These systems may appear neutral, but they are far from it. The most popular models privilege dominant epistemologies (typically Western and institutional) while marginalising alternative ways of knowing, especially those encoded in oral traditions, embodied practice and the languages considered ‘low-resource’ in the computing world. - Aeon

In the past (autism became a diagnostic category only in 1943), the ‘idiot savant’ was a paradox, who confounded categorisation because there was no unified way of comprehending how such exceptional musical and numerical skills might co-exist alongside their polar opposite: profound disability. - Aeon

The idea of a permanent underclass has recently been embraced in part as an online joke and in part out of a sincere fear about how A.I. automation will upend the labor market and create a new norm of inequality. - The New Yorker

The thing is, “music classes require ukuleles, recorders, and sheet music for every student. Visual arts classes require painting supplies –– easels, paper, paint brushes, paint. Dance classes require mirrors and bars.” How’s the $35 arts tax doing? - Oregon ArtsWatch

At least, at the University of Minnesota: “Students come to our courses not only for practical career training but to fulfill their love of reading, passion for writing, and hunger to reflect on essential questions about who we are as individuals and communities.” - Minneapolis Star-Tribune

Eliza was worth a lot more than her quick summing up in two minutes at the end of a 165-minute musical. "Eliza’s widowed years a kind of breakout,” actually, and the U.S. (and Washington, D.C.) would have looked quite different without her.  - The Atlantic

This fraught debate has pitted artists who are broadly in agreement against each other. “There’s so much energy being spent ripping ourselves to shreds that arguably could be repurposed and deployed to Nigel Farage or Keir Starmer." - The Guardian

“As rising costs hit British Columbians in all areas of life, advocates say arts organizations across the province are struggling to keep up.” - CBC

Even if an artist can afford to turn up their nose at it, the entire structure that allows them to show, see, and otherwise participate in the arts is so enmeshed with government money that rejecting it individually is as meaningless as refusing to eat Madagascar vanilla to help with your carbon footprint. -...

In Houston, smaller groups who can’t afford the big upfront costs of galas get quite inventive with their benefit events. - Houstonia Magazine

We are now seeing what the lost decade in American education has wrought. By some measures, American students have regressed to a level not seen in 25 years or more. - The Atlantic

“My hope is that the administration continues to recognize how important artists and culture workers are to telling the story of Chicago and to making Chicago the kind of beautiful, vibrant place that we’re all fighting for.” - Chicago Sun-Times

The musicians’ union and management reached agreement (pending a ratification vote) on a new contract on October 5, bringing to an end a ten-day walkout that was the first strike in the VSO’s 107-year history. - CBC

Swift broke the record set by Adele's 25, which sold 3.378 million copies in its first week in 2015. The Life of a Showgirl was released Oct. 3. In its first week, pure album sales totaled 3,479,500 copies. She's also become the solo artist with the most No. 1 albums on the Billboard 200. - CBC

Roughly 96% of the classical music on terrestrial radio in the U.S. is broadcast on public radio stations — and those stations often have crucial symbiotic relationships with the classical music scenes in their listening areas. Michael Andor Brodeur considers what’s at stake. - The Washington Post (MSN)

As AI becomes more embedded in music creation, the challenge is balancing its legitimate creative use with the ethical and economic pressures it introduces. Disclosure is essential not just for accountability, but to give listeners transparent and user-friendly choices in the artists they support. - The Conversation

A team led by Dr. Shinichi Furuya at the NeuroPiano Institute and Sony Computer Science Laboratories, Inc. has provided the first scientific evidence showing how pianists’ touch on the keys can actually change a piano’s timbre—the tonal character of its sound. - SciTech Daily

Cristian Macelaru: "The work is a lot more complex and challenging here , but it’s also much more rewarding. … I’ve always had such strong beliefs about what I would do if I were a music director of an American orchestra.” - The New York Times

This fall alone, the Clyfford Still Museum in Denver, the Museum of Fine Arts, Boston, and the UC Irvine Orange County Museum of Art have exhibitions curated by students ranging from high-schoolers to grade-schoolers. Professional staff assisted, but they put the kids through their paces. - The New York Times

Excessive deterioration due to deferred maintenance is the reason city officials have given for their (controversial) decision to demolish the (controversial) Brutalist artwork. However, newly rediscovered documents indicate that the city has not been the party responsible for the fountain’s upkeep. - Artnet

“About 150 original bronzes have been returned to Nigeria over the last five years. … Their public display inside the $25m state-of-the-art museum in the city of Benin … was to be the crowning moment of an almost century-long effort to reclaim Africa’s stolen art.” An uplifting story — the reality is messier. -...

That’s not to say, mind you, that the moai walked by themselves. A new paper published by two archaeologists lays out, through observation and experiment, how the Rapa Nui people likely rigged up the moai and walked them from the quarry to their platforms. - Artnet

An estimated one-third of Navajo Nation members make and sell art for a living, and in Zuni Pueblo, as many as 85 percent of households include a working artist. Yet for more than a century, Native artists have been subject to a marketplace that undervalues their work and rips off their designs. - Mother...

The Smithsonian manages 21 museums around Washington, DC, and in New York, as well as the National Zoo and 14 research facilities. It had previously said it could rely on remaining funds from past fiscal years to remain open, originally for “at least” five days past the 1 October shutdown. - The Art Newspaper

For many ordinary readers, the idea of entering a fictional world constantly teetering on the edge of a revelation that is always imminent but concealed, in which words pace ceaselessly around reference, and whose favored tool is the long, unstopped sentence, one that takes, say, four hundred pages to... - The New Yorker

“Devotees of her cult professed to find her restoring a pristine freshness and rhythm to language. Medical authorities compared her effusions to the rantings of the insane.” - BookForum

Fiona Benson, an editor of Exeter University’s Ukrainian Wartime Poetry Project, was invited to BookForum in Lviv by Arthur Dron’, a poet and war hero. On the second day, a siren sounded, everyone went down into a bomb shelter, and Russian missiles struck. - The Guardian

“The two-page typewritten manuscript signed by Kerouac in green ink is titled ‘The Holy, Beat, and Crazy Next Thing’ and is dated 15 April 1957, five months before … On the Road was published. It was discovered last year during the disposal of items owned by (mafia don) Paul Castellano." - The Guardian

My entire future rested on a few essays written in the school hall under a three-hour time constraint? Really? In the nineties, this was what we called “the meritocracy.” - The New Yorker

Given the complicated nature of library wholesaling and its existing position in the market, Ingram is well positioned to pick up a sizable chunk of B&T’s business.  - Publishers Weekly

“The decline ... was led by a sharp drop in reality TV production, which recorded its second-worst quarter in the last 15 years. Any effects of the massive expansion of the California film and TV tax credit, which became law on July 1, have yet to show up in the production data.” - Variety

Amid all the headlines about falling ratings, production cutbacks and monetary losses, it's easy to forget that late-night TV programs have historically occupied a singular space in pop culture that viewers couldn't easily find anywhere else. - NPR

“There’s a part of me that feels a responsibility to these listeners. I get all kinds of emails, stuff that I would never have expected, from people who I helped to get sober, who I helped pull off the ledge of depression. ... They live in my head.” - The New York Times

Tilly, you never had to be 14, so I’ll tell you what Google can’t. It feels like your soul gets a broken glass enema. You go from curious about this marvelous world to drowning in un-marvelous you. Who am I? How should I be? Am I alone? Your human brain answers “no one,” “invisible”...

Chat, is this less than ideal? “The merger would lead to the elimination of one of the original Hollywood film studios, and could see the consolidation of CNN with Paramount-owned CBS News.” - Los Angeles Times

"This issue of right-wing men attacking minority creatives and characters in video games has been going on for well over a decade at this point, and is unlikely to fade away any time soon.” Could gaming execs make a damn plan? - Slate

They decided only an hour beforehand to dance the performance but not show up at the red carpet or gala dinner — because they “wanted (their) absence to be felt.” They maintain that management’s offers in contract negotiations “fall far short” of other U.S. companies offer, despite NYCB’s greater “financial stability.” - The Cut...

The closure of Tampa Bay classical companies during the COVID-19 pandemic spurred co-founder Heather Ossola’s desire to fill the void. “I really felt like I had something to offer and give the Tampa Bay area a company they deserve,” she says. “And I had some experience working as a ballet mistress.” - 83 Degrees...

Limón adapted the 1920 play for his company in 1956, and the company’s current artistic director decided it was time for a revival: “The original story is about … a felon who becomes a tyrannical leader. I didn’t feel the imagination had to go far to draw a contemporary parallel.” - The New York...

They did the evening’s performance — fulfilling their contract obligations, as they pointedly mentioned — but skipped the red-carpet photo ops and left vacant their places alongside wealthy patrons at the dinner tables. The quasi-strike comes amid contract negotiations, with dancers insisting that their pay reflect New York’s soaring cost of living. - Page...

He hasn’t danced for nearly a decade. He has damaged bones and tendons and claims to know all his vertebrae by name. But he’s still fiendishly driven. - The Guardian

After 25 years, the Bangladeshi-British choreographer is closing down his touring troupe to pursue new creative directions. In a Q&A, he discusses the Akram Khan Company’s final project: Thikra: Night of Remembering, which uses dancers trained in Bharatanatyam for a ritual work inspired by the ancient Nabataean culture of Petra and AlUla. - ArtReview

The musicians' most recent contract expired August 31, 2025. Since then, the union has been trying to achieve a new contract that includes increased wages, increased healthcare contributions, and employment and income security. - Playbill

The Broadway League, which represents Broadway producers and landlords, is currently in tense negotiations with two different unions: Actors’ Equity (performers and stage managers) and AFM Local 802 (musicians). Here’s an explainer covering what’s at issue and what could happen if an actual strike is called. - TheaterMania

To get into Masquerade, you must go through Dylan’s door. Masquerade’s creative director, Shai Baitel, says that Phantom of the Opera and Dylan’s work have shared themes. For instance: “Bob is very connected to Paris. This is something that has influenced his entire career.”- Vulture

“Building these moments for the stage entailed leaps of imagination and acts of faith among the collaborators. ‘I’d say to the team, ‘Trust Zora.’ It’s in the play, it’s in the script, we just have to be able to see it.’” - The New York Times

Playwright Bess Wohl: “I wanted to make a play that I wished existed: a good, interesting, complicated play. How many plays are there really about this time and this movement? Not that many, when you consider what a big deal it was.” - American Theatre

Put simply, “Chess,” first produced in the U.S. in 1988, didn’t work on Broadway. So remounting the show, even though it’s become a cult favorite, is risky at a time when the box office is largely driven by long-running, big-brand musicals like “Wicked” and “Mamma Mia!” - Variety

That much will certainly be made clear in a massive Richter retrospective opening this month at the Louis Vuitton Foundation in Paris. Comprising some 250 objects, it is the largest survey of his work to date, exceeding MoMA’s landmark Richter show in 2002. - ARTnews

“(She and her husband, Dan,) through their distribution company, New Yorker Films, and such prominent Manhattan theaters as … Lincoln Plaza Cinemas, were a prolific force behind the transformation of movies in the 1960s and ‘70s from popular entertainment to an art form regarded with the seriousness of literature or painting.” - AP

The Oscar-winning director and actor with the most iconic American screen presence since Gary Cooper is now brawling with his castmates, getting sued by his crewmembers and, in recent months, giving paid keynote speeches at bakery and veterinarian conventions. - The Hollywood Reporter

Griffin was “an influential poet, playwright and prolific feminist author who pioneered a unique form of creative nonfiction, blending propulsive, poetic prose with history, memoir and myth.” - The New York Times

Keaton was the star of Annie Hall, for which she won an Oscar, and many other Woody Allen movies; she was also an Oscar nominee for Reds, Marvin’s Room, and Something’s Gotta Give. And then there were her iconic roles in the Godfather movies. - The Hollywood Reporter

“(He) enjoyed a wide-ranging career as a theatre and opera director without any of the obvious attributes for being so – no university or musical education, no artistic background, no connections – yet he succeeded over many decades in opera houses around the world, and for 10 years at the Royal Shakespeare Company.” - The...