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Sunday April 30
- SOMETIMES
A CIGAR... Sigmund Freud continues
to loom over the landscape of our modern culture. "My bottom
line is that any trip to a movie theater, any conversation with
someone at work, seems to make clear that the influence, the impact,
of Freud is still alive and well in the year 2000. In spite of
the fact that most people have no idea that he is humming so loudly
in the background of everything from their 'pickup lines' to their
talk about the weather, the 21st century begins as one in which
we know a cigar is never just a cigar, and that's an important
thing to know."
Christian
Science Monitor 04/28/00
- ART
OF RECONCILIATION:
The UK's Secretary
of State for Northern Ireland, is blocking plans for a peace sculpture
made of decommissioned weapons to be erected in Belfast. Richard
Branson has commissioned a £50,000 work from 97-year-old Josefina
de Vasconcellos, the world's oldest living sculptor. "The
idea of the sculpture has been widely welcomed by politicians
in Northern Ireland. However, the proposal to make the new work
from decommissioned weapons is causing disquiet at the Northern
Ireland Office." The
Independent 04/30/00
- COMING
HOME: A decade after a federal law
gave Native American tribes the right to reclaim human remains
and sacred artifacts from museums, less than 10 percent of the
human remains believed to be in the custody of federal agencies,
museums and universities have been returned to tribes. Chicago
Tribune 04/30/00
Friday April 28
- EARLY
WITHDRAWAL:
The faxes started coming
in to Australia's arts groups - their biggest patron was pulling
out. So the rumors were true. Richard Pratt, "generally acknowledged
as Australia's second wealthiest man, is used to doing what he
wants with his money, including the estimated $10 million-plus
he is thought to have directly handed over to Melbourne-based
performing arts organisations in less than a decade. However,
along with the generosity came an interventionist approach that
ruffled feathers."
Sydney Morning Herald 04/28/00
Thursday April 27
- ONE
STEP BACK: Australian arts groups
are losing one of their richest, most generous patrons. Richard
Pratt is stepping down from his various roles as arts supporter,
as part of a general withdrawal from public life. The
Age (Melbourne) 04/27/00
- ART
IN THE 'BURBS: So what's the secret
of running a successful arts center out in the suburbs? Treat
people like they're in the city. "There is this city mentality
that seems to believe that everyone in the suburbs has gone brain
dead. A lot of well-educated, sophisticated people come out to
raise their children in a nurturing setting. That doesn't mean
they have lost their curiosity or their interest in cultural diversity."
Chicago
Tribune 04/27/00
- UNDUE
INFLUENCE:
Consumer groups are stepping
up to object to Time Warner's merger with AOL. Critics are afraid
of a "content bottleneck" if the deal goes through.
Variety 04/27/00
Wednesday April
26
- STAND
BY ME: Getting working capital from
banks to finance a project is often a problem for artists. So
the Alberta and Canadian governments have decided to help with
a "Cultural Industries Guarantee Fund" that provides
collateral for project financing. "Some of the book
publishers or magazine publishers may be in that middle stage
where they have had great initial success on a lot of their projects,
and need to grow, and without that investment, just can't. And
they have a very difficult time." CBC
04/26/00
Tuesday April 25
- SPIES
FOR ART:
"From
1950 to the late 1970s, the Central Intelligence Agency covertly
spent many millions of dollars spreading American art and American
ideas while hiding behind a front organization, the Congress for
Cultural Freedom. The CIA practiced stealth subsidy. That project
was clownish in some ways - and totally undemocratic. In theory
it was a terrible idea. But what didn't work in theory worked
in practice. It left unwitting readers of CIA publications with
highly conflicted feelings. I, for one, sternly disapprove of
the whole idea but also remain permanently grateful for it."
National
Post (Canada) 04/25/00
- LOST
IN SPACE:
How come it's always the
engineers that get to go up in space? Well, obviously there are
some good reasons. But designer and choreographer Richard Seabra
wants to "send artists and performers into space to work
in a special art module that he wants to become part of the International
Space Station (ISS). Seabra wants to see to it that the arts and
humanities are given a permanent place in space, that science
moves aside to make room for the bounty of other cultural pursuits
humans value. Space.com
04/23/00
- UNDERGROUND
ART: In a bid to promote access to
Seoul's cultural resources the city's artists have gone underground
- to the subway. "The subway theater project, which was conceived
late last year, is aimed at providing commuters and passersby
with an easy access to a wide range of cultural experiences. In
addition, the project is designed to help artists who are unable
to hold shows either due to limited spaces or from lack of money."
Korea Times 04/25/00
Monday April 24
- CLEAN
ART: Nine of Chicago's cultural institutions
will mount $4 million worth of solar panels on their buildings
- each institution will get 50,000 kilowatt hours per year of
sun power in this energy demonstration project. Chicago
Sun-Times 04/22/00
Sunday April 23
- HOW
'BOUT SOME LIP SERVICE? The heart
of London's new success and prosperity is in its creative community.
The arts are the driver that makes the city dynamic. So why, then,
are the candidates for mayor avoiding talking about the arts at
all? Nada. Zip. Hey, don't vote for someone who doesn't tell you
their policies on the arts. The
Observer 04/23/00
- ONE
IRELAND? Maybe it's more than just a war, just the endless
"troubles" and politics. Is there a cultural difference
between north and south? "Is there a Northern Ireland culture?
My first annoyed reaction is that only a stranger could ask. From
that one can deduce that Northern Irish culture is tribal: two
tribes within a larger people who are still locked within the
northern equivalent of Heartbreak House." Sunday
Times (London) 04/23/00
Friday April 21
- CLIPPED
WINGS: In Toronto, a task force seems
ready to recommend that the Hummingbird Center, the city's main
performing arts venue, be decommissioned after the Canadian National
Opera moves into a new home. Hummingbird fans are outraged. Toronto
Globe and Mail 04/21/00
- PREMATURE
RETURN: Hawaii's Bishop Museum apologizes
for turning over ancient Island artifacts over to one native custodial
group when others had a claim also. The museum's actions have
damaged its credibility among island groups. Honolulu
Star Bulletin 04/20/00
Thursday April 20
- A
CASE OF ARTISTIC FREEDOM?
"A University of Iowa Museum of Art employee is suing the
school over what she says is an attempt to stifle an art exhibit
supported by a federal grant. She claims the museum director canceled
her exhibit in retaliation for filing a university grievance against
him. She said university officials retaliated by withholding matching
money previously promised for the exhibit." Des
Moines Register 04/18/00
- ART
OR PORNOGRAPHY?
A San Diego judge has ruled that a pair of art books in the San
Diego Library that feature photographs of nude girls, are pornography.
Police are investigating; they have requested from the library
the names of anyone who has checked the books out.
San Diego Union-Tribune 04/19/00
- BOSTON
ARTS INITIATIVE Boston
has long lagged behind other cities in public funding for the
arts. Now its mayor announces a major arts initiative to try to
aid the arts. But the plan is long on goals and somewhat short
of substance. Boston
Globe 04/20/00
-
WHO'LL
PAY THE BILLS? Berlin's cultural world is in crisis. Of
course pretty much every other European capital has gone through
some sort of public funding crisis in the past two decades,
but that doesn't particularly ease the pain. "Berlin supports
three opera houses, seven orchestras, 50 theatres, 170 museums
and 300 galleries - all this for 3.5 million residents."
Where is the money going to come to keep this extravagance afloat?
London
Telegraph 04/19/00
-
HIGH
TIMES/HIGH CREATIVITY:
What is it about artists and substance abuse? "Artists
have long taken refuge in substances during barren spells, or
indulged in them as part of macho rituals. Yes, a great many
writers, and other artists, would toast the liberalisation of
illegal highs. But to cause a real commotion, politicians would
have to criminalise the innocuous pick-me-ups and blameless
crutches that are their true inspiration and solace." New
Statesman 04/19/00
-
IT'S
NEA GRANT DAY:
The National Endowment announces 800 grants today. More than
half are going to outreach and arts education, bringing the
arts to "underserved" communities. Washington
Post 04/19/00
-
SO
MUCH FOR THE 'BRAVE LONER' PLOY: David Irving lost his libel
lawsuit in London claiming that the Holocaust never happened.
The judge found against Irving, calling him, in effect, a propagandist
for Adolf Hitler. But, "we ought to condemn - better, dismiss
- him not because of his convictions, but because of the way
in which he states his evidence." Newsweek
04/24/00
-
BUY
AUSTRALIAN: Peter Sellars
has been hired to run the 2002 Adelaide Festival. But instead
of bringing the best international artists to town (as Australian
festivals are famous for doing) he's taking the homegrown route.
We need to build the country’s “cultural infrastructure,"
he declares. "It is time that poets and musicians, filmmakers
and architects and chefs were around the table together. If
we are asking the society itself to get better at reconciliation,
shouldn't we artists - the most notoriously bickering and biting
group on Earth - make some attempt to clean our own little house?”
Sydney
Morning Herald 04/18/00
-
THE
PLAY'S THE THING? Seeing
how schools have largely abdicated responsibility for arts education,
and worried about growing audiences for the future, Broadway
producers have stepped up their education and outreach efforts.
“But for all the good will and good publicity that education
programs may generate, do such tactics really work? Does one
Broadway show make a future theatergoer?” New
York Times 04/18/00 (one-time
registration required for entry)
-
HIGH
MOCKABILITY FACTOR: The San Francisco Art Institute is in
the business of pushing the edges, of encouraging its students
to think unconventionally - "It's high concept, but you
bring it down to a raw level." Sometimes, as in a recent
controversial student project that featured sex on stage, the
concept gets a bit out of hand. Can this stuff really be taught?
Should it be? Chronicle
of Higher Education 04/18/00
-
WAR
GAMES:
Long blamed for encouraging misspent youth and mind-numbing
violence, now Sony’s hugely popular PlayStation 2 is being accused
of inflicting far more damage: the potential to be used to build
weapons of war. Japan decided to restrict all exports of the
videogame console because it “contains a graphics processing
facility quick enough to help guide certain types of missile,
such as the Tomahawk, towards their target. The
Age (Melbourne) 04/18/00
-
UNION
ACTORS in the US vote to go on strike
against producers of TV commercials. Strike set for May. Variety
04/17/00
-
COLONY
POWER: For years Australians looked
to Britain for its arts leaders. But with two Aussies taking
the top London ballet jobs, it looks like the Brits are seeking
the vitality of the former colonies to inject new energy into
these keystone establishments. The
Age (Melbourne) 04/17/00
-
IN
FOR A POUND: A proposal by the British
government to slash admission fees to £1 to London museums is
being met with mixed (but generally enthusiastic) reaction.
The
Art Newspaper 04/15/00
-
CASE
STUDY: A documentary on violinist Nadia Salerno-Sonnenberg
raises questions about the relationship between manic depression
and artists. "I think that people who suffer from depression
may be able to use their creativity to help themselves out of
it," says one doctor. St.
Louis Post-Dispatch 04/16/00
-
A
FEW OF MY FAVORITE THINGS: Elitist,
artistically moribund, over-dependent on government funding,
and poorly managed; these are the favorite charges leveled against
Australian arts organizations. But wait just a minute - does
reality bear out these perceptions? Sydney
Morning Herald 04/14/00
-
NOT
JUST LOSING, BUT... It's tough to
defeat a libel charge under British law. But a British judge
threw out controversial historian David Irving's case against
the historian Deborah Lipstadt, who had written in a 1993 book
that Mr. Irving was "one of the most dangerous spokesmen
for Holocaust denial." Remarkably, the judge went so far
as to call Irving a racist anti-Semite who deliberately distorts
historical evidence to portray Hitler "in an unwarrantedly
favorable light." New
York Times 04/13/00
(one-time
registration required for entry)
-
ROAD
SHOW: Historian David Irving, who lost his controversial
libel trial in London earlier this week and now faces bankruptcy,
is planning a lecture tour of the US with other Holocaust deniers.
He hopes the trip will replenish his “fighting fund.” The
Independent 04/13/00
- CULTURE
SWAP: Korean arts groups
are hoping the much-anticipated policy summit between North and
South Korea in June will give inter-Korean arts exchange some
needed momentum. “The excitement is understandable, given that
for more than a half century there has been almost no civilian
contact.” Korea
Times 04/13/00
- FROM
SILENCE TO SPEAKING OUT: Choreographer
Bill T. Jones on his decision to boycott this year's Spoleto Festival
in Charleston because of an NAACP boycott: "The questions
you should be asking is not 'Why I'm doing what I'm doing' but
'Why are there so few people who feel that they have to boycott?
Why do so many people have a rationale that allows them to find
other ways of responding to the [Confederate] flag?' People have
a lot of deep responses to the issue, but the biggest response
is the silence." Los
Angeles Times 04/12/00
- IT'S
THIS OR BRUSSEL SPROUTS:
“There is something appallingly appealing about the notion of
being chastised with culture. Who among us would object to being
sent to Devil's Island for a few years if we could take the contents
of the British Library?” But that’s not exactly the thrust of
East Connecticut State University’s new program of forcing students
who infringe campus rules to attend classical concerts or opera
as their punishment. The
Telegraph 04/12/00
- PUBLIC
RADIO FOR THE PUBLIC? Earlier this year
the Federal Communications Commission voted to allow low-powered
radio stations. Last week National Public Radio, "the mighty
non-profit corporation which counts more than 600 member stations
nationwide and is heard by 14 million listeners each week,"
publicly supported efforts to gut the ruling. Why? "NPR is
willing to give lip service to low-power radio and supports its
goals of diversity on the airwaves. But behind the scenes NPR's
been incredibly destructive," charge critics. Salon
04/11/00
- A
LESSON NEEDING RELEARNING? "Distance
learning" is all the rage in academia these days as universities
rush to get online. But does anyone remember that a century ago
correspondence courses were a very lucrative business? And that
their history is rather less than glorious? Le
Monde Diplomatique 04/11/00
- THE
FINE ART OF OPPOSITION: Science is changing
our moral world. In turn, artists respond to its discoveries and
challenges. "The 'artistic' culture differentiates itself
from the scientific culture by cherishing the individual gesture
and scribble, and very often by characterising itself as the subversive,
the destabilising, the contrary." New
Statesman 04/10/00
- CULTURE
CLUB: The cultural capital of Europe
in the 18th Century? Paris? Nope - at least that's the premise
of a new blockbuster exhibition at the Philadelphia Museum. "Rome
is where all the artistic sparks were going on. It was like Paris
in the 19th century and New York in the late 20th century."
New
York Times 04/11/00
(one-time
registration required for entry)
- NICE
AND SIMPLE: "We've been dallying
with 'simple' for almost a decade. Not the simplicity of Ralph
Waldo Emerson reflecting on nature in his barely furnished cabin
by Walden's Pond, mind you, but rather the dumbed-down simple
espoused by the phenomenally successful "For Dummies"
franchise, which reduces everything, from Wagner to Dadaism, to
Grade Five-level comprehension. Or the sweet, witless simplicity
advocated in the best-seller Simplify Your Life: A Little Treasury
by Elaine St. James. Simple has even become a fashion statement,
a design choice." National
Post 04/10/00
- EDUCATION
CONVERGENCE: A new for-profit online
education venture featuring partners including Columbia University,
the Smithsonian, the British Library, Cambridge University Press
and the London School of Economics promises something new. The
venture "will go beyond traditional course offerings, by
integrating content from museum exhibitions, lectures, reference
books, interviews, and documents - from Frank Lloyd Wright interviews
to a multimedia-infused presentation of the Magna Carta."
Wired
04/10/00
- AGAIN
FOR THE FIRST TIME: Have we lost the
will to be original? "The concept sounds strangely alien
in a world in which novels routinely are based on previously published
works or on history itself; in which the visual and photographic
arts increasingly incorporate previous works; in which composers
systematically layer previously produced works into their compositions;
in which more and more plays are based on historical characters;
in which a plethora of movies are based on previous movies or
on TV shows; in which a steadily growing stack of TV shows are
derived from earlier TV shows; in which ads raid movies and TV
shows; in which people loot the Internet for whatever they want;
in which everybody is copying from everybody else and nobody seems
to mind." Chicago
Tribune 04/09/00
- ONE
LAST DRAG: For decades tobacco manufacturers
have been major sponsors of the arts in Canada. Now, "determined
to rid Canada of the demon weed, earnest politicians have banned
all cigarette advertising, and side-swiped the arts in the process."
Faced with gigantic holes in their budgets, some arts managers
wonder where the next sugar daddy is going to come from. Toronto
Globe and Mail 04/08/00
- LOVED
TO DEATH: The crush of tourism is
threatening Egypt's prehistoric sites, the Eighth International
Congress of Egyptologists heard last week in Cairo. "Unless
urgent measures are taken, Egypt will be left with not one prehistoric
site intact." New
Scientist 04/08/00
- MAYBE
IT'S AN AUCTION THING: Christie's
and Sotheby's legal woes are well known. But on-line auctioneer
E-Bay is also getting tangled up in legal challenges. According
to court documents, E-bay is currently involved in three US government
investigations. The
Art Newspaper 04/07/00
- NOT
JUST FOR WAITING TABLES ANYMORE: A
group of senior execs in Canada's high-tech industry banded together
last week to demand more education money for the liberal arts,
saying they can't build the digital economy with technology grads
alone. "A liberal arts and science education nurtures skills
and talents increasingly valued by modern corporations."
Ottawa
Citizen 04/08/00
- OF
BASQUES AND BILBAO: A year ago the
Basques seemed "more optimistic than ever before about peace
and prosperity in their little nub of Spain. Not only did the
glorious Guggenheim Museum of Frank Gehry now hover over a once-nondescript
city. But a truce declared by ETA, the murderous Basque separatist
movement, was holding. Since then, ETA has assassinated a general,
a politician, and a policeman, and the atmosphere is once again
heavy with recrimination and uncertainty." But perhaps the
modernity of Gehry and of architect Norman Foster encourages Basques
to look forward, not back" and towards some sort of resolution.
The Idler
04/09/00
- THE
RIGHT HOOK: Last year everyone in
St. Louis arts management was talking about cultural tourism.
This year it's marketing. "The only way we can get on track
is with a huge marketing campaign that lets people know everything
available to them arts-wise in St. Louis. If we do a piddle here
and a piddle there, it won't get us anywhere." St.
Louis Post-Dispatch 04/09/00
- SURVIVING
IN THE GOOD TIMES: Even in a booming
economy, a number of Atlanta arts institutions are struggling
to stay afloat.
Atlanta Journal-Constitution 04/08/00
- IS
THERE A DIGITAL DIVIDE? Lord David
Puttnam - director of “Chariots of Fire” and “Midnight Express”
and cultural advisor to Prime Minister Tony Blair - urges
educators and digital technology developers to work hand in hand.
“Computers should not be viewed as simply tools…and arts subjects
should not be viewed as lightweight pleasurable diversions.” The
Age (Melbourne) 04/07/00
- DESIGN
RENAISSANCE: Birmingham,
England - once the butt of European jokes, a “city gripped by
a concrete stranglehold” - is undergoing a design renaissance.
Many observers credit Conductor Simon Rattle, formerly music director
of the City of Birmingham Symphony Orchestra, for boosting civic
morale and prompting the arts-led transformation. Rattle introduced
the city council to the “idea that bribing key players in the
arts to decamp to Birmingham would change its image. And it did.”
The
Times (London) 04/07/00
- WAITING
GAME: Australia’s debt-laden performing arts organizations
will have to wait longer than expected for details on their nation’s
agenda to increase arts funding. A recent study found that 31
of the country’s arts organizations were short on funds and “unable
to keep pace with global competition,” but cultural ministers
expected to announce their remedy unexpectedly cancelled today’s
meeting. Sydney
Morning Herald 04/07/00
- DOT
COM LURES ANOTHER: Lawrence Wilker,
who presided over a period of enormous growth as president of
the Kennedy Center, has resigned. The center was $7 million in
debt when he began the job in 1991. He succeeded in eliminating
the red ink and more than doubling its annual fund-raising from
$14 million his first year to $32.8 million in 1999. Washington
Post 04/07/00
- PRESIDENT
of Washington's Kennedy Center stepping
down to join internet firm. New
York Times 04/07/00 (one-time
registration required for entry)
-
FLASH
AND CASH VS. CUTTING EDGE:
Reviving an ancient rivalry, Beijing and Shanghai are competing
for the title of China's cultural capital. Both cities' cultural
scenes are thriving, and both cities are spending lavishly on
new arts centers. Shanghai boasts a new art museum, antiquities
museum, Grand Theater, and one of the world's largest libraries;
Beijing just broke ground on a glitzy new $420-million National
Theater. "Ultimately, the question is whether Shanghai's
money will win out over Beijing's moxie." Time
(Asia) 04/10/00
-
AND
YOU LIVE WHERE? France's cultural
minister is perplexed by why so many French choose to live in
Britain. Some 60,000 French nationals are registered as living
in Britain but officials suspect that the figure may be as high
as 180,000, with half of those in London. After a high-profile
French model decamped to London, the French culture minister
growled: "If you move to London, what you save on tax,
you'll lose in rent and healthcare, not to mention the metro
train service." Yahoo
(Reuters) 04/03/00
-
SO
MUCH FOR BEING WELL-ROUNDED: Beginning
in 2003, Florida's public universities will require that all
incoming freshmen have taken 19 academic courses in high school
- four more than are required now. To fit in all the extra work,
students may have to give up elective courses in the arts, computers,
vocational studies and ROTC. The requirement has arts teachers
and guidance counselors worried that the focus on academics
threatens the continued success of everything from high school
marching bands to popular magnet high schools.
St. Petersburg Times 04/03/00
-
IF
YOU MAKE IT CHEAP, THEY WILL COME?
Britain's on a museum-building kick. But where will the visitors
come from to see all the new attractions, wonder critics? Never
fear, the government has a plan - next year it will slash admission
fees for many of the country's museums, down from £7.50 to £1.
The plan is estimated to cost the government about £7.1 million
in lost admit fees. BBC
04/04/00
-
GREAT
EXPECTATIONS: In the past year,
the heads of all six of Hartford's major arts institutions have
left, along with a number of leaders of the city's second-tier
groups. No, the city didn't suddenly become arts-unfriendly,
and each of the arts leaders left for different reasons. But
unquestionably the demands on modern-day arts administrators
have increased. "Today's arts honchos are called upon to
grow, increase, enlarge, build. And in Hartford, they are seen
not only as custodians of their own institutions' destinies
but as key figures in the fitful revitalization of the city
itself." Hartford
Courant 04/04/00
-
A
DOGGED READ: Three times a week since
December, about 20 protesters have gathered outside the new
Barnes & Noble store in Flagstaff, Arizona to protest the
superstore retailer's presence in their community. "I find
it disturbing that communities can't fight the intrusion of
these giant chain stores unless they have a legal apparatus
behind them, because big corporate trans-nationals have the
legal muscle to sue cities that try to keep them out."
Publishers' Weekly 04/04/00
-
STEPPING
STONES: Many of Britain's major
arts institutions are now being run by foreigners. Not to worry
though. They seem primarily interested in using their tenure
to spruce up their resumes for the next job. "For the new
breed of arriviste, an English appointment is merely a staging
post; the country is becoming an extension of the flight connections
lounge at Heathrow." The
Observer 04/02/00
-
OF
AGE AND ART: The general population
is living longer these days. And so are artists. So maybe it's
time to re-evaluate what we expect of older creative artists.
New
York Times 04/03/00
(one-time
registration required for entry)
-
WANTED:
"BETTER MINDS IN GOVERNMENT" NEA
chairman Bill Ivey on supporting the arts: "Society devalues
art. The arts are still on the fringe. They are in the style
section of the newspaper. And yet we frame our most pressing
social concerns around art and art-making. The arts don't matter
until they get under our skin; then we realize we use art to
talk to each other about a whole range of issues. The arts irritate
us." Chicago
Tribune 04/02/00
-
JACKO,
PINO AND 5000 FAKE NOSES: Just as
Doctors Without Borders delivers medical care in troubled countries,
Clowns Sans Frontières (Clowns Without Borders) delivers humor.
And Fake noses. "The kids [in Kosovo] had never seen anyone
like us. I don't think really they even knew what a clown is."
Toronto Globe
and Mail 04/01/00
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