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| Monday
December 9, 2002 25 stories
For
The Good Of The World - We're Keeping The Art Directors of 18 major museums
from around the world have signed a declaration that their institutions act as
"universal museums" for the good of the world, and therefore they will
not hand back ancient artifacts to their countries of origin. "The universal
admiration for ancient civilisations would not be so deeply established today
were it not for the influence exercised by the artefacts of these cultures, widely
available to an international public in major museums." BBC
12/09/02 "Mad Professor" Wins Turner Prize Keith Tyson has won this year's Turner Prize. "The
33-year-old former Cumbrian shipyard worker, dubbed the 'mad professor' for his
fondness for exploring ideas from the outer limits of cod science and his outlandish
proposals for giant neon dinosaurs and the like, had been the bookies' favourite.
As the artist with the best jokes, he was also the public's first choice."
The Guardian (UK)12/09/02 - Best Of The Lot? "Though
art critics were underwhelmed by Tyson's submissions to the Turner Prize exhibition,
describing him as being at the soft end of the conceptual movement, he will probably
escape the hilarity and condemnation which greeted last year's winner, Martin
Creed, whose sole exhibit was a room in which the lights turned on and off every
few seconds."The Telegraph 12/09/02
- Chew You Up, Spit You Out Think being nominated for the Turner is the answer
to an artist's prayers? Not always. "The Turner Prize picks up little-known
artists and throws them, albeit briefly, into the eye of a news storm. Unlike
actors at the Oscars, artists tend to be among the least well equipped to deal
with the sudden, intense attention." The Observer
(UK) 12/08/02
Building As Picture Frame The
new Modern Art Museum of Fort Worth is a signature art building like most new
museum buildings. But curators say the building ought to be a supporting player
to the art. "My job is to represent the artist. If an artist makes a big
painting, they want it to look big. What I want is small spaces where I can make
small paintings look big and big paintings look big, without compromise."
Houston Chronicle12/06/02
Celebrating Boheme Baz Luhrmann's
"La Boheme" opens in a flash of color on Broadway. "The show is
far more respectful of its sentimental operatic essence than many of the lugubrious,
experimental productions of old war horses at the Met. (Think 'Lucia di Lammermoor'
or 'Il Trovatore.') What Mr. Luhrmann and his extraordinary production designer
(and wife), Catherine Martin, have done is find the visual equivalent of the sensual
beauty and vigor of the score." The New York
Times 12/09/02 - Youth Appeal "Luhrmann
does not so much reinvent 'La Boheme' as repackage it. He makes a powerful case
for wresting it out of the exclusive control of highbrow culture and into the
realm of mainstream musical theater. Washington Post 12/09/02
- Baz's Boheme - Surprisingly Flat Does opera really belong on Broadway? "Opera lovers
needn't fear. Luhrmann hasn't gone too far. A young, handsome cast sings the opera
in Italian as written. The amplification is far subtler than the miserable Broadway
norm and almost pleasurable. To compensate for singing that is not of a particularly
high standard - though, for the most part, OK -- there is a sense of intimacy
and detailed bits of characterization that are hard to equal in a large opera
house." Los Angeles Times 12/09/02
- The Increasingly Blurry Lines Between Opera And Broadway
Opera companies producing Broadway musicals. Broadway taking
on opera classics. What's going on? "There are two main reasons for this
sudden fusion, neither of which originate in artistic concerns."
Chicago
Tribune 12/08/02 Mahler Manuscript Means Much So what difference does the discovery last month of a new
manuscript of Mahler's First Symphony make? "It changes not the substance
of the symphony but its sound: its orchestration and how, by means of stress and
rhythmic detail, its ideas are articulated — how, in a word, it speaks."
The New York Times 12/08/02 Isn't Payola Illegal? Er,
yes...but if you're a Latin music artist and want to get airplay on the radio,
you've got to pay. "Because payola adds so much to the cost of promoting
a recording - between 20 percent and 30 percent, according to former major-label
employees - it cuts out most smaller, independent labels, typical sources for
new genres and artists." Miami Herald 12/08/02 Ticket Prices On The Way Down In recent years concert ticket prices have spiraled up.
But in the past six months the concert industry has discovered consumer resistance
to the high cost, and finally, prices are staring to decline. One promoter predicts
ticket prices will be down 15 percent from last year. Rocky
Mountain News 12/08/02 La Scala Opens In An Away Game For the first time in 224 years, La Scala opened its season
outside of its own theatre. "The newly built, 2,400-seat Arcimboldi, in a
former industrial area, will host La Scala's full program of operas, ballets and
concerts through December 2004 while La Scala Theater, the company's venerable
temple of bel canto, undergoes a $56 million renovation." Nando
Times (AP) 12/09/02 Answering A Complaining Critic Last week the Chicago Tribune published a damning series
of criticisms about the acoustics in Chicago's Orchestra Hall. This week, the
orchestra's president responds to music critic John von Rhein's complaints. "What
confused us was not so much that Mr. von Rhein reversed the opinion that he had
stated at the opening of the refurbished Orchestra Hall in 1997 - that the renovation
brought "marked improvement" in the area of sound - but that he reversed
views that he has been expressing consistently since. Chicago
Tribune 12/08/02
Go West, Young Arts Lover... It used to be that the quality cultural offerings in America
were found on the East Coast. No longer. "The great and unfolding story of
our cultural geography, however, is happening elsewhere now, driven by population
shifts, new wealth, expanded education, international migration of artists and
the evolution of a prismatic American aesthetic in cities from Miami to Seattle.
Nowhere is this tectonic change more apparent than in San Francisco..." San Francisco Chronicle 12/08/02
- Room
At The Top The San Francisco Symphony isn't one of America's Big Five orchestras
- it's helped expand the definition of the country's best ensembles. San
Francisco Chronicle 12/08/02
- SF Opera - Best Of The Rest? Of course the Metropolitan Opera is America's best
- and biggest. But San Francisco is surely second (or third?) best? San
Francisco Chronicle 12/08/02
- SF Ballet - A Comer... "Long
regarded as a solid regional institution, San Francisco Ballet has vaulted forward
in the past decade. Versatility and aplomb, distinctive stars from around the
globe, depth in the corps, a clean and confident style and a broadly built repertoire
now place San Francisco well ahead of the regional pack and into the first tier
of major companies." San Francisco Chronicle
12/08/02
- SFMOMA - The Big Push San
Francisco's highest-profile art museum? SFMuseum of Modern Art. "SFMOMA stands
reinvented in its landmark - though not universally admired - downtown building
designed by Swiss architect Mario Botta." San
Francisco Chronicle 12/08/02
The Big Orange Sad economic stories from arts groups all
over America are common these days. But in the Los Angeles suburb of Orange County,
the story is mixed. "Success stories are almost as common as negative reports.
The mixture of good and bad news here is further evidence that Orange County is
a quirky place, not to be graphed on a simple upward or downward chart."
Orange County Register 12/08/02 Escape From... Looking back over this year's offerings
in arts and entertainment, there's one trend that's easy to spot - a low reading
on the substance meter. "Maybe this year we needed an extra dose of escapism.
But if the entertainment industry wants to stay connected with us in the long
run, it needs to make more works that matter." Boston
Herald 12/08/02
Have Muppets, Will Sell The
Muppet empire has been chopped into pieces since Muppet creator Jim Henson died
in 1990. The company was sold soon after Henson's death, and some of the characters
were resold off to Sesame Street last year. The rest of the troupe has been on
the market for the past year. Is Miss Piggy enough of an enduring character to
endure? The Guardian (UK) 12/09/02 Incubators R Us Atlanta's
main presenter of touring Broadway musicals proposes to build a new school and
theatre - "a laboratory-like theatrical environment where, over a period
of 10 to 12 weeks, all aspects of a show can be presented to a live audience,
revised, shown again, revised again . . . until a Broadway-ready project has emerged."
The theatre says the project would be a "one-of-a-kind incubator of new musicals
that would make Atlanta an invaluable stop on the road to New York." Atlanta
Journal-Constitution 12/08/02
Style Over Substance? Was
Michael Kinsley unethical as a judge for not reading all the nominees for this
year's National Book Awards? "The job of a book-awards judge starts with
bookicide. Once you've decided a nonfiction book could not possibly win - because,
say, its first 50 pages stink - you're free to toss it. There's no further reporting
obligation. Kinsley appears to have leaped way over the line if he didn't
read even the opening pages of many nominated books... Philadelphia
Inquirer 12/03/02
The Life & Times Of A Dance Company... Director Robert Altman wanted to direct a dance movie,
and chose Chicago's Joffrey Company to tell the story. "Artists steeped in
the work of Vaslav Nijinsky, Antony Tudor and Frederick Ashton meet, or, rather,
met Robert Altman, Neve Campbell and Malcolm McDowell during the three-month shoot
took place all over Chicago as it focused on a story inside the life and times
of the Joffrey." Chicago Tribune 12/08/02
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