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- VOYEURS
FOR VIOLENCE: New classes examining violence: "Starting
in Violence 101, 'Introduction to the Comparative Study of Violence,'
and on through 'The Causes of Crime and Violence' and 'Violence
in Film and History,' students are encouraged to look at history,
arts and sciences through a single lens: the infliction of injury
and death." But are such classes anything more than voyeuristic
rubbernecking?
Salon 01/31/00
- ARTS
CUTS? Whether in reaction to the Brooklyn Art Museum fiasco
or to woo the state's conservatives for the impending Senate election,
New York mayor Rudy Giuliani is said to be ordering up cuts in
the city's arts budget. Arts funding defenders are gearing up.
Backstage
01/31/00
- CULTURE
CENTRAL: Chicago has invested millions in a cultural building
boom downtown. But the downtown institutions are of a type - and
where are the African-American, Latino and other minority cultural
institutions? And why aren't they complaining about being shut
out? The answers are confusing and complex. Chicago
Tribune 01/30/00
- JUST
WHEN DID THE MEDIA START HATING ARTISTS? Was it art's "difficult
characters?" The big-money 80's art markets? "The biggest
part of the problem may be the front-of-the-book/back-of-the-book
structure that ghettoizes all arts coverage, whether news or reviews,
in the back pages or special sections. But news is news, and the
art(s) worlds are huge industries that demand far more sophisticated
news coverage than they receive." Media
Channel 01/28/00
- WRITING
TO IMPRESS: Great ideas don't necessarily translate into great
writing. But obscure writing shouldn't fool anyone into thinking
obscurity translates into profundity. And yet that's the kind
of writing some of today's philosophers seem to want to hide behind.
Prospect
02/00
- THE
SERIOUS SIDE OF POP CULTURE: Not all frivolous or violent
or shallow. "The 'pop' in pop culture is its universality,
its mass appeal, its accessibility. In its form — its all-encompassing
vastness, now magnified by the Internet — as well as in its content,
pop culture is mostly a force for good." MSNBC
01/25/00
- SELF-TICKETING:
Ticketmaster announces plan for customers to print their own tickets
at home on their own printers. Barcodes would ensure tickets are
real.
New York Times 01/25/00 (One-time
registration required for access)
- THE
"McDONALD'S SCHOOL OF APPLIED PHYSICS"? Not only
are most academic institutions not run like businesses, but many
academics disdain the tools of American business discourse, writes
English professor Michael Berube. Ah, but imagine if successful
business practices were applied on campus and schools were run
like corporations. The stock of education would soar. Chronicle
of Higher Education 01/28/00
- DEBATING
ARTS EDUCATION: This week education directors from around
the US will gather in Los Angeles to talk about the current state
of arts education - what works, what doesn't, and what to do.
Orange
County Register 01/23/00
- AT STAKE IN THE HOLOCAUST TRIAL:
A libel trial in London over a controversial book on the Holocaust
has Europe buzzing. But what is at stake is not the truth about
the Holocaust, which has been well-documented, but that alarms
about the trial "may give the verdict more weight than it
deserves, so that if the plaintiff wins, the alarmists will have
created the very sort of damage they are trying to prevent: doubt
among the ill-informed about whether the Holocaust happened. And
because of trial technicalities or the nature of British libel
law, the plaintiff could conceivably win. New
York Times 01/19/00 (one-time
registration required for access)
- WHITE
HOUSE drug control office, responding to pressure, says it
won't advance-screen TV shows for anti-drug messages. Variety
01/19/00
- PRIVATE
INTEREST: The British government is selling off public buildings
all over London to private developers. The law requires getting
the highest prices possible on the open market, never mind that
there are public-interest groups that could actually use the digs.
And then there is the issue of public property built and maintained
at public expense for sometimes 100 years, being handed over to
private interests in return for a one-time quick cash fix. London
Times 01/19/00
- DIGITAL
DOO-DOO: Emmanuel Goldstein is the first defendant charged
under the 1998 Digital Millennium Copyright Act, which bans the
distribution of any "technology" that can bypass a copy
protection scheme. Hackers who cracked the entertainment industry's
DVD codes clearly violated the law. But is the law constitutional?
The scramble for digital protection of copyright heads to the
courts. Wired
01/18/00
- IRELAND
IS BOOMING with one of the most robust economies in all of
Europe. Artists are sharing in that prosperity, but despite the
good times, modern Irish artists are "still relying on hackneyed
images of the past," rather than developing a new sense of
visual culture. Irish
Times 01/18/00
- COMPANY
LORE at Bertelsman, the giant German media conglomerate, has
it that the Nazis closed down the company during the Second World
War because of its political opposition. Now a team of scholars,
hired by the company, disputes that record.
New York
Times 01/18/00 (one-time
registration required for access)
- THE
NEW ARTIST: Though artists have occupied various ranks of
the social ladder throughout history, in the 19th and most of
the 20th centuries they were considered specialized members of
high culture whose primary mission was to hone their expressive
skills. That is changing. "Being an artist now includes things
like being an articulate advocate, and ambassador and an educator."
Orange County Register 01/16/00
- BALANCING
ART AND POWER: Recent experience of the past hundred years
says that art commissioned by government is usually a mediocre
affair. But step back a few centuries and it's a different story.
Without the Vatican, the Italian principalities and the royal
courts of Vienna, Paris, Madrid, London and Brussels, among others,
Europe's artistic heritage would be a great deal poorer.
New York
Times 01/16/00 (one-time
registration required for access)
- MY
CELEBRITY'S BIGGER THAN YOURS: The US presidential campaign
is heating up, and politicians seeking the highest office, especially
Democrats, have discovered that they are nothing without the entertainment
industry's mixture of cachet and cash, and without a passel of
actors and moviemakers in their entourage. Toronto
Globe and Mail 01/15/00
- IN
BALTIMORE, new hopes for a theater district for a depressed
westside of downtown. Baltimore
Sun 01/16/00
- CALL
IT CREATIVE NEW YORK: The Creative Capital
fund was created last spring to try to help make up for the ending
of federal arts grants to artists doing controversial work. Now
the first round of grants has been made, and after reviewing applications
from more than 1,800 artists from 46 states, the District of Columbia
and Puerto Rico, the fund is awarding $563,700 to 75 artists,
40 of whom live in Manhattan, Brooklyn, the Bronx or Staten Island.
New York
Times 01/13/00 (one-time
registration required for access)
- INTELLECTUAL
CAPITAL OF NORTH AMERICA? New York?
Berkley? Boston? Nope, try Montreal. New McGill University statistical
study says that Quebec's largest city has more university students
per capita than any other city. Boston was second. Montreal
Gazette 01/13/00
- ART
PAYS: The administrative heads of Boston's
largest arts organizations received some of the biggest raises
in the nation's nonprofit sector in 1998, a Boston Herald survey
shows. Boston Herald
01/13/00
- INTERNET
BAN: Thirty ultra-orthodox rabbis in
Jerusalem have issued a ban on using the internet. In fact, they
rule, "the computer should not be used for entertainment
at all." However, those "whose livelihood depends on
it" are allowed access to the Internet in the workplace,
with "the responsibility not to let others use it."
Wired 01/13/00
- INVESTMENT
STAKE: A recent change in British
tax law may prove a windfall for arts groups. Donate fast-rising
internet stock and save on the tax bill. This could revolutionize
arts funding in the UK, writes Norman Lebrecht. London
Telegraph 01/12/00
- INTELLECTUAL
PROPERTY RIGHTS in the digital age explained. Ease of digital
copies a good excuse to revisit international laws.
Le Monde Diplomatique 01/00
- WE
AREN'T THE WORLD: We survived Y2K but attempts New Year's
Eve to portray the planet as just one Big Happy Family leave one
critic cold. "It was the One City Many Cultures theme taken
to a new high. Forget germ warfare, forget the millions of missiles
poised to strike." Tough to do. The
Daily
Mail and Guardian (South Africa) 01/10/00
- NON-BLACK
MINORITY GROUPS feel left out of NBC's pact with the NAACP
last week on diversity. Cleveland
Plain Dealer 01/10/00
- BOHEMIAN
RHAPSODY: Just what, exactly is the role of a Bohemian? And
do we still have any left in America?
Slate 01/10/00
- BIGGER,
BETTER, BEST: Australia has gone festival-happy, with international
arts festivals proliferating, and this summer's $17 million Sydney
Festival for the Olympics poised to outdo them all. "Every
time a leaf falls they create a festival," declared Tony
Brett-Young, a press spokesman at the Australian Embassy
in London. New
York Times 01/09/00 (one-time
registration required for entry)
- THE
DOME NEVER SETS: The British government's Dome Minister (yes,
we kid you not, there's a Dome Minister) charges that there
is an effort in the media to sabotage the success of the Millennium
Dome. It is, he says, a great popular success among the everyday
people.
BBC 01/09/00
- Nonetheless,
the British Cabinet hasn't seemed to take to it. Here's
a list of cabinet visits.
London Telegraph 01/10/00
- FIRED
UP: How come when there's a parting
of the ways among leadership of a cultural organization, everyone
wants to pretend nothing happened? "If you're looking for
elitism in the arts, you'll find it in the way arts organizations
want to be perceived as a vital part of our everyday lives yet
want to maintain the illusion that they're something separate
from it: separate from politics, from money, from ego, from debate,
from change. If they think they can do that forever, they're kidding
themselves - and us." Boston
Herald 01/07/00
- REBIRTH
OF A CITY: Hard to remember
a decade or so ago when Manhattan
was in distress - jobs fleeing, apartments going un-rented (really???),
industry moving out... Today the Big Apple has transformed itself,
added 80,000 new jobs last year and remade itself in the Information
Age. New York Observer
01/10/00
- NAZI-STOLEN
BOOKS: As World War II was coming to a close, staffers of
the Library of Congress fanned out in Germany scouring Nazi book
collections and picking out volumes for the Washington library
- more than 1 million of them. Now - 55 years later - the US army
captain in charge of the mission says that many of the books taken
had been looted from Jewish homes, libraries or synagogues by
the Nazis, and that these books are sitting unacknowledged on
the shelves of the Library of Congress and other American libraries.
Washington
Post 01/05/00
- SOMBER
AND MOROSE: Is that any way to party for the new millennium?
As international TV coverage of New Year's parties from world
capitals rolled on, Canada's capital was absent. Now complaints
about the New Year's Eve show on Parliament Hill have been pouring
in from people who found the spectacle "pathetic" and
an "embarrassment." "Accustomed to the usual $2-million
Canada Day spectacular, they got a half-price special." Ottawa
Citizen 01/04/00
- BROKE
BERLIN: "For a city of around 3.5
million souls, the sheer volume of cultural life is staggering:
eight symphony orchestras, numerous choirs, chamber orchestras
and three major opera houses, not to mention myriad theatres,
museums, galleries and festival organizations." All of which
makes for a splendid cultural scene. But behind it all, the arts
world is in chaos - it all costs money and Berlin is spectacularly
broke. Toronto Globe
and Mail 01/03/00
- BOSTON
ADVOCATE: Since the city's cultural
commissioner resigned a year ago, the local arts community has
been without an advocate in government. "This is a critical
time for artists,'' says one critic. Major development plans for
the city are being completed without input from artists.
Boston Herald 01/03/00
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