Wednesday October 31
ALL-KNOWING:
Australia's opposition Labour Party wants to get elected on a
"knowledge nation" platform. The party promises to transform
the country, injecting $176 million for 600 new specialist teachers,
focusing on literacy and numeracy, $493 million for a fund to
improve the quality of teaching and learning at universities,
doubling the number of research fellowships and creating a new
category of elite fellowships at a cost of $38 million, a new
University of Australia Online, with 100,000 new online undergraduate
places by 2010, costing $320 million, and 35,000 new high skill
apprenticeships, costing $105 million. Sydney
Morning Herald 10/31/01
NEED
FOR MORE ART IN SCHOOLS: Prince Charles officially opens Tate
Britain's expanded building. "Opening the gallery, the prince
said that art history and art practice should be part of education."
BBC 10/30/01
Tuesday October 30
ART
IN THE NEW CENTURY: The new head of the Australia Council
says digital art is a revolution. It is "new in the same
way film and television were the defining cultural drivers of
the 20th century, I cannot believe that digital arts and digital
technology won't be the comparable driving force in this century.
It's not just about how we produce art, it's how it will change
the nature of audiences, how it will change the access and distribution
to culture that will change." Sydney
Morning Herald 10/30/01
ADELAIDE
FUNDING RESTORED: Australia's Telstra has decided to reinstate
its $500,000 support for the Adelaide Festival. The company had
pulled its sponsorship after the festival ran ads featuring images
of Hitler. The
Age (Melbourne) 10/30/01
- Previously:
HITLER ADS PROVOKE ADELAIDE SPONSOR: The Adelaide Arts Festival
has lost a major $500,000 sponsorship after the festival aired
ads featuring Adolf Hitler. "A black-and-white television
commercial shows the German World War Two dictator behind a
camera apparently taking a photograph, then with his head superimposed
on to the body of the painter Pablo Picasso, and again sitting
in a film director's chair." CNN.com
10/28/01
Monday October 29
HITLER
ADS PROVOKE ADELAIDE SPONSOR: The Adelaide Arts Festival has
lost a major $500,000 sponsorship after the festival aired ads
featuring Adolf Hitler. "A black-and-white television commercial
shows the German World War Two dictator behind a camera apparently
taking a photograph, then with his head superimposed on to the
body of the painter Pablo Picasso, and again sitting in a film
director's chair." CNN.com
10/28/01
- SELLARS
MIA: The embattled Adelaide Festival will announce its lineup
next week. But festival director Peter Sellars won't be there.
"The absence of Sellars has caused comment and private
outrage in arts circles and South Australia's opposition arts
spokeswoman, Carolyn Pickles, said yesterday it was highly unusual
for him not to be present. The program launch, usually a closely
orchestrated affair attended by national media, has typically
been the moment at which the director unveils and explains his
or her vision." Sydney Morning
Herald 10/29/01
THE
ART OF SHOCK: There have been "two longstanding fetishes
in the history of art since the Enlightenment: that an artist
is a kind of sacred warrior and art an 'attack' on societies that
need to be refashioned. Artists, of course, are not terrorists,
but Stockhausen was right to notice the affinity between their
hard work, their discipline, their commitment to a message, even
their sometimes macabre imagination. What he missed, besides the
obvious fact that artists create and terrorists destroy - and
this is as fundamental as good and evil - is that terrorists insist
you get the message. Great artists have more grace." Washington
Post 10/28/01
Sunday October 28
GIVING
TO ARTS/CULTURE DRYING UP: Contributions to non-profits are
down about 20-25 percent this year due to the bad economy. "The
nonprofits in the most jeopardy are arts and cultural institutions,
smaller organizations, those relying on only one or two large
sources of funding and, especially, any group that hasn't worked
diligently over the last several years to nurture its donor base
and demonstrate its value." BusinessWeek
10/25/01
PERFORMING
AS AN ART: When is performance art an art and not just embarrassing
everyday life? "Performance became accepted as a medium in
its own right in the 1970s, when conceptual art was in its heyday.
Conceptual art demanded an art of ideas over product, and an art
that couldn't be bought and sold. Performance became the demonstration
and execution of those ideas." The
Guardian (UK) 10/27/01
Friday October 26
SOUTH
AFRICA'S RAW EDGE: South Africa's post-apartheid arts and
artists are struggling. "The institutional framework for
the arts, culture and heritage has changed significantly and for
the better since 1994. The list of new policies, structures and
legislation generated by the Department of Arts, Culture, Science
and Technology is impressive, but adequate funding and efficient
implementation are lacking in all areas, and some are in crisis."
Daily Mail & Guardian (South Africa) 10/24/01
THE LANGUAGE
THAT REFUSES TO DIE: "Dead" languages are those
which no one uses any more. So, is Latin a dead language? That's
the general attitude, but there's evidence to suggest it's reviving;
perhaps it never died. "If Latin could survive being a required
subject, it can survive anything. Epitaphs - even lapidary ones
in capital letters - are premature." The Guardian (UK) 10/25/01
Thursday October 25
ALWAYS
THE FIRST TO GO: The city of Phoenix is feeling a bit of a
financial pinch, and members of the city council are turning against
funding for local arts groups. The city's ballet and opera companies
have been specifically targeted for cuts by two powerful councilmen.
Arizona Republic 10/24/01
Wednesday October 24
A
LESSON FROM HISTORY AND LITERATURE: For most of us, biological
terror seems a distant reality, or it did until a couple weeks
ago. Yet it is a constant element in literature and in history.
The Fourth Horseman of the Apocalypse, Pestilence, has always
been nearby. The Globe &
Mail (Canada) 10/24/01
Tuesday October 23
LINCOLN
CENTER RESIGNATION: Lincoln Center loses another top exec.
"Marshall Rose, who has served as the unpaid chairman of
the center's redevelopment corporation, said he was stepping down
because he had completed his work on a master plan. But it was
widely known within Lincoln Center that he was intensely frustrated
with the internecine battles that were hindering the project's
advancement." The New York Times
10/23/01 (one-time registration required
for access)
TESTING
THE STANDARDS: Is the American SAT test endangered? "Today's
critics have opened an assault on the use of what is essentially
an IQ test to measure students' ability to learn. The outcome
of the debate will affect how colleges with competitive admissions
pick students, how racially diverse those students will be, and
how high-school students prepare for college." Chronicle
of Higher Education 10/22/01
Monday October 22
HOW
EUROPE RULED THE WORLD: Why did Europe come to dominate world
civilization? "Why did a relatively small and backward periphery
on the western fringes of the Eurasian continent burst onto the
world scene in the sixteenth century and by the nineteenth century
become a dominant force in almost all corners of the earth? Until
recently, two responses have dominated..."
Lingua Franca 11/01
WHERE'S
THE DEBATE? Since September 11, many college campuses have
seen "attacks on professors who have been censured by administrators,
deluged with hate mail, or otherwise intimidated for claiming
that the United States is to blame for the terrorist assaults.
In large measure, responsibility for the tattered condition of
our campus culture of free speech must be assigned to the very
professoriate that now seeks the shelter of that tradition's tolerance.
Students, and the public at large, no longer believe that the
academy is capable of providing the country with a balanced assessment
of our national dilemma." Chronicle
of Higher Education 10/22/01
Sunday October 21
RAISING
MONEY FOR THE ARTS IS HARD TIMES: As the economy sours, what
is the impact on arts organizations? Ticket sales are back up,
but the effects on fundraising still aren't certain. "Generosity
thrives on health and wealth. When the economy sours, and when
disaster relief understandably attracts a sizable amount of available
dollars, arts managers naturally worry."
Chicago Tribune 10/21/01
SORTING
OUT THE "A" IN A&E: In a world of entertainment,
where did art go? If entertainment is now considered art because
it reaches more people and therefore has greater impact, and art
is entertainment because it tries to reach more people, then what
do the distinctions of art in culture mean?
The Globe & Mail (Canada)
10/20/01
Friday October 19
CORK
AS CULTURE CAPITAL: The Irish city of Cork has been named
as Europe's Culture Capital for 2005. Previous cities named as
culture capitals have been Barcelona, Lisbon and Helsinki, "while
Glasgow’s reign in 1990 had a positive and long-lasting impact
on the city’s economic and cultural fortunes." Gramophone
10/16/01
SURREALISM
AS WAY OF LIFE: "Surrealism's most obvious legacy is
a linguistic one. We call on the word 'surreal' in response to
any situation where the fabulous or the bizarre impinges on our
lives, where the boundaries between waking consciousness and the
world of dreams seem temporarily blurred. Such occurrences have
always been with us, the only difference being that now we have
a handy, catch-all phrase with which to indicate and categorise
them." New
Statesman 10/15/01
Thursday October 18
ARTS
IN IRELAND - THE BAD AND THE GOOD: On the one hand, "it
seems the Arts Council has a reputation for being paternalistic,
furtive and secretive in the way it has conducted its business."
On the other, "the Republic is perceived, by observers in
Britain at least, as particularly enlightened in the way it has
passed legislation to support artists financially."
The Irish Times 10/18/01
HAMBURG'S
CULTURAL BATTLE: "As a center of the arts, Hamburg has
always had a unique aura, extending far beyond Germany's borders."
But the city has elected a new right-center government less receptive
to Hamburg's adventurous cultural reputation. But new culture
minister Nike Wagner, Richard Wagner's great-granddaughter and
long a candidate to take over directorship of the famous annual
Bayreuth Festival, is likely to champion the city's arts progressiveness."
Frankfurter Allgemeine Zeitung
10/18/01
CREATIVITY
IS MORE IMPORTANT THAN A CELL PHONE: A French court agreed
with composer Gabriel Yared that a cell phone relay tower "impaired
his creative concentration," and ordered France Télécom to
remove it. Fearing a rash of similar suits, France Télécom has
left the tower standing, and is paying a fine while it appeals
to a higher court. London Evening
Standard 10/17/01
Wednesday October 17
IS
THE PERFORMING ARTS CENTER DEAD? "What Lincoln Center
and South Bank have in common is their desperate need for a facelift.
Both are showing their age. Both clung to the Sixties conceit
that people who like classical music, for example, can be 'led'
into other arts simply by having them in close proximity. Human
nature, however, has changed since then. Citizens in open societies
are not inclined to be led: they prefer to discover. The arts
centre is a thing of the past, filled with superfluities."
The Telegraph (UK) 10/17/01
SAFETY
TRUMPS RIGHT TO LAMPOON: A prominent U.K. comedian has publicly
condemned the nation's proposed antiterrorism legislation pending
in the House of Commons. Rowan Atkinson (best known in the U.S.
for his turn in Four Weddings and a Funeral) claims that
a measure in the bill designed to prevent religious hate speech
would have the effect of making the satirizing of religion a crime.
He is backed by seveal of Britain's top satirists. BBC
10/17/01
Tuesday October 16
TRADING
ON CULTURE: Canada's cultural minister wants to remove cultural
issues from the purview of the World Trade Organization. She "wants
either a new agency - or an existing one like UNESCO - to take
over the responsibility for disputes on culture matters."
She says it's essential "to be the work we are doing to get
international support for an instrument on cultural diversity
so culture is not traded off at the table of the WTO."
CBC 10/16/01
Sunday October 14
HIGH
ART OFTEN SPEECHLESS IN A CRISIS: "Although the artistic
fruits of the recent national crisis and the current war have
only begun to appear, the fine arts have not been particularly
responsive to the major crises of American history." The
enduring images of such times tend to be produced by non-artists
whose work takes on artistic meaning after the fact. The
New York Times 10/14/01 (one-time
registration required for access)
NICE
CHUNK OF CHANGE FOR AUSSIE TOURING: "The [Australian]
government yesterday handed out more than $2.8 million in the
latest round of the performing arts touring program." The
Age (Melbourne) 10/14/01
SILENCING
MUSIC'S POTENTIAL: Afghanistan's Taliban rulers have banned
many things since coming to power five years ago. Some of the
bans, like education for women and shaving for men, had an immediately
visible impact. But when the hard-liners banned music, they may
have taken away one of the most powerful forces for national unity.
Music unites, as patriotic anthems the world over show. But can
lack of music actually divide a people? The
Guardian 10/13/01
Friday October 12
PARIS
MUSEUMS CLOSED BY STRIKE: Several museums and tourist attractions
in Paris have been shut down by striking workers, who are protesting
a cut in their workweek. The Orsay Museum and the Arc de Triomphe
were closed all day, while "the Louvre opened its doors only
in mid-afternoon [Thursday], a day after workers let all visitors
in for free as part of the protest." New
Jersey Online(AP) 10/11/01
Thursday October 11
LINCOLN
CENTER SQUABBLE: A dangerous game of politics is being played
at New York's famous performing arts complex, and the future of
a massive $1 billion redevelopment project is at stake. Sorting
out exactly who among the center's many resident organizations
wants what is difficult, but it is safe to say that no one is
backing down without a fight. The
New York Times 10/11/01 (one-time
registration required for access)
SETTING
PRECEDENT, OR JUST MUDDYING THE WATERS? "Finding the
intersection between decades-old copyright law and where it applies
in the digital world remains far off the map in the wake of a
critical Supreme Court decision on Tuesday." Wired
10/10/01
ARTS
AS AN ECONOMIC PLUS: The conventional wisdom in the U.S. has
always been that the arts, while important, are fated to be a
fiscal drag on society. But in Massachusetts, a mayor is on a
crusade to show the world that public investment in the arts can
be "an economic engine" for the community, and he's
got the numbers to prove it. Boston
Globe 10/11/01
LEGACY
OF A DYING TONGUE: A culture has no more basic manifestation
than its language. More than simply a method of communication,
language tells us an astonishing amount about the priorities,
the relative prosperity, and the values of the people who speak
it. So what is lost when a language dies out? It's happening right
now to a native American tongue called Dakota. City
Pages (Minneapolis/St. Paul) 10/10/01
Wednesday October 10
SUPREMES
SAY YOU GOTTA PAY: "In the second computer-age victory
this year for free-lance journalists who contend they were cheated
by big media companies, the Supreme Court turned down an appeal
Tuesday from National Geographic over reprinted photos. The court,
without comment, refused to take up a lower court ruling that
the magazine should have paid free-lance photographers for pictures
compiled on a compact disc." Wired
10/09/01
ON
THE QUESTION OF REBUILDING: What, ultimately, should go where
the World Trade Center once stood? Consider the decision at the
other major US terrorism site. "In Oklahoma City, the former
Murrah Building site became a memorial and the new building went
up on an adjoining site. Clients and tenants all said they didn't
want to work in a bunker. They did not want the building to be
a memorial. They said the new building was about the future."
Chicago Tribune 10/09/01
EXPORTING
CULTURE: Germany's Goethe Institute, founded half a century
ago to promote German art and culture around the world, is finding
that the parameters of its mission are changing. "[W]e now
live in the age of globalization, and those who continue to export
culture as the extended arm of foreign policy, as a kind of minesweeping
project for intercultural gaffes, make themselves redundant in
the long run." Frankfurter Allgemeine
Zeitung 10/09/01
Tuesday October 9
IRONY
ALIVE AND KICKING: It took approximately 6.2 hours after the
September 11 attacks for the first TV talking head to declare
irony, satire, and humor to be dead forevermore. That the U.S.
pundit corps would make such an outrageous assertion is not surprising
- that so many people believed it is. But in the weeks since the
attack, America's purveyors of laughter have shown themselves
to be more valuable than ever. The
New York Times 10/09/01 (one-time
registration required for access)
TESTING
FREE SPEECH ON CAMPUS: In the wake of September 11, the most
commonly heard refrain is that "everything has changed."
Even in America's most insulated environment, the college campus,
the rules of decorum and discussion appear to be getting a makeover,
as professors critical of U.S. government policy find themselves
the targets of newly patriotic students. Chronicle
of Higher Education 10/05/01
Monday October 8
CAPITAL
CULTURE SWEEPSTAKES: British cities are scrambling for a chance
to be named Europe's "Capital of Culture" in 2008. Why?
"The initiative helped transform Glasgow from a declining manufacturing
city to a centre for tourism and conferences. Glasgow is now the
third most visited city in Britain behind London and Edinburgh."
Still, since Glasgow held the honour in 1990, "the scheme has
descended into confusion." The
Guardian (UK) 10/05/01
UK
ARTS FUNDING CRUNCH: "With the economic tide turning,
the arguments for maintaining current levels of public spending
on the arts - £37.5m a year - will be harder to make. The Arts
Council has prepared for this eventuality, amassing vast quantities
of data intended to show how greater efficiencies are being achieved,
and how spending is being targeted more precisely. The problem
is that while the council's flow charts may confirm greater efficiencies,
the basic assumptions on which its spending is predicated are
flawed." Sunday Times (UK) 10/07/01
DIFFICULT
SPONSORSHIP: Corporate sponsorship of the arts may be tougher
to come by due to the war. "Leaner times ahead had been signalled
well before September 11 and sponsorship, especially from corporate
donors, was already harder to find. The terrorists attacks have
hastened that decline. So far the signs are mixed." Sunday
Times (UK) 10/07/01
Friday Ocober 5
WHY
DID LINCOLN CENTER PREZ QUIT? When Gordon Davis was named
president of Lincoln Center last year, he described the post as
his "dream job." But "what actually happened was
a study in the treacherous—some would say dysfunctional—politics
of the city’s largest and most fractious arts organization. Hamstrung
by rivalries among the center’s warring constituent members; undercut
by [Lincoln Center chairwoman] Beverly Sills, who seemed unwilling
to cede power to her new president; and derided by staff members,
who claimed he was unwilling—or unable—to make swift decisions,
a disillusioned Mr. Davis finally called it quits on Sept. 27."
New York Observer 10/03/01
Thursday October 4
HELP
FOR THE ADELAIDE FESTIVAL: All the signs indicate that next
year's Adelaide Festival is in for trouble. The economy is down,
corporate sponsors are pulling out, and the budget has grown.
So the South Australian government has added $2 million of support,
raising the budget for the Peter Sellars-led festival to $5.5
million. The Age (Melbourne) 10/04/01
Wednesday October 3
BOOK
WARNS OF COPYRIGHT CHILL: The US Congress moved quickly to
protect copyright in the digital age. But too quickly? "As
more and more 'speech' goes digital and as those digits get locked
down with increasingly stronger clickwrap - copyright and copy
protection measures - speech faces the very impediments the Constitution's
framers took pains to avoid. 'It's very clear that reckless copyright
enforcement can chill speech. We've gone too far. There are ways
in which the copyright system becomes an engine for democratic
culture. But once you increase the protection to an absurd level,
you end up having a negative effect on this process." Wired
10/03/01
Tuesday October 2
STRINGS
ATTACHED: No one gives more to the arts in America than Edythe
and Eli Broad. Their largesse to Los Angeles arts causes is much
appreciated. But does the generosity come at too high a price?
Los Angeles Times 10/01/01
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