Thursday February 28
DON'T
PICK ON THE ARTS: The Atlanta City Council, facing budget
shortfalls, proposed cutting funding for arts groups. But after
a spirited council meeting at which arts supporters rallied to
speak against the cuts, funding restored almost to 2001 levels.
Atlanta Journal-Constitution 02/27/02
LEARNING
THROUGH POP CULTURE: Does "teaching" popular culture
dumb down education? Maybe not. "Getting our students to
'read' popular cultural critically may well become our task as
teachers in an age increasingly dominated by the mass media. If
students can learn to reflect on what they view in movies or on
television, the process may eventually make them better readers
of literature. The many critics of popular culture, who adamantly
oppose its inclusion in the college curriculum, fear that studying
it inevitably involves dragging what has traditionally been regarded
as high culture down to the same level. But that is not to say
that no embrace is possible. By being selective and rigorously
analytical, one may be able to lift popular culture up to the
level of high culture, or at least pull it in that direction."
Wilson Quarterly 01/02
THE
ART OF GLASS AND BODIES: Surprised researchers have discovered
that "the cells that make up the heart, lungs, and many other
organs in the body display glasslike properties, according to
a report in the October Physical Review Letters." They conjecture
that "just as heat can turn an apparently solid champagne
glass into liquid, cells are made more fluid - and therefore able
to contract, crawl, and divide - by internal jostlings within
the cell, what is called noise temperature." Harvard
Focus 11/01
Wednesday February 27
EVEN TOUGHER COPYRIGHT
LAWS: The World Intellectual Property Organization, an international
body of government representatives that globalizes laws, has announced
new guidelines to crack down on digital piracy. The WIPO Copyright
Treaty and the WIPO Performance and Phonograms Treaty, which go
into effect over the next three months, extend copyright protection
to computer programs, movies and music." Wired
02/26/02
MIGHT
AS WELL HAVE ASKED JAMIE SALE TO DESIGN IT: One sure way to
get a hostile reaction from the Russian press is to allow a foreigner,
particularly an American, to design a building in St. Petersburg.
It works even better if the American is chosen over a prominent
home-grown architect. So when a commission chose Eric Owen Moss
to head up the massive renovation needed for the Mariinsky Theatre,
it was a good bet that many people were not going to be happy.
Andante 02/27/02
SUBVERTING
THE TEST: From kindergarten on, Korea's education
system is geared towards teaching students how to pass the exam
any student wanting to go to college must take at the age of 18. "There
are no alternatives for less academically minded students interested
in subjects like art or music, or who don't want to go to college
at all. The result is a system designed to produce cookie-cutter
test-takers." But Korea's students - many of whom are expected
to study 18 hours a day - are demoralized by the test, and drop-out
rates have soared. So why is the government trying to shut down
an alternative school that seems to be finding success?
Far East Economic Review 02/28/02
MAKING
STRIDES IN ST. PAUL: Long in the shadow of its larger sister
city, Minneapolis, St. Paul has in the last decade begun to come
alive again. Now, a new mayor is making the arts an emphasis,
meeting with the city's existing theater and music execs as well
as looking for ways to draw new blood into the St. Paul arts scene.
"Where new Minneapolis Mayor R.T. Rybak plans to eliminate
that city's Office of Cultural Affairs, [St. Paul Mayor Randy]
Kelly says he hopes to be able to direct more city resources toward
the development of arts and culture." Saint
Paul Pioneer Press 02/24/02
Tuesday February 26
NEW
YORK'S NEW CULTURE CZAR: New York City has a new culture czar.
Cultural affairs commissioner Kate D. Levin "inherits a department
many arts professionals describe as in need of serious reinvigoration.
Even as Rudolph W. Giuliani poured an unprecedented amount of
city money into cultural building projects and became known for
his love of opera, the agency charged with promoting the interests
of New York's arts institutions quietly but steadily diminished
in size and influence amid years of budgetary ups and downs."
The New York Times 02/26/02
SELLING
OUT SELLARS: The end, when it came, was swift. Director Peter
Sellars had promised something completely different for this year's
Adelaide Festival. Within a few days of revealing what that was,
though, Sellars had resigned. Why? Interviews with Adelaide City
Messenger editors reveal the increasing skepticism Sellars plans
had provoked. The
Idler 02/26/02
SELLING
OUT ABORIGINAL: Australian Aboriginal art is very popular
these days. But is it being over-promoted? "When we talk to old
people in this country and they ... tell us their stories, and
then when we go somewhere like Germany and see that story told
on a tea-towel ... or we see a woman playing the didgeridoo, that
is a total abuse of what we are giving the world." The
Age (Melbourne) 02/26/02
Monday February 25
MESSING WITH
THE CLASSICS: Why do critics get so upset by resettings of
classic works? Okay, maybe dance gets away with some updating,
but play Verdi "with a line of men sitting on the loo,"
and throw in "midget devils and gang rape" and everyone's
screaming. "What's in operation is an artistic dress-code
in which we believe that old stories should be told in the old
way even though the artists who are now the beloveds of cultural
conservatives - Shakespeare, Mozart, Bach - told old stories in
a new way." The Guardian
(UK) 02/23/02
BUT
HE THROWS A GOOD PARTY... London "arts celebrities"
have mounted a campaign to pressure Italian Prime Minister Silvio
Berlusconi not to remove Mario Fortunato, the Italian cultural
envoy to London. "A letter to Mr Berlusconi, published last
week in Italian and British newspapers, praised Dr Fortunato's
tenure as a roaring commercial and artistic success which turned
the Belgravia institute into one of London's hippest cultural
spots." The Guardian (UK) 02/25/02
Sunday February 24
DRAWING
THE LINE: A man in British Columbia is on trial for distribution
of child pornography, in the form of a story he wrote. The accused
claims that the story is literature, not porn, and as such is
protected speech. Not a new debate, of course, but still a brutally
difficult one to participate in. Does the quality of the work
determine whether it is art? Or the content? Or the inclusion
of non-pornographic material beside the offensive stuff? One thing's
for sure: no one envies the judge. Toronto
Star 02/23/02
WHO
NEEDS LONDON? "The decision as to which UK city will
be appointed European Capital of Culture in 2008 will be made
in March," and at least one British writer is pitching an
unlikely candidate. "To argue against Belfast winning the
honour because it has no opera or ballet and has not produced
a Belfast Ulysses is to deny the aspirations of present
and future generations - culture pitches itself endlessly forward;
culture is a debate, an argument." The
Guardian (UK) 02/23/02
BBC4
- ARTS HAVEN OR CLEVER DODGE? For years now, Brits have complained
that the BBC has been dumbing down the level of its arts programming,
and bemoaning the recent lack of much in the way of live concerts
or truly informative arts documentaries. The public broadcaster's
response has been to launch BBC4, a cable channel supposedly dedicated
to the arts. But critics are howling still, saying that the arts
should not be relegated to "niche" programming, but
distributed throughout the BBC schedule as they once were. Sunday
Times of London 02/24/02
Friday February 22
BUSH'S
ARTS COUNCIL APPOINTMENTS SEND "MIXED MESSAGES":
President George Bush has appointed six new members of the National
Council on the Arts. The Council advises the National Endowment
for the Arts. "However, the nominations to serve on this
Council, which oversees the selection of grants for all American
artists, send mixed messages about the President's support of
diverse art forms and of the Arts Endowment itself." One
of the appointees, for example, belongs to an organization that
advocates abolishment of the NEA. Artswire
Current 02/21/02
JAPAN
STAYS AT HOME: Yes travel is down worldwide since September
11. But in Japan travel has shrunk to almost nothing. Companies
specializing in Japanese cultural tours to New York say business
is about 10 percent of usual levels. Why? "The herd mentality
appears responsible for a chain reaction involving Japanese tourists
avoiding overseas travel, particularly to the United States, with
one Japanese company after another canceling its employees' overseas
travel for training or other purposes, simply for the reason that
other companies also have canceled." Daily
Yomiuri 02/22/02
THE
DEATH OF CITY LIFE? "James Howard Kunstler's 1993 book
The Geography of Nowhere was an impassioned rant against
suburbia, shopping malls, cheap disposable architecture and the
fragmentation of communities fostered by an increasingly mobile,
car-oriented culture. His latest book, The City in Mind,
is a sort of companion to that earlier volume, a jeremiad against
poor urban planning and the decline of the American city. His
outlook is pessimistic, to say the least." The
New York Times 02/22/02
Wednesday February 20
A
COPYRIGHT TOO FAR? The US Supreme Court has agreed to hear
a case that will review whether Congress' 1998 copyright law went
too far in protecting the rights of those who create intellectual
property. Plaintiffs "argue that Congress sided too heavily
with writers and other creators when it passed a law in 1998 retroactively
extending copyright terms by 20 years." Wired
02/19/02
HOLDING
ON TO WHAT YOU'VE GOT: Give credit where its due: American
arts organizations have come a long way in the lobbying game in
the last decade or so. With most states facing crushing budget
deficits this year, and almost everything on the chopping block,
theatres, orchestras, and galleries are fighting desperately to
keep the pittances they've managed to squeeze from their elected
representatives. Of course, this works better in some states than
others. Minneapolis Star Tribune 02/20/02
SAYING
NO TO CIVIC ART SINCE 1911: Pittsburgh, Pennsylvania is a
textbook example of a city risen from the ashes of a bleak, post-industrial
malaise that many thought it could never dig out from. But although
many aspects of Pittsburgh life are much improved, the realm of
public art is still a difficult area. The city's Art Commission,
when it is mentioned at all, is usual cited as a bunch of folks
determined to put a stop to civic art projects for one reason
or another, rather than a group encouraging new and diverse public
art. Pittsburgh Post-Gazette 02/20/02
Tuesday February 19
THE
INTELLECTUAL PROPERTY PROBLEM: "There is a growing catalogue
of worries about intellectual property issues—from the emergence
of overly broad 'business method' patents to heated charges that
proprietary claims on pharmaceuticals stifle affordable access to
medicine in the Third World. A day hardly goes by without a high-profile
intellectual-property battle heading to court. Meanwhile, university
researchers are griping that open, collegial dialogue is being eroded
by proprietary interests and secrecy as professors vie to create
startups and get rich. These issues are interwoven because they
all involve balancing similar kinds of private and public needs
in a knowledge-based economy." Technology
Review 02/18/02
HOLLICK
TAKE OVER SOUTH BANK: Lord Clive Hollick, a Labour Party friend
and media tycoon, takes over as chairman of the South Bank Board.
"His most pressing task will be to raise the money necessary
to upgrade the centre." Criticisms of the appointment were
immediate. "This does show total insensitivity to the concerns
of the public about cronyism."
BBC 02/19/0
- CRONIES
R US: Yet another political crony has been put in
charge of an English cultural institution, writes Norman Lebrecht.
Lord Clive Hollick might think he has the political clout to
make a success of his new job as chairman of London's South
Bank, but he doesn't have the experience to succeed, and besides,
"Tony Blair does not want to be bothered with culture -
or with building schemes, for that matter, since the Millennium
Dome fiasco." The
Telegraph (UK) 02/19/02
SELLARS
RETURNS TO ADELAIDE: Director Peter Sellars showed up for
the Adelaide Festival this week promising to explain after the
festival why he had been removed as director of the festival.
"My mistakes here - I will give you a very impressive list
of them mid-March," he said, breaking into peals of laughter.
"I have a very impressive list. I have looked it over pretty
carefully and I see things that, of course, I didn't see when
I came here. Next time out ..." Sydney
Morning Herald 02/19/02
Monday February 18
PUBLISHING
DEFENSIVELY: Want to protect your great idea from being stolen
by others? Tell the world. "Such disclosure, known as defensive
publishing, is an increasingly common tactic for protecting intellectual
property. Publishing an innovation means that competitors have access
to it, of course. But many companies say the competitive risk is
outweighed by the benefit of making it difficult for someone else
to win a patent — a patent that could give the holder the right
to demand licensing fees from all other users of the technology
or technique."
The New York
Times 02/18/02
A
CHAIRMAN FOR SOUTH BANK CENTRE:
There's a new man in charge at London's South Bank Centre, which
includes the Royal Festival Hall and the Hayward Gallery - Clive
Hollick, one of Labour's biggest business supporters and former
owner of Express newspapers. "The job is unpaid and arguably
thankless as the centre has been involved in years of dramatic
attempts at redevelopment that have been repeatedly stalled."
The
Independent (UK) 02/18/02
PURELY
PURITAN: Oh, let's all dump on the Puritans, shall we? Those
odd folk of 17th Century England weren't appealing? "A puritan
is a censor, a prude, an enemy of the arts." And yet, the
Puritans "were certainly united in their belief that works
of art were necessary adjuncts of political greatness."
The Guardian
(UK) 02/17/02
Sunday February 17
CHANGING
THE SYSTEM: New York City's new commissioner of cultural affairs
has swept into office with a plan to reform what she sees as a
broken system. Specifically, Kate Levin wants to provide for a
more open and equitable distribution of the city's resources allocated
for support of the arts. Under the current system, "85 percent
of the city's arts financing is given to the Cultural Institutions
Group, a group of 35 prominent cultural institutions, while the
rest of the city's arts groups are left to apply for remaining
15 percent." The New York Times
02/16/02
HOORAY
FOR ELITISM! "These days, to be called elitist is to
have one's character defamed, like being called racist or sexist.
Unfortunately for arts organizations, fear of the label can have
a worse outcome than wearing it proudly -- especially when it
leads to mundane programming and favors diversity over quality."
Minneapolis Star Tribune 02/17/02
Thursday February 14
HELPING
OUT AFTER 9-11: An anonymous arts-loving donor gave the Carnegie
Corporation $10 million to give to New York arts groups hurting
after September 11. The money - as much as $100,000 each will
go to 137 arts organizations. The
New York Times 02/14/02
WHERE
NO ONE KNOWS YOUR NAME: "So what do you do?" "I'm a conceptual
artist." "How interesting. What project are you working on at
the moment?" "I only have one project. I change my name by deed
poll every six months." The
Guardian (UK) 02/13/02
Wednesday February 13
ROYAL
OPERA HOUSE TO GO MULTIMEDIA: London's Royal Opera House is
going multimedia. Under new director Tony Hall (who knows something
about electronic media after his years at the BBC) the ROH will
broadcast performances on large screens. A test is planned for
London, and the idea will be tried elsewhere if the initial broadcasts
are a success. There are also plans to offer broadcasts of live
performances in cinemas and "the opportunity to have online
chats with stars including Placido Domingo and Darcey Bussell."
The Independent (UK) 02/13/02
Tuesday February 12
INSITEFUL:
"Site-specific work has developed out of a gradual loss of faith,
or interest, in traditional purpose-built venues - the gilt-and-velvet
theatre in which the curtain rises on a play, the gallery where
flat paintings hang on white walls, or those dreary municipal
'centres' such as the Barbican, that sprang up in the Sixties
and Seventies." For 10 years one of the most ambitious presenters
of site-specific work in the UK is a group called Artangel. "Many
such Artangel projects involve what is known as 'the community'.
But we don't tick politically correct boxes, or set out to be
accessible and non-elitist. It's the artist who leads, and we
follow." The
Telegraph (UK) 02/12/02
SHIFTING
SEAT OF LEARNING: For a long time, New England has been considered
home to America's most prestigious universities. "But these
days, the region's dominant hold on the higher-education market
is fading. The nation's population center is shifting to the South
and West, where a handful of public and private colleges have
emerged as real competitors in selectivity, quality, and, most
of all, price." Chronicle
of Higher Education 02/11/02
Sunday February 10
COPYWRONG:
Last week a judge ruled that the new Austin Powers movie couldn't
use the name "Goldmember" because it infringes on MGM's
James Bond copyright. "The Goldmember affair - which riled
MGM because it parodies the 1964 Bond film Goldfinger in
which Sean Connery uncovers a plot to contaminate the Fort Knox
gold reserve - is just one in a long line of copyright battles
that continue to erupt over the ownership of everything from book
and movie titles to acronyms, initials, images, even single words
or catch phrases." The
Globe & Mail (Canada) 02/09/02
Friday February 8
AN
END TO DECENCY: Ex-New York Mayor Rudy Giuliani's "Decency
Commission," set up after the mayor objected to an art exhibition
at the Brooklyn Museum, finally came up with a report. But that
report will likely never see the light of day now that Giuliani
is out as mayor and Michael Bloomberg is running the city. Says
Bloomberg: "I am opposed to government censorship of any kind.
I don't think government should be in the business of telling
museums what is art or what they should exhibit." Nando
Times (UPI) 02/08/02
TAKEBACKS:
On Monday Catherine Reynolds canceled her $38 million gift to
the Smithsonian. The money had been controversial because Reynolds
had wanted the museum to build a paean to individual accomplishment
with the cash, and even suggested who might be included. But Washington's
big arts donors are philosophical about the debacle. Says Reynolds:
"I think we really hit a nerve. We've gotten so many calls from
museums in the past two days." Washington
Post 02/07/02
ALL
ABOUT THE ENTROPY: A group of mathematicians has been analyzing
documents using the "file-ZIPping" programs that computers
use to conserve space, and some interesting linguistic results
have emerged. The patterns, or entropy, of the language in the
text being analyzed is unique to the point that, after being fed
multiple documents of varying styles, the computer was able to
identify different languages, and even anonymous authors, based
solely on the sequence of the text. The
Economist 02/07/02
GRASS
WON'T KEEP OFF THE TABOOS: "German novelist Guenter Grass
has broken two national taboos this week, calling for the publication
of Hitler's Mein Kampf, and raising the delicate subject
of German wartime refugees fleeing from the Red Army. He called
for basic information on National Socialism to be made available,
and for public discussion of the phenomenon. He said that would
help young people who may be fascinated with Nazism, but do not
understand the reality behind it." BBC
02/08/02
Thursday February 7
RESTORING
AFGHANISTAN'S CULTURE: UNESCO has made the reconstruction
and preservation of Afghan heritage the focus of "International
Year of Cultural Heritage - 2002." "The immediate priority is
the formation of a cultural policy by the Afghan government, revival
of Kabul museum and the reconstruction of Islamic cultural heritage
in Herat city." Asia
Times 02/06/02
THE
BEST WE CAN BE: For a long time we humans have believed that
humankind would always continue to evolve, to get better and better.
Look at all the improvements in our species in the past few hundred
years. But a scientist says we may have peaked - that this is
the best it gets, that it's all downhill from here...
The Observer (UK) 02/03/02
PENNSYLVANIA
TO CUT ARTS FUNDING? After increases in its budget for most
of the 1990s, the Pennsylvania Council on the Arts would see a
9 percent reduction in its budget - from $15.4 million to $14
million - if a proposal by the state's governor.
Pittsburgh Post-Gazette 02/07/02
Wednesday February 6
CHICAGO'S
NEW THEATRE: A new Music and Dance Theatre has started construction
in Chicago. "The venue, which will serve as the performance
space for a dozen local arts groups, including Chicago Opera Theater,
Music of the Baroque, Hubbard Street Dance Chicago and Joffrey
Ballet of Chicago, will carry $53 million in design and construction
costs. The theater's board also hopes to raise between $9.5 million
and $10 million for an endowment fund that will subsidize the
cost of operating the space for the arts groups." Chicago
Business 02/04/02
Tuesday February 5
BUSH
ASKS FOR MORE ARTS/HUMANITIES MONEY: "As part of its
fiscal 2003 budget proposal, the Bush administration yesterday
requested an increase of $9 million for the Smithsonian for a
total of $528 million, an all-time high in its federal appropriation."
Bush also asked for $2 million increases for the National Endowment
for the Arts and the National Endowment for the Humanities.
This would be the fifth
year in a row the NEA has had a budget boost. Washington
Post 02/05/02
INDEPENDENT
ANALYSIS OR LAZINESS? Some critics decline to do independent
research into the subject they are reviewing, claiming some invisible
line between critic and journalist. But the "rigid segregation
of the critic and the work has always seemed both precious and
limiting to me. It suggests both a haughty distance from the thinking,
breathing creator and a fear that the critic's pristine sensors
might be blunted or corrupted by deigning to talk with artists
about their work. Being able to engage in spirited discourse,
rather than unthinking boosterism or jealous sniping, is the first
sign of a mature cultural society." The
Globe & Mail (Toronto) 02/05/02
THE
TROUBLE WITH TOYS: A toy exhibition in Nuremberg showcases
the latest in kids' toys. "Many new products try to reconcile
children's needs and parents' concerns. The solution is to separate
form from content, the first offering children fun, the second
soothing adult consciences. However enjoyable and colorful the
many new toys are, seeing them all at the same time is rather
depressing. Many of them talk, dance, react and simulate so perfectly
that they look more like playmates or caregivers than toys. They
are aimed at annoying the lonely, unimaginative child so that
he or she annoys no one else." Frankfurter
Allgemeine Zeitung 02/05/02
Monday February 4
STANDARD-ISSUE
TASTE? The tastemakers of yesteryear helped blaze a way through
art. But have the special feelings for art these people had become
too commonplace? "Does there inevitably come a point, when
more and more individuals have a feeling for art, at which all
those feelings become standard-issue feelings? There are certainly
a good many people working in our museums and arts organizations
who seem to believe that this is the case. They regard the public
not as a group of individuals but as a monstrous abstraction -
as a mirage. The very idea of the tastemaker may now be a paradox.
We may be entering a time when what we must celebrate is the individuality,
the privacy, even the loneliness of taste. To affirm the solitariness
of taste may be the best way, right now, to celebrate the things
we love." The New Republic 02/01/02
CHOOSING
TO WALK OUT: Unlike politicians or bores at dinner parties,
it's pretty easy to discard art. "Whether you care about
opera, or books, or music, or theatre, or whether you couldn't
give two hoots about them, whether your occasional displeasure
with them is an expression of sound critical judgment or bias
or merely a bad mood, you have to admit that compared with most
other things in life, they are easy to get rid of. You can say
goodbye to them abruptly, frankly, unequivocally, completely --
either because you're bored to tears with the whole idea of them,
or else because you know there are too many good operas, good
books, good plays, good musical compositions to waste time on
bad ones." The Globe & Mail
(Canada) 02/04/02
Sunday February 3
STORYBORED:
"It is one of the most notable features of this age of artistic
over-production that just as the quantity of fiction produced
has grown so alarmingly, so too has the number of observers ready
lazily to declare that all life has gone out of the activity.
We no sooner open the cultural pages of a newspaper than some
commentator tells us that the novel, the theatre, the television
play, the poem or the movie has died, but that somehow nobody
else has noticed." The Guardian
(UK) 02/02/02
WHERE
ARE WE GOING? When you're right in the middle of consuming
contemporary art, it's difficult to see where its going. "Certainly,
in the free-for-all that is contemporary art, the challenge is
to find any connection within the chaos of its styles, influences,
cross-influences and impulses. As art critics, we're largely dancing
in the dark." Hartford
Advocate 02/01/02
Friday February 1
BEWARE
- THE ARTISTS AT THE GATES: In the UK, enrollment is down
in university science courses, and up in arts and humanities.
Whether that's good news or bad depends upon your outlook: the
information was presented to Members of Parliament as warning;
it indicates, said one MP, a "slide toward the cheap end"
of academia." The Guardian
(UK) 01/31/02
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