Thursday
March 28
POWER
SHIFT: Covent Garden has announced
next year's season, and the lineup signals the fortunes of resident
companies. While the Royal Opera season - the first under new
music director Anthony Pappano - looks brilliant, the Royal Ballet's
presence is shrinking. "The next Royal Ballet season confirms
what has been widely feared - a remorseless decline in the company
as a creative organism within British culture." The
Telegraph (UK) 03/28/02
REFORMING
CONSUMERS OUT OF THE EQUATION: As digital music and video
technology has boomed over the last decade, consumers have become
more and more innovative in how they utilize available components.
Many have "networked" together computers, stereos, televisions,
and more to create a centralized home entertainment center that
can be controlled at the touch of a button. But the legislation
currently pending before Congress aimed at creating greater copy
protection could make all such setups obsolete, and is threatening
to disrupt the way in which people listen to music. Wired
03/28/02
CLEANING
UP THE STREET OF STARS: For years New York's Times Square
was a seedy wasteland until a 1990s cleanup that revitalized 42nd
Street. Downtown Hollywood also declined seriously in the past
few decades. But there are signs of a Times Square-style fix-up.
"What you realize is that Hollywood has a lot of beautiful
architecture, it has the potential. This is something Los Angeles
really lacks, a real urban space where people are out there on
the sidewalks, walking and gawking." Backstage
03/27/02
Wednesday
March 27
ART
AND PORN IN CANADA: A horribly controversial case in Canada
came to a close this week, as a judge in British Columbia ruled
that the pornographic stories involving children and torture written
by the defendant have artistic merit and are therefore not illegal.
The issue at the heart of the case was whether or not Canadians
should have the freedom to write fiction on such topics, even
if there are no photographs present or real people involved. The
ruling has wide-ranging implications across the country, and may
have some impact in the U.S. as well, where authorities are struggling
with the same issue. National Post
(Canada) 03/27/02
- BATTLING
ACADEMICS: The judge in the Canadian kiddie-porn case came
to his decision after consulting with three literary experts,
two of whom claimed that the defendant's stories had artistic
merit. The third expert claimed the opposite, but the judge
dismissed his opinion, "saying he applied morality and
community standards in judging the works, which the Supreme
Court has said is not the test of artistic merit." The
Globe & Mail (Toronto) 03/27/02
Monday
March 25
PLAY
NICE: Come Christmas, it seems like every arts company has
a "cash cow" production it wants to let loose to graze.
Hartford, like many cities, sees a stampede on its stages. Couldn't
someone buy these folks a calendar, lock them in a room and make
them play nice? Hartford Courant 03/24/02
Sunday
March 24
MERGING
TO SURVIVE: "Faced with tough economic prospects, exhibition
opportunities, receptive funders, and the rise of so-called 'heritage
tourism,' Philadelphia institutions are merging, combining, collaborating
and cooperating in ways unheard-of for a city widely perceived
as deeply conservative, if not backward, in its organizational
thinking... While there are political lobbying, and marketing,
and exhibition collaborations in places such as Chicago, Detroit
and Richmond, nothing nationally approaches the breadth of joint
projects developing in Philadelphia." Philadelphia
Inquirer 03/24/02
Friday
March 22
ADELAIDE'S
BIG SUCCESS: The Adelaide Festival might have dragged itself
through the headlines, firing director Peter Sellars, and appearing
to not know which end was up. But the festival sold 180,000 tickets,
a 60 percent increase over the last festival. Fringe artists
earned $3.85 million at the box office, compared to $2.08 million
in 2000. Sydney Morning Herald 03/22/02
- ADELAIDE
POST-MORTEM: So was this year's Adelaide Festival as bad
as fired-director Peter Sellars' detractors maintain? Did Adelaide's
city newspaper poison Sellars' agenda with its early criticism?
Or was the festival so good that it will make the next edition
difficult to pull off? Lots of questions, but then, aren't there
always? The Age (Melbourne) 03/22/02
FIGHTING
CRIME WITH ART: The British government says it will use more
arts and culture programs to try to turn young people off crime.
"The arts and sport can encourage young offenders to make
choices, decisions and personal statements, to have enthusiasm,
to take risks and take responsibility." BBC
03/22/02
BRINGING
OSCAR HOME: "The Academy hasn't held the Oscar ceremonies
in the real Hollywood since 1929, when it lasted all of 15 minutes,
hardly long enough for a self-respecting celebrity to exit a limo
these days. The $94 million Kodak Theatre, designed for the Oscar
ceremonies, is pure nostalgia. It resembles a 1920s movie palace
with stacked opera boxes." But the Kodak sits in the middle
of a strip mall, in a neighborhood known more for its drug dealers
than its glitz and glamour. Is the project a laudable attempt
to revitalize a landmark area, or a misguided plunge into a history
that no longer exists? The Christian
Science Monitor (Boston) 03/22/02
Thursday
March 21
WHAT
ARE THE ARTS WORTH? "Liberal-minded arts lovers have
been wringing their hands and flinty-eyed fiscal conservatives
warming their souls over a new study that suggests the economic
impact of cultural facilities and sports stadiums is exaggerated...
But reading the whole study reveals that things are, of course,
a bit more complicated... Rather than dampening cultural activists,
[the] report should really serve as a renewed call to artists
to justify their existence on more lofty grounds than those that
economists can provide." The
Globe & Mail (Toronto) 03/21/02
WELCOME
TO THE VERIZON/ENRON/WELLS FARGO SMITHSONIAN! Smithsonian
chief Lawrence Small testified at a congressional hearing yesterday
on funding possibilities for the national museum's latest modernization
campaign. But the mood turned ugly when a New York congressman
accused small of selling the nation's cultural heritage to the
highest bidder, and decried the growing trend of selling naming
rights. "Frankly, just speaking as an individual citizen, I deeply
resent it. You didn't start this but you seem to me to be the
biggest cheerleader. What we are experiencing is crass commercialization,"
Maurice Hinchey (D-NY) said. Washington
Post 03/21/02
MORE
FALLOUT FROM THE HARRIS GRANTS: The arguing is continuing
in Ontario over a slate of $91 million in grants earmarked for
specific cultural organizations by the province's outgoing premier,
Mike Harris. Accusations are flying from other politicians, including
an assertion by a Toronto city councillor that Harris's grants
have cut deserving organizations out of the funding pool. The
Globe & Mail (Toronto) 03/21/02
KEEPING
GROUND ZERO FOR THE PUBLIC: The debate over how a rebuilt
WTC site might memorialize the victims of 9/11 has become a contentious
one, and one architecture critic says the key is to keep the decision
out of the hands of private interests who want merely to cut their
losses, and put up a quick-and-dirty memorial surrounded by office
space that may well go unused. "The real issue is how to
build a living city --a place that offers a vibrant mix of culture
and commerce; a place that is easy to reach by subway, commuter
train or ferry boat; a place where a frazzled office worker can
find a few minutes of serenity at the waterfront; a place, like
Rockefeller Center, where great buildings form an even greater
urban whole." Chicago Tribune
03/21/02
Wednesday
March 20
BERLIN'S
BUDGET AX: Berlin's new city council made about $2 billion
worth of spending cuts, in an effort to work its way out of a
financial crisis. The city's arts and culture programs will take
big hits. "The council said there would be no more free theatre
and that it would contribute nothing more to investment by the
heritage foundation that runs many museums and galleries. About
15,000 jobs are expected to go in the city, where 17% are unemployed."
The Guardian (UK) 03/20/02
ITALY'S
CRISIS OF LEADERSHIP: Italy's big cultural institutions are
in political turmoil. Critics charge that the "centre-right
Government of Silvio Berlusconi, which took office nine months
ago, seems unable to find the right people to run Italy’s art
centres, cultural institutes overseas, or even — and most damagingly
— the Venice Film Festival in September." The
Times (UK) 03/20/01
THE
AMOUNT'S FINE - JUST HOW TO SPEND IT? After months of wrangling,
the province of Ontario and the Canadian government are anxious
to make a deal on a $200 million investment in the arts. Problem
is, the two governments can't agree on how the money should be
split up. And arts groups are getting impatient.
Toronto Star 03/19/02
- THE
AGITATOR: Ontario Premier Mike Harris has never been a subtle
politician, and his all-too-public battles with the national
government in Ottawa are legendary. So when Harris announced
that he was unilaterally implementing over $90 million of funding
for provincial arts groups without waiting for matching funds
from the capitol, a firestorm of criticism ensued. From artists
to MPs, it seems no one is happy, and nearly everyone is blaming
Mike Harris. The Globe & Mail
(Toronto) 03/20/02
- THE
PLAN: Meanwhile, at least one major Canadian newspaper is
still reporting that a deal is in the works for the $200 million,
and that it will bring large wads of cash to Ontario arts groups
and glory to all the politicians involved (even Mike Harris.)
But with Harris apparently intentionally irritating the rest
of the country's pols with his unilateral funding plan, will
the whole deal fall apart? National
Post (Canada) 03/20/02
- THE
LEGACY: It isn't that Mike Harris is a big fan of the arts,
says a Toronto paper, it's that he's leaving office this month
after a stormy tenure which failed to yield any significant
legacy other than that of an ineffective agitator. Not only
does yesterday's grandstanding move by Harris leave Canada's
National Ballet School out in the cold, but it effectively leaves
even those groups getting funding short of what they need, and
does no one but Harris and his legacy any good at all. Toronto
Star 03/20/02
Monday
March 18
TAKING
THE FIGHT OUTSIDE: Two prominent members of the Orange County
Performing Arts Center board have resigned from the organization.
Four other top board members are part of a lawsuit against the
pair, charging them with securities fraud in their business. "The
lawsuit seeks damages of more than $50 million for the plaintiffs'
losses on the stock market." In leaving the board, the pair
said that sitting on a board with people who accuse them of fraud
"was just something we could not stomach." "The resignation
of the Broadcom founders - billionaire philanthropists and leaders
in the high-tech-driven 'new economy' - represents a blow to a
board that has been assiduously courting the next generation of
business leaders and arts patrons."
Orange County Register 03/17/02
- Previously: SUE
THE ONES YOU LOVE: The new chairman of the Orange County
Performing Arts Center is suing one of the center's biggest
benefactors. Henry Samueli has raised more than $10 million
for the center, but he's the subject of a stock fraud lawsuit
brought in part by OC's Thomas Thierney. "Some fear that
the legal fight will dampen donations and force arts leaders
to take sides." Los Angeles
Times 03/12/02
Sunday
March 17
ARTS
DEAL COLLAPSES: A few weeks ago it looked like Toronto's arts
institutions were going to get a big windfall from Canada's federal
government in the form of $200 million in funding. But the deal
seems to have collapsed. "Things were clear. We were just trying
to dot the i's and cross the t's. The last thing we were trying
to iron out was the high-profile announcement we were planning."
Instead, says Ontario's culture minister, the feds have folded.
"We had a deal, but now it appears they're doing a pirouette.
They've made more sudden moves than Baryshnikov."
Toronto Star 03/15/02
THE
DIFFICULTY OF RANDOM TRAGEDY (FOR ART): How to make art out
of tragedy? Much classic tragedy seems predetermined. But "what
kind of art can come from what appears to be blind chance? 'It's
much easier to write about tragic flaws - the idea that what makes
you great also brings you down. And much harder to write about
the opposite idea, which has marked the culture of the late 20th
and early 21st Centuries: The universe is a random series of events
we can't possibly understand, much less transform into art."
Chicago Tribune 03/17/02
A
QUESTION OF QUALITY OF CULTURE: The British measure the quality
of everything. "At a time when the concept of quality control
has become embedded in the culture, though, the one place where
it does not apply is in culture itself. In culture, the government's
test of what is best remains the market. If people buy it, watch
it or listen to it, then it is good. If there is an increase in
people buying, watching or listening to it, then that is even
better. If more people buy, watch or listen to it than to anything
else, then that is the best of all. It has been a very long time
since any senior Labour figure dared to question this passive
populism." The
Guardian (UK) 03/16/02
CLOSING
DOWN CULTURE: Since it opened in 1989, the Glassboro Center
for the Arts has been the focus of southern New Jersey's cultural
life in the performing arts, presenting national and international
artists. But Rowan University, where the center is located, is
in a bind, and the arts center "is one of four institutes
or centers the university is closing to help close a $6 million
hole in this year's budget and an expected $12 million shortfall
next year. Shuttering the centers and eliminating the jobs of
at least 18 employees is expected to save the university about
$1.3 million." South Jersey Courier
Post 03/15/02
Friday
March 15
NATIONAL ARTS MEDAL WINNERS NAMED: Johnny Cash, Kirk Douglas, Helen
Frankenthaler, Yo-Yo Ma and Tom Wolfe were named as the latest recipients
of the US National Medal of Arts and National Humanities Medal.
"The honors are an annual practice established by Congress
for the arts in 1984 and for the humanities in 1988."
Washington Post
03/15/02
IN
LETTERS:
John Brotman, director of the Ontario Arts Council, writes to
protest the conclusions of a
study and a report
on that study in Canada's National Post, that said public
money invested in the arts failed to make promised economic returns
to their communities: "A few years back, the Ontario Arts
Council (OAC) found that arts organizations in Ontario returned
20 per cent more in provincial taxes than they received in provincial
government funding. Statistics Canada data estimates that the
economic impact of Ontario's arts and culture sector is $19.1
billion or on a per capita basis that is more than $1,700 in economic
return for every Ontario resident."
ArtsJournal.com
- THE STORY:
TAX
MONEY TO ARTS FAILS ON PROMISED RETURNS?
A new Canadian study suggests that taxpayer money invested in
professional sports teams and the arts do not produce the economic
benefits touted by arts supporters. "The research ... leads
inexorably to the conclusion that the benefits from having sporting
or cultural activities are not nearly as large as their proponents
argue. The multiplier effects are usually small and might even
be negative in some instances. Job creation is minimal."
National
Post (Canada) 03/06/02
Thursday
March 14
CHALMERS
AWARDS SCRAPPED: A somewhat public dispute between the Ontario
Arts Council and philanthropist Joan Chalmers has resulted in
the outright cancellation of Canada's prestigious Chalmers Awards,
to the dismay of many in the arts world. In place of the awards,
the council will hand out fellowships and grants, but these will
come with neither the prestige nor the publicity that the awards
carried. The Globe & Mail (Toronto)
03/14/02
BRAIN
SCANNER: Scientists are studying the differences between the
brains of an artist and a scientist to see if characteristic differences
can be found. This week an artist and a scientist had CT scans
of their brains done in a London hospital. "Another scientist
dismissed the experiment as trivialising, and insisted scientists
and artists were so different it would make more sense to compare
rugby and billiards on the basis that both were played with a
ball." The Guardian (UK) 03/13/02
THE
END OF HISTORY (9/11 NOTWITHSTANDING): Francis Fukuyama has
believed that since the fall of communism history is over as we
know it. Does he still believe it after September 11? Yes. "For
all those who want to develop, modernity is only available as
a package deal in the medium term. According to Fukuyama, anyone
who wants growth must also accept human rights, free elections,
and free trade. That leaves the cultural resistance of the Islamist
masses and the countries with strong Islamic traditions. Fukuyama
does not believe that it will take 100 years to calm the fundamentalist
uprising, the same length of time it took for the fundamentalism
of the Reformation to cool down in Europe."
Frankfurter Allgemeine Zeitung
03/13/02
Wednesday
March 13
NOW
THAT IT'S OVER... Director Peter Sellars said yesterday that
he had been forced out as director of the recently concluded Adelaide
Festival. "Obviously it is embarrassing when you bring one of
the biggest international fish you have ever had in your fish
tank and treat them the way I was treated. I just hope you never
ever treat anyone this way again, it's not a good idea, it's bad
for international relations and it's a little bit stupid."
The Age (Melbourne) 03/13/02
MAKING
THE CUT: The downside of a system of public funding for the
arts is that there's a limited amount of money to go around, and
someone has to make the call as to who gets funded and who doesn't.
In Toronto this week, representatives of city, provincial, and
federal government will announce what they plan to do with a massive
$200 million arts funding package, and while some well-known organizations
are a lock to see some of the cash, other long-planned projects
may be left out in the cold. Toronto
Star 03/13/02
THE
WORST (AND BEST) JOB IN THE WORLD: "Wanted: executive
director for nonprofit art center. Responsibilities include too
much to do in too little time with too few resources. Plenty of
backbreaking physical toil coupled with mind-boggling financial
conundrums. Qualifications: must be able to deal with artists
and a public who will stretch you as thin as Lara Flynn Boyle,
or who will tear you apart like so many hyenas if the mood strikes
them. Experience in a leadership position and good phone voice
a must. Salary: not enough for what you will be required to do--but
as there's no price you can place on this job anyway, we figure
why bother even trying. Must be willing to start as soon as possible.
Are you free tomorrow?" City
Pages (Minneapolis/Saint Paul) 03/13/02
Tuesday
March 12
BACK TO CULTURE: Attendance for New York arts groups
after September 11 might have been down for a short time, but
people have returned to cultural pursuits. "Outside the Museum
of Modern Art lines are extending down the block on many days,
and attendance at the Metropolitan Museum of Art is heavier on
weekends than it was last year at this time. The New York City
Ballet is within a percentage point of pre-September attendance
projections for its "Nutcracker" and winter repertory
performances. And for the week ended Sunday, Broadway set box
office records for this time of year with revenues up 18 percent
and attendance up 6 percent over the same week last year."
The New York
Times 03/12/02
WHY
CULTURE MATTERS: Several American cities are looking at ways
to dramatically increase their public funding for the arts. If
voters approve a new real estate tax in Detroit this summer, the
arts will get $44 million more each year. Why should taxes be
raised for culture? There are the usual economic reasons, writes
Peter Dobrin, but more important, because the arts are "the
only part of life that advances civilization." Philadelphia
Inquirer 03/12/02
DIFFERENCE
BETWEEN FRENCH AND ENGLISH: Are there differences in the ways
English and French Canadians consume culture? A new study says
yes: "If you are an English-speaker, you are more likely
than your French-speaking fellow Canadians to read books, go to
the theatre or to Broadway-style shows. If you are francophone,
you probably are a more assiduous patron of the symphony, opera
and festivals. Also, you watch more television, especially local
programs." The Globe & Mail
(Canada) 03/11/02
BERLIN - IT'S THE VISION THING: Berlin's cultural institutions are
suffering. Money is tight and getting tighter. But "the problem
can't only be money. Stuttgart, Hamburg, and Leipzig have all,
to varying degrees, managed to produce better opera than any of
the Berlin houses for less money. Germany has dozens of regional
houses with programs which display more freedom and fantasy than
those currently on offer in Berlin. But vision, unless you count
Stölzl's bungled reform plan, has been the one thing conspicuously
lacking." Andante 03/12/02
- UNITY THROUGH CULTURE: In its search for an attractive
— and nonthreatening — image, Berlin may have at last found
a goal. By the end of this decade, it could become a City of
Museums. Focused around the Spree River's Museum Island in east
Berlin and the Kulturforum just two miles away in west Berlin,
a dazzling array of new and refurbished museums are to offer
a wealth of art comparable to that found in New York, London
and Paris. And the hope is that the rest of Germany will also
feel pride." The New York
Times 03/12/02
Monday
March 11
PENNSYLVANIA
CUTS ARTS GRANTS: The state of Pennsylvania - facing a $600
million budget shortfall - has reduced its already-awarded grants
to arts organizations by 22 percent. "The news has sent many
arts managers - especially those at smaller organizations that
depend heavily on state money - scrambling to make cuts or find
alternative funding." Pittsburgh
Post-Gazette 03/11/02
WHAT
RIGHT COPYRIGHT? A case recently accepted by the US Supreme
Court challenges current copyright laws. "Many policymakers
(and even some intellectual policy mavens) view IP rights as a
one-way street - they assume that the more IP rights we grant,
and the broader and more durable we make those rights, the more
society will benefit through increased production of books, music,
movies, etc. The matter isn't even remotely that simple."
Here's what's at stake legally. FindLaw
03/05/02
NOT
MUCH OF ADELAIDE: The Adelaide Festival is one of Australia's
great festivals. But the leadup to this year's event was marked
with the dismissal of artistic director Peter Sellars. Now the
festival is over, and at least one critic wonders if the cumulative
effect of all the pieces mounted up to much of a whole. The
Age (Melbourne) 03/11/02
RECLAIMING
SAN FRANCISCO: A little more than a year ago, real estate
prices were so high in San Francisco that artists were being forced
from their homes and work spaces. The dotcom bust has changed
all that. "Bust-era prices and audience demand have made
it possible for a new generation of venue providers to make cultural
events in the Bay Area affordable again. Often the people running
these spaces are performers themselves, whose lucrative jobs during
the boom finally allowed them to give back to the communities
they enjoyed for so long." San
Francisco Bay Guardian 03/08/02
Sunday
March 10
THE
ART OF AFGHANISTAN: You would think, form the press accounts,
that Afghanistan is little more than a bombed out wreck. "I
had come to Afghanistan to see what remained of the country's
culture after the depredations of the Taliban and the devastation
of war. And I was astonished to find, amid the bombed-out ruins
of Kabul, an artistic community that was not only optimistic but
exuberant. Everyone I talked to had extraordinary stories to tell
about the Taliban era, but they had survived that time surprisingly
well, and were taking up much where they had left off." The
New York Times 03/10/02
DENVER'S
ARTS BOOM: The American economy may still be in a down cycle,
but Denver is in the midst of an arts building boom. "Driving
these projects, which have a total projected construction budget
of $389 million to $608 million, is a convergence of an ever-increasing
need for suitable performance space and a coming of age by many
of Denver's suburban communities. The dozen projects range from
a $100 million-to-$300 million regional performing arts and convention
center that is being discussed for the southern metropolitan area,
to a $500,000 lower-level expansion of the Lakewood Cultural Center."
Denver Post 03/10/02
Friday
March 8
THE
BERLIN CRISIS: The city of Berlin is € 68 billion in debt
- so much debt that it has to borrow extensively just to pay the
interest on its debt. This has created a crisis for the city's
rich cultural life. "Even today, Berlin has more museums
than rainy days. Not to mention eight full-time symphony orchestras,
several professional chamber music ensembles, and three opera
houses. Each threat of closure or amalgamation is greeted by howls
of protest; the result is that everything is slightly underfunded.
Since those who work for cultural institutions are government
employees and cannot be sacked, most organizations are unable
to respond to requests for budget cuts simply because they have
no option but to continue to pay their staff. Instead, they run
up debts." Andante
03/08/02
Thursday
March 7
TAX
MONEY TO ARTS FAILS ON PROMISED RETURNS? A new Canadian study
suggests that taxpayer money invested in professional sports teams
and the arts do not produce the economic benefits touted by arts
supporters. "The research ... leads inexorably to the conclusion
that the benefits from having sporting or cultural activities
are not nearly as large as their proponents argue. The multiplier
effects are usually small and might even be negative in some instances.
Job creation is minimal." National
Post (Canada) 03/06/02
SUCCESSFUL
ARTISTS SHOULD RETURN GRANTS? Two American congressmen have
suggested that artists who become commercially successful should
repay grants they received earlier in the careers from the National
Endowment for the Arts. "NEA Acting Director Eileen B. Mason
promised to consider the suggestion. 'I think it would be terrific,'
she told the House Appropriation Committee's subcommittee on the
Interior Department and Related Agencies." Hartford
Courant (AP) 03/06/02
THE
POETRY AND PHILOSOPHY OF HOMELAND DEFENSE: Bruce Cole, the
new chairman of the National Endowment for the Humanities, believes
that agency "needs to pay attention to its original mandate
and establish its role as a defender of the homeland." To
accomplish that, he has developed a program called "We the
People" which is intended to "encourage scholars to
propose programs that advance our knowledge of the events, ideas
and principles that define the American nation." Washington
Post 02/06/02
SPUTTERING
AT THE CHURCH OF POP CULTURE: "The first breath of cultural
freedom that Afghans had enjoyed since 1995 was suffused with
the stuff of commercially generated popular culture. The people
seemed delighted to be able to look like they wanted to, listen
to what they wanted to, watch what they wanted to, and generally
enjoy themselves again. Who could complain about Afghans’ filling
their lives with pleasure after being coerced for years to adhere
to a harshly enforced ascetic code? The West’s liberal, anti-materialist
critics, that’s who." Reason
03/02
Tuesday March 5
ADS
FOR ARTS: The arts advocacy group Americans for the Arts has
produced a series of ads promoting the arts. The ads were donated,
and so far $100 million worth of air time to run the spots on
TV around the country has been donated. "The three-year campaign,
which also includes print, radio, the Web and other media, is
designed to make parents aware that arts education is vital to
producing not only artists, but well-rounded, imaginative people
in general." Dallas Morning News
03/05/02
Monday March 4
FUNDING
TORONTO: Canada's federal government has decided to give Toronto's
largest arts groups $260 million. "The long-awaited grants
are seen by some as the beginning of a cultural rebirth for Canada's
largest city." The arts groups have a long (and expensive)
wish list for the money. National
Post (Canada) 03/02/02
Sunday March 3
DOES
ART STILL MATTER AFTER? "In 1937, it took a couple of
days for Picasso to hear the news of Guernica; today, he
would have watched it unfolding live on television. This immediacy
and its accompanying glut of images and information is itself
a challenge to artists. One difficulty in making art about Sept.
11 is that it is hard to create anything that rivals in magnitude
the live images that so much of the world spent days obsessively
watching on television. In the face of this new reality, the demand
that art respond literally, directly and rapidly to crisis contains
an underlying note of panic: an urge to demonstrate to a broader
public, through a definitive statement on something of great social
moment, that art is indeed necessary, that art can still make
a difference, despite a growing fear that it is not and cannot."
The New York Times 03/03/02
INTO
THE SUBURBS: Artists have traditionally worked in cities.
But more and more urban arts groups are realizing that a major
part of their audiences come from the suburbs. And that in turn
is bringing artists out to the 'burbs'. "There's a real pent-up
demand for culture in the suburbs." Minneapolis
Star-Tribune 03/03/02
Friday March 1
SAVING
ART FROM COLLECTORS: "Historic items worth more than
£3.2m, including paintings by Rubens and William Blake, have been
kept in the UK following export deferral. The government can save
rare items "for the nation" by putting a bar on its removal from
the country. Often a museum or gallery will then step in and buy
the item so that it can be kept on public display." BBC
03/01/02
ROCKWELL
OUT AT NYT: "John Rockwell, editor of The New York Times'
Sunday Arts & Leisure section for the past four years, steps down
from the influential post today. He will move into the newly created
position of senior cultural correspondent, writing cultural news
stories and criticism... Under Rockwell's guidance, it has developed
into perhaps the country's most prominent source of performing
arts commentary, with coverage of everything from movies to the
performing arts, from the mainstream to the fringe."
Andante 03/01/02
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