October
02 September
02 August
02 July
02 June
02 May
02 April
02 March
02 February
02 January
02 December
01
November 01 October
01
September 2001 August
01 July
01 June
01 May
01 April
01 March
01 February
01 January
01 December
00
November 00 October
00 September
00 August
00 July
00 June
00 May
00
April 00
Mar
00
Feb 00
Jan 00 Dec
99 Nov
99 Oct
99 Sept
99
|
|
Friday June 30
- MUSIC
BLOCKADE:
A young Cuban band was supposed to
play in the Montreal and Toronto Jazz Festivals this week. But
when the Halifax musician who organized the tour tried to wire
money for plane tickets to Havana, the bank accidentally sent
the funds through its New York office, where the money was seized.
"American law demands any funds going to Cuba must be held
by the Office of Foreign Assets. The bank tried to correct the
error, but it was too late to pay for the airline tickets."
CBC 06/30/00
Thursday June 29
- LOOK
AT ME:
Maybe we're too sophisticated
or jaded or cynical to appreciate them in this world of hyper-media.
But the good old-fashioned publicity stunt, designed to bring
out an audience and tilt credibility, is an honest-to-God artform.
London Evening Standard 06/29/00
- POINTEDLY
CRITICAL: The chairman of the Arts Council of England
says there's a crisis in British theatre. "British
theatre is living in the past and is failing to attract young
people," he says, and called on the government to pour an
extra £100 million into the arts to help solve some of the problems.
The
Independent 06/28/00
- THE
30-HOUR DAY: A new study says that through multi-tasking,
Americans have essentially created the 30-hour day. "According
to the study, this group of multi-taskers spends most of its leisure
time with media and entertainment, or about 4.7 hours a day. But
factor in simultaneous activity and it's jacked up to 7.6 hours
- that is, for instance, for 2.9 of those 4.7 actual hours, the
average American simultaneously reads magazines and watches TV,
or listens to CDs and sends e-mail." Inside.com
06/29/00
- BETTING
YOUR LIFE ON DESIGN:
Almost 500 years after Leonardo
da Vinci first put the concept down on paper, a British daredevil
tests Leonardo's parachute - and to the surprise of skeptics,
floats "almost one and a half miles down from a hot air balloon.
Ignoring warnings that it would never work, he built the 187lb
contraption of wooden poles, canvas and ropes from a simple sketch
that Da Vinci had scribbled in a notebook in 1485."
The Guardian
06/28/00
- FEARS
OF CULTURAL INVASION: A recent
decision by the Korean government to open its door to Japanese
culture have put the "local industries concerned on alert."
The biggest causes for alarm appear to be pop music, software
games, television...and "Japanimations" - several
of which already have "cult" followings in Korea. Korea
Times 06/29/00
- PHANTOM
LEARNING:
"Virtual" education
seems like such a good idea. But what about the quality of the
learning. "Many 'virtual universities' are little more
than degree mills making millions of dollars selling dubious qualifications
to the gullible." Sydney
Morning Herald 06/29/00
- KOREA
GOES CORPORATE: Korean businessmen
are learning a new word in French: "mecenat" -
meaning "the patronage of culture and the arts." In
an attempt to improve their corporate image and give support to
the arts, private corporations have increased their donations
by 50% since 1998. Korea Herald
06/29/00
Wednesday June 28
- CRITIC
IN THE HOT SEAT: As actors increasingly lash our at critics
after receiving negative reviews (Donald Sutherland and Kelsey
Grammer, most recently), the role of the critic - and arts journalism
in general - is being widely debated. Should a critic be a neutral
mediator of experience? Or a subjective arbiter of taste? “The
critic is not a straw-poll merchant, a tipster or a second-guesser
of audience taste, simply an individual paid to record his or
her reaction. Throughout history this has been a source of creative
tension between artists and critics.” The
Guardian 06/28/00
- THEY
ARE IN THE NAME AFTER ALL:
The Library of Congress
has been expanding its services to the public. That has some in
the US Congress wondering if the Congress is being slighted. Congressional
testimony Tuesday takes an unexpected turn to focus on where the
library's allegiances are - to the legislators or the public?
For every $1 of federal funds allotted for digital expansion and
new programs, the library raises $3 of private funds. But, "if
push ever comes to shove, the library will honor its commitment
to Congress." Washington
Post 06/28/00
- PRINTING
TICKETS AT HOME: A Carolina startup is offering customers
the ability to buy their concert tickets online and print them
at home. "The company provides its software for free to venues,
allowing businesses to sell tickets online. Consumers are then
able to immediately print their tickets after the purchase using
any standard printer. Each ticket comes with its own 2D barcode."
Wired
06/28/00
- VOID
AT THE TOP: Boston's mayor Thomas Menino has announced big
arts initiatives. But after 18 months, he still hasn't appointed
someone to head up his cultural department. "It's an
absolute disgrace that that position has not been filled. The
fact that there isn't a strong (arts) leader you can go to and
work with (in City Hall) is an outrage. The city is floundering
around without the kind of arts leadership other cities have."
Boston
Herald 06/28/00
Tuesday June 27
- ENDANGERED
SPECIES: The National Trust for Historic Preservation releases
a list of 11 places it calls "most endangered, including
the summer home in Washington where Abraham Lincoln drafted the
Emancipation Proclamation. 'We either save them now or we lose
them forever.' " CNN 06/26/00
- MEXICAN
ART TAKES HIT: Last month the Museo de Monterrey - one of
Mexico's leading art museums - closed when the industrial group
FEMSA announced that it was pulling its support. The consensus
in Mexico is that a new generation of corporate leaders is abandoning
its predecessors' commitment to arts and cultural institutions."
San Antonio Express-News 06/26/00
- NOW
THAT IT'S COSTING US MONEY... Piracy
of intellectual property has been big business in the former republics
of the Soviet Union, and frankly, government hasn't done much
to curb it. But local governments are beginning to take the issue
more seriously, and the reasons are simple: lost sales and jobs,
police raids and expensive legal disputes over famous patents
and trademarks, as well as uncollected taxes, excises and customs
duties. Conservative estimates place losses to businesses and
governments in the Baltic states, Russia and other countries in
the Commonwealth of Independent States at billions of dollars
this year. Moscow Times 06/27/00
- YOU
DESERVE A BREAK TODAY: Australian artists have been fighting
to make sure their ability to make vital tax deductions isn't
taken away by the government. Now, thanks to the Australian
Senate, painters/actors/waiters/taxi drivers/ earning less
than $40,000 (Australian) will be able to claim deductions for
off-course income. The
Age 06/27/00
Monday June 26
- A
MATTER OF LIVELIHOOD: The Australian senate debates new business
taxes that will have far-reaching implications for artists. "It
will be the difference between having a lively and energetic arts
sector and having one that is struggling on its knees."
The Age
(Melbourne) 06/26/00
- THE
YEAR MICHAEL JACKSON HAD SEX: And other top arts stories -
new Columbia University study reveals how television reports the
arts.
Boston Herald 06/26/00
- ARTISTS
IN A GLOBAL AGE: Peter
Sellars takes on the directorship of Australia's Adelaide Festival
and rails against globalism. "Sellars said it was an obscenity
to call the arts community an industry. He questioned whether
some artists did things only for show, suggesting unheralded actions
were more important." The
Age (Melbourne) 06/26/00
- AFTER
ALL THAT FUSS about rating TV shows for violence and content,
new studies show that parents aren't using the ratings. "Two
in five parents have a V-chip or other form of technology to block
out objectionable programming, one study found, and half of those
with the devices use them. But the researchers found that awareness
of the age and content ratings put on shows, such as TV-G (suitable
for all ages), to be used in conjunction with the V-chips, has
dropped from 70% in 1997 to just 50% this year. Furthermore, nine
out of 10 parents couldn't accurately identify the age ratings
for a sample of shows their children watched." Los
Angeles Times 06/26/00
Sunday June 25
- THE
"IT" CITY: London is the place to be these days.
Great food (imagine!) smart theatre, interesting music, and hip
artists and art. There's something new in the air and the the
whole idea of what London is has changed in less than a generation.
New York
Times 06/25/00
(one-time
registration required for entry)
Friday June 23
- THE
ARTS ON TV: A new report released
last week by the National Arts Journalism Program at Columbia
University measured arts coverage on American television networks
- on ABC, CBS and NBC - during the decade of the 1990s. Not surprisingly,
there wasn't much. "According to the findings, on an average
day, viewers receive 30 seconds of information on the arts. That's
3 percent of the weekday news agenda. Annual arts coverage on
all three networks dropped from about 500 minutes in 1990 to 300
minutes in 1999." Houston
Chronicle 06/21/00
- CLAP
WITH ME: Why is it that audiences at the end of a performance
they like often end up synchronizing their clapping? "According
to Steven Strogatz, a mathematician at Cornell University who
has studied synchronization for 20 years, the same set of mathematical
principles governs the phenomenon wherever it occurs - be it among
applauding people, flashing fireflies, or roomfuls of grandfather
clocks." Discover
Magazine 06/00
- SECOND
CHANCES:
Last week at the last minute,
the US House of Representatives voted down a $15 million increase
to the National Endowment for the Arts budget. This week the US
Senate Appropriations Committee votes a $7 million increase. Will
it pass? "While I anticipate a spirited dialogue, I have
every confidence that the Senate will prevail in its strong support
for the agency," NEA Chairman Bill Ivey said.
Washington
Post 06/23/00
- DRUIDS,
REVELERS AND DRUM-BEATERS: Why
it must be summer solstice and a party at Stonehenge. Actually,
since 1984, the partiers have been kept away from the site. But
this year the gates were thrown open and about 6000 showed up
to celebrate. "It was most definitely a success. We were
delighted at the large turnout and we will consider more managed
open access in the future". The
Times of India (Reuters) 06/23/00
- ART:
HOMEGROWN IN AUSTRALIA: Australians wants to encourage
cross-cultural exchange, just like the rest of us, but can't help
but wondering if they're winning our losing by bringing widely
popular international acts into the country - and exporting some
of their prize performers to the outside world. Showing excitement
over Cirque du Soleil is just fine...as long you are equally thrilled
about Australia's Circus Oz. The
Age 06/23/00
- POOH
ON YOU: Disney has lost a round in its fight to hold on to
royalties for the Winnie the Pooh characters. A Los Angeles superior
court judge has ruled that Disney willfully destroyed documents
to prevent them from being admitted as evidence in court.
CBC 06/23/00
Thursday June 22
- WHAT
BECOMES A GREAT CITY? "The world's vibrant cultural cities
have an intangible something else: the capacity to surprise, an
impatience with habit and reverence." They are places where
the culture is in dialogue with itself, where creativity is encouraged
ahead of pro forma rules.
Toronto
Globe and Mail 06/22/00
- "MYTHS
DIE HARD": When Toronto, the commercial city, wants
to affirm its cultural identity, it turns to Montreal, asking:
"So, artist, what's your secret?" From where I stand,
the situation seems a little ironic. A Toronto adrift is bad
for Toronto, period. Great cities, like artists, are laws
unto themselves. It is not their role to behave like a nation's
shop window. Toronto
Globe and Mail 06/22/00
- GIVING
BEAUTY A BAD NAME: So
what is beauty? "We have so many reasons for being suspicious
of beauty. Beauty is elitist, divisive, it implies other things
are ugly. Beauty in modern thought is tied to a notion of 'correct'
aesthetic judgment whose founding text, Kant's 'Critique of Judgment,'
argued that the only true taste is one that is unaffected by the
pressures of real life and hence free to recognise the beautiful.
This may have been a good career guide for the ambitious cultural
functionary in 18th-century Germany, but doesn't seem to have
much relevance for us now."
The Guardian
06/22/00
- DEFINING
AUDIENCES: What is it that gets people interested in the arts?
What makes them want to participate or attend arts events? A new
Australian study goes in search of the answers. Hey - just how
do you define what the arts are, anyway? Australians, it seems,
are ready to provide the answers. Sydney Morning Herald
06/22/00
- NEW
$30 MILLION ARTS COMPLEX OPENS: The glittering new 42nd Street
Studios opens in New York. The complex includes 14 rehearsal studios,
administrative and offices spaces, and a fully-equipped black
box space called "The Duke on 42nd Street." Theatre.com
06/21/00
Wednesday June 21
- MORE
THAN 500 ANGRY ARTISTS,
protesting Australia’s proposed new tax structure (currently before
parliament) rallied outside Sydney’s Parliament House Tuesday.
The proposed legislation would limit artists' tax deductions,
thereby making it much harder for most to earn a living wage.
"The tragedy is that
artists, who make a vital contribution to Australia's quality
of life, are struggling on meagre incomes. We know that their
practices will be hit disproportionately hard by the GST."
Sydney
Morning Herald 06/21/00
- BACK
FROM THE DEAD: Twenty years ago, when Pittsburgh's steel industry
shut down, the city looked bleak. But 16 years ago the city turned
over part of its decayed downtown to the newly created Pittsburgh
Cultural Trust with the charge of using culture as a magnet to
bring the downtown back to life. The trust has spent $65-million
of public money and attracted $112-million in private funds, as
well as inspiring $650-million of commercial investment. Oh yes,
the city's center is thriving.
Toronto
Globe and Mail 06/21/00
- TRANSPLANTING
ARTISTS: A typical scenario: Artists move into a derelict
section of town because it's cheap. They fix it up, the area becomes
cool and rents skyrocket as those with money move in to soak up
the atmosphere. "In a number of U.S. cities, they are actually
now implanting artists (much the way greenery is replanted on
polluted soil), knowing that a funky demimonde will attract business
even to disaster areas. To keep the artists there, they have evolved
non-profit holding companies on 15- to 30-year horizons."
Toronto
Globe and Mail 06/21/00
- TURNAROUND
ARTIST: Michael Kaiser, the American who has been called "the
turnaround specialist of the classical world" may be leaving
his job running the Royal Opera House in London. He's being prominently
mentioned as a candidate to take over Washington DC's Kennedy
Center. He is largely credited with saving American Ballet Theatre,
the Alvin Ailey American Dance Theater and the State Ballet of
Missouri from financial collapse. Washington
Post 06/21/00
- CAN
YOU PATENT A
LINK? British Telecom has asserted a claim that it holds a
patent on hyperlinks, the very backbone of the Web, and is now
soliciting U.S. ISPs for licensing fees. "Anyone successfully
claiming a patent on such fundamental technology, both the primitive
hypertext facilities available today on the Web, and the much
more sophisticated and useful ones being designed into xpointer
and xlink by W3C, could hold the world to ransom," says computer
science professor (and coiner of the term “hyperlink”) Andries
van Dam. Salon
06/21/00
- LAWYERS
- TOO DULL TO LAUGH: David Letterman's "The Late Show"
apparently has an informal ban on lawyers in the audience. "Apparently,
the lawyers didn’t yuk it up enough. Sources at a handful of New
York law firms told NYTV that the "Late Show" has unofficially
ceased its practice of handing out blocks of tickets to law firms.
Their suspicion? Them lawyers are just too damn dull." New
York Observer 06/21/00
Tuesday June 20
- THE
CORPORATE GRAIL:
Time was when American artists
looked longingly at government funding for the arts in Canada,
which was traditionally higher than in the US. Now government
support for the arts has slipped in both countries and Canada,
which never established as extensive a tradition of corporate
and individual support for the arts, is wondering how to do that.
Toronto
Globe and Mail 06/20/00
- A
NEW ARTS PRIZE:
Amid the current buzz over the Turner Prize shortlist’s inclusion
of three artists who aren’t British, a new European arts prize
- the Vincent - is being launched by Holland’s Bonnefanten Museum
to honor a European artist, regardless of country of origin. "In
a world of global culture, individual countries no longer set
the standards," writes the Bonnefanten's director, "and
although there is no other continent that demonstrates so many
views and self-inflicted differences, the Vincent is not designed
to celebrate Europe's pre-eminent status, but rather to celebrate
diversity." The winner will be announced in September. The
Guardian 06/20/00
Monday June 19
- THEY
USED TO CALL IT NEW YORK OF THE NORTH: Toronto is Canada's
flagship city. But the flagship is sinking. The symphony orchestra
is deeply in debt, the museums are floundering, the opera company
is too conservative for its own good, and the theatre scene is
ill. There's even a move to tear down the city's largest performing
arts center. People don't go downtown any more, and the reasons
are easy to see.
Toronto
Globe and Mail 06/19/00
- WHAT'S
THE 411? Everyone talks about the overload of information,
the swamp of media overload we find ourselves in the middle of
as we enter the 21st Century. "I would like to dispute this
view, to argue that every age was an age of information, each
in its own way, and that communication systems have always shaped
events." New
York Review of Books 06/29/00
Sunday June 18
- BEHIND
THE TIMES: In Dallas, an arts fundraising organization that
once raised $750,000 a year for the arts, and has given out $12
million in 35 years, comes up dry. Why? The biggest clue comes
in the third paragraph of this story: "We went into this
year with the same fund-raising plan that we had in 1986,"
says board president Bill Semper. "This year the events stopped
working."
Dallas Morning News 06/18/00
Saturday June 17
- HOW
THE NEA LOST AN INCREASE: National Endowment for the Arts
chief Bill Ivey is still scratching his head trying to figure
out how the NEA lost out on a $15 million funding increase that
looked like it would pass last week. Washington
Post 06/17/00
Friday June 16
- BETTER
LIVING THROUGH BOWLING: "Bob Putnam, a government professor
at Harvard University, writes about bowling in the way Rachel
Carson wrote about spring in "Silent Spring" or Ralph
Nader wrote about cars in "Unsafe at Any Speed." For
Putnam, the dwindling percentage of Americans who bowl in a league
is the perfect metaphor for the sharp decline of civic involvement.
Washington
Post 06/16/00
- FOLLOW
THE LEADER: As North and South Korean relations continue to
thaw, will artists in the two countries actually begin to enjoy
artistic freedom for cross-cultural collaborations? The outlook
is good, given that North Korean leader Kim Jong-il is surprisingly
committed to the performing arts and film. “The 58-year-old leader
possesses particular interest and expertise in movies and stresses
their importance in public more often than other fields. Film
is recognized as one of the highest forms of art in North Korea
as it is believed to encompass all other areas of arts following
the leader's conviction.” The
Korea Herald 06/16/00
(Part III of IV)
- CLOSE,
BUT NO… After a preliminary victory for arts supporters, Republicans
in Congress used an 11th-hour maneuver Thursday to block a spending
bill that would have added $15 million to the National Endowment
for the Arts budget - the first NEA increase approved by the House
since 1992. GOP leaders defeated the bill by crafting an amendment
that diverted the additional money to Indian health services.
New
Jersey Online 06/16/00
Thursday June 15
- THE
POLITICS OF PLUNDER: A new book wades into the politics of
collecting indigenous artifacts. "Using the recent controversy
over "Kennewick Man"–the 9,500-year-old skeleton from
the Columbia River that some anthropologists have incautiously
described as "Caucasoid"–as allegory for 200 years of
scientific aggression against indigenous identity, he argues that
contemporary Indian intransigence about history has been largely
shaped by the hubris and ghoulish exploits of the great men of
science whose statues adorn our museums."
New York
Observer 06/14/00
- OPENING
THE CULTURAL FLOODGATE: Now that the leaders of North Korea
and South Korean are talking to each other, there is a whole spectrum
of possibility for cross-border cultural exchange. The
Korea Herald 06/14/00 (Part
I of IV)
- ART
AS COMMUNIST PROPAGANDA: Even though the cultural climate
in North Korea has become less politicized in the last few
years, "arts and culture are subordinated to political
and economic aims and considered to be a tool for facilitating
a Communist revolution." Now, state-run broadcasters
become a bit more lax: they have allowed television programs
with once-prohibited scenes of men and women holding hands
in a public park. The
Korea Herald 06/15/00 (Part
II of IV)
Wednesday June 14
- A
PLACE OF THEIR OWN:
Like anywhere,
New York has a shortage of rehearsal space. So the raves are pouring
in for a new $29.6 million rehearsal center on 42nd Street that
hasn't even opened yet. "It's the first building built specifically
for a range of art forms, and for both nonprofit and commercial
uses."
New
York Times 06/14/00
(one-time
registration required for entry)
Tuesday June 13
- THE
REAL POST-MODERNISM?
Is post-modern fiction
a fiction itself? After all, it is a "form of writing that
defeats readers' expectations of coherence, as experimental narrative
that plays with generic conventions, as fiction that dwells on
ambiguity and uncertainty." Who's to know what the right
answer is?
National
Post (Canada) 06/13/00
- RADIO
RIGHTS:
New Zealand's Maori
tribes are trying to stop an upcoming government auction of the
radio spectrum. "The Maori argued that ownership of the spectrum
was their right as granted under the Treaty of Waitangi, New Zealand's
founding document. The Treaty, signed in 1840 by Maori and the
British government, promises to protect taonga, the Maori term
for resources considered valuable by New Zealand's indigenous
people. At the time of the Treaty signing, such resources included
land, forests and fisheries. Maori believe the concept of taonga
also extends to radio spectrum."
Wired
06/13/00
Monday June 12
- WHEN
MICKEY SNUBBED WINNIE: Newly discovered documents show that
during World War II, Winston Churchill secretly asked Walt Disney
to make an anti-Nazi cartoon based on St. George and the dragon.
"Noël Coward and officials from the Ministry of Information
went to America to try to persuade Disney to help with Britain's
propaganda campaign. Their requests, however, were ignored by
Disney who was determined to keep America out of the war and was
anxious to protect the international market for his films."
The Telegraph
(London) 06/11/00
- TO
PAINT OR NOT TO PAINT... "Why dwell on artists anyway?
What makes them so special compared to 'ordinary' humans? My considered
view is that there is no essential difference, as the human condition
is innately artistic. Everyone is potentially an artist: all it
takes to become one is the self-realisation that that's what you
already are. It is not what you do that makes you an artist, but
your awareness of something within that constitutes an artistic
or aesthetic dimension." *spark-online
06/00
- LEARNING
FROM POPULAR CULTURE:
Literature demands careful
study while entertainment exists solely for our pleasure. "But
that distinction has more to do with context than with any inherent
quality of the stories." In dismissing entertainment as beneath
the versions we find in literary anthologies, "we lose sight
of popular culture as a potentially powerful teaching tool."
Chronicle
of Higher Education 06/16/00
Sunday June 11
- DRIVING
FOR THE ARTS:
California's arts license
plates have become the most popular special plates in the state.
Revenue from the plates goes to support arts organizations.
Orange
County Register 06/11/00
- LOSING
FAITH:
Jane Alexander began her
term as head of the National Endowment for the Arts with optimism.
Her new book shows that by the time she left the NEA, her "health,
idealism and forbearance all suffered. She gripes about flying
coach. She complains that the government won’t pay to move her
back to New York. 'The system is so corrupt that it may never
be fixed,' she concludes, sweepingly."
Cleveland
Plain Dealer 06/11/00
Friday June 9
- SAVING
FACE: The Chinese government has protested the showing
of "Inside Out: New Chinese Art" in Australia, saying
the exhibition could damage their "international standing."
A disclaimer note above the entrance to the exhibit reads: "The
National Gallery of Australia wishes to advise that this performance
contains nudity, live animals and Chinese firecrackers."
What on earth are they worried about? South
China Morning Post 06/08/00
- BLACK
AND WHITE MEMORY: Due to
the political climate of North Korea in the 1950's, there is very
little art or recorded literature to help Koreans remember that
period of history. A newly discovered photographic collection
is helping people fill in the blanks. The
Korean Times 06/08/00
- QUAKE-PROOF:
San Francisco's de Young
Museum was damaged in the 1989 earthquake. Plans are well along
to rebuild. But "if local community activists have their
way, the design for the ambitious $135 million project will soon
be subjected to a process that many observers believe could doom
it. And although the proposed building, by acclaimed Swiss architects
Herzog & de Meuron Architekten AG, has been hailed by those
culturally-in-the-know as a masterpiece of contemporary Modernism,
it has come in for some blistering criticism from an unexpected
quarter: other architects."
Metropolis
06/00
Thursday June 8
- BEWARE
THE PIRATES:
Disney's Michael Eisner
tells the US Congress that copyright piracy damages more than
the entertainment industry's bottom line. It also "puts the
U.S. Constitution and the nation's balance of trade at risk as
well."
Variety 06/08/00
Wednesday June 7
- DEEP
POCKETS: James V. Kimsey, the billionaire cofounder of America
Online and a D.C. native, gives $10 million to the Kennedy Center
for the Performing Arts to establish an endowment. New
York Times 06/07/00 (one-time
registration required for entry)
- SPOLETO
OVERCOMES ADVERSITY: A year of organizational woes for Spoleto,
what with the tourism boycott and a key injury to one of the artists.
But this year's edition is "artistically potent" in
one critic's estimation.
Pittsburgh
Post-Gazette 06/07/00
Tuesday June 6
- MAKING
THE WORLD SAFE FOR ARTS FUNDING:
As do most ex-chairpeople
of the National Endowment for the Arts, Jane Alexander has written
a book about her experience running the American public arts funder.
"From her coy pose on the cover, to the last desperate Shakespeare
quotation, Jane Alexander has...produced a stunning argument for
saving trees. This account of her tenure as chairman of the National
Endowment for the Arts from 1993 to 1997, unfortunately reads
like a high school student's account of a summer abroad. The
Idler 06/06/00
- THE
"F" WORD: Artists at the Spoleto Festival address
the issue of flying the Confederate flag on state buildings in
South Carolina. The festival has felt a tourism boycott over the
issue. Cleveland
Plain Dealer 06/06/00
- GST
JITTERS: Sydney’s cultural institutions are bracing themselves
for a projected drop in attendance when Australia’s GST (Goods
and Services Tax) goes into effect July 1st. The Sydney
Theatre Company and Symphony Orchestra plan to raise ticket prices
10 percent and fear the new tax will have the same adverse impact
on sales that Britain’s VAT did when introduced in the 1970s.
Sydney
Morning Herald 06/06/00
- EAST
AFRICAN ART FOR 200: What Ugandan city is the birthplace
East Africa's modern art movement? To what neighboring city did
Ugandan artists flee during the political unrest of the 1970's?
What year was the first academy established for the study of modern
art? Check your answers here. Legacy
(Africa) 06/00
Monday June 5
- PHOTOGRAPHER
WINS: A day after the Supreme Court declined to stop them,
150 people posed nude under New York's Williamsburg Bridge for
a photographer.
ABCNews.com
06/04/00
Sunday June 4
- MUSEUMS
GRAPPLE WITH FUNDING ETHICS: Ever since last year's revelations
about funding for the Brooklyn Museum's "Sensation"
show, museums have been thinking hard about how they fund exhibitions.
Last week, New York's Metropolitan Museum canceled a show of Coco
Chanel's work. "I need to be able to assure people that what
they see on the walls is not inflected by the money we receive
to do an exhibition," Met director Philippe de Montebello
told The New York Times. "And if I can't make that assurance,
I'm not doing it." New
Jersey Online 06/03/00
Friday June 2
- AN
ANTI-ART TAX:
A proposed new tax law
in Australia would penalize artists by not allowing them to claim
their art expenses against income. But a campaign is mounting
to make sure the measure doesn't become law. The
Age (Melbourne) 06/02/00
- "I'M
AN ARTIST AND THE MEDIA IS MY CANVAS": Joey Skaggs has
"spent his whole career hoodwinking journalists and proving
that they shouldn't believe a word anyone says without doing a
thorough background check. 'I have never been busted,' he says,
sighing. 'That is the sad truth.' ''
Boston
Globe 06/02/00
- "CLASSIC
MUMBO-JUMBO": Presidential candidate announces an investigation
into why so many Hollywood movies are fleeing Canada. "One
recent report by the Screen Actors Guild and the Directors Guild
of America said so-called runaway production has cost the Los
Angeles film community 20,000 jobs and cost the U.S. economy $10
billion. But Canadians question the claims. B.C.'s production
industry, the biggest in Canada, is worth about $1 billion, so
where's the rest? Vancouver
Sun 06/02/00
Thursday June 1
- AN
ARTFUL DEATH (TO CREDIBILITY): The latest in everlasting
bliss: the Final Curtain cemetery theme park, where you can have
a dance floor installed over your gravesite, or a video camera
in your coffin to show time-lapse display of your corporeal decay.
Too strange to be true? Not to 39 newspapers, 19 radio stations,
six TV stations, 10 magazines and 20 Web sites who fell for the
story. Performance artist and media scammer Joey Skaggs strikes
again. Salon
05/31/00
- DEFINING
CULTURE:
"Culture"
is an overused misunderstood word. A new book examines what "culture"
means in the US. " 'Faded Mosaic' is no mere exercise
in semantic hairsplitting but an argument - to me a most persuasive
one - that in these United States at this point in their history,
'culture,' in the hard anthropological sense, no longer exists
except inside a few fringe groups such as the Amish. Washington
Post 06/01/00
HOME
|