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Friday December 29
- A
DAY WITHOUT ART: Today is "No Art Day" in Singapore,
an occasion for people to reflect on the role of art in Singapore
Culture. But "the irony of No Art Day seems to be lost on
some artistes, who do not see the point of making such a statement
when most Singaporeans remain apathetic towards the arts."
Singapore Straits Times 12/29/00
- WORKING
FOR THE CAPITAL OF CULTURE: Okay, so maybe Liverpool isn't
the first place you think about when you think about culture.
But the city has been named the European Capital of Culture for
2008 and the city is fixing up. "Museums and galleries are
expanding, public buildings are being spruced up after years of
neglect, a theatre has come back into the limelight after three
dark years, and the city's symphony orchestra is looking forward
to a stable financial future under a new conductor."
The Guardian (London) 12/29/00
- CHINESE
REVIVAL: China spent a good part of the 20th Century distroying
its past, particularly during the years of the Cultural Revolution.
But history has become hot among today's Chinese youth, and a
revival of things of the past is underway. International
Herald Tribune 12/29/00
Thursday December
28
- SELLING
ART: Our cultural institutions have been pushed to attract
ever greater audiences to justify their success. "It's a difficult
moment because, on some level, not-for-profits are being asked
to be very entrepreneurial. At the same time, there's a growing
awareness that if this is pushed too far, then the issue of cultural
and artistic integrity can be compromised."
Los Angeles Times 12/24/00
- TA's
OF THE WORLD UNITE: Last month teaching assistant graduate
students at New York University voted to unionize. "The vote
was immediately translated into an attack on the very framework
of academic collegiality, and the board's decision to allow the
vote was denounced by other universities facing similar union
threats. Loudest in their condemnation were Yale University officials,
who have succeeded for almost a decade in thwarting a graduate
organizing effort on their own campus." Village
Voice 12/28/00
- MAKING
IT BIG: Which artists are we likely to hear from in the next
year. The BBC takes a look. BBC 12/28/00
- PROSPECTS
FOR PEACE: Hollywood weighs a new Bush administration. Sen.
John Ashcroft, Bush's nominee for attorney general, gets mixed
reviews. Variety 12/28/00
- NEW
YEAR SHOWCASE: Boston's New Year's Eve celebrations - First
Night - is an aretist showcase. A thousand artists in 250 performances
at 50 venues for an expected audience of 1.6 million. Boston
Herald 12/28/00
- THE
COMPUTERS UNITED: All those millions of home computers out
there laying idle much of the time could be put to good use while
their owners aren't working on them, say researchers. "With
about 300 million PCs connected to the Internet but idle 90 percent
of the time, there's huge potential for scientific projects utilizing
distributed computing power, researchers argue in a report."
Minneapolis Star-Tribune (Scripps Howard)
12/28/00
Wednesday December
27
- AGING
THROUGH THE AGES: "If André du Laurens's tract on the
subject is to be believed, growing old must have been a positively
blissful experience back in 1594." So what happened?
Frankfurter Allgemeine Zeitung 12/27/00
Tuesday December
26
- FIRST
NIGHT ALMOST LAST: Boston's First Night New Year's Eve celebrations
are the biggest in the country, with hundreds of performances
and artists participating. But last year, "to match large-scale
celebrations planned in other major U.S. cities, First Night doubled
its budget last year from $1.3 million to $2.7 million and spiffed
up programming to include extras such as three days of cultural
events, citywide laser shows and five fireworks displays."
Out-of-control costs nearly sank the popular event. Boston
Herald 12/26/00
- THE
ART OF APPEARING PRESIDENTIAL: A new exhibition at the Smithsonian
in Washington DC shows how artists through the past 224 years
depicted presidents of the United States. New
Jersey Online (AP) 12/26/00
Friday December 22
- PROTECTING
PERFORMERS: "A global treaty to protect actors' rights
is on hold because of a disagreement over movie royalties."
CBC 12/22/00
- AS
LONG AS THE NAME REMAINS: Manhattan’s landmark Rockefeller
Center is being sold for $1.85 billion private investors. "For
the first time since the family built the center 70 years ago,
in the midst of the Depression, the Rockefellers will have no
involvement with the 10 landmarked office buildings, Radio City
Music Hall or the Rainbow Room." New York
Times 12/22/00 (one-time
registration required for access)
Thursday December
21
- CULTURE
BEFORE FOOD: For the first time, Norwegians now spend more
of their incomes on culture than on food and alcohol-free drinks.
In 1999 the average Norwegian family used 12.3 per cent of the
family budget on culture and leisure activities. Norwegians still
use the largest part of their budget on housing (culture is third).
Norway Post 12/21/00
- THE
CRITIC CRITICIZED: When you're a critic everyone loves to
criticize you. One critic looks over the criticism that came his
way this year. "The eminent critic and playwright Robert
Brustein took me to task for reporting that his fashionably coifed
crony David Mamet was in a 'slump' because he had written an awful
novel that couldn't find a US publisher. (Good thing I didn't
know about the 'poetry' and the vanity CD.)" Boston
Globe 12/21/00
Wednesday December
20
- NEW
ARTS CENTER FOR MIAMI: The Miami-Dade County Commission has
approved a $255 million contract to build a performing arts center
first proposed 21 years ago. The center is scheduled to open in
2004 and will be home to five resident companies - the Concert
Association of Florida, the New World Symphony, the Florida Grand
Opera, the Miami City Ballet and the Florida Philharmonic.
Miami Herald 12/20/00
Tuesday December
19
- CULTURAL
BILL OF RIGHTS: Cultural observers are wondering how
the arts will fare in a Dubya administration. Yesterday
at the National Press Club in Washington, Bill Ivey, chairman
of the National Endowment for the Arts, unveiled a working paper
for a "Cultural Bill of Rights", a moral manifesto intended
"to deepen our national conversation about the value of art
and cultural heritage to our democracy." Washington Post, 12/19/2000
- REASON FOR OPTIMISM: NEA Chairman Bill Ivey outlined
a "cultural bill of rights" in a speech Monday and said
Americans have reason to believe the Bush administration will
be supportive of the arts. "He cited increased spending on
the arts under the Bush's governorship in Texas as a cause for
optimism [and] noted the increase in the NEA budget to $105 million
for this year, the first since 1992, came as a result of a bipartisan
effort in Congress." New Jersey Online (AP) 12/18/00
Monday December 18
- WHAT'S
WRONG WITH BERLIN? As the intrigue of Berlin's cultural life
winds on, several prominent artists who have approached to work
in the city have declined. Why? "Berliners should be asking
themselves what is wrong with their city." Frankfurter
Allgemeine Zeitung 12/18/00
- PROFITING
BY IDEAS: As centers of research, universities have a wealth
of knowledge to profit from. "But successfully exploiting
them is another matter. With some notable exceptions, the businesses
set up by universities to commercialise their intellectual property
have lost millions in recent years."
Sydney Morning Herald 12/18/00
- CULTURAL
POLICY NEEDS MORE THAN TALK: A new culture minister in New
Zealand got everyone's hopes up for some government attention
as 2000 dawned. "Then there was a giddy anticipation from
the cultural sector, which behaved like an ignored child showered
with attention. As the year ends, the reality has sunk in that
if politics exhibits any art it is the art of pragmatism."
New Zealand Herald 12/18/00
Sunday December 17
- WHAT
DOES EUROPE KNOW ABOUT ART? "Cultural protectionism is
in vogue throughout Europe, evidence of a growing fear that the
continent's old national cultures are under threat. The EU's role
is significant. Although it claims to act benignly, serving as
a mere facilitator of culture, its policies display somewhat different,
culturally integrationist aims. It believes in the propagation
of an official European culture." The
Telegraph (London) 12/16/00
Friday December 15
- NATIONAL MEDAL OF ARTS recipients named by Clinton this
week. Winners include Maya Angelou, Mikhail Baryshnikov, Itzhak
Perlman, and National Public Radio’s Cultural Programming Division.
New York Times 12/15/00 (one-time
registration required for access)
- YES
MINISTER: As minister of arts you get to decide who gets money
to do what. "It's the feel-good job that basically comes
down to deciding which arts companies, projects and artists you're
going to assign money to, the job that makes you look popular
even when your other job doesn't." And yet there are the
downsides too... The Age (Melbourne"
12/15/00
Thursday December
14
- DIRECTING
OUR RESOURCES: "The issue is not whether classical ballet
is a great art form; let's postulate that it is. The question
is about the role of art in the community. Should public money
be used to help perfect an elitist exercise so that all may benefit
by watching it, or should it be used to promote sundry inclusive
art forms (Make-A-Circus, as one example) so that all may benefit
by participating in them?" San
Francisco Chronicle 12/14/00
- HOLLYWOOD
AND THE GOP: "For the TV industry, a Republican administration
is generally welcomed, since the GOP largely believes in letting
the marketplace, not regulation, rule the day. Overall, entertainment
toppers are concerned that the reputed ills of Hollywood may be
the one issue a nearly evenly divided Congress can agree on."
Variety 12/14/00
- PROTECTION
UNDER THE LAW: Australian painters, sculptors, composers,
authors, film makers and other artistic creators have finally
won the right to "stop their work being mistreated or wrongly
attributed under laws passed last week. It has taken seven years,
two governments and a handful of ministers to get rights most
of the rest of the Western world has long taken for granted."
The Age (Melbourne) 12/14/00
- SYMPHONY
SPACE EXPANDS: New York's innovative Symphony Space, home
to a variety of arts programming, is expanding to take over and
renovate the Thalia Theatre next door. The
New York Times 12/14/00 (one-time
registration required for access)
- EARNING
IN THE ARTS: What are graduates of Australia's universities
earning? First-year dentists get $50,000. "At the other end
of the scale, visual arts graduates and linguists remain in the
doldrums. Between 30 and 40 per cent of those graduates looking
for work are still unable to find full-time work four months after
leaving university. Assuming they got work, graduates working
in art and design could expect to earn $28,000, well below the
national average." Sydney Morning
Herald 12/14/00
- A
CULTURE MINISTER WHO MATTERS: Canada's popular culture minister
has quietly let it be known she might want to leave her job and
that has Canadian artists worried. "It's not that nobody else
can do the job. It's just that it's a rare combination, somebody
who has got a really deep-seated commitment and belief in the
cultural product, and political savvy and clout all at once. There
are a lot of politicians who say they have both, but actually
having it is something else." The
Globe & Mail (Canada) 12/14/00
Wednesday December
13
- CULTURE
COST: So how are kids supposed to be exposed to the arts when
it costs so much? "Two adults taking two children to a big
show won't see much change from $250. To put that in perspective,
most people earn less than $800 a week. After tax, groceries,
mortgage and car costs, it's hard to see where the 'Annie' tickets
are going to come from." Sydney
Morning Herald 12/13/00
- IT'S
JUST AS EASY TO DATE A RICH ONE: Earlier this week the National
Gallery of Australia appointed Melbourne multi-millionaire Harold
Mitchell as its new chairman. Yesterday Mitchell launched a $10
million arts and health foundation, which will distribute a minimum
of $500,000 in grants a year for arts and health projects in the
first five years. Sydney Morning Herald
12/13/00
- The Guardian's critics trade beats for
a week "Critics are experts in their fields, but is that
always a good thing? Or can a fresh pair of eyes offer new insights?":
TV
critic does opera
Dance
critic does a gallery The Guardian (London)
12/13/00
- CULTURAL
CORRIDOR: For a decade Los Angeles has been talking about
establishing a "cultural corridor" to link its major
cultural institutions on Grand Avenue. Now it may finally have
come up with an idea that works. "The plan - meant to integrate
the center with the new Walt Disney Concert Hall and the Cathedral
of Our Lady of the Angels, both under construction along the avenue,
and the Civic Center to the east - was presented to the board
of directors Monday." Los Angeles
Times 12/13/00
Tuesday December
12
- DOING
FOR THEMSELVES: One of Australia's biggest arts donors says
the arts community has to stop asking for money all the time.
"In the Aboriginal communities today, they're saying that 'if
we keep getting handouts, we'll never be able to pull ourselves
up by the bootstraps'. And the arts has got to see life the same
way." The Age (Melbourne) 12/12/00
The Guardian's critics trade beats for
a week "Critics are experts in their fields, but is that
always a good thing? Or can a fresh pair of eyes offer new insights?":
- MOVIE
CRITIC DOES VERDI: "The experience of watching opera
renders superfluous the cinema critic's expertise in assessing
the composition of a 'shot'. Often force of habit had me complaining
for a fraction of a second: surely this set-up is wrong?"
The Guardian (London) 12/12/00
- MUSIC
CRITIC DOES THE DALMATIONS MOVIE: "Yes, but it's only
a story. Don't take it so literally. Try and be an echt film
critic. You see, I've got the vocabulary." The
Guardian (London) 12/12/00
Monday December 11
- CENSORSHIP
TO LEARN FROM: In Singapore artists anounce a new website
on which they will post work censored by the goverment. Surprisingly,
the government does not object: "The archive hopes to 'compile
case studies, so we know what were the reasons for the censorship,
and to learn from it. We hope that it will promote understanding
and meaningful dialogue on artistic freedom and responsibility."
The Straits-Times (Singapore) 12/10/00
- WATCHING
HOME-GROWN: A new law in Korea mandating that a percentage
of the films theatres show should be Korean seems to be working.
Screening of Korean films has soared. Korea
Times 12/11/00
-
TRADING
PLACES: Exploring how critics
do their jobs, The Guardian newspaper in London has had its
critics swap jobs for the week. "Critics are experts in
their fields, but is that always a good thing? Or can a fresh
pair of eyes offer new insights?" The
Guardian (London) 12/11/00
- Theatre
critic Michael Billington: "We
theatre critics have it easy, both physically and intellectually,
compared to our art-reviewing colleagues." The
Guardian (London) 12/11/00
Friday December 8
- TOO
OLD TO COMPETE? Oxford University
is one of the world's great universities. "Yet today there
is also a sense of malaise, both inside and outside the university:
a belief that Oxford finds it difficult to adapt to changing educational
and social needs, a fear that it can no longer maintain its pre-eminence."
Prospect 12/00
Thursday December
7
- WHO
NEEDS ART CRITICS? Here and there in a few major periodicals
one can find art critics who realize they are writing for a mass
medium and general audience, and not for a rarefied elite of cultural
academics, museum docents and fellow critics. But then there are
those who conduct themselves as though the masses who have lined
up in such volume for recent Vermeer, Monet and Cezanne exhibitions
were beneath contempt for their lack of art history degrees.
Chicago Tribune 12/07/00
- CONTROLLING
THE CRITICS: It's tough to Intimidate theatre or art critics.
But Hollywood and the fashion idustry have so much control over
their products (stars) that an indiscreet word (or even question)
can put your access (and your job) in jeopardy. The
Globe & Mail (Canada) 12/07/00
Wednesday December
6
- BEATING
UP ON UNCLE SAM: At an international conference in Ottawa
on arts issues, delegates slam "the Uncle Samming of the world,
noting that movies and TV have now displaced aeronautics as America's
number-one export industry. America's trade negotiators are less
likely than ever to understand that culture, for most nations,
is about identity, not dollars. Bill Ivey, head of the National
Endowment for the Arts, and Jonathan Katz, the well-informed head
of the National Assembly of State Arts Agencies, let it be known
that they were feeling a little beaten up."
The Globe & Mail (Canada) 12/06/00
- LEARNING TO GIVE: In this unprecedented age of philanthropic
generosity (a recent study found US arts donations up 43% last
year), Europe still lags way behind the US in private support
of the arts. "There are two indigenous deterrents. The first
is a woeful lack of professionalism in the field of fund-raising.
The second, more serious, impediment is the composition of the
boards that govern arts institutions." The Telegraph (London)
12/06/00
- THE
ARTS COMPLEX: "As an architectural expression, the Canadian
arts complex is an expression of madness. Envisage the entrance
to the National Arts Centre in Ottawa - or rather, try and find
it. I can't. I have performed for paying audiences at the NAC
intermittently for 25 years, and I've never been able to figure
out how they get in. No sign. No lights. No visible box office.
To a stranger, the NAC might be the American Embassy, where every
visitor is a potential terrorist." The
Globe & Mail (Canada) 12/06/00
- ART
IMITATES LIFE (OR NOT): Last year a London artist won a £1,500
grant. But rather than spend the money on supplies or even food,
she invested in the dot-com stock market. The stocks trade under
the ticker symbols ART and LIFE. "They're both doing really badly.
But ART is doing better than LIFE, which is a good lesson for
me." Red Herring 12/05/00
Tuesday December
5
- THE
DEVALUED CRITIC: Where do those amazingly obscure rave blurbs
for this or that movie come from? With a proliferation of easy-to-access
opinions on the internet, how does one sort out who's credible
and who's not. *spark-online 12/00
- STILL
ROOM FOR TEACHERS? As the internet rises and distance learning
increases, is there still room for old-fashioned teachers? "Perhaps
it is inevitable that those whose business it is to flog Rabelais,
Montaigne, and Neo-Platonic poetics to technology-savvy, career-conscious,
and heavily indebted students should begin to wonder whether their
role as teachers is superfluous. After all, teachers, in general,
are the apotheosis of human inefficiency." Chronicle
of Higher Education 12/04/00
Monday December 4
- INTERNATIONAL
ARTS: At a world conference on the arts in Ottawa, 50 "arts
councils and funding bodies from around the globe voted unanimously
yesterday to establish an international federation to foster the
arts." CBC 12/04/00
Sunday December 3
- ON
AMERICAN CULTURAL DOMINANCE: An international summit on arts
and culture hears Canadian Prime Minister Jean Chretien say US
cultural dominance can be fought by being aware of one's cultural
roots. Many of the delegates from 60 countries dispute the message:
"You can't stop the transmission of U.S. culture, so it needs
to be regulated." Ottawa Citizen 12/03/00
- THE
POLITICS OF ANONYMOUS GIFTS: These days it seems like corporate
"adver-donors" want to get as much advertising out of
a donation to the arts as they want to help the arts. But there
are still those who support the arts out of a sense of wanting
to do something worthwhile. Just why do people give anonymous
gifts? Hartford Courant 12/03/00
Friday December 1
-
WORLD
ARTS CONFERENCE: A major international
conference with delegates from 60 countries has gathered in
Ottawa to talk about protecting "the vitality of many of
the world's cultures which are currently threatened by the dominance
of U.S. popular culture, and a globalizing economy which is
turning national cultures into commercial commodities."
The Globe & Mail (Canada) 12/01/00
- CANADIAN
PRIME MINISTER ADDRESSES CONFERENCE: "Some people think
because of the power of communication, the American culture
is a problem around the globe. It's not a problem, as long
as every nation finds a way to make sure that people are comfortable
with themselves, they know who they are, they know their roots
and they work to have their arts and culture well inside of
themselves." The Globe &
Mail (Canada) 12/01/00
- GUGGENHEIM'S
BIG FUNDER? When Guggenheim Museum execs announced progress
on their new $67 million museum in Lower Manhattan this week,
they suggested that an art-loving insurance executuve in Ohio
was commiting $170 million to the project. The donation would
be the largest ever to an American museum. But the executive's
office isn't confirming the amount. "I know he [Lewis] definitely
plans to give a substantial amount, but he hasn’t decided what
it will be. Lewis would take into account the enthusiasm of the
city [of New York] and the generosity of others before deciding
on the amount of his gift." The
Plain Dealer (Cleveland) 12/01/00
- A DAY WITHOUT ART: Artists and theater groups in Singapore
have declared December 29th "No Art Day" as a protest
against the government’s restrictive censorship laws. "For
24 hours participants will refrain from making art, appreciating
art, consuming art, engaging art, administering art, or any other
activity that might be interpreted as an 'encounter' with art."
Times of India (AP) 12/01/00
- WITHOUT
THE SOAP SELLERS: The history documentary "A People'S
History" on the history of Canada has exceeded all viewership
projections and has become the most-watched documentary in Canadian
history. But the producer of the series says financing the project
was too much of a struggle and that the way projects such as this
are financed in Canada is broken. "Nothing will be financed
unless it can be demonstrated to sell pop or soap. It just won't
happen. The marketplace will not, operating by its own laws, produce
what is necessary and good for our children and our society.''
Toronto Star 12/01/00
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