Friday August 31
DMCA
HERE TO STAY, SO FAR: Despite acknowledging concerns from
libraries, politicians, and consumers, the U.S. Copyright Office
has decided to let 1998's Digital Millenium Copyright Act stand
as is. DMCA was the legislation that paved the way for the recording
industry's assault on services like Napster, and led to new forms
of digital and online copyright protection. Wired
08/30/01
Thursday August 30
ABOUT
A CULTURAL FOUNDATION: Earlier this summer the German government
proposed creating a new national foundation of culture. Maybe
it's a good idea, but getting it to happen is about more than
good ideas. It's about power, states' rights and matters of what
art means. Frankfurter Allgemeine
Zeitung 08/30/01
Wednesday August 29
LAUGHINGSTOCK
OF EUROPE: London's South Bank Centre "has put itself
almost beyond redemption. Formed by the Arts Council when Margaret
Thatcher abolished its rightful owner, the Greater London Council,
it has stumbled along for 15 years trying to convert a begrimed
concrete caterpillar into an artistically attractive and financially
efficient butterfly. The site is now on the verge of dereliction,
a laughing-stock among European arts centres. Its functioning
has become so slipshod that agents find it necessary to visit
artists' dressing rooms before rehearsal to ensure there is a
towel in the shower and that the towel has not been used by a
previous occupant." The Telegraph
(UK) 08/29/01
Tuesday August 28
THE
DEFINITIVE CRITIC: Should a critic go back and "correct"
judgments that were "wrong?" "It's not always easy
for the reviewer to remember that he is (or should be) hired because
he supposedly knows enough about his field to exercise informed
and independent judgment. When everyone else is up there in the
rooting section - 'Rah, rah for Toni Morrison!' - it can feel
more than a little weird to be on the other side of the field
giving the Bronx cheer. The pressures to get with the program
- to sacrifice independent judgment and march with the herd -
are exceedingly strong and difficult to resist." Washington
Post 08/27/01
THE
INCREDIBLE SHRINKING FESTIVAL: The Adelaide Festival is Australia's
premiere arts festival. But the Adelaide has had some tough times
in the past year, including an unforeseen deficit from the last
festival. American Peter Sellars is artistic director for next
year's edition, and says he's refocusing the event. But the festival
was recently cut by a third, with Sellars justifying it by saying
"the shorter period suited his integrated program."
Others wonder about the impact of Australia's premiere arts event
shrinking... The Age (Melbourne) 08/28/01
RECORD
EDINBURGH: The Edinburgh Festival, Europe's largest, has just
ended, posting record attendance this year. "A record 256,694
tickets were bought from the Fringe box office, an increase of
31 per cent on last year. Sales amounted to £1,967,863, up just
under £500,00 on 2000." The Scotsman
08/27/01
- VINTAGE
EDINBURGH: Critics love to pick on Edinburgh, with its myriad
quirks and blemishes. But this year is definitely a vintage
edition, writes one critic. The
Times (UK) 08/28/01
FANNING
THE FLAMES OF BURNING MAN: Burning Man, the annual festival
in the Utah desert that many thought symbolized the energy of
the New Economy is underway again. But after a couple years of
prodicgious growth, attendance is expected to be down this year,
as the dotcom downturn cuts a swath through that economy.
San Francisco Chronicle 08/28/01
SO
ISLAMIC LAW FORBIDS THE INTERNET? The Taliban have banned
use of the internet in Afghanistan. "The ministry is duty-bound
to chase the violators of this decree and punish the violator
in accordance to Sharia law. The ministry of communication is
duty-bound to make the use of the Internet impossible." Nando
Times 08/28/01
Monday August 27
DECIDING
THE NEA: The US Congress is on its August recess, and the
budget for the National Endowment for the Arts has not been passed.
But "Congress' attitude toward the NEA appears to be the
friendliest it's been in years, with both houses already approving
budgets for the arts endowment." Backstage
08/24/01
BRITISH
DROP: Fears of foot-and-mouth disease have kept tourists away
from Britain in droves this summer. "The British Tourist
Authority estimates that the drop in foreign holidaymakers will
cost the industry up to £2.5 billion this year. Perhaps surprisingly,
cities are among the worst hit. In London, a destination for almost
half of all visitors from abroad, numbers are down by nearly 14
per cent," including a 10 per cent drop in theatre audiences
in London's West End. New Statesman
08/27/01
WHAT
KIDS THINK: A year ago the Pittsburgh Post-Gazette began running
reviews of movies and music by kids on the newspaper's website.
"I was not shocked to find that teen critics see things from
a different perspective. What surprised me was the innate ability
of some young writers to articulate complex ideas, their independence
and willingness be honest in print and their maturity and dedication
to the project." Pittsburgh Post-Gazette
08/26/01
NOT
SO POPULAR: What's happened to popular culture this summer?
Movies aren't making a mark with audiences. Music and concert
ticket sales are way down. Nothing has grabbed the popular imagination,
and niches rule. Public
Arts 08/24/01
Sunday August 26
MAKING
SENSE OF CHANGE: "The 20th century placed a high premium
on Making Things New - on innovations and shocks and determinedly
eccentric perspectives - and much of that 'newness' has grown
mighty old." This is not to long for a safe conservative
past, but aren't we bored yet by change for the sake of change?
Washington Post 08/26/01
THE
ART OF HAITI: Haiti has endured decades of political instability
and poverty. But the island bursts with art. “All of this triggered
something. There’s art everywhere — the tap-taps, the signs. You
go to a voodoo ceremony, you see it there, you see it everywhere.”
MSNBC (Reuters) 08/25/01
Friday August 24
BUSH
NAMES INTERIM NEA CHAIRMAN: Robert Sydney Martin will take
on the job after William Ivey leaves at the end of September.
"A veteran of the Bush tenure in Texas, Martin was the director
and the librarian of the Texas State Library and Archives Commission
from 1995 to 1999. After that, he was a professor and interim
director of the School of Library and Information Studies at Texas
Woman's University in Denton." Bush's search for a successor
to Ivey continues. Washington
Post 08/23/01
POWER-TRIPPING:
What's the most loathsome job in the world? How about being a
personal assistant to a Hollywood bigwig? "Add to these ugly
and illegal activities a steady diet of screaming (a widely practiced,
perfectly acceptable management technique), credit-theft and blame-delegation,
and you'll understand why I'm less than surprised whenever I hear
the war cries of suddenly insurgent pipsqueaks." The
Guardian (UK) 08/24/01
SUPPORTING
THE ARTS: New York mayor Rudy Giuliani's "decency commission"
has recommended that "museums funded by the city, such as
the Brooklyn Museum and the New York Public Library, should receive
less money and that they should remove signs asking entering visitors
for donations." Here's what the individual commissioners
said... The Art Newspaper 08/24/01
Thursday August 23
BUSH
NAMES INTERIM NEA CHAIRMAN: Robert Sydney Martin will take
on the job after William Ivey leaves at the end of September.
"A veteran of the Bush tenure in Texas, Martin was the director
and the librarian of the Texas State Library and Archives Commission
from 1995 to 1999. After that, he was a professor and interim
director of the School of Library and Information Studies at Texas
Woman's University in Denton." Bush's search for a successor
to Ivey continues. Washington
Post 08/23/01
ARTISTS
QUITTING ISRAEL: International performers worried about the
months of violence in Israel, are canceling out of concert dates.
"Along with the tourists driven away by the months of violence
here, a significant list of top foreign performing artists are
also canceling visits, affecting the Israeli cultural scene."
The New York Times 08/23/01
(one-time registration required for access)
QUESTIONS
OF BEAUTY: There is reported to be a new movement in art which
demands "music with a melody, poetry that rhymes, paintings
and sculpture that look like something, architecture with grace."
What could be wrong with that? "Most obviously, there is
the rather smug consensus among these new traditionalists that
beauty is definable, and that their definition is the right one."
Washington Post 08/23/01
ARTS
CZAR STEPS DOWN: Evan Williams, Sydney's de facto arts Czar,
is retiring. "Williams was the boss of the bosses of the
Art Gallery of NSW, the Australian Museum, the Museum of Applied
Arts and Sciences (the Powerhouse), the NSW State Library, the
Historic Houses Trust, the Sydney Opera House, the State Records
of NSW, and the NSW Film and Television Office." Sydney
Morning Herald 08/23/01
Wednesday August 22
THE
ROAD TO DIVERSITY: A major London arts funder suggests that
cultural diversity will play a role in its future funding plans.
"The consequences can be plainly foretold. Theatre directors
will be pressured in auditions to favour minority actors. A ballet
troupe conducting its end-of-season cull will have to watch ethnic
numbers or risk losing subsidy. Every string quartet will require
a black viola player to conform with population norms, every art
gallery a black madonna." The
Telegraph (UK) 08/22/01
WORLD
HERITAGE IDEAS: The United Nations lists some 700 cultural
treasures around the world as heritage sites. "But why limit
UNESCO's validating embrace to the realm of the physical? What
about manifestations of human genius that may be ubiquitous but
also happen to be intangible?" Like pizza, perhaps? The
Atlantic 09/01
Tuesday August 21
READING
THE CRITIC: So what is the critic supposed to add to an artistic
experience? Martin Bernheimer thinks that "critic-haters,
critic-bashers and critic-baiters have always whimpered about
the eternal quest for objectivity. It's a silly quest, a futile
ideal, an impossible dream." Andante
08/20/01
ANYONE
WITH A WEBSITE... "In 2001, everyone’s a critic, with
his own cute handle or year-end 10 Best list. The web is where
traditional criticism is democratized, where the élite meet defeat
at the hands of the cyber-rabble. You don’t need experience, insight
or a spell- check function (Note to all websters: 'its' is a possessive,
'it’s' is a contraction), just passion and a lot of spare time."
Time 08/27/01
Monday August 20
ARTS
COMPARE TO FOOTBALL? In the UK "about 12.3 million people
went to cultural events ranging from small community events to
carnivals and music festivals last year. The figure is just short
of the 12.5 million who went to Premiership football matches last
season." BBC 08/20/01
REDEFINING
EUROPEAN ARTS FUNDING: All across Europe - even in those places
renowned as cultural hotbeds such as Austria, Germany, Italy and
Russia - state funding of the arts has been declining. Arts companies
have had to go hunting for other sources of funds. The
Economist 08/16/01
LEAVING
LONDON ALIVE: A few years ago London handed over the top jobs
of three of its most important cultural icons - the Royal Opera
House, South Bank and the Tate Modern - to foreigners. "Surely
these high-profile international appointments were exactly the
kind of acknowledgment London needed as the new centre of the
arts world - the capital of Tony Blair's creative Britain? But
now, within two and a half years, all three appointees have unexpectedly
rejected their London roles. What went wrong?" The
Observer (UK) 08/19/01
CULTURAL
COST OF DEMOCRACY: "In the 10 years since the collapse
of the Soviet Union and its ruling Communist Party, Russian culture
has been limping along, surviving such indignities as shrunken
budgets, distressed buildings and the onslaught of Western mass
culture. In the scramble to survive, many cultural institutions
have had to find commercial partners and, as Mr. Rozhdestvensky
argued, dumb down their offerings in order to get audiences. Concert
halls are booked with over-hyped, over-priced rock performers;
imitation Broadway musicals, starring pop stars, play to sellout
crowds. Film studios that once turned out prize-winning movies
now churn out video clips and television cop shows." But
is it all bad news? The New York Times
08/20/01 (one-time registration
required for access)
Sunday August 19
HOW
TO END: "While great endings have always been the exception,
not the rule, they seem on the verge of extinction in today's
pop-culture marketplace. That's because great endings require
a lot of things that aren't fashionable in this age of flash and
spectacle. They're the culmination of ideas and emotions, of things
that take time and energy, skill and inspiration to create. In
other words, there are no shortcuts." Dallas
Morning News 08/19/01
Thursday August 16
I
WANNA SEE MICKEY. IN COURT: The owners of the commercial rights
to Winnie
the Pooh (acquired in 1926) are suing Walt Disney for $35
million. That's how much they
say Disney has short-changed them on sales of computer software,
VCRs, and DVDs. Disney says the original agreement did not cover
those materials. International
Herald Tribune 08/16/01
Tuesday August 14
ALL-ME
ON DEMAND: Is technology making us narrow? "As a result
of the Internet and other technological developments, many people
are increasingly engaged in a process of 'personalization' that
limits their exposure to topics and points of view of their own
choosing. They filter in, and they also filter out, with unprecedented
powers of precision." Boston
Review 08/01
EMBRACING
THE UGLY: "Ugliness is in the air, on the air, on the
screen, trudging down the street, the runway, corroding advertising,
art, design, music. It's the anti-aesthetic aesthetic. What is
causing this ethos of awful? Those old bugaboos: boredom, a jaded
consumer culture, and an overwhelming paucity of fresh ideas."
Philadelphia Inquirer 08/14/01
Monday August 13
RICH
GET RICHER: "Of nearly 950 arts and cultural groups in
the Bay Area, just eight accounted for half the private contributions
and government grants reported on tax returns filed in 1999, according
to a Chronicle analysis of tax data compiled by the National Center
for Charitable Statistics." San
Francisco Chronicle 08/12/01
WHAT
IS BEAUTIFUL? Everywhere there is a return to beauty - good-looking
architecture, nice-sounding music, paintings that don't seek to
assault you. So what exactly is beauty? A learned appreciation,
or something more scientifically based? Prospect
08/01
Sunday August 12
THE
YEAR OF LIVING DANGEROUSLY: The "Year of the Artist"
just came to an end in the UK. Never heard of it? Hmnnn. A project
of numerous arts boards and the Arts Council, it cost millions
of pounds and "its premise was to increase support for individual
artists, which meant sending out a lot of expensive blue-and-green
press releases, flinging some cash around and encouraging companies
to employ jugglers to keep the staff amused." Sunday
Times (UK) 08/12/01
OF
GLOBAL HOMOGENEITY: "Of all cities today, Vienna may
offer the best vantage point for observing the impact of cultural
tourism on the older urban centers. The city is now barely a husk
of the world capital it was a century ago, when its artists and
intellectuals and its polyglot population made Vienna the supreme
embodiment of cosmopolitanism in modern times. But that historic
backdrop makes a perfect contrast to the tourist culture of today."
The New York Times 08/12/01 (one-time
registration required for access)
Friday August 10
DAMAGE
CONTROL: As the Adelaide Festival's board scrambles on damage
control after a deficit was revealed and the festival's executive
director and nine senior staff departed, artistic director Peter
Sellars depicts a different next edition of the festival than
the board is. Sydney Morning Herald
08/10/01
Thursday August 9
THE
COST OF FREEBIES: It's opening night - a scene of the hip,
the famous, and the free. Arts organizations give away thousands
of dollars worth of free tickets to encourage high-profile people
to come. After-performance parties can be lavish. Just what do
the arts groups get out of such freebies? The
Age (Melbourne) 08/09/01
ANGRY
INVESTORS: Two hundred Australian investors in theatre, film
and entertainment pojects are taking the promoters of those projects
to court after the gobernment ruled that investing in the projects
was a tax ruse designed to avoid taxes. Sydney
Morning Herald 08/09/01
KENNEDY
CENTER UNDER THE KNIFE: Washington's Kennedy Center will be
a construction zone for the next few years, as the 30-year-old
facility gets a long overdue major overhaul. The first stage,
which gets under way this coming Monday, will be a complete re-routing
of traffic in and around the center, and creation of additional
parking space. Washington Post
09/09/01
GETTING
BACK ON ARTS EDUCATION: "Since the 1970s, the arts have
dwindled nationwide because of lack of resources. Some art teachers,
unable to find employment, pursued other careers. But in the last
decade, study after study has linked arts education to improved
problem-solving skills and increased self-confidence. Administrators
around the country started to retool their curricula accordingly."
Los Angeles Times 08/09/01
Tuesday August 7
NEW
SUPPORT FOR ARTISTS: The Australian government proposes new
taxes on entertainment products to benefit less commercially viable
artists. The government also proposes enacting a resale royalty
for artists and extending copyright on artwork from 50 to 70 years
after the creator's death. Sydney
Morning Herald 08/07/01
ADELAIDE
TURMOIL: The Adelaide Festival is in disarray after its chief
executive and several senior managers resigned. Last month it
was revealed that the festival's managers had considered dumping
artistic director Peter Sellars' programming after the most recent
festival lost $1.2 million. Sydney
Morning Herald 08/07/01
BRIDGING
THE GAP: Art and science would appear to require totally different
mindsets, the one being fairly abstract and subjective, and the
other being concrete and fairly absolute. "But now, more
than 500 years after da Vinci combined artistic and scientific
thought in a creative relationship, a group of Canadian academics,
artists and scientists are saying it's time to follow his example.
They want to encourage Canadian da Vincis to spread their wings
by tearing down the artificial boundaries that separate science
and art." The Globe & Mail
(Toronto) 08/07/01
THE
VIRTUE OF GOOD: If you have no outstanding talent, is it worth
trying to be very good at something? "Philosophers, over
the past couple of thousand years, have offered two reasons for
aiming at the heights of moral goodness: to improve the world
and to perfect one's self. These reasons do not sit together very
well." The New Yorker 08/13/01
Sunday August 5
MEET
ME AT THE DEUTSCHE-TELEKOM GATE: "Can you imagine London
allowing Big Ben to serve as an advertising billboard? Or Paris
renting out promotional space on the Eiffel Tower? Well, that
is more or less what cash-strapped Berlin has been forced to do
with the legendary Brandenburg Gate. In what many regard as a
blow to civic pride, the majestic archway is now draped with a
shroud bearing the pink "T" logo of Deutsche Telekom, which is
paying for restoration work the German capital cannot afford."
National Post (Canada) 08/04/01
NEW
FRONTIERS, OR JUST BAD ART? As cities around the world kick
off their respective "fringe festivals," the continued
rise of the "Do-It-Yourself" art movement bears some
closer inspection. "Is this the golden age for creativity,
or just a time when you can't tell good art from bad?"
St. Paul Pioneer Press 08/05/01
TRYING
TO END-RUN THOSE BLOODY AMERICANS: "The British Museum
has launched a fundraising drive to keep an ancient marble sculpture
of a dog in the UK. The 2nd century Roman statue, The Dog of Alcibiades,
has been put up for sale by its British owner and the Museum of
Fine Arts in Houston, Texas, has shown an interest in buying it.
. . Now the British Museum is attempting to raise the £662,000
asking price by the sale deadline." BBC
08/03/01
Friday August 3
WHAT
ARE WE SPENDING? How is public money being spent on the arts
in the UK? A new report claims that "there has been a consistent
failure to establish dependable data on subsidies, accompanied
by a serious lack of analysis, which impairs both decision making
and policy outcomes. 'How can we know if we’re getting value for
money if the official bodies don't even know where all the money
is going, where it comes from, or how it is spent'?” The
Art Newspaper 07/28/01
ON
THE FRINGES: The Edinburgh Fringe Festival is getting underway
- 666 groups from 49 different countries are performing 1,462
shows. Ticket sales are up £200,000 over last year (as people
avoid the countryside and hoof-and-mouth disease). But some involved
in the festival are angry that while the Fringe is "such
a powerful public event, it really gets next to no public support
either in the city or from places like the Arts Council."
BBC 08/03/01
Thursday August 2
NUMBING
DOWN: "Doesn't anyone ever get scandalized by art any
more? We live in tolerant times, but we also live in numb ones.
It takes a lot more than simulated sex or a bit of nudity to bring
out the pickets. Publicists are always trying to tell the world
their upcoming project is 'controversial,' but mainly it's wishful
thinking." The Globe & Mail
(Canada) 08/02/01
UPPING
THE CORPORATE FACTOR: Australian businesses sponsor sports
to the tune of $282 million a year; but arts sponsorships amount
to only $29.2 million. One organization is trying to help the
arts catch up. Sydney Morning Herald
08/02/01
Wednesday August 1
GETTING
ON THE FRONT PAGE: The recent record-setting auction of a
sketch by Leonardo made front-page headlines all over the world.
But the stories didn't seem to be much about anything to do with
art. "Good art is difficult, slippery stuff, hard to get
a handle on for even the most expert. That's why we love an occasion
when we can substitute talk about something we're all at home
with -- like buying and selling, or an artist's life and times,
for that matter -- for real art talk. We believe that important
art is the kind of thing we ought to read about in our high-class
morning papers. But it can only make the news when it gets pulled
out of the bog of aesthetics, into the good, crisp world of business,
politics, sex or scandal." The
Globe & Mail (Toronto) 08/01/01
PROTESTING
NEW COPYRIGHT RULES: Artists have joined computer programmers
in protesting the arrest of a computer programmer who wrote a
program cracking e-copy protections in Adobe software. Protesters
say fair use provisions should allow copying of digital material
without payment to copyright holders. CNet
(Reuters) 07/31/01
PRICE-FIXING
AND THE THREE TENORS: "Warner Communications Inc., a
leading music distributor, will halt a promotion policy that the
Federal Trade Commission alleged involved fixing prices for recordings
of the opera stars, The Three Tenors." Nando
Times (AP) 08/01/01
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