAYBE, PAINTING THE SIT-COM: The BBC is launching its
latest digital channel, BBC Four, with television's first interactive
art exhibition, focused on the weather. In Painting the Weather,
a series of documentaries will examine the collection in the television
exhibition, looking at the art in terms of different weather types.
Featured works include Turner's The Snowstorm, Monet's
Haystacks and Howard Hodgkin's The Storm.
BBC 02/14/02
THE
AGE OF INNOCENCE: "Despite the cynicism and materialism
of the post-modern era, despite irony as a lifestyle choice, and
despite the prevalence of pseudo-science that argues for the utter
selfishness of human beings, audiences in cultures all over the
world recognize innocence when they needed it most." And
these days, we seem to want it in our movies. A slew of recent
hits, from the French import Amelie to Hollywood's blockbuster
Lord of the Rings focus on the triumph of innocence, and
more variations on the theme are sure to follow.
The Christian Science Monitor 02/15/02
SOMETIMES
IT'S HARD TO GET ATTENTION: It looked for a while as if no
one was going to get indignant about posters for the new Costa-Gavras
film. But now the Vatican says the image, a cross blending with
a swastika, is unacceptable. The film, Amen, is about an
SS officer who tried to get Church leaders to condemn the Holocaust.
Dallas Morning
News (AP) 02/14/02
L.A.
PRIORITIES VS. NYC SENSIBILITIES: "Recently, New York's
Museum of Modern Art, which is moving its Manhattan operations
to a former factory in Queens while the museum undergoes a three-year,
$650-million renovation, announced that it is moving its renowned
film stills archive, which includes more than 4 million stills,
many of them found nowhere else, to Hamlin, Pennsylvania."
This being the type of thing that passes for great art in Los
Angeles, a number of movie types have their knickers in a bunch.
Los Angeles Times 02/15/02
Thursday February
14
SAG
FIGHTING: The disputed election for leadership of the Screen
Actors Guild has got nastier, with president Melissa Gilbert and
contender Valerie Harper hurling accusations at one another. "Words
such as 'slug', 'hatchet man' and accusations of hijacking the
election are being hurled by supporters."
San Francisco Chronicle 02/14/02
WHAT'S
QUALITY WITHOUT THE STARS? This year's Berlin Film Festival
is pretty good. So why is the mood a bit flat? Maybe its because
of the lack of celebrity power to heat things up? A little star
intensity never hurts. The
Times (UK) 02/14/02
THE
DOWNSIDE OF BOOK-BUYING FOR THE MOVIES: Movie producers buy
the rights to books because they offer a readymade audience that
is already familiar with the book. But there's also a downside:
"The lure and the curse of these books lie with their readers.
It's the struggle going on right now to get filmgoers interested
in The Shipping News: the obvious audience, the people
who have read E. Annie Proulx's novel, are the most sceptical.
You can tempt them with the Newfoundland scenery and a heavyweight
cast but they are wary." The
Observer (UK) 02/10/02
Wednesday February
13
OSCAR'S
REAL MEANING: History shows that all five films nominated
yesterday for best picture will reap market benefits. Oscar contenders,
on average, earn $30 million more in box office revenue."
The New York Times 02/13/02
- OSCAR
TRIVIA: Who has more Oscar nominations than any other living
person? What's unusual about the 10 movies nominated for costume
design and art direction? What Oscar record are Will Smith and
Denzel Washington a part of? Here's a list of quirky Academy
Award factoids related to this year's nominees. The
Age (AFP) 02/13/02
MOVIES
ON YOUR PHONE? Three companies are teaming up to provide technology
to deliver video on wireless phones. "Apple Computers and
Sun Microsystems are to provide the software for the new service,
with Ericsson providing the network." BBC
02/13/02
PROMOTING
GERMANY: "Although Germany is the richest movie market
after the United States, even in 2001, the German industry's best
year since the mid-1980's, German films accounted for just 18
percent of the box office here." That's why the new director
of the Berlin Film Festival decided to use this year's festival
to promote the home product. The New
York Times 02/13/02
Tuesday February
12
OSCAR
NOMINATIONS ANNOUNCED: Lord of the Rings picks up 13
nominations. A Beautiful Mind and Moulin Rouge were
tied for second place with eight nominations each, including acting
nominations for Moulin Rouge's Nicole Kidman and A Beautiful
Mind's Russell Crowe and Jennifer Connelly."
Los Angeles Times (AP) 02/12/02
- COMPLETE
LIST OF THE NOMINEES
- BUYING
ON TO THE LIST: It was generally a weak year for movies.
"In Hollywood, 2001 felt like a long string of disasters
and nullities, and so we were left with an Academy Awards race
that became a high-priced publicity campaign to remind industry
figures that anything good happened last year. Never before
have the movie studios spent so much money on those psychological-warfare
operations known as Oscar campaigns, never before have they
played such dirty tricks to undercut one another and never before
have they done such silly things to get the attention of academy
members." The
Globe & Mail (Canada) 02/12/02
STUDIOS
TRY TO BLOCK PERSONAL PROGRAMMING: TV and movie studios have
sued makers of personal digital recorders to block them from adding
features. "If a ReplayTV customer can simply type The X-Files
or James Bond and have every episode of The X-Files
and every James Bond film recorded in perfect digital form and
organized, compiled and stored on the hard drive of his or her
ReplayTV 4000 device, it will cause substantial harm to the market
for prerecorded DVD, videocassette and other copies of those episodes
and films," the lawsuit states. Los
Angeles Times 02/12/02
AN
INDICTMENT OF IRRELEVANCE? During the fall and an audience
turn to all-news channels, America's PBS television network suffered
a 19 percent decline in ratings, more than twice as steep a decline
as the major TV networks. "The average primetime household
rating for October-December 2001 dropped from 2.1 to 1.79 percent—down
0.4 points, representing a loss of about 350,000 households."
Current 01/28/02
MAKING
UP REALITY: A film biography of writer Iris Murdoch makes
up some of its scenes. They're poignant, but not true. For filmmakers,
"it is the image, not the reality, that comes first, and
dramatic truth, not literal truth, is what matters." But
for book people, especially biographer, such tinkering with reality
is an ugly blot on a story and it seriously mars what might have
been a good film. New Statesman 02/11/02
Monday February
11
BETTER
THAN FILM: A new generation of digital camera sensors promises
to revolutionize photography. "There is no longer any need
to use film." The
New York Times 02/11/02
Sunday February
10
HANDICAPPING
THE OSCARS: "No matter what the critics think, the Oscars
mean more to people - inside and outside show biz - than any other
entertainment award. The Academy Awards may not recognize everyone's
favorite films and performances, but they at least tend to honor
the highest meeting point of critical and popular tastes."
Chicago Tribune 02/10/02
THE
NEW BERLINALE: Two years ago, fans of the Berlinale Film Festival
seemed to be looking for something new. Now, with new leadership
the Berlinale seems to have recovered, and "German cinema,
whose weakness affected even the Berlinale, Germany's most high-profile
film festival, seems to be gradually recovering from its crisis.
Today, there are so many interesting young filmmakers that talk
of the end of German cinema seems premature." Frankfurter
Allgemeine Zeitung 02/07/02
- WHAT
WAS WRONG WITH THE BERLIN FILM FESTIVAL: In the past, it
always seemed as though a peculiar gravitational force was preventing
the annual film festival from really getting off the ground.
The films were no worse than those in Cannes or Venice, and
the stars were no fewer in number. Yet an inexplicable gloom
always seemed to hang over the competition, a gloom that could
not have been due to the February weather alone - but may have
had something to do with the Berlinale's management climate."
Frankfurter Allgemeine Zeitung 02/07/02
Friday February
8
SCREENPLAY
SCANDAL: The Writers' Guild has announced its nominations
for Screenplay of the Year, and two of the most praised scripts
of the last year are not on the list. Why? Well, it seems that
the authors of In The Bedroom and Memento weren't
members of the guild at the time the movies were made. Nando
Times (UPI) 02/08/02
GETTING
IN TOUCH WITH THE BBC: Is the BBC out of touch with its audiences?
Greg Dyke, the corporation's general director, thinks so. So he's
launched a plan to "urgently address the fact that young people
and ethnic minorities feel that the BBC is out of touch, and get
rid of the image of it concentrating on south east England."
BBC 02/07/02
Thursday February
7
HEADING
NORTH: American film workers are increasingly upset about
the number of productions leaving the US for Canada. "The
U.S. Center for Entertainment Industry Data and Research estimated
that, between 1998 and 2000 (the last year for which figures are
available), cumulative budgets of features shot in Canada more
than doubled to over $1-billion (U.S.). In the same period, feature
spending within the United States shrunk by over $500-million
to $3.37-billion. The centre also pointed out that in 2000, 37
U.S. movies were shot in Canada, compared with 18 the previous
year, and 23 in 1998." The
Globe & Mail (Canada) 02/06/02
THINK
OF IT AS TIGHTER EDITING: Many TV stations are using a "time
machine" to squeeze in extra commercials. "It works
by going through programs frame-by-frame, and when two identical
frames appear side-by-side, one is removed. Usually, this can
be done enough in a 22-minute program to add 30 seconds of time."
Networks and ad agencies don't like it. Viewers - so far - don't
seem to notice. Nando Times (AP)
02/06/02
MAYBE
ARTHUR ANDERSON SHOULD BE TAKING NOTES: Price Waterhouse is
a $20 billion dollar accounting firm. The contract to count the
Oscar ballots is a tiny part of their business, but it's the one
that gets them attention. And a reputation: no one has ever demanded
a recount; no one has ever pried loose some advance information.
The man who counts the ballots says it's easy. "Here's what
I've found. The way you keep a secret: You just don't tell anybody."
CNN 02/06/02
TIME
BEFORE DIGITAL: "There was a time - fast disappearing
- when tape was wound, reels of film spooled, and images produced
by the physical movement of materials. Etchings were carved in
stone, lead and ink scratched on to paper, and silver oxide shifted
on photographic plates. Matter was displaced so that ideas and
images would place themselves in our minds. As we enter a new
millennium, we are in the process of losing our biblical attachment
to an entire form of communication: the graven image. From the
carved tablets of the Ten Commandments, to walls of stone hieroglyphs,
to the boxes of ancient magnetic tapes that Krapp lugs on to his
desk, there was a physical cumbersomeness to these archives that
related to their human origins. They were expressly handmade.
They couldn't betray their origins. They were touching, because
they were made to be touched. Their exchange required a physical
transfer." The
Guardian (UK) 02/07/02
Wednesday February
6
WHY
AMERICAN TV "STINKS": American network television
is bad and getting worse, says Jeffrey Katzenberg, one of the
founders of Dreamworks Studios. Speaking at the World Economic
Forum last week in New York "Katzenberg blamed the ownership
structures of the networks — and their quest for greater profits
— for how bad their programming is."
Toronto Star 02/06/02
THE
NEW CBC RADIO: In its biggest programming shakeup in 30 years,
Canada's CBC is going to revamp its entire morning Radio One schedule.
Instead of delaying programs to play at the same time in time
zones across the country, the broadcaster intends to run live
between 6 AM and noon. "I'd like us to be more spontaneous. Sometimes
we're too slow to react." Toronto
Star 02/05/02
STUFFING
THE BALLOT BOX LEGALLY: Politicians and Oscar-award nominees
have something in common: well-established rules about what they
can and cannot do to win votes. They also have something else
in common: a penchant for loopholes. The New York Times 02/06/02
CYNICAL
IS OUT. SINCERE IS IN: "Just as culture in general is
leaning toward the heroic, the comforting and the inspirational,
so too is Hollywood, throwing its weight behind projects that
cultivate familiar, all-American images and stories of bravery
and goodness. 'What we're buying here is big, uplifting projects.
People don't want quirky, odd, Billy Bob Thornton movies'."
Washington Post
02/06/02
Tuesday February
5
ET
TU, PBS? February is "sweeps month" in the U.S.,
the period when TV ratings companies measure who's watching what,
which has a lot to do with determining ad rates for the next six
months. Naturally, the networks respond by airing their most shameless
audience draws in February. But public broadcasting is immune,
right? Um. Well. PBS's documentary series Frontline seems
to be gearing up for an episode titled "American Porn."
Are the days of public TV operating in a ratings vacuum gone?
Boston Herald 02/05/02
BRITNEY
BEAT PATRIOTS (ON TV, AT LEAST): What did viewers most want
to see on Sunday's Superbowl TV broadcast? Tivo, the device that
enables viewers to do their own instant replay, "used its
technology to analyze which football plays or TV ads its subscribers
chose to view again or to see in slow motion. TiVo viewers did
more instant replays of Super Bowl commercials than of the game
itself, and the Pepsi ads featuring Spears were the MVP."
Nando Times (AP) 02/04/02
Monday February
4
THE
SECRETIVE CENSOR: Two years ago Australia passed a law to
censor internet sites that put up "overly sexually explicit
or violent" material. Has the law been a success? Hard to
know, since getting regulators to even say what they've censored
hasn't been possible...Wired 02/03/02
WHERE
THE REAL DRAMA IS: TV soap operas are Britain's "real
National Theatre. Last year, more people discussed who shot Phil
Mitchell than who would win the general election. Soaps provide
a forum through which we learn about issues such as domestic violence,
breast cancer and euthanasia. And, most significantly, British
soaps are fundamentally egalitarian, one of the few places on
TV where the poor, the fat, the old and the ugly are shown to
be important." New
Statesman 02/04/02
THE
DIGITAL ACTOR: Computer generated images are becoming so sophisticated
and lifelike, some look forward to the day when digital manipulation
will replace real-life actors on screen. But a pioneer in digital
graphics says the day is a long way off. "I tell actors not to
be frightened because nobody knows how to get there, so it's not
going to happen in our lifetime unless there's a sudden and surprising
breakthrough." Nando
Times (UPI) 02/03/02
Sunday February
2
BUYING
OSCAR: Movie studios are busting their piggybanks trying to
promote their films' Oscar chances. "Spurred by a wide-open
competition for some of the top nominations, the most aggressive
studios have mounted campaigns that by some estimates have already
cost more than $10 million, easily double what a successful effort
totaled only two years ago. A campaign of that magnitude would
involve spending more than $1,500 per Oscar voter in the effort
to win nominations." The
New York Times 02/03/02
THE
POPULAR NEW BBC - DUMBING DOWN FOR RATINGS? For the first
time since commercial TV was introduced in Britain (in 1954),
the BBC scored more viewers than its commercial competition. Good
right? "But just as BBC executives were congratulating themselves,
the sniping began. The Beeb, as it is widely known here, was obsessed
with ratings, its critics complained. It had not become the world's
most prestigious public broadcaster by kowtowing to the masses.
Indeed, to have nudged ahead of ITV in the scramble for audiences
was the ultimate proof that it had dumbed down its programming."
The New York Times 02/03/02
- Previously: BBC
SURGES: For the first time, the BBC1 TV channel has scored
higher ratings for the year than chief competitior ITV1. "Ratings
show BBC One with an audience share of 26.8% compared to 26.7%
for ITV1." BBC 01/01/02
- And: BBC
RADIO AT RECORD LISTENERSHIP: BBC Radio listenership is
up, beating out all commercial radio stations. "The number
of people listening to BBC Radio each week has risen by 300,000
since September, taking the total to 32.7 million - a record
since new monitoring methods were introduced in 1999."
BBC 02/01/02
SEE
CANADIAN: In the last two weeks of 2001, Lord of the Rings
took in $40 million at the box office in Canada. By comparison,
the top grossing Canadian-made movie for all of 2001 sold about
$3 million worth of tickets. Canada makes some good feature films
- so why won't the multiplexes show them and why won't audiences
demand them? The
Globe & Mail (Canada) 02/02/02
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