In part three of a series on what’s ailing America’s flagship opera company and how to cure it, Dawn Fatale looks at engaging the public and at casting – and says the Met must stop casting five to six years in advance.
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In part three of a series on what’s ailing America’s flagship opera company and how to cure it, Dawn Fatale looks at engaging the public and at casting – and says the Met must stop casting five to six years in advance.