“Critics can and have read Other Music’s bow-out as representative, in an allegorical way, of any number of bigger Ends: the End of music as a physical medium to be collected and doted over, the End of curated off-line retail, the End of curation, the End of the East Village, the End of New York. Most of those Ends—whether real or imagined—have already been eulogized so aggressively that to revisit them now seems plainly indulgent.”